Archive for the ‘TV’ Category

Obit watch: April 9, 2020.

Thursday, April 9th, 2020

Hal Willner, who the Times describes as “matchmaker, yenta, fan, longtime music coordinator for the sketches on ‘Saturday Night Live'”.

Mr. Willner was best known for assembling diverse casts of performers, including Rufus Wainwright and Triumph the Insult Comic Dog, to play a slightly off-center body of work, such as the Disney songbook or the music of Nino Rota, who scored Federico Fellini’s movies. The music found a devoted following, but not breakout success.

I have a couple of those Willner tribute albums. “Lost in the Stars: The Music of Kurt Weill” in particular is a swell album, and I wish someone would re-release that digitally.

Lawrence sent over an obit for Thomas L. Miller, TV producer. (“Full House”, “Family Matters”.)

Linda Tripp. For my younger readers, Ms. Tripp was a central figure in the Clinton/Lewinsky scandal of the 90s.

When Ms. Lewinsky confided in Ms. Tripp that she had had a physical relationship with the president, Ms. Tripp got in touch with Lucianne Goldberg, a literary agent who had once reached out to her for information on Vincent Foster, the White House lawyer who committed suicide in 1993.
More recently, Ms. Tripp had been working on a book proposal tentatively titled “Behind Closed Doors: What I Saw Inside the Clinton White House.” Now she had a hook.
Ms. Goldberg suggested, among other things, that Ms. Tripp tape her telephone conversations with Ms. Lewinsky. That was legal in the District of Columbia and in 39 states, but not in Maryland, where Ms. Tripp was living.
More than 20 hours of audiotapes were turned over to Kenneth Starr, the independent prosecutor handling the Clinton investigation.

Obit watch: April 7, 2020.

Tuesday, April 7th, 2020

Wow. Yesterday was a day.

In no particular order of importance (and I may be a day or three behind on some of these):

Julie Bennett. She was primarily known as a voice actress: she did a lot of animated stuff, including voicing “Cindy Bear” in the “Yogi Bear Show”. (And “Aunt May” in “Spider-Man: The Animated Series”.) She also did guest shots on a few of my favorite shows: “Adam-12”, “Dragnet 1967”, “The Bold Ones: The New Doctors”, and “Get Smart”.

James Drury. He was famous as the lead in “The Virginian”, but he had a solid body of work outside of that. (Lawrence pointed out that one of his early roles was “Crewman Strong” in “Forbidden Planet”.)

Bobby Mitchell. He played with the Cleveland Browns and the Washington Redskins, and was a Hall of Fame player:

Fast, elusive and versatile, he scored 91 touchdowns, amassed more than 14,000 net yards, was named to the Pro Bowl four times and was voted to the N.F.L.’s all-decade team for the 1960s.

“Bobby Mitchell was one of the greatest all-around ballplayers,” Lenny Moore of the Baltimore Colts, a contemporary and fellow Hall of Famer, was quoted as saying on the Redskins’ website. “Anybody who can transition himself and be one of the best in the business at both positions, that’s saying something.”

Forrest Compton. Another knock-around guy: he was most famous for playing “Mike Karr” on “The Edge of Night” soap, but he also was a semi-regular on “Gomer Pyle: USMC”, appeared multiple times in “Hogan’s’ Heros” and “The F.B.I”…

…and, yes, he did do a “Mannix”. (“One for the Lady”, season 4, episode 2. He was “Elgin Bonning”.)

Ed Biles, former coach of the Houston Oilers. He started out as a defensive coordinator:

When [Bum] Phillips was fired after a loss at Oakland in the first round of the playoffs in 1980, Biles was promoted to replace him. His first team finished 7-9. The Oilers were 1-9 during the strike-abbreviated 1982 season. When they started 0-6 in 1983, he was forced out and replaced by defensive coordinator Chuck Studley.

