Robert Wilson, “theater director, playwright and visual artist”, and a good Texas boy.
Time was an important element for Mr. Wilson, too. Where playwrights traditionally compressed time in their works, Mr. Wilson expanded it. His stage work “KA MOUNTAIN AND GUARDenia TERRACE,” which had its premiere in 1972 at the Festival of Arts in Shiraz, Iran, ran 168 hours and was presented over 10 days. Viewers were astonished and outraged to see actors taking hours to complete actions as simple as walking across the stage or slicing an onion.
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By contrast, Mr. Wilson’s first foray into opera, and his first collaboration with Mr. Glass, “Einstein on the Beach” (1976), is a comparatively trim five-hour work. It has no plot, but its tableaux touches on nuclear power, space travel and even Einstein’s love of playing the violin. And while it has plenty of text — counting sequences, solfège syllables, the lyrics to the pop song “Mr. Bojangles” and sections of poetry and prose by Christopher Knowles, Samuel M. Johnson and Lucinda Childs — none of it is dialogue. The audience, free to leave and return during a performance, is presented with ideas about Einstein by inference and metaphor rather than directly.
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“Einstein,” which had its premiere at the Festival d’Avignon in France in July 1976 and was staged at the Metropolitan Opera House in New York that November, has proved to be among the most durable works in Mr. Wilson’s and Mr. Glass’s catalogs. It has been recorded three times and revived regularly, with world tours in 1985, 1992 and 2012-15.
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Mr. Wilson and Mr. Glass teamed up again, in 1984, to produce “The Civil Wars: A Tree Is Best Measured When It Is Down,” the fifth act, called “the Rome Section,” of what was to be a 12-hour opera, with other sections composed by Jo Kondo, David Byrne, Gavin Bryars and others. Because of funding problems, the full work was never produced. But Mr. Wilson and Mr. Glass went on to produce two more operas, “White Raven” and “Monsters of Grace” (both 1998). In 2022, Mr. Wilson produced “H-100 Seconds to Midnight,” a work inspired by the physicist Stephen Hawking, with texts by Etel Adnan and music by Mr. Glass and Dickie Landry.
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Mr. Wilson’s other notable collaborations include Euripides’s “Alcestis” (1986) with Laurie Anderson; “Cosmopolitan Greetings” (1988) with Allen Ginsberg; a Spirituals recital, “Great Day in the Morning” (1982), and stagings of Schoenberg’s “Erwartung” (1995) and Schubert’s “Winterreise” (2001) for the soprano Jessye Norman; “The Old Woman” (2013) with the choreographer Mikhail Baryshnikov and the actor Willem Dafoe; and “Bach 6 Solo,” a staging of Bach’s unaccompanied violin works, played by Jennifer Koh and choreographed by Ms. Childs.
He also worked several times with Lady Gaga, including one work at the Louvre in Paris in 2013 involving what he called “Video Portraits” of her.
Laura Dahlmeier.
Ms. Dahlmeier won the sprint and pursuit events in biathlon at the 2018 Winter Games in Pyeongchang, South Korea, and added a bronze in the individual event. In Germany, she had helped boost the popularity of the biathlon, a cross-country ski race in which participants also shoot at targets. She won five gold medals at the 2017 world championships in Hochfilzen, Austria, among a total of seven in her career.
She was 31, and died in a climbing accident in Pakistan.