Archive for the ‘Music’ Category

Obit watch: September 23, 2019.

Monday, September 23rd, 2019

Christopher Rouse, Pulitzer prize winning contemporary composer. I confess that I don’t know very much about his work, but he was a favorite of several close friends of mine.

(Edited to add: NYT obit.)

Davo Karnicar, a man who skied down Everest. He wasn’t “The Man Who Skied Down Everest” in the documentary (that was Yūichirō Miura, who is still alive at 86), but he skied non-stop from the summit to base camp – a 12,000 foot descent in four hours and 40 minutes. (Mr. Miura only descended 4,000 feet.)

His brother Andrej lost eight toes to frostbite during their descent on Annapurna in 1995. A year later, Davo lost two fingers to frostbite during a storm that killed eight climbers — a disaster detailed by Jon Krakauer in his book “Into Thin Air.”
And in 1997, Karnicar’s brother Luka and four other members of his rescue team died when a safety line connected to a helicopter broke during a training exercise.

In 2009, his fellow climber Franc Oderlap, who had accompanied Karnicar to Everest in 2000, was killed by falling ice while they were testing equipment on Manaslu, in the Nepali Himalayans. Karnicar was uninjured. In 2017, Karnicar climbed as far as base camp at K2 but abandoned his quest when he hurt his back.

According to the NYT obit, Mr. Karnicar was killed in a tree cutting accident at his home.

John L. Keenan, chief of detectives with the NYPD. He was most famous for leading the manhunt for the “Son of Sam”. There’s also an interesting historical side note:

…he took part in the D-Day invasion of Normandy and the Battle of the Bulge while in a Counter Intelligence Corps unit of the Fourth Infantry Division. He fought alongside J.D. Salinger, who was writing what became “The Catcher in the Rye” during lulls in combat and became a lifelong friend.

When Chief Keenan was honored at a retirement party at Antun’s restaurant in Queens in the summer of 1978, Mr. Salinger came down from his home in rural New Hampshire, where he zealously guarded his privacy, to join in the tribute.
Departing from the focus on police work, which had attracted some 300 officers to the party, Mr. Salinger told the crowd that Chief Keenan had been “a great comfort,” especially in a foxhole.

Obit watch: September 16, 2019.

Monday, September 16th, 2019

Ric Ocasek, co-founder of The Cars and a good Cleveland boy.

Anne Rivers Siddons, novelist. She was one of those writers I’d heard of, and about, but I’ve never read any of her books.

Obit watch: September 13, 2019.

Friday, September 13th, 2019

Eddie Money.

Obit watch: September 12, 2019.

Thursday, September 12th, 2019

T. Boone Pickens. Oklahoma State football hardest hit.

Diet Eman has passed away at 99.

Ms. Eman, at 20, was living with her parents and bicycling to work at the Twentsche Bank in The Hague when, in May 1940, the Germans, hours after Hitler had vowed to respect Dutch neutrality, invaded the Netherlands. Her sister’s fiancé was killed on the first of five days of fighting. (A brother died later in a Japanese prison camp.)
Some of her neighbors, fellow churchgoers, argued that for whatever reason, God in his wisdom must have willed the German invasion. But Ms. Eman — herself so deeply religious that she would leave assassinations, sabotage and, for the most part, even lying to others — could find no justification for such evil.
She and her boyfriend, Hein Seitsma, joined a Resistance group (coincidentally called HEIN, an acronym translated as “Help each other in need”). They began by spreading news received on clandestine radios from the British Broadcasting Corporation, then smuggling downed Allied pilots to England, either by boat across the North Sea or more circuitously through Portugal.

A plea for help by Herman van Zuidan, a Jewish co-worker of Ms. Eman’s at the bank, prompted her Resistance group to focus on stealing food and gas ration cards, forging identity papers and sheltering hundreds of fugitive Jews.
She said of the German occupiers, “It was beyond their comprehension that we would risk so much for the Jews.”
Ms. Eman delivered supplies and moral support to one apartment in The Hague that in late 1942 housed 27 Jews in hiding. The walls were paper thin. Crying babies and even toilet flushing risked raising the suspicions of neighbors, who knew only that a woman had been living there alone.

Ms. Eman was captured at one point and briefly imprisoned in a concentration camp: she managed to convince the Germans she was an innocent housemaid who knew nothing. Her fiance was also captured and was killed at Dachau.

