Obit watch: September 23, 2021.

Melvin Van Peebles.

A Renaissance man whose work spanned books, theater and music, Mr. Van Peebles is best known for his third feature film, “Sweet Sweetback’s Baadasssss Song,” which drew mixed reviews when it was released in 1971, ignited intense debate and became a national hit. The hero, Sweetback, starred in a sex show at a brothel, and the movie sizzled with explosive violence, explicit sex and righteous antagonism toward the white power structure. It was dedicated to “all the Black brothers and sisters who have had enough of The Man.”

In addition to making movies, Mr. Van Peebles published novels, in French as well as in English; wrote two Broadway musicals and produced them simultaneously; and wrote and performed spoken-word albums that many have called forebears of rap.
Over the course of his life he was also a cable-car driver in San Francisco, a portrait painter in Mexico City, a street performer in Paris, a stock options trader in New York, the navigator of an Air Force bomber, a postal worker, a visual artist and, by his own account, a very successful gigolo.

…Columbia Pictures then hired him to direct “Watermelon Man” (1970), a satirical comedy about a white bigot, played by Godfrey Cambridge, who turns into a Black man.
Columbia wanted Mr. Van Peebles to shoot alternative endings — one in which the protagonist becomes a Black militant, and another in which he discovers that it was all a dream. Mr. Van Peebles said he “forgot” to shoot the second ending.
Disliking working for a studio, he set out to be an independent filmmaker. To make “Sweetback,” for $500,000, he combined his $70,000 savings with loans, used a nonunion crew and persuaded a film lab to extend him credit.
The plot of the movie concerns a man who attacks two crooked police officers and then escapes as a fugitive to Mexico, vowing to return and “collect some dues.” Only two theaters, in Detroit and Atlanta, would show the movie at first, but it caught fire and for several weeks outgrossed “Love Story.” Its American box office exceeded $15 million (about $100 million in today’s money), a bonanza for an independent film at the time.

Barbara Campbell Cooke. She actually passed away in April at 85, but her family didn’t make an announcement until recently.

Their story started out as if lifted from one of his love songs. Sam Cooke was 18 and Barbara Campbell was only 13 when they met on the South Side of Chicago.

She married Sam Cooke in 1959 (or 1958, according to Wikipedia). When he died in 1964, she married Bobby Womack (who worked with Sam Cooke) three months later. He was 19, she was 29, and a lot of fans were not happy.

But it upset many people to see Mr. Womack, sometimes in Mr. Cooke’s clothes, squiring Mr. Cooke’s widow about. The couple received hate mail, including a package containing a baby doll in a coffin. At a Nancy Wilson concert, when Ms. Wilson introduced the couple sitting in the audience, the crowd booed. In his telling, Mr. Womack, goaded by his new wife, took to cocaine. He also began a sexual relationship with the Cookes’ daughter, Linda, by then a teenager. When Barbara found them in bed, she shot Mr. Womack, the bullet grazing his temple. (Ms. Cooke was not charged, according to Mr. Womack’s book.) They divorced in 1970.

The sad goes on. The Cookes had a son who died at 18 months. Ms. Cooke and Mr. Womack also had a son who strugged with addiction and killed himself at 21.

Bobby Womack experienced fame early on when the Rolling Stones covered his 1964 song “It’s All Over Now,” their first No. 1 hit. He died in 2014 at 70, but not before suffering other tragedies. Another son of his, Truth, died when he was a baby, and Mr. Womack’s brother Harry was murdered by a girlfriend.
“I don’t speak to Barbara no more,” Mr. Womack wrote in his memoir. “Linda doesn’t speak to her. Haven’t spoken to Cecil for years. No one speaks to no one.”

Al Harrington. He was “Ben Kokua” in the good 5-0 (his character replaced Kono), and was a surf shop owner in the bad 5-0. Also a couple of appearances on “Jake and the Fatman”, among other credits.

When Harrington left the show in 1975, he launched a second-act career as a Waikiki showroom headliner and recording artist known affectionately as “The South Pacific Man.” He retired from the stage in 1992, and spent the next 13 years living on the mainland doing film work in Utah and California.

Roger Michell, director. Most of his films were British, but he’s perhaps best known for “Notting Hill” (that Julia Roberts/Hugh Grant movie) and “Changing Lanes” (the Ben Affleck/Samuel L. Jackson movie).

Later films included Hyde Park on Hudson, a historical drama starring Bill Murray as President Franklin D. Roosevelt, and The Duke, a real-life art heist story starring Jim Broadbent and Helen Mirren that premiered at the 2020 Venice Film Festival.

NYT obit for George Holliday.

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