Archive for the ‘Music’ Category

Music news.

Tuesday, February 1st, 2022

By way of great and good Friend of the Blog (and official trainer to WCD) Karl Rehn, we have learned that Hookers & Blow are touring.

As you may recall, Hookers & Blow is a band formed by Dizzy Reed (former Guns ‘N Roses keyboard player) and Alex Grossi (former Quiet Riot guitarist). I assume their March 2020 tour went the way of so many other things during the early days of the Chinese Rabies, but they’re back now.

Even better, they’re getting out of California, but only to Nevada, Idaho, Arizona, and Utah. No Texas shows. Yet.

Also unfortunately, there does not seem to be a Hookers & Blow t-shirt. Yet.

But the eponymous Hookers & Blow album is available from Amazon as a MP3 download, CD, or vinyl (affiliate link).

Thanks to Karl for the heads-up on this. We will be waiting eagerly for news of Texas tour dates.

Obit watch: January 31. 2022.

Monday, January 31st, 2022

NYT obit for Howard Hesseman, which was not up when I posted yesterday.

Mike the Musicologist sent this over, with the observation that it had been posted yesterday:

Cheslie Kryst. She was Miss USA 2019, and worked as a lawyer and a correspondent on “Extra”.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a good page of additional resources.

Hargus Robbins, noted session pianist in Nashville.

A longtime member of Nashville’s so-called A-Team of first-call studio musicians, Mr. Robbins appeared on thousands of popular recordings made here between the late 1950s and mid-2010s.
Many became No. 1 country singles, including Hank Snow’s “I’ve Been Everywhere” (1962), Loretta Lynn’s “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind)” (1966) and Dolly Parton’s “I Will Always Love You” (1974). Several also crossed over to become major pop hits, Patsy Cline’s “I Fall to Pieces” (1961) and Kenny Rogers’s “The Gambler” (1978) among them.

Mr. Robbins’s influence was maybe most pronounced as the Nashville Sound evolved into the more soul-steeped “countrypolitan” style heard on records like George Jones’s 1980 blockbuster single, “He Stopped Loving Her Today.”
Mr. Robbins’s rippling, jazz-inflected intros to Charlie Rich’s “Behind Closed Doors” (1973) and Crystal Gayle’s “Don’t It Make My Brown Eyes Blue” (1977) became enduring expressions of the Southern musical vernacular of their era. Both records were No. 1 country and crossover pop singles.

Afforded the chance to stretch out stylistically on “Blonde on Blonde,” Mr. Robbins played with raucous abandon on “Rainy Day Women #12 & 35,” the woozy, carnivalesque No. 2 pop hit hooked by the tagline “Everybody must get stoned.” He employed a tender lyricism, by contrast, on elegiac ballads like “Just Like a Woman” and “Sad Eyed Lady of the Lowlands.”

Obit watch: January 27, 2022.

Thursday, January 27th, 2022

Don Wilson, of the Ventures.

In addition to their success in the United States (where their other hits included “Walk — Don’t Run, ’64,” a remake of their own hit that also made Billboard’s Top 10), the Ventures became wildly popular in Japan — so much so, Mr. Wilson said, that numerous bands there took to imitating them. That led to an uncomfortable surprise when the band made its second trip there, its first as headliners, in 1965.
“We had an opening group,” he told The San Diego Union-Tribune in 1984, “and they played all of our songs before we went on.”

We’re talking about the Ventures, so you know what that means, right?

Jim Drake, one of the old time Sports Illustrated photographers. I wanted to mention this here because there’s a lot of classic Drake photos reproduced in the obit, including the one of Broadway Joe in Times Square.

Morgan Stevens, actor. He was “Nick Diamond” on “Melrose Place”. He was also “David Reardon” in “Fame” and did other TV guest spots.

Kevin Ward, the mayor of Hyattsville, Maryland, which is a DC suburb. He was found dead in a park: his death is suspected to have been a suicide.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a good page of additional resources.

Obit watch: January 21, 2022.

Friday, January 21st, 2022

Marvin Lee Aday, also known as “Meat Loaf”. THR. NYPost. IMDB.

