Archive for the ‘Music’ Category

Obit watch: August 11, 2021.

Wednesday, August 11th, 2021

Alex Cord. He may have been best known as “Archangel” in “Airwolf”, but he had a significant body of work going back to the 1960s. No “Mannix”, but a lot of other cop shows, and multiple appearances on “Fantasy Island”, among other credits.

Patricia Hitchcock. Yes, Alfred’s daughter.

Born on July 7, 1928 in the UK to famed film director Alfred Hitchcock and his infamously loyal wife, Alma Reville, the legendary duo’s offspring would go on to appear in a string of her pop’s projects including “Stage Fright” (1950), “Strangers on a Train” (1951) and the aforementioned “Psycho” (1960). She also guest-starred in 10 episodes of the classic TV anthology series “Alfred Hitchcock Presents,” from 1955 to 1960.

She had a few other credits, but retired in the 1970s.

Tony Esposito, Hall of Fame goalie for the Chicago Blackhawks.

Walter Yetnikoff, legendary head of CBS Records.

In one of his first acts as president, Mr. Yetnikoff somewhat reluctantly let Ron Alexenburg, the head of CBS’s Epic label, sign the Jacksons. Epic had wrested the group from Motown Records (which retained the rights to the group’s original name, the Jackson 5), and though Mr. Yetnikoff wasn’t overly impressed with the Jacksons’ initial albums for Epic, he cultivated a relationship with the group’s key member, Michael, supporting the young singer’s interest in expanding into solo work.
In 1982, that encouragement resulted in “Thriller,” still one of the top-selling albums in history.

Other megahits released during Mr. Yetnikoff’s tenure included Meat Loaf’s “Bat Out of Hell” in 1977, the ambitious Pink Floyd double album “The Wall” in 1979, Mr. Springsteen’s “Born in the U.S.A.” in 1984, Mr. Jackson’s “Bad” in 1987 and a series of hit albums by Mr. Joel, including “The Stranger” (1977) and “Glass Houses” (1980).

Unfortunately, he was one of those people who didn’t just have issues: he had a lifetime subscription and a complete run of bound volumes.

…his ascension was accompanied by numerous affairs, which he detailed, along with his substance abuse, in his autobiography. Other record executives from the period wrote their stories, too, but Mr. Yetnikoff’s was in a class by itself. It was, Forbes said, “a portrait of such out-of-control megalomania that any music executive today, no matter how egotistical or ruthless, has to look better by comparison.”

In 1990, Mr. Yetnikoff, having offended too many people with his outrageous behavior, was dismissed by Sony, the company that at his urging had bought CBS Records only three years earlier. He had gone into rehab in 1989 and kicked the booze and drugs that had been his more or less daily diet throughout his reign, but getting clean didn’t make him any more tolerable.

Tommy Mottola, once a friend and later, as Mr. Yetnikoff’s successor at CBS Records, viewed as an enemy, put it this way in his own autobiography, “Hitmaker: The Man and His Music” (2013): “The treatment center had removed the alcohol and drugs from Walter’s life — but not the underlying problems that Walter had been using them to anesthetize.”

Brian Mulheren. He was the man in the NYPD in the 1970s and 1980s. Specifically, and to quote the NYT, he was a “veteran detective who as an audacious, deft and indefatigable one-man emergency management liaison between City Hall and the New York Police and Fire Departments became known as ‘Mr. Disaster’ and the ‘Night Mayor’…”

Mr. Mulheren played an outsize role for a first-grade detective. He was armed with a gold shield, but his uniform, such as it was — it typically consisted of a rumpled beige trench coat and a crumpled Irish tweed hat — was devoid of the stars and bars that define status on the police force.
Yet by sheer force of personality and the connections he had cultivated, he was deferred to by city commissioners and by police supervisors who outranked him when he arrived, often first, at the scene of a crisis in his black Lincoln Town Car, which was crowned with a forest of antennas that linked him to every emergency radio frequency in the city.
In the 1970s and ’80s, he served as City Hall’s wake-up call when an officer was shot or a firefighter was felled. Before the city established a full-fledged emergency management department, he seamlessly and almost single-handedly coordinated interagency strategies.
“He was one of those rare people who kept the N.Y.P.D. and the Fire Department together,” John Miller, the Police Department’s deputy commissioner for intelligence and counterterrorism, said in an interview. “He basically created the organized response to chaos that we replicated and have used ever since.”

