Archive for the ‘Movies’ Category

Obit watch: March 27, 2020.

Friday, March 27th, 2020

The gentleman who blogs at “Say Uncle” lost his wife earlier this week.

I check out Uncle’s site somewhere between every other day and every day: he’s been on top of what’s going on in the gun sphere for as long as I’ve been following him. I join with everyone else in that sphere in extending my condolences to him and to his people.

Fred “Curly” Neal, legendary Harlem Globetrotter.

In one of the most highly anticipated elements of the Globetrotters’ routine, Neal would dribble all over the court, frequently sliding on his knees, never losing control of the ball no matter how close to the hardwood he had lowered himself. Then he would bounce the ball through a flailing defender’s legs near the free-throw line and dribble in for an uncontested layup to finish off the move.
“Oh my gosh, he revolutionized ball handling,” Nancy Lieberman, who played for the Generals against the Globetrotters in 1988, said in a phone interview. “Everything you see Kyrie Irving doing and Steph Curry doing now, all of it started with the Trotters. The Trotters made dribbling a show.”
Neal’s trickery and showmanship established him as one of the team’s foremost stars, alongside the likes of Meadowlark Lemon and Hubert “Geese” Ausbie. Known for wearing ever-present white pads over his knees and an array of red, white and blue wristbands, Neal helped the Globetrotters’ barnstorming ensemble become a regular feature of ABC’s “Wide World of Sports” in an era when the National Basketball Association did not have a robust national television presence as it does now.

Mark Blum, knock-around actor. He worked on Broadway, was in “Crocodile Dundee”, did some other movies, and a non-trivial number of TV guest shots.

Mr. Blum was an omnipresent figure in the Off Broadway world for decades, but his biggest moment in the spotlight came in 1989 after he played a time-traveling 20th-century playwright who befriends Gustav Mahler, in the Playwrights Horizons production of Albert Innaurato’s “Gus and Al.”

He had a notable Broadway career as well, appearing in nine productions over three and a half decades. He made his Broadway debut as a particularly versatile theater professional — playing an unnamed Venetian (one of four), understudying two roles and acting as assistant stage manager in “The Merchant” (1977), set in 16th-century Venice and inspired by a certain Shakespearean classic.
Other Broadway roles included Eddie, the young main character’s recently widowed and debt-ridden father, in Neil Simon’s “Lost in Yonkers” (1991), with Irene Worth; Spalding Gray’s campaign manager in “Gore Vidal’s The Best Man” (2000), a role he reprised as a replacement in the 2012 revival; Leo Herman, a.k.a. Chuckles the Chipmunk, the detestable host of a children’s television show, in “A Thousand Clowns” (2001); and Juror No. 1, the reasonable foreman, in “Twelve Angry Men” (2004).

He appeared in almost 30 films, including “Desperately Seeking Susan” (1985), as a married hot-tub salesman; “Crocodile Dundee” (1986); and “Shattered Glass” (2003). His most recent, “The Pleasure of Your Presence,” a romantic comedy about a wedding in the Hamptons, has been completed but not yet scheduled for release.
Over the decades he appeared on dozens of prime-time series — among them “Miami Vice,” “Roseanne,” “Frasier” and three shows in the “Law & Order” franchise — and he remained active into 2020. He appeared in 30 episodes of the Amazon series “Mozart in the Jungle” as Union Bob, a rules-obsessed symphony orchestra piccolo player. His most recent roles were on the drama series “You,” as a mysterious bookstore owner and stroke victim; “Succession” (2018-19); and “Billions,” in an episode scheduled to air in May.

Obit watch: March 26, 2020.

Thursday, March 26th, 2020

Lawrence sent me this the other day, but I forgot to note it in yesterday’s roundup.

Stuart Gordon, director and writer. THR.

He was probably most famous for “Re-Animator” (which, as you know, Bob, was based on an H.P. Lovecraft story). He also directed “From Beyond”, and some less well known works (“Space Truckers”, “Robot Jox”).

Obit watch: March 24, 2020.

Tuesday, March 24th, 2020

Lawrence sent over an obit for prolific British actor David Collings, but I haven’t been able to find confirmation from another site.

Eric Weissberg, multi-instrumentalist musician, but perhaps most famous as a banjo guy. Specifically, “Dueling Banjos”.