Among the players Biles coached were defensive end Elvin Bethea, nose tackle Curley Culp and outside linebacker Robert Brazile, each of whom is a member of the Pro Football Hall of Fame.

Shirley Douglas, who seems to be consistently described as a “Canadian actor and activist”. Among other roles, she was in the original “Lolita”, the pilot of “The Hat Squad” TV series, the “Flash Gordon” TV series, and “Dead Ringers”.

She was also married to Donald Sutherland: Kiefer Sutherland is her son by Donald. (She also had a daughter, Rachel, with Donald, and another child with her second husband Timothy Emil Sicks.)

Al Kaline, All-Star outfielder for the Detroit Tigers.

He became the youngest batting champion in major league history in 1955 when he hit .340 at age 20. He had 3,007 career hits, the 12th player to reach the No. 3,000 milestone, and he hit 399 home runs, a Tiger record.
Renowned for his powerful arm, Kaline won 10 Gold Glove awards for his play in right field and sometimes in center. He set an American League record for outfielders by playing in 242 consecutive games without an error. He played in 2,834 games from 1953 to 1974, the most of any Tiger, and only Ty Cobb equaled his 22 years with the team.

Billy Martin, his manager late in his career, referred to Kaline as Mr. Perfection, but his achievements came in the face of twin obstacles. He encountered the pressure of comparisons with Cobb, one of baseball’s greatest players, and he had been hampered since childhood by the bone disease osteomyelitis.

Kaline had a .297 career batting average, with 1,583 runs batted in and 1,622 runs scored.

“What you gonna do when you get out of jail?…” part 7

Monday, April 6th, 2020

Time for something a little lighter.

Mike the Musicologist pointed out to me the other day the most 70s thing ever, at least according to MeTV:

(That reminds me: Hi, Saturday Dining Conspiracy regular who shall remain anonymous but likes “Xanadu”! Hope you guys are doing okay!)

Now, I will concede that this is probably the high-water mark of the 1970s: as Hunter S. Thompson said about the 1960s, “that place where the wave finally broke and rolled back.” But here’s another vintage slice of peak 70s for you.

If you’re unemployed, it might even help you find a job…selling cars to women.

On a historical note, this may explain why Chrysler needed that bail out…

Today’s bonus video, which actually might be suitable for those of you who are homeschooling your children: how does an oil refinery work?

“What you gonna do when you get out of jail?…” part 6

Sunday, April 5th, 2020

Shifting gears here, since I brought everyone down earlier. These go out to great and good FOTB RoadRich, who is to submarines and aircraft what Lawrence is to tanks.

Have you ever said to yourself, “Self, I wonder how I can get out of a submarine that’s under water?” Of course you have.

(I actually learned somewhat similar techniques when I was taking scuba training.)

Bonus video #1: I’m putting these next two in as bonus videos because they’re a bit longer than my 15 minute target. With our Saturday night movie group in lockdown, we’ve been reduced to watching broadcast TV. Interestingly, H&I is showing “12 O’Clock High” (the TV series) at 10 Central on Saturday nights. We watched the movie a little less than a year ago, and I thought it was an extraordinary film. I don’t have enough episodes under my belt to be able to judge the series yet.

Anyway: how do you fly a B-17?

Bonus video #2: how do you stop flying a B-17? For example, if you have to ditch at sea?

For those of you who don’t read the YouTube notes: both of these videos feature Arthur Kennedy, who played “Jackson Bentley” (the journalist based loosely on Lowell Thomas) in “Lawrence of Arabia”.

Okay, bonus video #3, which I just happened to stumble upon: for the moment, the pilot episode of “12 O’Clock High”, “Golden Boy Had 9 Black Sheep” is available on YouTube. Those of you who have seen the movie might recognize some similarities in plot.

Obit watch: March 30, 2020.

Monday, March 30th, 2020

Krzysztof Penderecki, noted contemporary classical composer.