Mr. Mulheren was credited by Officer Steven McDonald’s family with saving his life when he was shot in Central Park by a teenage bicycle thief in 1986 and rushed in a patrol car to Metropolitan Hospital, where doctors said he was unlikely to survive.
In 2016, Mr. McDonald told Columbia, the Knights of Columbus magazine, that he vividly remembered Mr. Mulheren’s dauntless intervention.
“You might think he’s not going to make it, but we’re going to Bellevue,” Mr. Mulheren announced on his own initiative, according to “New York’s Finest,” a forthcoming book by Michael Daly.
“He had no rank or high station but stepped forward and said, ‘No, he’s not going to die; he just needs a second chance,’” Mr. McDonald recalled. “I believe that was the Holy Spirit speaking through Brian to everyone there. Just like that like they loaded me up on a special ambulance and flew down to Bellevue Hospital, where they saved my life by the grace of God.”

In another emergency, when a firefighter was overcome and no ambulance was immediately available, Mr. Mulheren was said to have commandeered a city bus, told the passengers to debark and ordered the driver to take the injured man to the hospital.
Serving mostly under Mayors John V. Lindsay, Edward I. Koch and David N. Dinkins, Mr. Mulheren, a police buff since childhood, insinuated himself into the department’s decisions to buy smaller patrol cars to economize on gas; change their color from green, black and white in the early 1970s to “grabber blue” with white accents to make them more visible and less intimidating; modernize lights and sirens; air-condition the cars; and improve radio communications. He also encouraged the Fire Department to requisition a hyperbaric oxygen therapy chamber to treat burn victims.

He was 73 years old, and passed away due to COPD. His family attributes his condition to inhalation of debris at the WTC site after the 2001 attacks.

Obit watch: August 9, 2021.

Monday, August 9th, 2021

It was a busy weekend, and I’ve got a backlog. I hope I don’t miss anybody.

Markie Post. THR. Variety.

Damn. Said it before, I’ll say it again: “Night Court” was a swell show, and she was part of what made it swell.

Trevor Moore, comedian (“The Whitest Kids U Know”).

Jane Withers, actress.

In her first major movie role, in 20th Century Fox’s “Bright Eyes” (1934), the 8-year-old Jane played a spoiled rich kid who wanted a machine gun for Christmas and took a ghoulish delight in sending her dolls to the hospital. She was the antidote to the movie’s star, Shirley Temple, the always cheerful, always obedient, always smiling orphan.

She did other movie and TV work, including “Giant”, and played “Josephine the Plumber” in the Comet commercials.

Bobby Bowden, football coach.

“When I was at Alabama the bumper stickers read ‘Beat Auburn,’ he recalled in “The Bowden Way” (2001), his book on leadership written with his son Steve. “When I was at West Virginia they read ‘Beat Pitt.’ When I came to F.S.U., the bumper stickers read ‘Beat Anybody.’”
Bowden’s Seminoles beat most everybody. He coached Florida State to national championships in 1993 and 1999 and his teams finished in the top five of the Associated Press rankings every season from 1987 to 2000. The Seminoles were unbeaten in bowl games from 1982 to 1995.

He was, for a period of time, the coach with the most wins in college football. I phrase it that way, though, because this was after the NCAA vacated 111 of Joe Paterno’s victories over the Penn State scandal:

But in January 2015, as part of a settlement in a lawsuit brought by Pennsylvania officials, the N.C.A.A. agreed to restore Paterno’s victories, returning him to the No. 1 spot.

Coach Bowden now ranks second, with 377 career wins.

Paul Cotton, of Poco.

Mr. Cotton joined Poco, replacing the founding member Jim Messina in 1970, just in time to appear on the group’s third studio album, “From the Inside” (1971). Produced by Steve Cropper, the guitarist with the Memphis R&B combo Booker T. & the MGs, the project signaled a new artistic direction for the band, maybe nowhere so much as on the three songs written by Mr. Cotton.
Rooted more in rock and soul than in the country and bluegrass that had hitherto been the group’s primary influences, Mr. Cotton’s sinewy, blues-inflected guitar work and brooding baritone vocals on songs like the ballad “Bad Weather” greatly expanded Poco’s emotional and stylistic palette.

Herbert Schlosser, TV executive. Among other accomplishments: “Saturday Night Live” and “Laugh-In”.

Jon Lindbergh. Yes, he was Charles Lindbergh’s son, but he led an interesting life of his own.

He didn’t go into aviation like his father: instead, he became a pioneer of undersea research.

