Archive for the ‘Gehry’ Category

Obit watch: March 31, 2023.

Friday, March 31st, 2023

Mark Russell. THR.

Presidents from Eisenhower to Trump caught the flak. He sang “Bail to the Chief” for Richard M. Nixon, urged George H.W. Bush to retire “to a home for the chronically preppy,” likened Jimmy Carter’s plan to streamline government to “putting racing stripes on an arthritic camel,” and recalled first seeing Ronald Reagan “in the picture-frame department at Woolworth’s, between Gale Storm and Walter Pidgeon.”
Did he have any writers? “Oh, yes — 100 in the Senate and 435 in the House of Representatives.” The true meaning of the Cold War? “In communism, man exploits man. But with capitalism, it’s the other way around.” Gun control? “I will defend my Second Amendment right to use my musket to defend my Third Amendment right to never, ever allow a British soldier to live in my house.”

I was a big Mark Russell fan when I was in high school, but I lost touch with his work after I went to college the first time.

Critics said that the political satire of Mort Sahl and Tom Lehrer had more cutting edge, but Mr. Russell thrived on subtler material that went over with students, politicians and public television audiences. He exploited popular presidential images: Gerald R. Ford’s stumbling, Bill Clinton’s sexual foibles, Reagan’s jelly beans. But he also struck a balance between Democrats and Republicans, liberals and conservatives, with humor that required a certain familiarity with national and international affairs, if not political sophistication.

Michael Blackwood, filmmaker. He wasn’t someone I’ve heard of before, but I want to find some of his work.

He followed the jazz pianist and composer Thelonious Monk on tour in Europe. He tagged along as the minimalist composer Philip Glass prepared for the 1984 premieres of his opera, “Akhnaten,” in Houston and Stuttgart, Germany.
He observed the creative process of the Bulgarian-born conceptual artist Christo during his creation of epic environmental projects like “Running Fence” and “Wrapped Walkways.” And he let Isamu Noguchi explain his approach to his art as they walked among his sculptures.

His fascination with architecture led him to make films about some of its stars, including Louis Kahn, Richard Meier, Ludwig Mies van der Rohe, Peter Eisenman and Frank Gehry.
In his review of “Frank Gehry: The Formative Years” (1988) in The New York Times, the architecture critic Paul Goldberger wrote that Mr. Blackwood “has built up an admirable oeuvre of films about architects and architecture,” and that Mr. Blackwood has Mr. Gehry “ramble though his work in a way that is both inviting and informative.”

In a 1993 film, “The Sensual Nature of Sound,” Mr. Blackwood examined four distinctive performers and composers — Laurie Anderson, Tania León, Meredith Monk and Pauline Oliveros — devoting significant time to their discussions of their own work.

Mr. Blackwood also made films about subjects who were not artists, like the Nobel Prize-winning physicist Hans Bethe and the diplomat George F. Kennan, and several about Germany and German Americans.

TMQ Watch: December 5, 2017.

Wednesday, December 6th, 2017

The headline tells you all you need to know, in this week’s TMQ

(more…)

Short random notes: September 24, 2015.

Thursday, September 24th, 2015

James Mee has his job back.

I feel sure I’ve written about this before, but I can’t find the post now. Mr. Mee was a deputy with the LA County Sheriff’s Office. He was fired because of his alleged involvement in a police chase that ended when the vehicle he was supposedly chasing crashed into a gas station.

At least, that was the claim. So why was he really fired? Well, Mr. Mee was also one of the officers who arrested Mel Gibson back in 2006.

Mee’s lawyers argued that sheriff’s managers falsely blamed Mee for leaking details of Gibson’s 2006 arrest and the actor’s anti-Semitic tirade to celebrity news site TMZ.com. Mee, his attorneys alleged, was repeatedly subjected to harassment and unfair discipline in the years that followed, culminating in his firing over the 2011 crash.

This one’s for Lawrence: Frank Gehry is working on a project to rehabilitate the Los Angeles River. This has some people upset.

(Obligatory. Plus, the video I’ve linked to before has been taken down, so call this a bookmark.)

Gehry watch.

Friday, October 17th, 2014

The LAT reviews the Gehry designed Louis Vuitton Foundation museum.

The Eisenhower Memorial design has been approved with revisions. (Previously.)

The revised design replaces the memorial’s east and west steel tapestries — depicting the Kansas plains where Eisenhower spent his boyhood — with single columns that mark the north corners of the site, preparing visitors for the entrance. The south columns and tapestry aim to define the memorial’s space and frame the views of the Capitol.