In 1982, President Ronald Reagan hailed Ms. Eman in a letter for risking her safety “to adhere to a higher law of decency and morality.” In 1998, Yad Vashem, the World Holocaust Remembrance Center in Israel, granted her the title of Righteous Among the Nations, given to non-Jews for risking their lives to save Jews during the Holocaust; she was cited for her leadership in sheltering them. In 2015, King Willem-Alexander of the Netherlands, during a stop in Grand Rapids on a promotional tour for Dutch businesses, lauded Ms. Eman as “one of our national heroes.” (She became a United States citizen in 2007.)

It has been a bad week for photographers.

Robert Frank, noted for “The Americans”.

“The Americans” challenged the presiding midcentury formula for photojournalism, defined by sharp, well-lighted, classically composed pictures, whether of the battlefront, the homespun American heartland or movie stars at leisure. Mr. Frank’s photographs — of lone individuals, teenage couples, groups at funerals and odd spoors of cultural life — were cinematic, immediate, off-kilter and grainy, like early television transmissions of the period. They would secure his place in photography’s pantheon. The cultural critic Janet Malcolm called him the “Manet of the new photography.”
But recognition was by no means immediate. The pictures were initially considered warped, smudgy, bitter. Popular Photography magazine complained about their “meaningless blur, grain, muddy exposures, drunken horizons, and general sloppiness.” Mr. Frank, the magazine said, was “a joyless man who hates the country of his adoption.”

Neil Montanus. He worked in several different areas of photography, including underwater and microscopic. But he was perhaps most famous as one of Kodak’s leading “Colorama” photographers: he took 55 out of the 565 photos, which were displayed in Manhattan’s Grand Central Terminal between 1950 and 1990.

Every weekday, 650,000 commuters and visitors who jostled through the main concourse could gaze up at Kodak’s Coloramas, the giant photographs that measured 18 feet high and 60 feet wide, each backlit by a mile of cold cathode tubing, displaying idealized visions of postwar family life — not to mention the wonders of color film.

I kind of wish “On Taking Pictures” was still doing new shows, as I figure Jeffery Saddoris and Bill Wadman would have a lot to say about these two.

Finally: Daniel Johnston, singer/songwriter and Austin icon. Don’t have much to say: for me, he fell into the same category as Roky Erickson.

Obit watch: August 13, 2019.

Tuesday, August 13th, 2019

Dorothy Olsen. She was 103 when she passed away on July 23rd.

You’ve probably never heard of her, but she was one of the WWII Women Airforce Service Pilots (WASPs). The WASPs ferried military aircraft from manufacturing plants to points where they could then be flown overseas.

Transporting and testing the latest models, towing targets and transferring captured enemy planes, the WASPs collectively flew an estimated 60 million miles from 1942 to 1944. Thirty-eight died in accidents during training or on duty.
From her base in Long Beach, Calif., Mrs. Olsen flew 61 missions for the Sixth Ferry Group in nearly two dozen models, including P-38s, P-51s and B-17s. She flew them to West Coast airfields to be deployed in the Pacific, or to Newark to be deployed in Europe.

The WASPs were initially considered to be civil service employees and not military.

The WASPs were finally recognized as veterans eligible for benefits in 1977 under President Jimmy Carter. In 2010 they received as a group the Congressional Gold Medal, one of the nation’s two highest civilian awards.

According to the paper of record, Ms. Olsen’s death leaves 38 surviving WASPs.

Henri Belolo, co-founder (with Jacques Morali) of the Village People.

I love the caption on that first photo.

Layers and layers of fact checkers.

Tuesday, August 6th, 2019

I noticed this over the weekend and pointed it out to a few people, but it’s still going on:

Obit watch: August 1, 2019.

Thursday, August 1st, 2019

The paper of record has updated their Hal Prince, “Giant of Broadway and Reaper of Tonys” obit in place.

They’ve also added three corrections. So far.

I do like this a lot:

As both a producer and a director, Mr. Prince was a nurturer of unproved talent. Tom Bosley, for instance, later known as Howard Cunningham on the nostalgic television sitcom “Happy Days,” won a Tony in his first starring role in 1959 as the titular mayor of New York, La Guardia, in “Fiorello!” Liza Minnelli made her first Broadway appearance — and won a Tony — as the title character in “Flora, the Red Menace,” a 1965 politically-inflected musical set in 1935 about a spunky fashion designer who falls for a Communist. Produced by Mr. Prince and directed by George Abbott, “Flora” also featured the first Broadway score by the songwriting team of John Kander and Fred Ebb, who later wrote “Chicago” and two shows produced and directed by Mr. Prince: “Zorba” and “Cabaret.”
A featured actor in “Cabaret,” Joel Grey, was a largely unknown nightclub performer with few theater credits when Mr. Prince hired him in 1966 for what turned out to be a career-defining role: the arch, leering M.C. of the bawdy Kit Kat Club in Weimar-era Berlin.