After college, he did postgraduate work at the University of California San Diego and spent three years as a Navy frogman, working with the Underwater Demolition Team. He appeared as an extra in the television series “Sea Hunt” and had bit parts in a few movies, including “Underwater Warrior” (1958).
He also worked as a commercial deep-sea diver and participated in several diving experiments. They included a 1964 project in the Bahamas called “Man-in-Sea” in which a submersible decompression chamber devised by Edwin Link allowed divers to stay deeper under water for longer periods.
As part of that project, Mr. Lindbergh and Robert Sténuit, a Belgian engineer, set a record by staying in a submersible dwelling for 49 hours at a depth of 432 feet, breathing a mixture of helium and oxygen that allowed them to swim outside the dwelling without harm despite the enormous pressure of the water above. Mr. Sténuit wrote an account of the experiment in the April 1965 issue of National Geographic.
Mr. Lindbergh was also involved in the development and testing of the Navy’s Alvin deep-ocean submersible, which he used during the recovery of the hydrogen bomb in the Mediterranean. An American bomber had hit a refueling tanker in midair and dropped four hydrogen bombs, two of which released plutonium into the atmosphere, though no warheads detonated.
He later helped install Seattle’s water treatment system in icy waters as deep as 600 feet. Finding that he liked the area, he bought a secluded Georgian-style home on Bainbridge Island in the mid-1960s and raised his family there. He later farmed salmon in Puget Sound and in Chile as part of an emerging aquaculture industry and sold the fish to airlines and restaurants.

Charles Lindbergh lived long enough to see Jon flourish in his career and was relieved that his son had not followed him into aviation. “He removed any burden of his own career from his son’s shoulders,” Mr. Berg wrote in his biography, by telling Jon that much of what had first attracted him to aviation in the 1920s no longer existed.
“Thirty years ago, piloting an airplane was an art,” Charles Lindbergh told his son, but it no longer seemed like an adventure.
Rather than become a flyer, Charles Lindbergh added, “I think I would follow your footprints to the oceans, with confidence that chance and imagination would combine to justify the course I set.”

Nach Waxman. He founded Kitchen Arts and Letters, a Manhattan bookstore specializing in food related books.

In one instance, Mr. Waxman counseled Citibank on its banquet menu for the Venezuelan finance minister; in another, he found Indigenous recipes from New Guinea for the American Museum of Natural History’s dining room during an exhibition on rain forests.
“He could make helpful recommendations, obtain the very cookbook you needed, search for out-of-print editions and discuss the authors,” said Florence Fabricant, a food and wine writer for The New York Times.
Mr. Waxman once said that about two-thirds of his customers were culinary careerists purchasing professional tools. “Knives are one tool,” he told The Times in 1998. “Books are another.”

“It’s really the professional business that’s the gratifying business,” Mr. Waxman told The Times in 1995. “People who are expanding their skills and the scope of their work. I will tell you, when the lease was up a few years ago, I gave serious thought to moving the store to a second floor somewhere just to make it a place for motivated people, not casual drop-ins. The people who come here have a language in common.
“Just sitting and selling books is boring,” he said. “It’s making change and putting books in bags. What’s fun is helping people solve their problems.”

Obit watch: July 29, 2021.

Thursday, July 29th, 2021

Supplemental: NYT obit for Dusty Hill.

City Journal tribute to Jackie Mason. (Hattip: Lawrence.)

Ron Popeil.

The quirky products certainly sounded like inventions Americans could live without — an Inside-the-Shell Electric Egg Scrambler, spray-on fake hair in a can, the Pocket Fisherman (“the biggest fishing invention since the hook … and still only $19.95!”), and the counter-size Showtime Rotisserie & BBQ (“Set it and forget it!”), one of his biggest successes.
His redesigned 1975 Veg-O-Matic is enshrined in the Smithsonian’s American Legacies collection alongside the Barbie doll, and comedian Dan Aykroyd vigorously parodied both salesman and machine in Bass-O-Matic skits on “Saturday Night Live” in the 1970s.

“I’ve gone by many titles: King of Hair, King of Pasta, King of Dehydration, or to use a more colloquial phrase, a pitchman or a hawker,” Mr. Popeil said in 1995. “I don’t like those phrases, but I am what I am. Pick a product, any product on your desk. Introduce the product. Tell all the problems relating to the product. Tell how the product solves all those problems. Tell the customer where he or she can buy it and how much it costs. Do this in one minute. Try it. You know what it sounds like? It comes out like this: Brrrrrrrrrrr.”