As a session player he appeared on Judy Collins’s “Fifth Album,” contributing guitar to her 1965 version of “Pack Up Your Sorrows.” He played banjo on John Denver’s 1971 Top 10 pop hit, “Take Me Home, Country Roads.” His fretwork was heard on albums like Bob Dylan’s “Blood on the Tracks” (1974), Billy Joel’s “Piano Man” (1973) and the Talking Heads’ “Little Creatures” (1985). He collaborated with jazz musicians like Bob James and Herbie Mann as well.
“Dueling Banjos” did not, as the song’s title suggests, involve two banjoists pitting their skills against each other. Instead it showcased Mr. Weissberg’s three-finger Earl Scruggs-style banjo in a sprightly call-and-response — more of a dance than a fight — with the flat-picked acoustic guitar of his collaborator, Steve Mandell.

When it appeared on the soundtrack for “Deliverance,” a movie based on the James Dickey novel of the same name, it was mistakenly copyrighted to Mr. Weissberg.
A lawsuit was settled in Mr. Smith’s favor. Mr. Weissberg always maintained that Warner Bros. had credited him as the song’s composer without his knowledge or consent.

Eli Miller. No, you probably never heard of him. He was one of the last of New York City’s door to door seltzer delivery men, who worked “from 1960 until he retired in 2017.”

When Mr. Miller started his business, hundreds of seltzer men plied the streets; when he retired, there were only a handful. Through all of the intervening decades, he appeared at his customers’ homes bearing a wooden box of pewter-topped bottles filled with authentic seltzer.
“It’s not the stuff you buy in the plastic bottles in the store, which has about five pounds of pressure,” Mr. Miller said in a video that accompanied an article about him in The New York Times in 2013.
What Mr. Miller brought customers, he said, was triple-filtered New York City water, without salt, sugar or other additives, pressurized to about 60 to 80 pounds per square inch — perfect for enjoying plain or spritzing into an egg cream.

Mr. Miller was inducted into the Brooklyn Jewish Hall of Fame in 2017. His fellow inductees that year included the television personality Judge Judy Sheindlin and Ira Glasser, a former executive director of the American Civil Liberties Union.

Obit watch: March 20, 2020.

Friday, March 20th, 2020

Molly Brodak. She was a poet, and wrote a book about her childhood, Bandit: A Daughter’s Memoir.

“Bandit,” her first published nonfiction work, was an unsparing account of her dysfunctional childhood with her father, Joseph Brodak, a tool and die worker who began robbing banks in the summer of 1994 to pay off his gambling debts. At the time, Molly was barely a teenager.
Mr. Brodak robbed 11 banks in and around Detroit that summer. He would hand a teller a note demanding cash and gesture that he had a gun in his jacket pocket (he didn’t). He wore a floppy hat and a fake mustache that earned him the sobriquet “the Super Mario Brothers Bandit,” after the similarly attired video game character. He was caught, spent seven years in prison and was released in 2001, then served another prison sentence for robbing more banks in 2009.

She was only 39 years old. The NYT quotes her husband as stating she died by suicide.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a surprisingly good page of additional resources.

Lawrence sent over an obit for Roy Hudd, prominent British actor. He played “Archie Shuttleworth” on “Coronation Street”, and, according to Lawrence, did a fair amount of horror.

Obit watch: March 18, 2020.

Wednesday, March 18th, 2020

Stuart Whitman, another one of those knock-around TV and movie actors. THR.

He was “Marshal Jim Crown” on “Cimarron Strip”, played a child molester in a British movie called “The Mark”, was “Sergeant Walters” on “Highway Patrol”, and did guest shots on a whole lot of 70’s TV. (No “Mannix”, though.)

Lyle Waggoner. Things I didn’t know: he tried out for “Batman”. He was the first “Playgirl” centerfold. He did guest shots on “Lost in Space” (the original) and “Supertrain”. And he was in “Catalina Caper“.

Obit watch: March 10, 2020.

Tuesday, March 10th, 2020

Max von Sydow. Variety. THR.

Man classed up everything he was in.

R.D. Call, movie and TV character actor. He was in “Born On the Fourth of July”, “Last Man Standing”, and “Waterworld”, as well as a fair amount of TV. Of particular note: he was in “L.A. Takedown”, the TV movie that later became “Heat”.

Obit watch: March 3, 2020.

Tuesday, March 3rd, 2020

James Lipton. THR. I wish I had more to say about him, but my anti-cable TV policy means that I never saw an episode of “Inside the Actor’s Studio”, and I’m way too young to remember “The Lone Ranger” on the radio.