Mr. Penderecki was most widely known for choral compositions evoking Poland’s ardent Catholicism and history of foreign domination, and for his early experimental works, with their massive tone clusters and disregard for melody and harmony. Those ideas would reverberate for decades after he himself had pronounced them “more destructive than constructive” and changed course toward neo-Romanticism.
(His decision to move on was partly political: The Polish avant-garde movement had created an unhealthy illusion of freedom in a country living under Communism, he said. But it was also artistic: Experimentation had reached an impasse, he told a Canadian interviewer in 1998, because “we discovered everything!”)
Still, it was compositions from the wild first decade of his career, including “Threnody for the Victims of Hiroshima” (1960), “Polymorphia” (1961) and the “St. Luke Passion” (1966) that brought him lasting international recognition while he was still a young man.
The threnody, in particular, is a much-studied example of startling emotional effects created from abstract concepts. Following a score that often looks more like geometry homework than conventional notation, it forces an ensemble of 52 string instruments to produce relentless, nerve-jangling sounds that can suggest nuclear annihilation. Yet it was said that Mr. Penderecki dedicated it to the victims of Hiroshima only after hearing the piece performed.

John Callahan, soap opera actor. (“Falcon Crest”, “Santa Barbara”, “All My Children”, “Desperate Housewives”, “Days of our Lives.”)

David Schramm. He was “Roy Biggins” on “Wings”, and also did some Broadway and off-Broadway work.

Joe Diffie, country music star. Borepatch has a much better tribute than I could write.

Obit watch: March 25, 2020.

Wednesday, March 25th, 2020

Terrence McNally, noted playwright.

Mr. McNally’s Tony Awards attest to his versatility. Two were for books for musicals, “Kiss of the Spider Woman” (1993) and “Ragtime” (1998), and two were for plays, and vastly different ones: “Love! Valour! Compassion!” (1995), about gay men who share a vacation house, and “Master Class” (1996), in which the opera diva Maria Callas reflects on her career.
And those prize winners were only a small part of his oeuvre. With some three dozen plays to his credit, as well as the books for 10 musicals, the librettos for four operas and a handful of screenplays for film and television, Mr. McNally was a remarkably prolific and consistent dramatist.

Hattip on this to Lawrence, who also pointed out that Mr. McNally did a guest shot on “The Greatest American Hero”. He actually did guest shots on a small hand full of TV shows, including “Salvage I” (that sounds like a “blink and you’d miss it” appearance), “CHiPs”, and “The Young and the Restless”.

Speaking of hattips, great and good FOTB Borepatch sent over an obit for Albert Uderzo, co-creator (with the late René Goscinny) of Asterix and Obelix.

Edited to add: NYT obit.

A followup from “The Drive” that I’ve been meaning to post for a couple of days: Kenny Rogers, dirt racer.

Rogers paired up with Sprint Car Hall of Famer C.K. Spurlock and campaigned his own team for several years before the two formed Gambler Chassis Company. Taking its name from Rogers’ famous song The Gambler, this project was anything but a gimmick. The company would go on to win races with stars like Steve Kinser, Sammy Swindell, and Doug Wolfgang behind the wheel. Simply put, Gambler cars were consistently some of the fastest in the United States, taking victories at primetime events like the Knoxville Nationals.

Obit watch: March 24, 2020.

Tuesday, March 24th, 2020

Lawrence sent over an obit for prolific British actor David Collings, but I haven’t been able to find confirmation from another site.

Eric Weissberg, multi-instrumentalist musician, but perhaps most famous as a banjo guy. Specifically, “Dueling Banjos”.