George Rhoads. I had not heard of him previously, but his work sounds really cool.

Mr. Rhoads’s colorful “audio-kinetic ball machines,” which evoked the workings of watches and roller coasters, were built of comically designed tracks and devices like loop-the-loops and helical ramps, and were usually six- to 10-feet high. Scores of the machines have been installed in children’s hospitals, malls, science museums and airports and elsewhere in a dozen countries, but mostly in the United States and Japan.
“Each pathway that the ball takes is a different drama, as I call it, because the events happen in a certain sequence, analogous to drama,” he said in an interview in 2014 with Creative Machines, which makes ball machines based on and inspired by his designs. “The ball gets into certain difficulties. It does a few things. Maybe there’s some conflict. They hit or they wander, whatever it is and then there’s some kind of dramatic conclusion.”
One of his most frequently viewed machines, “42nd Street Ballroom,” was installed in 1983 in the lobby of Manhattan’s Port Authority Bus Terminal, where it remained. Eight feet tall and eight feet wide, the sculpture shows its plates spin, its levers flip and its 24 billiard balls roll down ramps. As was typical of his machines, numerous balls move independently, letting gravity guide them and, when they reach the bottom, they are returned to the top by a motorized hoist.

Joey Jordison, drummer and founding member of Slipknot.

Rick Aiello, actor. (“Do The Right Thing”, lots of TV credits including “18 Wheels of Justice”)

For the record, he was Danny Aiello’s son.

Obit watch: July 28, 2021 (supplemental)

Wednesday, July 28th, 2021

I am seeing reports that Dusty Hill of ZZ Top has passed, but I have not yet found a reliable source for this.

I’ll update here if I do find one.

Edited to add: short preliminary obit from the Statesman. Variety.

EtA2: NYPost.

EtA3:

Obit watch: July 21, 2021.

Wednesday, July 21st, 2021

Rick Laird, noted musician.

The guitarist John McLaughlin called Mr. Laird in 1971 with an invitation to join a group he was forming with the goal of uniting the jazz-rock aesthetic — which Mr. McLaughlin had helped establish as a member of Miles Davis and Tony Williams’s earliest electric bands — with Indian classical music and European experimentalism.
The new ensemble, the Mahavishnu Orchestra, which also featured the drummer Billy Cobham, the keyboardist Jan Hammer and the violinist Jerry Goodman, became one of the most popular instrumental bands of its time. It released a pair of studio albums now regarded as classics for Columbia Records, “The Inner Mounting Flame” (1971) and “Birds of Fire” (1973), and one live album, “Between Nothingness & Eternity” (1973).

After leaving Mahavishnu, he went on to tour with other artists and did one solo album. But he decided in 1982 that he needed a backup career path. So he became a professional photographer. (The NYT says that he did continue to write and perform music, but none of it has been “officially released”.)

My feelings about baseball are well known, but I did want to highlight the passing of Marjorie Adams. She spent a lot of time researching and lobbying for her great-grandfather’s (Daniel Adams) place as a founding father of baseball.

Making the case for her great-grandfather, who was known as Doc (he came by his nickname legitimately, having received a medical degree from Harvard in 1838), became Ms. Adams’s consuming passion. She advocated for him on a website, at conferences, at meetings of the Society for American Baseball Research (SABR) and at vintage baseball festivals, where fans play and celebrate the sport, as if it were the 19th century. She nicknamed herself Cranky, for “cranks,” a period term for fans.
“Baseball is the national pastime,” she said in an interview in 2014 with SABR’s Smoky Joe Wood chapter. “It’s important that the historical record is correct.”
That record was a lie for a long time, according to John Thorn, baseball’s official historian. Abner Doubleday was for many years falsely cited as baseball’s inventor. And Alexander Cartwright, who played a role in the sport’s evolution, was credited on his plaque at the Hall of Fame in Cooperstown, N.Y., with some of the innovations that, it turned out, were actually conceived by Adams.

Doc Adams began playing for the pioneering New York Knickerbockers Base Ball Club in 1845. While with the team, he created the shortstop position — as a relay man from the outfield, not a fielder of ground balls and pop flies. He made his most critical contributions to the game in 1857 at a rule-making convention of which he was chairman.
There he codified some of the fundamentals of the modern game, setting the distance between bases at 90 feet, the length of a game at nine innings and the number of men per side at nine.

Obit watch: July 17, 2021.

Saturday, July 17th, 2021

Quick roundup, in some haste:

Biz Markie. 57. Damn.

