Last night, after the SDC, we got together for movies at the home of (friends who shall remain nameless unless they want to out themselves in comments). Thanks for hosting, (friends who shall remain nameless unless they want to out themselves in comments).
We’re still sort of in the Halloween creepy/scary zone, or at least we felt that way, so we kicked things off with something short: the 1941 version of Poe’s “The Tell-Tale Heart“. I thought this dragged just a little bit (which is odd for a 20- minute movie) but there was a lot of effective creepy stuff going on here. In particular, I liked the way they played with sound to heighten the atmosphere of paranoia and dread. I think Richard Corliss has a good point when he suggests this may have been the first movie influenced by “Citizen Kane”.
(“Tell-Tale Heart” is also significant as the first film directed by Jules Dassin, who went on to direct “Rififi”, “Topkapi”, and “Never on Sunday”, among other films.)
So we figured, after that, we’d watch another early “horror” film: “London After Midnight”. How could we miss? A legendary “lost” film, directed by the great Tod Browning, with Lon Chaney?
Yeah. Well. About that. We figured someone had dug up a print somewhere. Ha ha, no. It turns out that Turner Classic Movies got Rick Schmidlin (who has also worked on restoring “Greed” and “Touch of Evil”) to do a “reconstruction” of the “film”, which basically involves panning over publicity stills from the movie with inserted dialog cards. Apparently, someone liked this, as Schmidlin won a “Rondo Award” for his work (according to Wikipedia). As far as we were concerned, after about five minutes of watching this, punctuated with such comments as “What the f–k?”, “What is this s–t?”, and (my favorite) “Why would anyone do this?”, we shut it off and decided to watch something else.
We settled on “Take Shelter“, a movie I’d heard about in theatrical release but never got around to watching. In general, I like it (though I think it could have been made 10 to 15 minutes tighter, and that would have made it more effective). I could look at Jessica Chastain all day; Michael Shannon’s performance doesn’t have a lot of nuances, but he’s not really playing a nuanced guy. I think he pulled off the lead role very well.
After the jump, I’m going to talk about some things that may be spoilers.