One thing I don’t think I was consciously aware of until I read his obit: he also wrote An Exaltation of Larks.

Claudette Nevins. She was one of those knock-around actresses: she was in the original production of “Plaza Suite” and toured nationally with “The Great White Hope”. She also did a lot of TV, especially in the 70s: “Barnaby Jones”, “M*A*S*H” (she was the woman Charles Emerson Winchester “married” while drunk in Tokyo), “Mrs. Colombo”, “Switch”, “Lou Grant”, “The Rockford Files”, “Electra Woman and Dyna Girl”, “The F.B.I.”…and the list goes on. (She even did an episode of “Police Squad“. (“In Color”!)) Never did a “Mannix”, though, at least per IMDB.

Obit watch: February 26, 2020.

Wednesday, February 26th, 2020

My brother sent out an obit watch for Clive “Raise the Titanic!” Cussler. I have not been able to find an obit to link to yet, but his passing seems to be confirmed by a post from his wife on his Facebook page. When I find actual obits, I’ll either update here or post another obit watch tomorrow.

Edited to add: Of course. Literally five minutes after I hit “Publish”, the paper of record posts their obit.

He began writing fiction at home in the late 60s, but his first two books, “Pacific Vortex” and “The Mediterranean Caper,” were repeatedly rejected. Unable even to get an agent, he staged a hoax. Using the letterhead of a fictitious writers’ agency, he wrote to the agent Peter Lampack, posing as an old colleague about to retire and overloaded with work. He enclosed copies of his manuscripts, citing their potential.
It worked. “Where can I sign Clive Cussler?” Mr. Lampack wrote back. In 1973, “The Mediterranean Caper” was published, followed by “Iceberg” (1975) and “Raise the Titanic!” (1976).
Despite an improbable plot and negative reviews, “Raise the Titanic!” sold 150,000 copies, was a Times best seller for six months and became a 1980 film starring Richard Jordan and Jason Robards Jr.

I actually kind of enjoyed the book “Raise the Titanic!”, but I was young at the time. I also paid actual money to see the movie in a theater, and that was a piece of s–t.

His books sales have been staggering — more than 100 million copies, with vast numbers sold in paperback at airports. Translated into 40 or so languages, his books reached The New York Times’s best-seller lists more than 20 times, as he amassed a fortune estimated at $80 million.

Ahem. Ahem.

While searching for his obit, though, I stumbled across the THR one for Ben Cooper. He was in a fair number of Westerns: “Johnny Guitar”, “Support Your Local Gunfighter”, “The Fastest Guitar Alive”. He also did a lot of TV guest spots: “Gunsmoke”, “Bonanza”, “The Rifleman”, “Death Valley Days”, and had regular spots on “The Misadventures of Sheriff Lobo” and “The Fall Guy”…

…and yes, he was on “Mannix” twice. (“The Playground”, season 3, episode 4, the same one Robert Conrad was in. That’s the next one we’re watching, Lawrence. Also “To Cage a Seagull”, season 4, episode 10.)

Obit watch: February 25, 2020.

Tuesday, February 25th, 2020

Hosni Mubarak, deposed Egyptian leader. Hat tip to Lawrence on this, and I’m going to defer to him on any geopolitical angle: I just don’t know enough about Middle Eastern affairs.

John Franzese, Mafia guy.

Prosecutors portrayed him in his prime as one of the Mafia’s top “earners,” generating many millions of dollars in loot, and as one of its most fearsome killers. In 1967, prosecutors asserted that an informer had heard Mr. Franzese boast that he had been involved in 40 or 50 underworld executions.
At his last trial, in 2011, prosecutors said a turncoat had secretly recorded him graphically describing how hit men should dismember and dispose of bodies to evade arrest. “I killed a lot of guys,” he was quoted as saying in a pretrial hearing. “You’re not talking about four, five, six, ten.”

His first felony conviction — on federal charges of masterminding four nationwide bank robberies — came in March 1967. Nine months later, in December 1967, he was the subject of a state trial in Queens on charges of ordering the death of a suspected government informer, whose body, with 17 stab wounds and six bullet wounds and weighted with two concrete blocks, was discovered in Jamaica Bay. He was found not guilty.
After appeals lasting three years in the bank robbery case were denied, Mr. Franzese, in 1970, began serving an indeterminate term of up to 50 years. He was paroled in 1978, but, in a series of revolving-door parole violations, he spent about 20 of the next 30 years in federal penitentiaries.