Dennis Murphy, founder of the American Basketball Association. Also the World Hockey Association, the International Women’s Professional Softball League, and Roller Hockey International.

“He was fun and creative,” Mr. O’Brien said, “and he was always hustling somebody.”

Obit watch: June 28, 2021.

Monday, June 28th, 2021

NYT obit for Frederic Rzewski, which went up after I posted yesterday.

John Langley. He was perhaps best known as the creator of “COPS”.

Apart from Cops, Langley also produced American Vice: The Doping of a Nation, which showed live drug arrests on television. Other credits include Inside American Jail and Las Vegas Jailhouse; documentaries Cocaine Blues, American Expose: Who Murdered JFK?, Anatomy of a Crime and Terrorism: Target U.S.A.;and series’ Video Justice, Undercover Stings, Jail, Street Patrol, Vegas Strip and Road Warriors.

He also was involved in off-road racing, and apparently did quite well at that:

In 2009 and 2010, Langley’s team, COPS Racing, took first place in its class in the Baja 1000, an off-road motorsports event held annually in Baja California.

He died of an apparent heart attack while his team was competing in the “Coast to Coast Ensenada-San Felipe 250” this past weekend.

I have not seen this elsewhere, but “Reason” is reporting the death of libertarian economist Steve Horwitz.

Obit watch: June 27, 2021.

Sunday, June 27th, 2021

Mike Gravel, former Senator from Alaska and (later) presidential candidate.

Frederic Rzewski, noted pianist. I probably would not have made note of this, but Mike the Musicologist sent me this tweet:

Ethan Iverson’s tribute. MtM notes: “And while ‘The People United Will Never Be Defeated‘ is grotesque source material, the piece is stunning.”

Headline of the day.

Wednesday, June 16th, 2021

This is the first time that I’ve ever found a story with a headline that I wanted to link, but I don’t even want to mention the headline here for reasons.

So I’m just going to put a link right here. I’m not going to tell you what the headline is, though I will tell you it is from the NYPost. Click at your own risk. You have been warned.

One hint: it involves a famous and controversial musician. Think “Chappelle’s Show”. Not Prince.

Obit watch: May 30, 2021.

Sunday, May 30th, 2021

Gavin MacLeod. THR. Variety.

As he told the story, one night he was driving, while drunk, on Mulholland Drive in the hills above Los Angeles when he impulsively decided to kill himself by driving off the road. But he stopped himself, jamming on the brakes at the last moment. Shaken, he recalled, he made his way to the nearby house of a friend, the actor Robert Blake, who persuaded him to see a psychiatrist.

After his divorce, Mr. MacLeod married Patti Kendig, a dancer, in 1974. They also divorced, in early 1982, but remarried in 1985, by which time they had both become born-again Christians. Mr. MacLeod documented their story, as well as his decades-long struggle with alcoholism, in a 1987 book, “Back on Course: The Remarkable Story of a Divorce That Ended in Remarriage.”

B.J. Thomas.

Mr. Thomas placed 15 singles in the pop Top 40 from 1966 to 1977. “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” a monument to heartache sung in a bruised, melodic baritone, reached No. 1 on both the country and pop charts in 1975. “Hooked on a Feeling,” an exultant expression of newfound love from 1968, also reached the pop Top 10. (Augmented by an atavistic chant of “Ooga-chaka-ooga-ooga,” the song became a No. 1 pop hit as recorded by the Swedish rock band Blue Swede in 1974.)

Faye Schulman.

The Germans enlisted her to take commemorative photographs of them and, in some cases, their newly acquired mistresses. (“It better be good, or else you’ll be kaput,” she recalled a Gestapo commander warning her before, trembling, she asked him to smile.) They thus spared her from the firing squad because of their vanity and their obsession with bureaucratic record-keeping — two weaknesses that she would ultimately wield against them.
At one point the Germans witlessly gave her film to develop that contained pictures they had taken of the three trenches into which they, their Lithuanian collaborators and the local Polish police had machine-gunned Lenin’s remaining Jews, including her parents, sisters and younger brother.
She kept a copy of the photos as evidence of the atrocity, then later joined a band of Russian guerrilla Resistance fighters. As one of the only known Jewish partisan photographers, Mrs. Schulman, thanks to her own graphic record-keeping, debunked the common narrative that most Eastern European Jews had gone quietly to their deaths.
“I want people to know that there was resistance,” she was quoted as saying by the Jewish Partisan Educational Foundation. “Jews did not go like sheep to the slaughter. I was a photographer. I have pictures. I have proof.”

