Obit watch: February 3, 2022.

John C. Koss, headphone innovator.

Mr. Koss and his friend Martin Lange Jr., an engineer, developed a portable stereo phonograph in 1958 that they called a “private listening station.” It had a turntable, speakers and a privacy switch that let users plug headphones into a jack. But most of the headphones available, like those used by telephone operators, shortwave radio users and pilots, were incompatible and not stereophonic.
So they rigged up cardboard cups that contained three-inch speakers and chamois pads from a flight helmet, and they attached them to a headband made of a bent clothes hanger covered with a rubber shower hose.
“And, oh man, whew, it was just bouncing in my ears,” Mr. Koss said in an undated video interview on the Koss Corporation’s website. “It was a great sound. Now the whole thing was there. Anybody that listened to it, it was like the first time you drove in a car or the first time you did anything.”

“For many industry professionals, the Koss Pro/4 headphone was the entry into good stereophonic sound that could be heard on headphones,” Jim Anderson, a professor at New York University’s Clive Davis Institute of Recorded Music, said in an email, referring to a product first produced in 1962. “Koss set a standard for construction quality and audio for many years and had the market virtually to themselves.”

Jean-Jacques Beineix, French director. His first movie was “Diva”.

I wanted to see “Diva” when it was theatrically released because: moped chase in a subway. But at the time, this was impossible for me. I don’t recall it ever playing when UT had a film program. But now, it is available in a reasonably priced Kino Lorber blu ray (affiliate link). And I believe it is on the list: if not, it will be shortly.

He also directed “Betty Blue”, which seems to have divided critics. Interestingly, before “Diva”, he worked as a second assistant/second unit director on several films…including “The Day the Clown Cried”.

Sister Janet Mead, Australian nun…and, with all due respect, musical footnote.

Sister Janet’s recording of “The Lord’s Prayer,” which featured her pure solo vocal over a driving drumbeat — she had a three-octave range and perfect pitch — became an instant hit in Australia, Canada and the United States. It soared to No. 4 on the Billboard Hot 100 during Easter time in 1974, and she became one of the few Australian recording artists to have a gold record in the United States.
The record sold more than three million copies worldwide, two million of them to Americans. Nominated for the 1975 Grammy Award for best inspirational performance, it lost to Elvis Presley and his version of “How Great Thou Art.”
Along with Pete Seeger’s “Turn! Turn! Turn!,” famously covered by the Byrds in 1965, “The Lord’s Prayer” is one of the very few popular songs with lyrics taken from the Bible.

She later described the period of her record’s success as a “horrible time,” largely because of demands by the media.
“It was a fairly big strain because all the time there are interviews and radio talk-backs and TV people coming and film people coming,” she told the Australian Broadcasting Corporation. Shunning the spotlight, she declined most interview requests and all offers to tour the United States.

Sister Janet later withdrew from the public eye almost entirely, and her third album, recorded in 1983, was filed away in the Festival Records vaults. The tapes, including a 1983 version of “The Lord’s Prayer” and covers of songs by Bob Dylan, Paul Simon and Cat Stevens, were rediscovered by Mr. Erdman in 1999 and included on the album “A Time to Sing,” released that year to celebrate the 25th anniversary of Sister Janet’s hit single.

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