(I can’t confirm it now, but I remember a legend that the NYT did a story about Meat Loaf…and, as is their custom on second and subsequent reference, referred to him as “Mr. Loaf”.)

Edited to add 1/22: Since I posted this obit, the NYT has added a note to their coverage discussing the “Mr. Loaf” story. They assert it is not true. And apparently he preferred to be called “Meat”:

In 1971, Meat Loaf was cast in the Los Angeles production of the musical “Hair.” He later joined the original LA Roxy cast of “The Rocky Horror Show” in 1973, playing the parts of Eddie and Dr. Everett Scott. After the success of the musical, Meat Loaf was asked to reprise his role as Eddie in the 1975 film adaptation, “The Rocky Horror Picture Show,” which became one of the most beloved cult films of all time.

Later, Mr. Steinman was trying to write a post-apocalyptic musical based on “Peter Pan,” but, unable to secure the rights for the tale, he turned the work into “Bat Out of Hell,” bringing in Meat Loaf to give the songs the style and energy that made them hits. The title track alone is a mini-opera in itself, clocking in at nearly 10 minutes and featuring numerous musical breakdowns. The album’s seven tracks also included the songs “Two Out of Three Ain’t Bad” and “Paradise by the Dashboard Light.”

In 2013, he told The Guardian that he was definitely retiring from music after another farewell tour. “I’ve had 18 concussions,” he said. “My balance is off. I’ve had a knee replacement. I’ve got to have the other one replaced.” He wanted to “concentrate more on acting,” he added, since “that’s where I started and that’s where I’ll finish.”

According to his autobiography, Meat Loaf was born on Sep. 27, 1947, but news reports of his age varied over the years. In 2003, he showed a reporter from The Guardian newspaper a passport featuring a birth date of 1951 and later said about the discrepancy, “I just continually lie.”

Obit watch: January 16, 2022.

Sunday, January 16th, 2022

It has been a bad time for country music and SF writers.

Ralph Emery, noted country music broadcaster.

Beginning his career at small radio stations and then moving into television as well, Emery was probably best known for his work on the Nashville Network cable channel. From 1983 to 1993, he was host of the channel’s live talk-variety show Nashville Now, earning the title “the Johnny Carson of cable television” for his interviewing style. From 2007 to 2015, Emery hosted a weekly program on RFD-TV, a satellite and cable TV channel.

By way of Lawrence: Ron Goulart, SF and mystery writer.

Dallas Frazier. Among other credits, he wrote “Elvira” (“…previously recorded by Rodney Crowell before it became a smash hit for the Oak Ridge Boys in 1981”)

Frazier also found success co-writing songs with A.L. “Doodle” Owens, including Charley Pride‘s first No. 1 Billboard Hot Country Songs hit, 1969’s “All I Have to Offer You (Is Me).” Pride also had No. 1 country hits with the Frazier/Owens collaborations “(I’m So) Afraid of Losing You Again,” “I Can’t Believe That You’ve Stopped Loving Me” and “Then Who Am I.”

Dave Wolverton, who also wrote as “Dave Farland“.

Wolverton worked as an English professor of creative writing at Brigham Young University, and held writing workshops for aspiring and established writers. He taught writers Brandon Sanderson, Brandon Mull, Jessica Day George, Eric Flint, James Dashner, as well as others.

NYT obit for Andrew Vachss, including quotes from Joe R. Landsdale. According to the paper of record, he passed on November 23rd, but “his death had not been widely reported previously”.

Obit from “The Rap Sheet” for Mr. Vachss and for J.J. Lamb.

Obit watch: January 14, 2022.

Friday, January 14th, 2022

Terry Teachout, critic, blogger, playwright, cultural commentator, and biographer, passed away yesterday.

“About Last Night” blog. WSJ (through archive.is). National Review.

I wrote briefly about him and his blog when his wife died. I was still an irregular follower – I tried to check in once a week – but I knew he had found a new love and was excited about that. This seems especially unfair.

On Twitter, he described himself as a “critic, biographer, playwright, director, unabashed Steely Dan fan, ardent philosemite.”

Though he led a sophisticated life of culture in New York, Mr. Teachout retained some of his small-town earnestness. “I still wear plaid shirts and think in Central Standard Time,” he wrote in his memoir. “I still eat tuna casserole with potato chips on top and worry about whether the farmers back home will get enough rain this year.”