He was convicted of extortion in 2011, sentenced to eight years, and was released in 2017. In the “who’d thunk it” department (hi, Borepatch!), Mr. Franzese was 103 when he died (apparently of natural causes, though his family declined to give details).

Diana Serra Cary, also known as “Baby Peggy”. I’d never heard of her, and I apologize for the long quotes, but I think this is a sad story (though maybe with a happy ending). She was a famous child star in silent films:

Her name was Peggy-Jean Montgomery, and she was a precocious 2½-year-old in 1921 when Century Studio cast her as Baby Peggy, opposite Brownie the Wonder Dog. America soon fell in love with the chubby-cheeked little girl as she fled burning buildings, held thugs at bay with a pistol and clung to the underside of a train.
A Century fire in 1926 and decaying celluloid have left only a few of her vintage films in museum archives, in the Library of Congress and on the internet, including “Playmates” (1921), “Miles of Smiles” (1923), “Helen’s Babies” (1924) and “Captain January” (1924). But silent film aficionados say she could evoke terror, joy, pity and sorrow with the best of them, and was a good mimic, too, satirizing adult stars of the day, including Rudolph Valentino and Pola Negri in “Peg o’ the Movies” (1923).
By age 5 she had made more than 150 pictures, mostly short comedies and melodramas, for Century, Universal and Principal Pictures, and was a multimillionaire. Home was a Beverly Hills mansion near Mary Pickford and Douglas Fairbanks. A $30,000 chauffeur-driven limousine took her to work every day.

“I had identity problems from the time I was growing up,” Ms. Cary recalled in a 1999 interview with silentsaregolden.com. “Baby Peggy was very powerful. She was very popular. Nobody knew who I was — I mean, me. So I had this terrific personality that the whole world knew, and then I had me to deal with. So I couldn’t get my head together, and I couldn’t be me as long as I was carrying her.”
In 1925, Baby Peggy’s career crumbled. A $1.5 million contract was canceled, and she was virtually blacklisted in Hollywood after her father, a cowboy stuntman and stand-in for the Western star Tom Mix, had a bitter falling out with a studio boss over her salary. She made one last picture, “April Fool,” in 1926, and then found no more work in Hollywood. She was washed up, a 7-year-old has-been.

,,,

For several years after her film career faded, Baby Peggy performed on a grueling vaudeville circuit to support her parents in the style to which they had become accustomed. They squandered much of her $2 million fortune on hotels, luxury cars and travel. The rest was lost or embezzled by a stepgrandfather who absconded, or it evaporated in the stock market crash of 1929. The home in Beverly Hills was sold, as were the cars, jewels and other luxuries.
As the Depression deepened, the family moved to a ranch in Wyoming. Dirt poor and struggling, they pawned everything of value. A friend lent the family $300, and against Peggy’s wishes they returned to Hollywood and put her back to work, now as a teenager in the talkies. From 1932 to 1938, she appeared in eight films as an anonymous extra or in small roles credited to Peggy Montgomery.

After graduating, she eloped in 1938 with her first boyfriend, Gordon Ayres, a movie extra. They were divorced in 1948. She was a switchboard operator and a bookstore clerk, and then managed a gift shop in Santa Barbara. She told no one of her past, and took the name Diana Serra. In 1954, she married Bob Cary, an artist, and took his surname. They had a son, Mark. Her husband died in 2001. Besides her son, she is survived by a granddaughter, Stephanie.
The Carys settled in Cuernavaca, Mexico, where he painted and she became a freelance journalist, writing magazine articles. In 1970, they moved to La Jolla, part of San Diego, and she began a new career as a film historian. Her first book, “The Hollywood Posse” (1975), was a well-received account of stunt riders in film. Her second, “Hollywood’s Children” (1978), recounted the often troubling stories of child actors.
But it was the years of work on her memoir, “Whatever Happened to Baby Peggy? The Autobiography of Hollywood’s Pioneer Child Star” (1996), that proved therapeutic and redemptive. She re-examined her life in silent films, her parents’ conduct in frittering away her fortune, the studios’ harsh working conditions and the fates of child stars who, like her, were left impoverished, emotionally scarred and largely forgotten.
In “Jackie Coogan: The World’s Boy King: A Biography of Hollywood’s Legendary Child Star” (2003), she wrote about her old friend, who sued his mother and stepfather in 1938 for spending his more than $3 million in earnings on furs, diamonds, homes and expensive cars.