Rusty Warren.

In the wholesome era of “Our Miss Brooks” and “Father Knows Best” on television, Ms. Warren, who died at 91 on Tuesday in Orange County, Calif., developed a scandalous comedy routine that was full of barely veiled innuendo about sex, outrageous references to breasts and more, much of it delivered in a husky shout.
With that new risqué routine, she began packing larger clubs all over the country. The release in 1960 of her second comedy album, the brazenly titled “Knockers Up!,” only increased her fame.
It was a booming time for live comedy and comedy records — “The Button-Down Mind of Bob Newhart,” Mr. Newhart’s Grammy-winning breakthrough, was released the same year — and Ms. Warren emerged as a star in an out-of-the-mainstream sort of way.

She released more than a dozen albums, including “Rusty Warren Bounces Back” (1961), “Banned in Boston” (1963), “Bottoms Up” (1968) and “Sexplosion” (1977), selling hundreds of thousands of copies (“Knockers Up!” was a longtime resident of the Billboard 200 chart) even though for much of her career some retailers wouldn’t display them prominently and television producers wouldn’t give her the bookings that more mainstream comics got.

If it hasn’t already been written, somebody could get a good book out of the history of comedy records roughly mid-century (I’m guessing 1950-1975, maybe slightly later). Especially if they went into the history of “blue” or “party” records: not just Ms. Warren, but Redd Foxx, Moms Mabley, Rudy Ray Moore, and lots of other now mostly forgotten folks.

Lawrence sent over two: Shane Briant, British actor. (“Frankenstein and the Monster from Hell”, “Cassandra”, “The Picture of Dorian Gray”)

Paul Robert Soles.

Best known today for portraying Hermey the Elf in Rudolph the Red-Nosed Reindeer (1964) and Peter Parker and his crime-fighting alter ego in the 1967 cartoon Spider-Man he worked extensively in every medium, his favourites being radio drama and live theatre.

Among his many memorable dramatic performances three stand out: the lead in the Canadian premiere in 1987 of ‘I’m Not Rappaport’; the first Jewish Canadian to play Shylock in the 2001 production of ‘The Merchant of Venice’ at the Stratford Festival and the Dora-nominated role in the 2005 two-hander ‘Trying’.

Beyond work and family he had three life-long passions: sports cars, music and flying. A racing nut he drove the winning foreign entry in the American International Rally (1959) speaking only German and passing himself off as a factory driver from Mercedes in a zero-mileage model W120. A bigtime jazz fan, particularly of the big-bands, he was a fixture at clubs on both sides of the border and he forged friendships with a number of performers. An aviation enthusiast and pilot he owned two RCAF primary trainers, first a Fleet 16-B Finch open cockpit biplane acquired to barnstorm across the continent as part of The Great Belvedere Air Dash of 1973 and later a DeHavilland DHC-1 Chipmunk. He was a performing member of the Great War Flying Museum (Brampton), an air show participant for 20 years and a perennial volunteer for the Canadian International Air Show.

Obit watch: May 27, 2021.

Thursday, May 27th, 2021

Eric Carle, children’s book author. He was perhaps most famous for “The Very Hungry Caterpillar”.

Noted:

But, as Mr. Carle told The New York Times in 2007, disaster struck when his father was drafted into the German army and soon became a prisoner of war in Russia. Eric, who was then 15, managed to avoid the draft but was conscripted by the Nazi government to dig trenches on the Siegfried line, a 400-mile defensive line in western Germany.
“In Stuttgart, our hometown, our house was the only one standing,” Mr. Carle told The Guardian in 2009. “When I say standing, I mean the roof and windows are gone, and the doors. And … well, there you are.”

Kevin Clark. He was the drummer in “School of Rock”. According to reports, he was hit and killed while riding his bicycle home.

Samuel Wright. He voiced “Sebastian” in “The Little Mermaid”, and also did a lot of Broadway work. He also played “Mufasa” in the original cast of “The Lion King” on Broadway.

Obit watch: May 26, 2021.

Wednesday, May 26th, 2021

Somewhat breaking news: John Warner, former Senator from Virginia and Elizabeth Taylor’s sixth husband.

Though a popular figure in his state, Mr. Warner was often at odds with Virginia conservatives. He became the Republican nominee in his first campaign only after the man who had defeated him at a state party convention was killed in a plane crash.
He angered the National Rifle Association with his backing of an assault weapons ban. He infuriated some state Republicans in 1994 when he refused to support Oliver L. North, the former White House aide at the center of the Iran-contra scandal during the Reagan administration, in Mr. North’s bid for the Senate. And he opposed Reagan’s ultimately unsuccessful Supreme Court nomination of Judge Robert H. Bork.