Art, damn it, art! watch. (#46 in a series)

Tuesday, August 5th, 2014

This one’s for Lawrence.

The House Committee on Natural Resources has called the proposed Eisenhower Memorial “a five-star folly”. That’s actually the title of their report, which is subtitled (just in case you didn’t get the point), “An Investigation into the Cost Increases, Construction Delays, and Design Problems That Have Been a Disservice to the Effort to Memorialize Dwight D. Eisenhower”.

This has been going on since 1999. So far, according to the report, “Approximately $41 million has been spent or obligated so far, including almost $16.4 million for the designer and more than $13.3 million to the multiple parties responsible for managing the design process and providing administrative support.” And there’s basically nothing to show for it.

Except for the design itself, which lots of people don’t like. Including the Eisenhower family.

Congress subsequently withheld construction funds for the memorial two years in a row, and this month, the House released a draft budget that also zeros out operating funds and calls for a new design competition. In April, the National Capital Planning Commission voted 7 to 3 to oppose the design. The House committees on oversight and appropriations are also investigating the memorial.

The designer? Lawrence’s favorite living architect, Frank Gehry. To be fair to Mr. Gehry (who I actually kind of like), this wouldn’t be the first time a controversial memorial design in DC has turned out okay. And I’m not clear on what exactly the objections are:

Mr. Gehry’s original concept to honor the World War II military leader and 34th president called for a four-acre site partly enclosed by transparent woven metal tapestries displaying images of the Kansas plains, where Eisenhower grew up. The most contentious element initially was a statue of the young Eisenhower sitting on a low stone wall, a characterization inspired by a photograph of him at that age and by a homecoming speech he made after the war in which he recalled his days as a “barefoot boy.”

That doesn’t sound too awful or disrespectful to me.

In response to objections that this was insufficiently respectful, Mr. Gehry replaced the child with Eisenhower as a 20-year-old West Point cadet and changed his depictions of two famous photographs into statues instead of bas-reliefs. But family members still expressed concerns that the design was costly, undignified and would require too much maintenance.

Yeah, I don’t get the “undignified” thing, either. But I haven’t seen anything other than the photo in the NYT. I do find it interesting that, according to the congressional report, the initial jury thought all of the submitted designs were “mediocre” and wanted a second round of submissions. Whoever was in charge overruled the jury and picked Gehry’s design.

And there’s other boondoggles, too. Sole source contracts, paying $1.4 million to fundraising firms (which have managed to raise about $500,000), questions about ongoing maintenance costs, etc. etc. etc.

I like Ike. But I have serious questions about our need for an Eisenhower Memorial outside of the Eisenhower Presidential Center and about the design process for this one.

This goes out to Mike the Musicologist…

Monday, February 13th, 2012

…aka “My one reader who is a Frank Lloyd Wright fan and doesn’t read Balko’s blog“:

Frank Lloyd Wright’s doghouse design.

I wonder how many architects have done doghouses; I know that a few years back, Frank Gehry offered a doghouse design in a benefit auction, but I can’t find out it if was built, or if his design is online anywhere.

Morning roundup for February 7, 2012.

Tuesday, February 7th, 2012

Bunch of stuff from the NYT this morning. Sorry, but that’s how things roll sometimes.

First up: I didn’t know there were plans for an Eisenhower memorial. I like Ike, and the artist’s conception doesn’t strike me as being too awful. However, I’m skeptical of the need for yet another memorial in DC. The big news here is that Eisenhower’s family is now raising “concerns” about the design.

“He was chief of staff of the Army; he was a two-term president of the United States,” said Susan Eisenhower, a granddaughter. “It’s in those roles that America has gratitude for him, not as being a young boy with a great future in front of him.”

Extra bonus points: the memorial designer is WCD’s (and Lawrence’s) favorite architect.

Next up: C.J. Chivers has an neat piece about the Navy’s training program for underwater and overwater egress from downed aircraft.

The pilot — feet near the surface, head near the bottom, sightless — was to disconnect himself from the buckled straps, wiggle free, open the window and pull himself through and out, a series of movements intended to simulate what he might need to do in an aircraft that had struck the sea at night.

