Archive for April 17th, 2020

Bonus bonus.

Friday, April 17th, 2020

I don’t want to make this part of the main video feed: I figure everyone who’s interested watches the “Forgotten Weapons” feed anyway.

But I did want to throw in a bonus link to this, since:

  • Carlos Hathcock was in the previous post.
  • As many people know, I’m a big fan of the Winchester Model 70.

“What you gonna do when you get out of jail?…” part 18

Friday, April 17th, 2020

This one goes out to all the high explosives fans out there.

“Demolition: Electric Priming”, an Army training film from the 1950s giving you everything you need to know to prime and detonate explosives with electric blasting caps.

Bonus video #1: This is a little long, but I know there are several people who are going to want to watch this: a 1993 interview with Carlos Hathcock, Marine sniper.

Bonus video #2: for this one, I’m going to send you over to Lawrence. He’s put up a pilot for an unsold 1959 “Nero Wolfe” TV series…with William Shatner as Archie Goodwin. To which I can only say: ain’t that a kick in the head?

Obit watch: April 17, 2020.

Friday, April 17th, 2020

NYT obit for Brian Dennehy.

Brawny and gregarious, Mr. Dennehy was often called on to play an Everyman or an authority figure: athletes, sheriffs, bartenders, salesmen and fathers. He was in scores of movies — “First Blood” (1982), “Gorky Park” (1983), “F/X” (1986) and “Presumed Innocent” (1990) were among them — as well as an assortment of television series. But his first love was always the stage.
“He was a towering, fearless actor taking on the greatest dramatic roles of the 20th century,” Robert Falls, artistic director of the Goodman Theater in Chicago, where Mr. Dennehy did some of his finest work, said in a phone interview. “They were mountains that had to be climbed, and he had no problem throwing himself into climbing them.”

We watched “First Blood” recently. Yeah, yeah, Stallone is good. But so is Dennehy: he’s really convincing as the sheriff who isn’t necessarily cruel, but just simply out of his depth and doesn’t understand what he’s dealing with until it is too late. I think it was Lawrence who made the point that “First Blood” is really a story about managerial incompetence.

He was pretty good in “F/X” as well: I still say that’s a really underappreciated thriller.