Bruce Jay Friedman, noted writer.
He also wrote the screenplays for “Splash” and “Stir Crazy”, and the works that were turned into “The Lonely Guy” and “The Heartbreak Kid”.
For the historical record: Hutton Gibson, Mel Gibson’s father.
Hutton Gibson belonged to a splinter group of Catholics who reject the reforms of the Second Vatican Council of 1962-1965, known as Vatican II. These traditionalists seek to preserve centuries-old orthodoxy, especially the Tridentine Mass, the Latin Mass established in the 16th century. They operate their own chapels, schools and clerical orders apart from the Vatican and in opposition to it.
But even among these outsiders, Mr. Gibson, who had early in life attended a seminary before dropping out, was extreme in his views. He denied the legitimacy of John Paul II as pope, once calling him a “Koran Kisser,” and said Vatican II had been “a Masonic plot backed by the Jews.” He called Archbishop Marcel Lefebvre, a traditionalist leader until his death in 1991, a “compromiser.” Mr. Gibson earned the nickname “Pope Gibson” for his outspoken, dogmatic opinions on faith.
After he was expelled from a conservative group in Australia, where he had moved with his family from New York State in 1968, Mr. Gibson formed his own, Alliance for Catholic Tradition. Beginning in 1977, he disseminated his ultra-Orthodox views in a newsletter, “The War Is Now!,” and through self-published books, including “Is the Pope Catholic?” (1978) and “The Enemy is Here!” (1994). The Wisconsin Historical Society library and archives holds Mr. Gibson’s published works among its extensive collection of religious publications.
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In 2003, as Mel Gibson was directing “The Passion of the Christ,” his film about the crucifixion, Hutton Gibson gave an interview to The New York Times laced with comments about conspiracy theories. The planes that crashed into the World Trade Center on Sept. 11, 2001, had been remote-controlled, he claimed (without saying by whom). The number of Jews killed in the Holocaust was wildly inflated, he went on.
“Go and ask an undertaker or the guy who operates the crematorium what it takes to get rid of a dead body,” Mr. Gibson said. “It takes one liter of petrol and 20 minutes. Now, six million?”
In a radio interview a week before the February 2004 release of “The Passion,” Mr. Gibson went further, saying of the Holocaust, “It’s all — maybe not all fiction — but most of it is.” The comments added to an already simmering controversy that the film was anti-Semitic; the chairmen of two major studios told The Times that they wouldn’t work with Mel Gibson in the future.