I never met Mr. Teachout, though I would have liked to. He seems like one of those good decent people whose passing leaves a void in the world.

Edited to add: tribute from Rod Dreher.

Obit watch: January 12, 2022.

Wednesday, January 12th, 2022

Jean Ramirez, catcher for the Tampa Bay Rays. He was 28.

Ronnie Spector.

Random thoughts.

Wednesday, January 5th, 2022

I think it is time that we admit “Imagine” is a bad idea.

Not just a bad song, which it is, but we should admit it is just a bad idea in general and toss it on the dustheap of history. No more airplay, no more covers, no acknowledgment that this song even exists.

I have no strong opinion about Lennon’s other songs. But I have left instructions in my will telling my pallbearers to open carry at my funeral, and that they should use any degree of force necessary to stop “Imagine” from being played.

Today’s example of why I feel this way.

I happened to note this the other night, and I’ve seen other people point it out since then. But for the record: 2022 is the year of “Soylent Green”.

(Make Room! Make Room! (affiliate link) was set in August of 1999, for comparison’s sake.)

Merry Christmas, everyone!

Saturday, December 25th, 2021

I’m not sure that Annie Lennox gets enough credit for her musical talent. I think many people still associate her with the Eurythmics, but she’s gone on to do really interesting solo work. And there’s something about her voice that I find…well, I’m not sure “compelling” is the word for it, but maybe that will do.

I set this to start at the four minute mark because, but this is the whole album for your listening pleasure.

Tradition:

More tradition. This one makes me smile.

Not traditional, but I like it:

Responsible use of category tags.

Wednesday, December 15th, 2021

I hate to link to Crimereads two days in a row, but this is another one of those articles I feel like I have to link. Especially since it lets me tick off multiple categories from my list:

Fireworks at Graceland: How Elvis Spent His Last Christmas Before Boot Camp“.

I’m not going to add it to my wish list yet, but Christmas with Elvis (affiliate link) sounds like it could be a fun book.

Obit watch: December 15, 2021.

Wednesday, December 15th, 2021

Frank “Frankie” Little Jr., a guitarist and songwriter with the O’Jays.

Little, born in 1943 and raised in Cleveland, was a guitarist and songwriter for The O’Jays in the mid-1960s. Eddie Levert, the lead singer for the Rock & Roll Hall of Fame band, told WEWS-TV Little moved with the group to California that decade, but didn’t stay on the West Coast.

“He could have been a great entity in the music business, but he was in love and love drove him back to Cleveland,” said Levert, who lost track of his one-time bandmate in the ensuing years.

Little was only with the band for a short time, The O’Jays said in a statement to Rolling Stone. He worked with Levert on a handful of songs, including 1964’s “Do the Jerk” and 1966’s “Pretty Words.”
“He came out with us when we first ventured out of Cleveland and traveled to Los Angeles, but was also in love with a woman in Cleveland that he missed so much that he soon returned back to Cleveland after a short amount of time,” the band said.

Mr. Little died sometime around or prior to February of 1982, but his death was not announced until recently, when his remains were identified.

The partial remains — first discovered in February 1982 in a garbage bag behind a now-shuttered business in Twinsburg, Ohio — were identified as Little’s using DNA provided by a close relative, police said in a statement Tuesday.
“In October 2021, the DNA Doe Project provided the names of potential living relatives, who were able to provide Frank’s name,” Twinsburg police said, adding that Little’s identity was later confirmed by a medical examiner who ruled his death a homicide.

Little’s partial remains were found in a garbage bag after a worker discovered a skull in snowfall behind the business, WEWS reported. The bones and body were “cut up” prior to being placed in bags, according to an original coroner’s report obtained by the station.

Cara Williams, actress. 55 credits in IMDB.

High points include “The Defiant Ones”, “We Go to Monte Carlo”, “The Man From the Diners’ Club”, and the wife of Harry Morgan’s character in “Pete and Gladys”.

Obit watch: December 11, 2021.

Saturday, December 11th, 2021

Michael Nesmith, of the Monkees.