I think that’s one of the nicest things you can say about anybody in an obit: they were good at spotting and developing unknown talents.

But Mr. Rich was writing on the heels of one of Mr. Prince’s most calamitous failures, “A Doll’s Life,” a musical sequel to “A Doll’s House,” Henrik Ibsen’s domestic drama of a woman’s revolt against the stultifying expectations of womanhood. With book and lyrics by Adolph Green and Betty Comden and a score by Larry Grossman, huge sets and grandiose sound amplification, it closed after five performances, a victim of its outsize self-importance.

Five performances. I thought the original production of “Carrie” ran for eight performances, but no: it only ran for five as well.

Also among the dead: Nick Buoniconti, linebacker for the Miami Dolphins in the 1970s (yes, he was one of the players on the 1972 team).

For many years Buoniconti was an intelligent, articulate and tough player for the Boston Patriots (now the New England Patriots) and the Dolphins, winning All-Pro honors five times in a 14-year pro football career. A former All-American at the University of Notre Dame, he anchored the Dolphins’ vaunted “No-Name Defense” under Coach Don Shula.

Mr. Buoniconti’s son, Marc, was paralyzed in a football accident in 1985. Mr. Buoniconti founded the Miami Project to Cure Paralysis:

For more than 30 years afterward, Buoniconti helped raise nearly $500 million for spinal cord and brain research carried out by the organization. He also played a critical role in directing the research and was a charismatic motivator of scientists and researchers.
Dr. Barth Green, a neurosurgeon and longtime chairman of the Miami Project, said in a phone interview: “People are walking now because of cellular transplants and the latest neuroengineering and bioengineering that has been applied to humans with disability. Nick was a stimulating force in that area, from bench to bedside. And this is someone who probably never took a science course.”

Obit watch: July 24, 2019.

Wednesday, July 24th, 2019

Art Neville, of the Neville Brothers.

Among those announcing the death was Louisiana’s governor, John Bel Edwards, who said in a statement that Mr. Neville “took the unique sound of New Orleans and played it for the world to enjoy.” Mr. Neville’s brother Aaron, in a post on his Facebook page, called him “the patriarch of the Neville tribe, big chief, a legend from way way back, my first inspiration.”

David Hedison, who had an interesting career. He played Felix Leiter in two Bond films, was pretty fly for a white guy in the 1958 “The Fly”, was in “The Lost World”, and turned down Robert Reed’s role in “The Brady Bunch”.

He was most famous as the submarine captain (opposite Richard Basehart’s admiral) in “Voyage to the Bottom of the Sea” (which you can still catch very early Sunday morning on ME TV). He also did some soaps, “Love Boat”, and “Fantasy Island”.

Oddly, from my point of view, he apparently never did a “Mannix”, though he did do other 70s cop shows. Both Mr. Hedison and Mike Connors were of Armenian descent: I’m sure he didn’t directly control the casting, but you’d figure Mr. Connors would want to help a brother out.

I don’t want to seem obsessed, but I thought this tribute from Stephen Wolfram to the late Mitchell Feigenbaum was worth sharing, especially since it gives a good explanation of the math behind his work.

Historical note, suitable for use in schools.

Friday, July 12th, 2019

In keeping with our baseball theme, some lazy stupid blogging.

Actually, I wanted to pull together a longer post, but I’m all out of energy this week, plus I’ve posted on this subject before, so:

Ladies and Germans, today is the 40th anniversary of Disco Demolition Night.

“I thought these fans in Chicago were the best because they’re saying `Let’s go Sox! Let’s go Sox!’ ” Petry recalled last weekend at Comerica Park. “They were really chanting `Disco sucks! Disco sucks! Disco sucks!’”

There’s a book (co-written by Steve Dahl).

And the Sox commemorated the occasion before last night’s game, with Steve Dahl throwing out the first pitch.

Enough time has passed for the Sox to come to terms with Disco Demolition’s place in the team’s annals. They showed highlights of that night on the video board, including video of fans storming the field and damaging it so much the Sox had to forfeit the second game of that day’s doubleheader against the Tigers.
“It’s absolutely cool that it’s just part of the history, and not a shameful part of the history,” Dahl said. ‘It’s just something that happened, and honestly, it was just about the music.”

