Obit watch: February 19, 2019.

February 19th, 2019

George Mendonsa has passed away at the age of 95.

Mr. Mendonsa was the man in Alfred Eisenstaedt’s famous photo of a sailor kissing a nurse in Times Square after the Japanese surrender.

At least, maybe he was. Eisenstaedt didn’t record the names of the sailor or nurse, and at least three women and 11 men have claimed they were one or the other.

But Mr. Mendonsa was adamant that he was the one. He sued Life in the 1980s when the magazine would not definitively acknowledge that he was the sailor, though nothing came of the lawsuit.

Mr. Mendonsa eventually received recognition from most parties after extensive testing. Among other efforts, in 2005, Richard Benson, a photographer and printmaker at Yale, scrutinized the photographs in the early 1980s and determined that Mr. Mendonsa’s specific features, like a cyst on his left arm and a dark patch on his right, matched those of the sailor in the photo.
Mr. Mendonsa’s face was painstakingly 3-D mapped, then reverse-aged, to show that it matched the sailor’s in Eisenstaedt’s picture. Four years later Norman Sauer, a forensic anthropologist at Michigan State University, analyzed the photo and said he could not find a single inconsistency between Mr. Mendonsa’s face and the sailor’s.

Greta Friedman, who may have been the nurse, passed away in 2016.

Obit watch: February 18, 2019.

February 18th, 2019

From the Department of Brief Round-Ups, a couple of obits that people mentioned to me over the weekend:

Lee Radziwill, sister of Jacqueline Kennedy Onassis.

Patrick Caddell, prominent political pollster.

Betty Ballantine, wife of Ian Ballantine. The Ballantines basically pioneered paperbacks in this country:

With a $500 wedding dowry from Ms. Ballantine’s father, the couple established Penguin U.S.A. by importing British editions of Penguin paperbacks, starting with “The Invisible Man” by H. G. Wells and “My Man Jeeves” by P. G. Wodehouse.

They left Penguin in 1945 to start Bantam Books, a reprint house. Having purchased the paperback rights for 20 hardcovers, their first round of titles included Mark Twain’s “Life on the Mississippi,” John Steinbeck’s “The Grapes of Wrath” and F. Scott Fitzgerald’s “The Great Gatsby.”
They started Ballantine Books in 1952, publishing reprints as well as original works in paperback.

And:

While Ian Ballantine, who died in 1995, was the better known of the publishing duo, Betty Ballantine, who was British, quietly devoted herself to the editorial side. She nurtured authors, edited manuscripts and helped promote certain genres — Westerns, mysteries, romance novels and, perhaps most significantly, science fiction and fantasy.
Her love for that genre and knowledge of it helped put it on the map.
“She birthed the science fiction novel,” said Tad Wise, a nephew of Ms. Ballantine’s by marriage. With the help of Frederik Pohl, a science fiction writer, editor and agent, Mr. Wise said, “She sought out the pulp writers of science fiction who were writing for magazines and said she wanted them to write novels, and she would publish them.”
In doing so she helped a wave of science fiction and fantasy writers emerge. They included Joanna Russ, author of “The Female Man” (1975), a landmark novel of feminist science fiction, and Samuel R. Delany, whose “Dhalgren” (1975) was one of the best-selling science fiction novels of its time.
The Ballantines also published paperback fiction by Ray Bradbury, whose books include “The Martian Chronicles” and “Fahrenheit 451”; Arthur C. Clarke, who wrote “2001: A Space Odyssey”; and J.R.R. Tolkien, author of “The Hobbit” and the “Lord of the Rings” trilogy.

Obit watch: February 16, 2019.

February 16th, 2019

The late great Bruno Ganz.

In the Wim Wenders drama “Wings of Desire” (1987), he played an angel whose job was to spend time on earth, make himself visible to the dying and to comfort them. But the character saw such beauty in human life that he wanted it for himself.