In recent years, Ms. Cary also appeared at silent film festivals, lectured, gave interviews and appeared in documentaries about her career, including Vera Iwerebor’s “Baby Peggy: The Elephant in the Room,” which was shown on Turner Classic Movies in 2012.

She was 101 years old, and is considered (at least by the paper of record) to have been the last surviving child star of that era. (“About a dozen other silent-era actors survive, but most were uncredited extras or ensemble players in series like the “Our Gang” pictures of the 1920s.”)

Obit watch: February 24, 2020 (rocket science edition)

Monday, February 24th, 2020

Katherine Johnson.

“NASA was a very professional organization,” Mrs. Johnson told The Observer of Fayetteville, N.C., in 2010. “They didn’t have time to be concerned about what color I was.”
Nor, she said, did she.
“I don’t have a feeling of inferiority,” Mrs. Johnson said on at least one occasion. “Never had. I’m as good as anybody, but no better.”
To the end of her life, Mrs. Johnson deflected praise for her role in sending astronauts into space, keeping them on course and bringing them safely home.
“I was just doing my job,” Ms. Shetterly heard her say repeatedly in the course of researching her book.

I thought about noting this over the weekend, but I couldn’t find a way to write about it without being disrespectful to the dead. So: Mike “Mad Mike” Hughes.

Mr. Hughes “didn’t really care if the Earth was flat, and was fully ready to concede his error once he could see it with his own eyes in a final stunt that he was working towards,” the post read.
Mr. Shuster, his publicist, maintained that Mr. Hughes’s professed flat-Earth beliefs were simply intended to garner money and publicity for his stunts.
“He was eccentric and believed in some government conspiracies, for sure, but it was a P.R. stunt,” Mr. Shuster said.

Obit watch: February 21, 2020.

Friday, February 21st, 2020

I can’t put this one any better than the paper of record did:

Sy Sperling, Founder of Hair Club for Men (and Also a Client), Dies at 78

Several people sent me obits for Lawrence Tesler:

Mr. Tesler worked at a number of Silicon Valley’s most important companies, including Apple under Steve Jobs. But it was as a young researcher for Xerox at its Palo Alto Research Center in the 1970s that he did his most significant work: helping to develop today’s style of computer interaction based on a graphical desktop metaphor and a mouse.
Early in his Xerox career (he began there in 1973), Mr. Tesler and another researcher, Tim Mott, developed a program known as Gypsy, which did away with the restrictive modes that had made text editing complicated. For example, until Gypsy, most text-editing software had one mode for entering text and another for editing it.

The Gypsy program offered such innovations as the “cut and paste” analogy for moving blocks of text and the ability to select text by dragging the cursor through it while holding down a mouse button. It also shared with an earlier Xerox editor, Bravo, what became known as “what you see is what you get” printing (or WYSIWYG), a phrase Mr. Tesler used to describe a computer display that mirrored printed output.

It was Mr. Tesler who gave Mr. Jobs the celebrated demonstration of the Xerox Alto computer and the Smalltalk software system that would come to influence the design of Apple’s Lisa personal computer and then its Macintosh.

The NYT ran a nice obit for Kellye Nakahara Wallett. There’s also a very good tribute to her on Ken Levine’s blog.

Esther Scott, actress. (“Boys N the Hood”)

Ja’Net DuBois, “Willona Woods” on “Good Times” and co-writer and performer of the theme for “The Jeffersons”.

Bonnie MacLean, another one of the 1960s San Francisco psychedelic poster artists.

Obit watch: February 17, 2020.

Monday, February 17th, 2020

It was another busy weekend, and there were several obits that meet at the intersection of crime and death. I’m trying to tread very carefully here, and I think I’m going to put the more crime related ones after a jump.

A.E. Hotchner has passed away at 102. Interesting guy: he was a close friend of Ernest Hemingway (“…Mary Hemingway, Ernest’s widow, tried unsuccessfully to stop publication of what turned out to be Mr. Hotchner’s most famous book, “Papa Hemingway: A Personal Memoir” (1966), which included closely observed and painfully revealed details of the paranoia and distress that preceded Hemingway’s suicide.“) and of Paul Newman: the two men co-founded Newman’s Own.