The four members were picked to fit types. Davy Jones, a British vocalist, was the cute scamp; Micky Dolenz, the drummer and primary lead singer, was the wild jokester; and Peter Tork, the bass player, was the lovable dim bulb. Mr. Nesmith, a guitarist and occasional singer, was variously described as the cerebral Monkee, the introspective Monkee, the sardonic Monkee, the quiet Monkee.
“He has that dry Will Rogers sense of humor,” Mr. Dolenz told Rolling Stone in 2012, characterizing Mr. Nesmith’s real persona. “That’s probably one of the reasons they cast him.”

He was also a music video pioneer:

In 1977 he recorded a song called “Rio” for the Island Records label, which asked him to make some kind of promotional film for it.
“They wanted me to stand in front of a microphone and sing,” Mr. Nesmith was quoted as saying in the 2011 book “I Want My MTV: The Uncensored Story of the Music Video Revolution,” by Craig Marks and Rob Tannenbaum. But he did something different.
“I wrote a series of cinematic shots: me on a horse in a suit of light, me in a tux in front of a 1920s microphone, me in a Palm Beach suit dancing with a woman in a red dress, women with fruit on their head flying through the air with me,” he said.
“As we edited these images,” he added, “an unusual thing started to emerge: The grammar of film, where images drove the narrative, shifted over to where the song drove the narrative, and it didn’t make any difference that the images were discontinuous. It was hyper-real. Even people who didn’t understand film, including me, could see this was a profound conceptual shift.”
Almost by accident, he had made one of the first music videos as that term came to be understood. It got some play in Europe, but Mr. Nesmith was struck by the fact that there was no outlet in the United States for showing such works, which a few other pop and rock stars were also beginning to make (and some, like the Beatles, had made earlier).
In 1979 he and the director William Dear developed a TV show, “Popclips,” for Nickelodeon, a recently inaugurated channel for children that was looking to add teenagers to its audience. “Popclips” showed nothing but music videos, introduced by a V.J. The show is often said to have helped inspire the creation of MTV in 1981, although accounts of the various people who claim to have had a role in MTV’s emergence differ widely.

Obit watch: December 5, 2021.

Sunday, December 5th, 2021

Bob Dole, for the record. WP. Battleswarm.

I don’t have much to add to any of these, but I am glad he’s getting credit for his honorable service during WWII.

Stonewall Jackson.

That’s Stonewall Jackson, the Grand Ole Opry singer, not the Confederate general.

Obit watch: December 3, 2021.

Friday, December 3rd, 2021

Alvin Lucier, “experimental composer”.

In “I Am Sitting in a Room,” Mr. Lucier began by quietly reading a short statement describing what he is doing. “I am sitting in a room different from the one you are in now,” the text begins. “I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed.”
The room’s acoustics, as well as audio distortions that occur when a tape is rerecorded over and over, yields a gradually changing sound in which, after 10 minutes, the spoken text is buried in reverberation and overtones, and unintelligible. During the final section, high-pitched overtones coalesce into eerie, slow-moving melodies.

I used to have a CD of “I Am Sitting in a Room”, back when I was in my “difficult listening” phase. It was not something I spent a lot of time listening to, though I was happy to have it.

(See also.)

NYT obit for Curley Culp.

Eddie Mekka. Most famous as Carmine Ragusa on “Laverne & Shirley”. Other credits include guest shots on “The Love Boat”, “Fantasy Island”, and one of the “Rockford Files” TV movies.

Why, is this not Hell? And are we not already in it?

Monday, November 29th, 2021

British fans of an Oasis tribute band spent the weekend confined to a remote Yorkshire pub with the group when a mountain of snow trapped them all in the bar.

Local authorities said it was not safe to travel, so 61 stranded pub-goers and employees hunkered down and spent the night, the paper said.
The conditions did not improve, so the shut-ins also slept in the pub on Saturday and were preparing to sleep over again on Sunday amid howling winds and swirling snow, according to the report.
Off-roaders and a mountain rescue group were able to transport several people out of the bar to attend to medical and family situations, but most patrons didn’t look back in anger and made the best of the situation with cold beer, a warm fire and plenty of “Wonderwall” singalongs, the article said.