Obit watch: July 11, 2019.

Thursday, July 11th, 2019

I am not a musician or a musicologist. I have no talent for music, and I try to leave the musicology to Mike.

But there’s something about the obit for Vivian Perlis that I find touching and interesting. Back in the day, she was a research librarian at the Yale School of Music. She went to pick up some archival material from one of Charles Ives’s business partners.

Thinking that he might have some recollections to share, Ms. Perlis brought along a portable tape recorder. She was fascinated by the stories that Mr. Myrick, an elderly, hard-of-hearing former Southerner, told about the iconoclastic, curmudgeonly Ives.
This led her to conduct a series of more than 60 interviews over several years with people who had known and worked with Ives. A nephew in Danbury, Conn., Ives’s hometown, recounted playing baseball with “Uncle Charlie.” The composer Lehman Engel recalled hearing Ives talk about the “old days,” when the “sissies,” meaning timidly conservative performers, refused to play Ives’s flinty music.

This was the seed crystal from which grew the Yale University Oral History of American Music.

The oral history project includes some 3,000 recordings of interviews with composers and other major musical figures, from Aaron Copland to Elliott Carter, from Duke Ellington to John Adams. The eminent musicologist H. Wiley Hitchcock described it as an “incomparable resource.”

“Most composers are part of a neglected minority and are very grateful to have the opportunity to speak,” she told The Times in 2005. “They don’t have another chance to answer critics and say what they think and feel.”

Also among the dead: Jim Bouton. WP (and a tip of the hat to Borepatch for the heads-up.) He was a pitcher with several teams (Yankees, Seattle Pilots, and even the Astros). Apparently, he was not an outstanding pitcher (the paper of record uses the phrase “a pitcher of modest achievement but a celebrated iconoclast”).
He went on to greater fame as the author of Ball Four, one of the early “inside baseball” books.

When it was published in 1970, “Ball Four,” which reported on the selfishness, dopiness, childishness and meanspiritedness of young men often lionized for playing a boy’s game very well, was viewed by many readers, either approvingly or not, as a scandalous betrayal of the so-called sanctity of the clubhouse.

In Bouton’s telling, players routinely cheated on their wives on road trips, devised intricate plans to peek under women’s skirts or spy on them through hotel windows, spoke in casual vulgarities, drank to excess and swallowed amphetamines as if they were M&Ms.
Mickey Mantle played hung over and was cruel to children seeking his autograph, he wrote. Carl Yastrzemski was a loafer. Whitey Ford illicitly scuffed or muddied the baseball and his catcher, Elston Howard, helped him do it. Most coaches were knotheads who dispensed the obvious as wisdom when they weren’t contradicting themselves, and general managers were astonishingly penurious and dishonest in dealing with players over their contracts.

“Ball Four” is “arguably the most influential baseball book ever written,” baseball historian Terry Cannon told the San Diego Union-Tribune in 2005, “and one which changed the face of sportswriting and our conception of what it means to be a professional athlete.”
Sports Illustrated named it the third-best book written on sports, after A.J. Liebling’s “The Sweet Science,” about boxing, and Roger Kahn’s elegy to the Brooklyn Dodgers, “The Boys of Summer.”

I’ve never read Ball Four, though I’ve heard it described as sceamingly funny. But the obits make it sound like the book is as much about a man struggling to hold on to his dream of being a major league pitcher as much as it is a tell-all about the wild antics of players in the late 60s – early 70s.

“I feel sorry for Jim Bouton,” Dick Young wrote in The Daily News. “He is a social leper. His collaborator on the book, Leonard Shecter, is a social leper. People like this, embittered people, sit down in their time of deepest rejection and write. They write, oh hell, everybody stinks, everybody but me, and it makes them feel much better.”

As a side note, Mr. Bouton has a limited career as an actor: there was apparently a short-lived “Ball Four” TV series in 1976 that I don’t remember. He was also “Terry Lennox” in Robert Altman’s “The Long Goodbye“, a movie you do not want to get me started on.

Edited to add 7/12: Wow. Neil deMause over at “Field of Schemes” has a really nice tribute to Mr. Bouton up.