As a session player he appeared on Judy Collins’s “Fifth Album,” contributing guitar to her 1965 version of “Pack Up Your Sorrows.” He played banjo on John Denver’s 1971 Top 10 pop hit, “Take Me Home, Country Roads.” His fretwork was heard on albums like Bob Dylan’s “Blood on the Tracks” (1974), Billy Joel’s “Piano Man” (1973) and the Talking Heads’ “Little Creatures” (1985). He collaborated with jazz musicians like Bob James and Herbie Mann as well.
“Dueling Banjos” did not, as the song’s title suggests, involve two banjoists pitting their skills against each other. Instead it showcased Mr. Weissberg’s three-finger Earl Scruggs-style banjo in a sprightly call-and-response — more of a dance than a fight — with the flat-picked acoustic guitar of his collaborator, Steve Mandell.

When it appeared on the soundtrack for “Deliverance,” a movie based on the James Dickey novel of the same name, it was mistakenly copyrighted to Mr. Weissberg.
A lawsuit was settled in Mr. Smith’s favor. Mr. Weissberg always maintained that Warner Bros. had credited him as the song’s composer without his knowledge or consent.

Eli Miller. No, you probably never heard of him. He was one of the last of New York City’s door to door seltzer delivery men, who worked “from 1960 until he retired in 2017.”

When Mr. Miller started his business, hundreds of seltzer men plied the streets; when he retired, there were only a handful. Through all of the intervening decades, he appeared at his customers’ homes bearing a wooden box of pewter-topped bottles filled with authentic seltzer.
“It’s not the stuff you buy in the plastic bottles in the store, which has about five pounds of pressure,” Mr. Miller said in a video that accompanied an article about him in The New York Times in 2013.
What Mr. Miller brought customers, he said, was triple-filtered New York City water, without salt, sugar or other additives, pressurized to about 60 to 80 pounds per square inch — perfect for enjoying plain or spritzing into an egg cream.

Mr. Miller was inducted into the Brooklyn Jewish Hall of Fame in 2017. His fellow inductees that year included the television personality Judge Judy Sheindlin and Ira Glasser, a former executive director of the American Civil Liberties Union.

Obit watch: March 18, 2020.

Wednesday, March 18th, 2020

Stuart Whitman, another one of those knock-around TV and movie actors. THR.

He was “Marshal Jim Crown” on “Cimarron Strip”, played a child molester in a British movie called “The Mark”, was “Sergeant Walters” on “Highway Patrol”, and did guest shots on a whole lot of 70’s TV. (No “Mannix”, though.)

Lyle Waggoner. Things I didn’t know: he tried out for “Batman”. He was the first “Playgirl” centerfold. He did guest shots on “Lost in Space” (the original) and “Supertrain”. And he was in “Catalina Caper“.

Obit watch: March 10, 2020.

Tuesday, March 10th, 2020

Max von Sydow. Variety. THR.

Man classed up everything he was in.

R.D. Call, movie and TV character actor. He was in “Born On the Fourth of July”, “Last Man Standing”, and “Waterworld”, as well as a fair amount of TV. Of particular note: he was in “L.A. Takedown”, the TV movie that later became “Heat”.

Obit watch: March 3, 2020.

Tuesday, March 3rd, 2020

James Lipton. THR. I wish I had more to say about him, but my anti-cable TV policy means that I never saw an episode of “Inside the Actor’s Studio”, and I’m way too young to remember “The Lone Ranger” on the radio.

One thing I don’t think I was consciously aware of until I read his obit: he also wrote An Exaltation of Larks.

Claudette Nevins. She was one of those knock-around actresses: she was in the original production of “Plaza Suite” and toured nationally with “The Great White Hope”. She also did a lot of TV, especially in the 70s: “Barnaby Jones”, “M*A*S*H” (she was the woman Charles Emerson Winchester “married” while drunk in Tokyo), “Mrs. Colombo”, “Switch”, “Lou Grant”, “The Rockford Files”, “Electra Woman and Dyna Girl”, “The F.B.I.”…and the list goes on. (She even did an episode of “Police Squad“. (“In Color”!)) Never did a “Mannix”, though, at least per IMDB.

Obit watch: February 26, 2020.