Tony Fernandez.

Fernandez won four straight Gold Gloves with the Blue Jays in the 1980s and holds club records for career hits and games played.

He was a five time All Star player.

He was a .288 hitter with 94 homers and 844 RBIs in 2,158 big league games. He remains the last Yankees player to hit for the cycle in a home game, accomplishing the feat in 1995.
Fernandez finished with 2,276 hits, 1,057 runs, 414 doubles, 92 triples, 246 stolen bases.

He did at 57 of kidney failure.

For the hysterical record: Barbara Remington. (Previously.)

Father George Coyne, former director of the Vatican Observatory.

Recognized among astronomers for his research into the birth of stars and his studies of the lunar surface (an asteroid is named after him), Father Coyne was also well known for seeking to reconcile science and religion. He applauded Pope Francis for addressing the role that humans play in climate change, and he challenged alternative theories to evolution like creationism and intelligent design.
“One thing the Bible is not,” he told The New York Times Magazine in 1994, “is a scientific textbook. Scripture is made up of myth, of poetry, of history. But it is simply not teaching science.”

During Father Coyne’s tenure, the Vatican publicly acknowledged that Galileo and Darwin might have been correct. Brother Consolmagno said it would be fair to say that Father Coyne had played a role in shifting the Vatican’s position.

“God in his infinite freedom,” he wrote, “continuously creates a world that reflects that freedom at all levels of the evolutionary process to greater and greater complexity. He is not continually intervening, but rather allows, participates, loves.”
He went further by finding fault with intelligent design.
“If they respect the results of modern science, and indeed the best of modern biblical research,” he wrote, “religious believers must move away from the notion of a dictator God or a designer God, a Newtonian God who made the universe as a watch that ticks along regularly.”
He added, “Perhaps God should be seen more as a parent or as one who speaks encouraging and sustaining words.”

He was the director from 1978 until he retired in 2006.

In the Times Magazine interview, Father Coyne was asked, “How can you describe the universe as a vast empty infinitude, largely uninhabited, and still believe in — ”
“The centrality of man in the universe?” he interjected, completing the reporter’s thought.
“There’s no doubt about it,” he went on. “To our own knowledge of ourselves, we are unique in creation because of our self-reflexivity. I can know myself knowing. I am having a conversation with you, and I can remember that conversation. To this, the Catholic Church comes along and says, ‘The reason this is true is because you have an individual soul.’”

Caroline Flack. I had never heard of her, but apparently she was the host of a British reality TV show called “Love Island”. In December, she was charged with domestic assault of her boyfriend and suspended from the show.

She was 40 years old, and apparently committed suicide.

Two previous contestants died by suicide, Sophie Gradon in 2018 and Mike Thalassitis in 2019. Their deaths stirred a debate in Britain over the ethics of reality television and the duty that broadcasters have to care for contestants.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a surprisingly good page of additional resources.

After the jump, the more legal related entries…

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Obit watch: February 13, 2020.

Thursday, February 13th, 2020

Paula Kelly.

Ms. Kelly burst into the movies in 1969 in “Sweet Charity,” an adaptation of the stage musical about an ever-hopeful taxi dancer — a dance partner for hire — in a run-down Times Square dance hall. Ms. Kelly played the dancer Helene, one of two best friends of the title character, Charity Hope Valentine, played by Shirley MacLaine. Chita Rivera played the other.
Although lesser known than the movie’s big stars — Sammy Davis Jr. also had top billing — Ms. Kelly more than held her own, especially in the seductive number “Big Spender” and the energetic “There’s Got to Be Something Better Than This,” in which the three dance-hall girls express their determination to get respectable jobs.
Onstage, Ms. Kelly played Helene in the London production of “Sweet Charity” (with music by Cy Coleman, lyrics by Dorothy Fields and a book by Neil Simon). The director, Bob Fosse, who also directed and choreographed the show on Broadway, asked Ms. Kelly to reprise the role for the movie, which was to be his feature-film directorial debut.
He called her “the best dancer I’ve ever seen.”

She went on to other movie roles, including “The Andromeda Strain” (the original), “Soylent Green”, and “The Spook Who Sat By the Door”. She also did guest spots on a lot of 70s TV that wasn’t “Mannix”: “Cannon”, “Police Woman”, “The Streets of San Francisco”. She also played a public defender on “Night Court”.