Most of Mr. Ganz’s more than 80 films and television movies were European productions, among them Mr. Wenders’s film noir hommage “The American Friend” (1977), with Dennis Hopper, in which he played a German with a terminal-illness diagnosis who agrees to be a hit man; Volker Schlöndorff’s “Circle of Deceit” (1981), as a war correspondent in Beirut; Werner Herzog’s “Nosferatu” (1979), as the innocent Jonathan Harker; and Barbet Schroeder’s “Amnesia” (2017).
But he did appear in American films, including “The Boys From Brazil” (1978), the drama about Nazi war criminals starring Gregory Peck and Laurence Olivier; Jonathan Demme’s all-star 2004 remake of “The Manchurian Candidate”; and “The Reader” (2008), with Ralph Fiennes and Kate Winslet.

A wonderful team is the Pelicans…

February 15th, 2019

Dell Demps out as GM of the New Orleans Pelicans.

I don’t follow the NBA much, so I’m missing a lot of what’s going on here. (Then again, I wouldn’t exactly say I’ve been “missing” it, Bob.) The sources I read say this is fallout from Anthony Davis wanting to be traded, and New Orleans pushing back on offers from the Lakers.

Principles.

February 14th, 2019

The anarcho-capitalist side of me thinks Alexandra Occasional Cortex is an idiot.

The less anarcho-capitalist side of me thinks a 100% marginal tax rate sounds like a great idea, as long as it’s applied only to people who purchase $1,475 sterling silver weed grinders and $950 bongs.

Obit watch: February 14, 2019.

February 14th, 2019

Lyndon LaRouche, one of the 20th Century’s greatest cranks. LaRouche PAC.

Defining what Mr. LaRouche stood for was no easy task. He began his political career on the far left and ended it on the far right. He said he admired Benjamin Franklin, Alexander Hamilton, Abraham Lincoln and Ronald Reagan and loathed Hitler, the composer Richard Wagner and other anti-Semites, though he himself made anti-Semitic statements.

He condemned modern music as a tool of invidious conspiracies — he saw rock as a particularly British one — and found universal organizing principles in the music of Bach, Beethoven and Mozart.

In Mr. LaRouche’s view, Mr. Johnson continued, “true Platonists believe that industrialization, technology and classical music should be used to bring wealth and enlightenment to the citizens of the world.”
He added: “The Aristotelians are trying to stop them by using not only sex, drugs and rock ’n’ roll but also environmentalism and quantum theory. With their bag of brainwashing techniques, they hope to trick civilization into destroying itself, bringing on a new dark ages in which the world’s riches will be firmly in the hands of the oligarchs.”

After Barack Obama was elected in 2008, Mr. LaRouche warned that the new president was in “grave and imminent danger” of being assassinated by the “British Empire,” a familiar target of Mr. LaRouche’s.

But Mr. LaRouche was heartened by the election of President Trump, though he perceived a British conspiratorial hand reaching into the United States to foment efforts to “politically paralyze” the president and bring about his impeachment.

He was rather oddly obsessed with the British royal family. From a recent editorial on the LaRouche PAC web site calling for his exoneration:

The frame-up and jailing of LaRouche, facilitated by years of lying media vilification of LaRouche and his movement, which continues to this day, was carried out by the same British-run political apparatus—in many cases, by the same individual hit-men, including Special Counsel Robert Mueller—that today is out to topple the President of the United States.

Because LaRouche’s proposed war on drugs against London’s Dope, Inc. banking apparatus was never implemented, a drug epidemic today is poisoning our nation and the world.

They don’t make them like that any more.

Tweet of the day.

February 14th, 2019

Technically, from last night:

Flaming hyenas update.

February 13th, 2019

Good news: Carlos Uresti has been sentenced to five years in federal prison for bribery.

Bad news: this sentence will run concurrently with his existing 12 year sentence from last year, so he won’t actually be doing any additional time.

Obit watch: February 13, 2019.

February 13th, 2019

Rick Schmidt, former owner of Kruez Market in Lockhart.