Edited to add: My mother and stepfather lived in Virginia during part of the time John Warner was a senator. My mother is kind of upset at the press coverage: she feels it focuses too much on Sen. Warner being Number Six in the long line of Liz’s husbands, and not enough on his accomplishments as a Senator. One of the things she mentioned to me: there was a time when they were having trouble getting money out of SSI for my stepfather. She called Senator Warner’s office and spoke to one of his people, who said, “Oh, I know somebody over there. Let me make some calls.”

They had their check two days later.

Roger Hawkins, noted drummer.

An innately soulful musician, Mr. Hawkins initially distinguished himself in the mid-’60s as a member of the house band at the producer Rick Hall’s FAME Studios in Muscle Shoals, Ala. (The initials stand for Florence Alabama Music Enterprises.) His colleagues were the keyboardist Barry Beckett, the guitarist Jimmy Johnson and Mr. Hood, who played bass. Mr. Hood is the last surviving member of that rhythm section.
Mr. Hawkins’s less-is-more approach to drumming at FAME — often little more than a cymbal and a snare — can be heard on Percy Sledge’s gospel-steeped “When a Man Loves a Woman,” a No. 1 pop single in 1966. He was also a driving force behind Aretha Franklin’s imperious “Respect,” a No. 1 pop hit the next year, as well as her Top 10 singles “Chain of Fools” (1967) and “Think” (1968).

In 1969 Mr. Hawkins and the other members of the FAME rhythm section parted ways with Mr. Hall over a financial dispute. They soon opened their own studio, Muscle Shoals Sound, in a former coffin warehouse in nearby Sheffield.
Renaming themselves the Muscle Shoals Rhythm Section, the four men appeared on many other hits over the next decade, including the Staple Singers’ chart-topping pop-gospel single “I’ll Take You There,” a 1972 recording galvanized by Mr. Hawkins’s skittering Caribbean-style drum figure. They also appeared, along with the gospel quartet the Dixie Hummingbirds, on Paul Simon’s “Loves Me Like a Rock,” a Top 10 single in 1973.
Mr. Hawkins and Mr. Hood worked briefly with the British rock band Traffic as well; they are on the band’s 1973 album, “Shoot Out at the Fantasy Factory.”
Mr. Hawkins and his colleagues became known as the Swampers after the producer Denny Cordell heard the pianist Leon Russell commend them for their “funky, soulful Southern swamp sound.” The Southern rock band Lynyrd Skynyrd mentioned them, by that name, in their 1974 pop hit “Sweet Home Alabama.”

Obit watch: May 9, 2021.

Sunday, May 9th, 2021

Tawny Kitaen, 80s figure.

With her flowing red hair and acrobatic moves, Ms. Kitaen appeared in videos for bands like Whitesnake and Ratt, coming across as both sultry and playful. She famously danced on the hood of a white Jaguar in the music video for Whitesnake’s “Here I Go Again” and graced the cover of Ratt’s 1984 album, “Out of the Cellar.”

She once described working with Paula Abdul, who was a choreographer at the time, on the set of one video.
As Ms. Kitaen recalled, Ms. Abdul asked her what she could do, and Ms. Kitaen showed Ms. Abdul some of her moves. Ms. Abdul then turned to the director, Marty Callner, and said, “She’s got this and doesn’t need me.” And then, Ms. Kitaen said, she left.
“That was the greatest compliment,” she said. “So I got on the cars and Marty would say, ‘Action,’ and I’d do whatever I felt like doing.”

She married David Coverdale, the frontman of Whitesnake, in 1989. The couple divorced two years later. In 1997, she married Chuck Finley, a pitcher with the Anaheim Angels (now the Los Angeles Angels of Anaheim). They had two daughters, Wynter and Raine. The couple divorced in 2002.

Tawny Finley, in a declaration to the Orange County Superior Court, claimed Finley used steroids among other drugs. She also claimed he bragged about being able to circumvent MLB’s testing policy. When told of his wife’s accusations, which also included heavy marijuana use and alcohol abuse, Finley replied: “I can’t believe she left out the cross-dressing.”