Despite her many acting roles, Ms. Kelly’s first love was dance.
“The only time I feel complete expression is when I’m dancing,” she told the black weekly The New Pittsburgh Courier in 1968. “Then I feel I have no problems, no worries, no hangups. I feel I could do anything in the world.”

Obit watch: February 9, 2020.

Sunday, February 9th, 2020

Let’s get down to it.

Paul Farnes. He was 101, and the last surviving RAF ace from the Battle of Britain.

…for three months, through the end of October, the R.A.F. battled the Luftwaffe for supremacy in the skies over Britain. Flying a Hurricane fighter for the 501 Squadron, Mr. Farnes, a sergeant pilot, proved supremely adept at attacking German aircraft.
In August alone he shot down three Junkers Ju Stuka bombers, a Dornier 17 light bomber and a Messerschmitt 109E fighter.At the end of September, as Mr. Farnes maneuvered his malfunctioning Hurricane back to the R.A.F.’s Kenley base, he spotted a German bomber flying directly at him at about 1,500 feet.
“I thought, ‘Good God,’ so I whipped out and had to reposition myself and managed to get ’round behind him,” he said in an interview with the website History of War in 2017. “I gave him a couple of bursts, and he crashed at Gatwick just on the point between the airport and the racecourse.”

Aerial warfare against the Germans meant breaking away from the squadron, finding something to shoot at, firing away, then breaking away to safety. But by Mr. Farnes’s account it was also enjoyable, because he was able to combine his love of flying with the mission to protect Britain.
“The C.O. would quite often pick the next members of the squadron that had to be at ‘readiness,’ and the two or three who weren’t picked would be pretty fed up,” he told History of War. “If you weren’t picked, you’d think, ‘Why can’t I go?’ I’m sure one or two must have felt, ‘Well, thank God I’m not going!’ But a lot of us were quite happy to go.”

Robert Conrad. THR. Variety.

I was a little young for “Wild Wild West” in first run; if it was syndicated in Houston when I was a kid, I don’t remember it. It could have been on the station we were never able to pick up (the same one OG “Star Trek” was on). And “Hawaiian Eye” was before my time. But if you’re my age or a little on either side of it, this was like candy for us:

He also appeared multiple times on “Mission: Impossible” and other series, either as the lead of some less than successful ones (“High Mountain Rangers”) or doing guest shots. He did do a “Mannix”. (“The Playground”, season 3, episode 4.) And I didn’t know this, but he played G. Gordon Liddy in the TV movie version of “Will”.

Orson Bean. Variety. THR. Interesting guy: I remember him from “Being John Malkovich” and I’m pretty sure I’ve seen him on some of those old game shows on Buzzr. In the 1960s, he founded a progressive school in New York City.

Believing that America’s generals were planning an imminent coup d’état, Mr. Bean abandoned his thriving career and moved his family to Australia in 1970. He became a disciple of the Austrian psychoanalyst Wilhelm Reich and wrote a book about his psychosexual theories, “Me and the Orgone.” (Orgone is a concept, originally proposed by Reich, of a universal life force.)
When the book appeared in 1971, Mr. Bean returned to America with his wife and four children. For years he led a nomadic life as an aging hippie and self-described househusband, casting off material possessions in a quest for self-realization.

In the 1980s, he settled down again and resumed acting. He was 91 years old when he died: he was hit by a car while walking, fell, and was run over by a second car (according to Variety).

After the jump, more obits.

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Obit watch: February 6, 2020.

Thursday, February 6th, 2020

I wish I had something wise or profound or witty to say about Kirk Douglas beyond, “Man, what a career. Heck, what a life.”

The one thing I can say is: we’ve been lucky enough to watch a few Kirk Douglas movies recently during Saturday movie night, and I look forward to watching more. “Ace In the Hole” is a very under-rated but excellent movie about the power of the mass media to create circuses: in some way, I think it’s actually almost a prequel to “Network” (one of my top ten films). As for “Spartacus“, yes, it is a long movie, but I can’t think of anything I’d cut out of it. “Paths of Glory” is shorter, and is another Douglas movie that I think is under-rated. (I also think it may be Kubrick’s most overlooked film).

We haven’t watched “Lonely Are the Brave” yet, but it is on the list, and I may move the priority on that one up…

NYT. LAT. Variety. THR.

Man, what a career. What a life.

Also among the dead: Gene Reynolds, co-creator of “M*A*S*H” and creator of “Lou Grant.”