Kreuz Market first opened in 1900. Rick’s father, Edgar “Smitty” Schmidt, purchased it in 1948, and Rick and his brother Don Schmidt bought the legendary Lockhart barbecue restaurant from their father in 1984. Don retired from the family business in 1997, and in 1999, Austin-native Rick relocated Kreuz Market from its previous location on Main Street to Colorado Street, near Town Branch creek, following a public dispute with his sister, Nina Sells, who inherited the old brick building on Main Street.
Sells converted the original Kreuz Market location into Smitty’s Market, while Schmidt opened his massive, red-brick building about a mile up the road. The family feud made headlines in Austin and landed the family on an episode of the CBS newsmagazine “48 Hours.″

Brief notes on film: February 2019.

February 11th, 2019

Over the weekend, Lawrence and I went to see “They Shall Not Grow Old“.

Quick hot take: go see this movie. Take your teenage children.

For those of you who aren’t familiar with the movie: Peter Jackson went through about 100 hours of vintage WWI footage at the Imperial War Museum and selected portions which he enhanced (removing scratches and other artifacts of old age, as well as adjusting exposures), adjusted the film speed to contemporary standards, colorized it, and edited it into a narrative of the war.

Almost all of the voices you hear in the film are actual veterans of WWI (taken from 1950s-1960s oral histories recorded by the BBC). There are some places where Jackson actually hired professional lip readers to determine what the people in the film were saying, and then had professional actors dub the lines.

It doesn’t concentrate on one major battle, or the larger scale strategy of the war: it’s more like “this is what the typical experience of a soldier on the Western Front was like”, from the pre-war mobilization through training to trench combat and finally the end of the war.

IMDB lists the movie as 99 minutes long. In the showing we saw, there was also a 30-minute post credit documentary narrated by Jackson explaining some of the technical aspects. (It isn’t clear to me if that’s the case for all showings.)

I could not be more enthusiastic about recommending this movie: if I had the money, I would rent out movie theaters for showings of this, and give out free tickets in schools. (Yes, it is kind of a hard “R”, mostly for realistic depictions of the effects of war. There’s also some brief shots of male butts in a non-sexual context.)

Of course, I do have a couple of minor notes…

  • We saw the 2D version. It looks like there’s also a 3D version, but that wasn’t playing in our location.
  • Jackson’s grandfather was a WWI vet, and Jackson has been interested in the war for most of his life. Apparently, he has a rather large collection of WWI artifacts…including artillery. As he puts it at one point, “I sort of accumulated some artillery pieces, the way one does.”
  • He talks at one point in the documentary about sound design for the artillery: the actual firing and explosions were based on recordings of contemporary 105mm howitzers with the cooperation of the New Zealand military. It’s interesting to me, though, to compare this with “All Quiet on the Western Front”: one of the things that stood out to me in the latter movie was that the bursting shells all sounded different depending on what type of shell they were. It’s not that you could tell a French 75 from a German gun by sight: more, “that shell sounded different than the last one. Oh, there’s another one. Oh, there’s that first one again.” That seems to me to be somehow more realistic. But I don’t know how Jackson could have gotten around that: explosive shells for vintage WWI guns are probably hard to come by, even if you do have all that “Lord of the Rings” money.
  • Jackson talks about there being about 100 hours of Imperial War Museum footage that he cut down to about 100 minutes, and how many aspects of the war he had to leave out. I’m wondering: have Jackson and his team made any efforts to process the rest of the footage and make it available to other filmmakers, or to the IWM? I don’t expect him to go back and do a second WWI documentary (unless this is one is massively successful, and I hope it is) but I’d love it if Jackson’s production company worked with another director on a similar film about the air war, or the Navy, or any of the other aspects of the war he had to leave out.
  • For that matter, is anyone in the US doing something like this with US WWI footage?
  • I haven’t been able to find the soundtrack for this film on Apple Music or Amazon. And I want it. If you search, though, you can find the closing credits on YouTube (at least until there’s a copyright strike.)

Repeating myself: go. See. It’s not “fun”, but it’s an extraordinary piece of work.

Obit watch: February 11, 2019.

February 11th, 2019

Great and good friend of the blog Borepatch, who has probably forgotten more about popular music than I know, sent over a couple of obits that I missed.

Bonnie Guitar passed away in January at the age of 95.