Ed Ward, music critic. He wrote for “Crawdaddy” and “Rolling Stone”:

Mr. Ward’s review of the Beatles’ “Abbey Road” (1969) in Rolling Stone demonstrated his tough side: He called “Sun King” the album’s “biggest bomb” and its second side “a disaster.”
“They’ve been shucking us a lot lately and it’s a shame because they don’t have to,” he wrote. “Surely they have enough talent and intelligence to do better than this. Or do they?”

Mr. Ward was fired from Rolling Stone after a few months (he didn’t get along with Jann Wenner, the publisher), then became the West Coast correspondent for the rock magazine Creem, a post he held for most of the 1970s. He left in 1979 to write about the thriving music scene in Austin as a music critic at The American-Statesman.
“Ed brought a reputation to Austin as an unflinching critic — Rolling Stone had a lot of clout — and he was not diplomatic in his writing,” said his friend and fellow writer Joe Nick Patoski, who described Mr. Ward as cantankerous and difficult. “Early on, there was a reaction to some of the things he wrote and it started a ‘Dump Ed Ward’ movement that had bumper stickers and T shirts.”

Over the next decade, Mr. Ward was a music and food critic (sometimes, while he was still at The American-Statesman, under the pseudonym Petaluma Pete) for the alternative weekly The Austin Chronicle; one of three authors of “Rock of Ages: The Rolling Stone History of Rock & Roll” (1986), in which he focused on the 1950s; and, in 1987, one of several founders of the South by Southwest music, film and technology festival in Austin.

He returned to Austin in 2013 and set to work on “The History of Rock & Roll, Volume 1: 1920-1963,” which was published in 2016. A second volume, taking the music’s history up to 1977, was published in 2019. But his publisher declined to publish a third one because the second book’s sales had not been as good the first one’s.

Ernest Angley, televangelist. Or, as I liked to call him, “the man who took over Rex Humbard’s soup kitchen“.

These last two by way of Lawrence: George Jung, cocaine smuggler.

Japanese composer Shunsuke Kikuchi. Among his credits: “Dragon Ball”, “Dragon Ball Z”, and several “Gamera” films.

Obit watch: May 7, 2021.

Friday, May 7th, 2021

This has been well covered locally (and on ESPN) but for the historical record: Jake Ehlinger, linebacker for UT, was found dead in his apartment yesterday. He was 20 years old.

This one is for Lawrence: Milva. I’d never heard of her, either, but she was apparently a very prominent Italian singer.

Her deep, powerful voice garnered attention. But her short brown hair and slight build were far from the thick manes and full hourglass figures then in demand.
To compensate, she padded her bras and thickened her legs with three pairs of stockings. An agent recommended that she dye her hair red, a color that became her trademark and earned her the nickname La Rossa, or the Redhead.

NYT obit for Johnny Crawford.

Obit watch: May 3, 2021.

Monday, May 3rd, 2021

Getting caught up:

Pete Lammons, tight end for the New York Jets. He was 77, and participating in a fishing tournament in East Texas.

Major League Fishing, the sponsor of the tournament, said that Lammons, who was participating in the event, had fallen out of his boat on the Sam Rayburn Reservoir, a popular spot for bass fishing, and that the other man in the boat tried to rescue him. A team equipped with sonar recovered Lammons’s body a few hours later.

Olympia Dukakis, for the historical record. THR. Variety.

Jill Corey. This was a little before my time, but still an interesting story. She grew up in Avonmore, Pennsylvania (literally a coal miner’s daughter) but was discovered at 17 and went on to a career in music.

Before the end of the decade, Ms. Corey had a spot on the “Johnny Carson Show” (a variety show precursor to his late-night talk show) and the NBC series “Your Hit Parade,” in which a regular cast of vocalists sang the top-rated songs of the week.
For a time Ms. Corey even had her own show, 15 minutes of song that followed the news once a week, a programming format that placed many popular singers in similar slots across the networks.
She recorded many records and performed at Manhattan nightclubs like the Copacabana and the Blue Angel. (Mr. Miller, in tight control of her career, turned down Broadway roles for her because her nightclub work was more lucrative.) And she was courted by heartthrobs like Eddie Fisher and Frank Sinatra (as he and Ava Gardner were divorcing).
She also made a “terrible movie,” in her words, called “Senior Prom” (1958).

In one of those odd cases that seem so common during that decade, where the line between “romance” and “creepy stalking” becomes blurred, she was pursued by Don Hoak of the Pittsburgh Pirates (even though she was already engaged) and married him in 1961. She gave up singing, but Mr. Hoak died in 1969 and she went back to performing.