Wednesday, February 26th, 2020

My brother sent out an obit watch for Clive “Raise the Titanic!” Cussler. I have not been able to find an obit to link to yet, but his passing seems to be confirmed by a post from his wife on his Facebook page. When I find actual obits, I’ll either update here or post another obit watch tomorrow.

Edited to add: Of course. Literally five minutes after I hit “Publish”, the paper of record posts their obit.

He began writing fiction at home in the late 60s, but his first two books, “Pacific Vortex” and “The Mediterranean Caper,” were repeatedly rejected. Unable even to get an agent, he staged a hoax. Using the letterhead of a fictitious writers’ agency, he wrote to the agent Peter Lampack, posing as an old colleague about to retire and overloaded with work. He enclosed copies of his manuscripts, citing their potential.
It worked. “Where can I sign Clive Cussler?” Mr. Lampack wrote back. In 1973, “The Mediterranean Caper” was published, followed by “Iceberg” (1975) and “Raise the Titanic!” (1976).
Despite an improbable plot and negative reviews, “Raise the Titanic!” sold 150,000 copies, was a Times best seller for six months and became a 1980 film starring Richard Jordan and Jason Robards Jr.

I actually kind of enjoyed the book “Raise the Titanic!”, but I was young at the time. I also paid actual money to see the movie in a theater, and that was a piece of s–t.

His books sales have been staggering — more than 100 million copies, with vast numbers sold in paperback at airports. Translated into 40 or so languages, his books reached The New York Times’s best-seller lists more than 20 times, as he amassed a fortune estimated at $80 million.

Ahem. Ahem.

While searching for his obit, though, I stumbled across the THR one for Ben Cooper. He was in a fair number of Westerns: “Johnny Guitar”, “Support Your Local Gunfighter”, “The Fastest Guitar Alive”. He also did a lot of TV guest spots: “Gunsmoke”, “Bonanza”, “The Rifleman”, “Death Valley Days”, and had regular spots on “The Misadventures of Sheriff Lobo” and “The Fall Guy”…

…and yes, he was on “Mannix” twice. (“The Playground”, season 3, episode 4, the same one Robert Conrad was in. That’s the next one we’re watching, Lawrence. Also “To Cage a Seagull”, season 4, episode 10.)

Obit watch: February 21, 2020.

Friday, February 21st, 2020

I can’t put this one any better than the paper of record did:

Sy Sperling, Founder of Hair Club for Men (and Also a Client), Dies at 78

Several people sent me obits for Lawrence Tesler:

Mr. Tesler worked at a number of Silicon Valley’s most important companies, including Apple under Steve Jobs. But it was as a young researcher for Xerox at its Palo Alto Research Center in the 1970s that he did his most significant work: helping to develop today’s style of computer interaction based on a graphical desktop metaphor and a mouse.
Early in his Xerox career (he began there in 1973), Mr. Tesler and another researcher, Tim Mott, developed a program known as Gypsy, which did away with the restrictive modes that had made text editing complicated. For example, until Gypsy, most text-editing software had one mode for entering text and another for editing it.

The Gypsy program offered such innovations as the “cut and paste” analogy for moving blocks of text and the ability to select text by dragging the cursor through it while holding down a mouse button. It also shared with an earlier Xerox editor, Bravo, what became known as “what you see is what you get” printing (or WYSIWYG), a phrase Mr. Tesler used to describe a computer display that mirrored printed output.

It was Mr. Tesler who gave Mr. Jobs the celebrated demonstration of the Xerox Alto computer and the Smalltalk software system that would come to influence the design of Apple’s Lisa personal computer and then its Macintosh.

The NYT ran a nice obit for Kellye Nakahara Wallett. There’s also a very good tribute to her on Ken Levine’s blog.

Esther Scott, actress. (“Boys N the Hood”)

Ja’Net DuBois, “Willona Woods” on “Good Times” and co-writer and performer of the theme for “The Jeffersons”.