The image I’ll always retain of Jim, though, was of getting ice cream with him near his home in Great Barrington, Massachusetts, and him looking at my cup and exclaiming, “Sprinkles! That’s a great idea!” and then sprinting back into the shop to get some added to his as well. To the end, Jim Bouton remained boyishly intense about things that were truly important, whether fighting General Electric to save an old ballpark or eating ice cream, and that’s a rare and precious gift.

Obit watch: July 9, 2019.

Tuesday, July 9th, 2019

Ross Perot. (Edited to add: Lawrence. Dallas Morning News.)

He was no quitter: an Eagle Scout, a Navy officer out of Annapolis, a top I.B.M. salesman, the founder of wildly successful data processing enterprises, a crusader for education and against drugs, a billionaire philanthropist. In 1969, he became a kind of folk hero with a quixotic attempt to fly medicine and food to American prisoners of war in North Vietnam. In 1979 he staged a commando raid that freed two of his employees, and thousands of criminals and political prisoners, from captivity in revolutionary Iran.
And in 1992 he became one of the most unlikely candidates ever to run for president. He had never held public office, and he seemed all wrong, like a cartoon character sprung to life: an elfin 5 feet 6 inches and 144 pounds, with a 1950s crew cut; a squeaky, nasal country-boy twang; and ears that stuck out like Alfred E. Neuman’s on a Mad magazine cover. Stiff-necked, cantankerous, impetuous, often sentimental, he was given to homespun epigrams: “If you see a snake, just kill it. Don’t appoint a committee on snakes.”

He joined the Boy Scouts at 12 and in little more than a year was an Eagle Scout, an extraordinary achievement that became part of his striver’s legend.

His folk-patriot reputation stemmed from two adventures. In 1969, after months of speaking on the plight of 1,400 American prisoners of war in North Vietnam, he chartered two jetliners, filled them with 30 tons of food, medicines and gifts and flew to Southeast Asia. Hanoi rejected the mission, but it was hardly a failure. The spotlight on prisoners’ hardships embarrassed Hanoi and led to better treatment for some.
In 1979, as an Islamic revolution swept Iran, Mr. Perot mounted a commando raid on a prison in Tehran to free two employees being held for ransom. A riot was orchestrated at the gates, and in the chaos of an ensuing breakout 11,800 inmates escaped, including both employees. The episode was chronicled in Ken Follett’s best-selling book “On Wings of Eagles” and in a 1986 mini-series on NBC.

You know, I need to read that book. (Also The Pillars of the Earth.)

Also among the dead: Jack Renner, co-founder of Telarc and a good Cleveland boy.

In 1978 the company made what Mr. Renner said was the first commercially released digital recording of symphonic music in the United States, featuring Frederick Fennell and the Cleveland Symphonic Winds.
“It created a lot of stir among audiophiles,” he said. “It had a bass drum that blew up speakers. Everybody accused us of hyping the bass drum. We didn’t.”

Back in the day, I had a fair number of Telarc CDs (including some of their P.D.Q. Bach).

Obit watch: June 26, 2019.

Wednesday, June 26th, 2019

Steve Dunleavy, noted tabloid journalist.

Mr. Dunleavy exposed Elvis Presley’s addiction to prescription drugs in Star and in a best-selling book that rankled Presley fans; scored exclusive interviews with the mother of Sirhan Sirhan, Robert F. Kennedy’s assassin, and Albert DeSalvo, the confessed Boston Strangler; and championed police officers, smokers and gun owners, among others.
During his run on “A Current Affair,” from 1986 to 1995, he wrestled a bear in one segment and, in another, was bitten by a witness in a rape case when he confronted her with nude photographs of her.

That book, by the way, was: Elvis: What Happened?.

His columns in Star typically echoed the company’s conservative line, so much so that they earned him the “American of the Year” award from the right-wing John Birch Society — even though he was not a United States citizen and never became one.

Pete Hamill, who worked for both The Post and The News, was impressed by his drive. “I always thought he was writing his columns like he was double-parked,” Mr. Hamill said.

Rod Dreher has a tribute up as well, in which he quotes Hamill (after Dunleavy’s foot was run over by a snowplow):

“I hope it wasn’t his writing foot.”

NY Post.

By way of Lawrence: Herbert Meyer.

It was Meyer who, in a famous memo to Reagan in November 1983 when things were very tense with our intermediate-range missile deployments in Europe, wrote: “if present trends continue, we are going to win the Cold War.” Over eight vivid and tightly argued pages, Herb laid out the reasons that subsequently came to pass over the next decade.