And this is why they do it:

Lieutenant Farley followed the only instructions he knew. “I did exactly what the training had taught me,” he said. “I grabbed a reference point, drew my breath right before the water went over my head and unbuckled.”
As he slipped free from his seat, he could see nothing. He pulled himself toward where he thought he might escape, but lost his way. He does not remember finding the exit, but he must have. Just before his lungs gave out he was on the surface, the last man out.
Everyone survived: two pilots up front, three crew members and the two passengers.

Lecture mode on:

“I hate it with a passion,” he said. “But if you are in a bad situation and have trained for it, then you revert to your training and what you know. It is why I am alive.”

And finally:

A New York City police officer whom prosecutors called the leader of a group of officers who accepted thousands of dollars in cash in return for illegally transporting firearms into the state pleaded guilty on Monday in Federal District Court in Manhattan.

I commend to the attention of Mayor Bloomberg and “Mumbles” Menino Matthew 7:5. Better yet, I commend to both gentlemen  and the other members of the criminal organization Mayors Against Illegal Guns the simple strategy of shutting the f–k up.

Edited to add: Oh, drat. I forgot that I wanted to make note of Alberto Contador being stripped of his 2010 Tour de France win. Congrats to Andy Schleck.

Then it fell over, burned, and sank into the swamp.

Thursday, July 28th, 2011

Back in November of last year, we made note of the grand opening of the Ohr-O’Keefe Museum of Art in Biloxi, Mississippi.

So how’s the museum doing? The NYT tells us: not so great. As in “almost out of cash” not so great. Major problems:

Top Gehry.

Friday, February 11th, 2011

I missed this one until Tam linked to it (with her usual dose of snark):

NYT architecture critic Nicolai Ourossoff reviews 8 Spruce Street, a new residential tower designed by WCD’s favorite living architect, Frank Gehry.

Speaking of Gehry, I can buy Frank Lloyd Wright Legos; where are my Frank Gehry Legos? Wouldn’t you buy a Guggenheim Bilbao set? I know I would. I’d buy a Disney Concert Hall, too, except I think it would be hard to get Legos that shiny.

Random notes: January 24, 2011.

Monday, January 24th, 2011

Things are still kind of up in the air, but improving slowly. In the meantime, have a handful of random crap:

Your Jack LaLanne obit from the NYT. And from the LAT.

Just for Lawrence, a review of the New World Center, designed by Frank Gehry.

Happy belated birthday, John Moses Browning.

The Pack is back, baby! (Mostly, I’m linking this for the font: may not be valid after 1/24. Did they drag the “Japs Attack Pearl Harbor!” font out of the Linotype case?)

Should General Vang Pao be buried in Arlington?

Random notes: November 9, 2010.

Tuesday, November 9th, 2010

The Ohr-O’Keefe Museum of Art opened in Biloxi, Mississippi on Monday.

Here’s a nice photo of the museum. Can you guess who designed it?

When Mr. Gehry’s massive, titanium-clad Guggenheim Museum opened in Bilbao, Spain, in 1997, thousands of art tourists helped revive that dying industrial town.

Later buildings by Mr. Gehry have not had the same effect.

Looking over Wikipedia’s list of completed Gehry buildings, I don’t see a lot of post-1997 that were designed with that intent. The only two I really see as being possible tourist attractions are the Experience Music Project and the Walt Disney Concert Hall; everything else seems to be corporate, college campus, or medical. That just seems like a pointless shot by the NYT.

The University of Texas has acquired Spalding Gray’s archives. I know that Mike the Musicologist is going “squee” with delight at this news.

I also know some folks who tried to go to the “Gypsy Picnic Food Trailer Festival” on Saturday. Their experience was very much like John Kelso’s.

If you wanted something to eat, it would have been quicker to sit on the corner with a tin cup, collect change and grab a tuna sandwich at a convenience store. Or bag a possum and build a fire.

More photos about architecture.

Sunday, August 22nd, 2010

I’ve been trying to get the photos from my recent trips organized and put together for Flickr purposes. Here’s the first set, which contains some photos of a Frank Gehry designed building in Las Vegas (and a couple of other buildings, too):

Ruvo Center and other buildings July 2010.

I’m still learning how to use the Nikon. There’s a fair number of photos in this set where I did one photo with the camera set to full-auto exposure mode, and a second photo in the same position with the camera set to aperture priority and stopped down to f/22 or smaller, so I could get a sense of depth of field. (Most of these were taken with the 18-55 mm Nikon kit lens: I think I used the 80-200 mm VR lens for the Stratosphere/pyramid photos.)

Comments either here or on Flickr are welcome.