Bonnie MacLean, another one of the 1960s San Francisco psychedelic poster artists.

Obit watch: February 18, 2020.

Tuesday, February 18th, 2020

Charles Portis, author (True Grit, Norwood, The Dog of the South).

A lot of people I know (especially in the SF community) praise Portis. He’s on my list, but so far I’ve only read parts of True Grit. I need to go back and read the whole thing: the use of voice in this novel is fascinating.

The narrative voice of “True Grit” is that of a self-assured old woman, Mattie Ross, as she recalls an adventure she had in Arkansas’s Indian Territory when she was 14, on a quest to track down her father’s killer with Cogburn’s help.
Mr. Portis wanted her to sound determined to “get the story right,” he said in an interview for this obituary in 2012. The book has virtually no contractions, and the language is insistently old-fashioned.

I think more to the point that this is a book written from the point of view of a determined older woman, recounting a formative experience of her youth, and Portis manages to capture both the teen and the adult.

Mr. Portis shrank from the attention his more celebrated novels attracted. He steadfastly refused to be interviewed, although he made himself available to talk about his life for this obituary. When drawn into public gatherings, he dodged photographers. But he didn’t like to be called a recluse or compared to the likes of J.D. Salinger. He pointed out that his name was in the Little Rock phone book.

Mr. Portis’s reluctance to talk to the news media may have been traceable to his days as a reporter, when intruding on people’s lives was part of the job description. Mattie, his narrator in “True Grit,” may be voicing Mr. Portis’s own feelings when she speaks of the reporters who had sought her out to tell them her story of Rooster Cogburn.
“I do not fool around with newspapers,” Mattie says. “The paper editors are great ones for reaping where they have not sown. Another game they have is to send reporters out to talk to you and get your stories free. I know the young reporters are not paid well and I would not mind helping those boys out with their ‘scoops’ if they could ever get anything right.”

(Interestingly, this is another NYT obit where the subject outlived the obit writer.)

It may be kind of a cliche, but this section is quoted in the NYT obit. I’m also a sucker for John Wayne, and this is one of my favorite Wayne moments.

(“Fill your hand, you son-of-a-bitch!” Such a useful phrase.)

Kellye Nakahara Wallett. As Kellye Nakahara, she was perhaps best known as “Lt. Kellye Yamato” on M*A*S*H, a character who was mostly a bit player (though the character was featured in one episode near the end of the run). M*A*S*H Wiki entry.

Obit watch: February 17, 2020.

Monday, February 17th, 2020

It was another busy weekend, and there were several obits that meet at the intersection of crime and death. I’m trying to tread very carefully here, and I think I’m going to put the more crime related ones after a jump.

A.E. Hotchner has passed away at 102. Interesting guy: he was a close friend of Ernest Hemingway (“…Mary Hemingway, Ernest’s widow, tried unsuccessfully to stop publication of what turned out to be Mr. Hotchner’s most famous book, “Papa Hemingway: A Personal Memoir” (1966), which included closely observed and painfully revealed details of the paranoia and distress that preceded Hemingway’s suicide.“) and of Paul Newman: the two men co-founded Newman’s Own.

Tony Fernandez.

Fernandez won four straight Gold Gloves with the Blue Jays in the 1980s and holds club records for career hits and games played.

He was a five time All Star player.

He was a .288 hitter with 94 homers and 844 RBIs in 2,158 big league games. He remains the last Yankees player to hit for the cycle in a home game, accomplishing the feat in 1995.
Fernandez finished with 2,276 hits, 1,057 runs, 414 doubles, 92 triples, 246 stolen bases.

He did at 57 of kidney failure.

For the hysterical record: Barbara Remington. (Previously.)

Father George Coyne, former director of the Vatican Observatory.