Also by way of Lawrence: Desmond Amofah, YouTuber (under the handle “Etika”). He was 29.

His belongings were found on Manhattan Bridge on Monday. He had uploaded an eight-minute YouTube video in which he talked about suicide.
Etika was popular for playing and discussing Nintendo games on YouTube and the streaming platform Twitch.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a surprisingly good page of additional resources.

Not quite an obit, but:

The head of the Massachusetts motor vehicle division has resigned after her agency failed to terminate the commercial driving license of a man whose collision with a group of motorcyclists on a rural New Hampshire road left seven bikers dead.

Obit watch: June 15, 2019.

Saturday, June 15th, 2019

Franco Zeffirelli.

A whirlwind of energy, Mr. Zeffirelli found time not only to direct operas, films and plays past the age of 80, but also to carry out an intense social life and even pursue a controversial political career. He had a long, tumultuous love affair with Luchino Visconti, the legendary director of film, theater and opera. He was a friend and confidant of Callas, Anna Magnani, Laurence Olivier, Richard Burton, Elizabeth Taylor, Liza Minnelli, Coco Chanel and Leonard Bernstein.

Twice elected to the Italian Parliament, Mr. Zeffirelli was an ultraconservative senator, particularly on the issue of abortion. In a 1996 New Yorker article, he declared that he would “impose the death penalty on women who had abortions.” He said his extreme views on the subject were colored by the fact that he himself was born out of wedlock despite pressure brought to bear on his mother to terminate her pregnancy.

Did everybody born after…1964? see “Romeo and Juliet” in high school? Or was that a limited local phenomenon?

The vault, the vault, the vault is on fire…

Tuesday, June 11th, 2019

I haven’t had a chance to go through all of this yet, but it looks link worthy:

The Day the Music Burned“, about the 2008 Universal Studios fire.

The scope of this calamity is laid out in litigation and company documents, thousands of pages of depositions and internal UMG files that I obtained while researching this article. UMG’s accounting of its losses, detailed in a March 2009 document marked “CONFIDENTIAL,” put the number of “assets destroyed” at 118,230. Randy Aronson considers that estimate low: The real number, he surmises, was “in the 175,000 range.” If you extrapolate from either figure, tallying songs on album and singles masters, the number of destroyed recordings stretches into the hundreds of thousands. In another confidential report, issued later in 2009, UMG asserted that “an estimated 500K song titles” were lost.

Among the incinerated Decca masters were recordings by titanic figures in American music: Louis Armstrong, Duke Ellington, Al Jolson, Bing Crosby, Ella Fitzgerald, Judy Garland. The tape masters for Billie Holiday’s Decca catalog were most likely lost in total. The Decca masters also included recordings by such greats as Louis Jordan and His Tympany Five and Patsy Cline.

This is the kind of telling detail I look for:

There were at least a dozen fire engines ringing the vault, and as Aronson looked around he noticed one truck whose parking lights seemed to be melting.

(Hattip: Hacker News on the Twitters.)

Obit watch: June 11, 2019.

Tuesday, June 11th, 2019

Bill Wittliff, Texas writer. Among his credits: the screenplay for “Lonesome Dove”.

Bushwick Bill, Houston area rapper with the Geto Boys. NYT. This is an odd one: there were reports on Sunday that his family was denying Bushwick Bill had passed, which may have been correct at the time, but I guess his status changed at some point during the day…

Bushwick Bill had an early brush with death in 1991. High on PCP and grain alcohol, he said, he got into an altercation with his girlfriend and was shot in the right eye, a trauma he described in harrowing detail on “Ever so Clear,” from his 1992 solo debut album “Little Big Man.”
He said in interviews that he had been pronounced dead, toe-tagged and taken to the morgue. “I was actually on the cold slab,” he said in 2014. (He told differing stories about the shooting; in some accounts his mother had shot him.)
The incident was immortalized on the album cover of “We Can’t Be Stopped,” which features a photo of Bushwick Bill taken in the hospital. Flanked by Willie D and Scarface, he is shown on a stretcher, his eye blood-red, the day before he had surgery to remove it. He later said that he had been so medicated, he didn’t know the photo was being taken, and that he didn’t see the album cover until after its release.

You’ve probably seen that cover. If not, it’s in the HouChron Warning! slide show Warning!.

Noted:

In the 1990s, he announced that he was renaming himself Dr. Wolfgang von Bushwickin the Barbarian Mother-Funk Stay High Dollar Billstir.