Recognized among astronomers for his research into the birth of stars and his studies of the lunar surface (an asteroid is named after him), Father Coyne was also well known for seeking to reconcile science and religion. He applauded Pope Francis for addressing the role that humans play in climate change, and he challenged alternative theories to evolution like creationism and intelligent design.
“One thing the Bible is not,” he told The New York Times Magazine in 1994, “is a scientific textbook. Scripture is made up of myth, of poetry, of history. But it is simply not teaching science.”

During Father Coyne’s tenure, the Vatican publicly acknowledged that Galileo and Darwin might have been correct. Brother Consolmagno said it would be fair to say that Father Coyne had played a role in shifting the Vatican’s position.

“God in his infinite freedom,” he wrote, “continuously creates a world that reflects that freedom at all levels of the evolutionary process to greater and greater complexity. He is not continually intervening, but rather allows, participates, loves.”
He went further by finding fault with intelligent design.
“If they respect the results of modern science, and indeed the best of modern biblical research,” he wrote, “religious believers must move away from the notion of a dictator God or a designer God, a Newtonian God who made the universe as a watch that ticks along regularly.”
He added, “Perhaps God should be seen more as a parent or as one who speaks encouraging and sustaining words.”

He was the director from 1978 until he retired in 2006.

In the Times Magazine interview, Father Coyne was asked, “How can you describe the universe as a vast empty infinitude, largely uninhabited, and still believe in — ”
“The centrality of man in the universe?” he interjected, completing the reporter’s thought.
“There’s no doubt about it,” he went on. “To our own knowledge of ourselves, we are unique in creation because of our self-reflexivity. I can know myself knowing. I am having a conversation with you, and I can remember that conversation. To this, the Catholic Church comes along and says, ‘The reason this is true is because you have an individual soul.’”

Caroline Flack. I had never heard of her, but apparently she was the host of a British reality TV show called “Love Island”. In December, she was charged with domestic assault of her boyfriend and suspended from the show.

She was 40 years old, and apparently committed suicide.

Two previous contestants died by suicide, Sophie Gradon in 2018 and Mike Thalassitis in 2019. Their deaths stirred a debate in Britain over the ethics of reality television and the duty that broadcasters have to care for contestants.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a surprisingly good page of additional resources.

After the jump, the more legal related entries…

(more…)

Obit watch: February 13, 2020.

Thursday, February 13th, 2020

Paula Kelly.

Ms. Kelly burst into the movies in 1969 in “Sweet Charity,” an adaptation of the stage musical about an ever-hopeful taxi dancer — a dance partner for hire — in a run-down Times Square dance hall. Ms. Kelly played the dancer Helene, one of two best friends of the title character, Charity Hope Valentine, played by Shirley MacLaine. Chita Rivera played the other.
Although lesser known than the movie’s big stars — Sammy Davis Jr. also had top billing — Ms. Kelly more than held her own, especially in the seductive number “Big Spender” and the energetic “There’s Got to Be Something Better Than This,” in which the three dance-hall girls express their determination to get respectable jobs.
Onstage, Ms. Kelly played Helene in the London production of “Sweet Charity” (with music by Cy Coleman, lyrics by Dorothy Fields and a book by Neil Simon). The director, Bob Fosse, who also directed and choreographed the show on Broadway, asked Ms. Kelly to reprise the role for the movie, which was to be his feature-film directorial debut.
He called her “the best dancer I’ve ever seen.”

She went on to other movie roles, including “The Andromeda Strain” (the original), “Soylent Green”, and “The Spook Who Sat By the Door”. She also did guest spots on a lot of 70s TV that wasn’t “Mannix”: “Cannon”, “Police Woman”, “The Streets of San Francisco”. She also played a public defender on “Night Court”.

Despite her many acting roles, Ms. Kelly’s first love was dance.
“The only time I feel complete expression is when I’m dancing,” she told the black weekly The New Pittsburgh Courier in 1968. “Then I feel I have no problems, no worries, no hangups. I feel I could do anything in the world.”