Ms. Guitar was best known for her recording of “Dark Moon,” a Top 20 country single on the Dot label that crossed over to the pop Top 10 in 1957. The record, a haunting nocturne sung in a clear-toned alto, was, along with Patsy Cline’s “Walkin’ After Midnight” — which reached the pop Top 40 the same year — one of the earliest records by a female country singer to cross over to the pop chart.

But the achievement for which Ms. Guitar never really received her due, perhaps because she decided to remain in her native Washington instead of resettling in a major recording center like Los Angeles or Nashville, was her trailblazing work as a studio maven and entrepreneur. Over seven decades she did everything from engineer recordings to scout talent and run a record label.

And Sanger D. “Whitey” Shafer also died in January. He was perhaps most famous for writing “All My Ex’s Live in Texas” and “Does Fort Worth Ever Cross Your Mind”.

In 2004, Shafer earned a different kind of hit, as his own recording of “All My Ex’s” appeared on the soundtrack of the hit video game Grand Theft Auto: San Andreas. Few country songwriters of his generation can claim that, and it’s one of many reasons we’ll not see his like again.

Tribute from “Austin City Limits”. Obit from Saving Country Music. Obit from WFAA.

Obit watch: February 8, 2019.

February 8th, 2019

Albert Finney.

Mr. Finney was nominated five times for an Oscar, four for best actor: as the title character in “Tom Jones,” Tony Richardson’s 1963 adaptation of the Henry Fielding novel; as Poirot in “Murder on the Orient Express”; as an aging, embittered actor in Peter Yates’s 1983 version of “The Dresser”; and as an alcoholic British consul in a small town in Mexico in John Huston’s “Under the Volcano,” based on the Malcolm Lowry novel. His performance in “Erin Brockovich” earned him a supporting actor nomination.

Frank Robinson, who became the first black manager in MLB when he took over the Cleveland Indians:

Robinson made his debut as the majors’ first black manager with the Cleveland Indians on April 8, 1975, 28 years after Jackie Robinson (no relation) first took the field with the Dodgers. Rachel Robinson, Jackie Robinson’s widow, threw out the ceremonial first ball.
Frank Robinson, who was still an active player, punctuated the historic occasion by hitting a home run in his first at-bat, as the designated hitter, leading the Indians to a 5-3 victory over the Yankees.

Pork chop sandwiches!

February 8th, 2019

A Florida Woman is facing a domestic battery charge after allegedly clobbering her boyfriend in the face with a frozen pork chop during a dispute Friday night in their residence.

Remember, folks: when guns are outlawed, only outlaws will have frozen pork chops.

(Hattip for the submission: Mike the Musicologist. We also would have accepted his suggested title: “Roald Dahl, call your office, please.” even though that’s not quite technically accurate. Hattip for the title.)

Also by way of Mike:

Boston cop on leave after service weapon allegedly stolen by strippers

Strippers. Always the strippers.

A Boston cop who had his city-issued gun allegedly stolen by two strippers after a night out bar-hopping last week in Rhode Island is not being identified because he is “a victim,” police told the Herald today.

Note that the arrest report values the Glock at $5,000. Should we be calling the unnamed police officer “The Man With the Golden Gun” from now on?

Headline of the day.

February 6th, 2019

Autopsy: Man died of meth overdose before being eaten by bear at national park

Drugs are bad, kids. Mm’kay?

(Obligatory.)

Obit watch: February 5, 2019.

February 5th, 2019

This one goes out to Borepatch and Weer’d Beard: Jacqueline Steiner, who co-wrote “M.T.A.”. That song (also known as “Charlie on the M.T.A.”) later became a huge hit for the Kingston Trio:

The song remains embedded in Boston’s collective unconscious and is something of an unofficial city anthem.

Thing I did not know: it was originally written for a guy running for mayor in 1949. He only got one percent of the vote, and was later blacklisted as a Communist.

Also among the dead: Albert J. “Chainsaw Al” Dunlap, notorious corporate raider.

Obit watch: February 4, 2019.

February 4th, 2019

By way of Lawrence, THR obit for Julie Adams.

Edited to add: NYT obit.

She was most famous for “Creature from the Black Lagoon” (which I still haven’t seen). But her list of credits is extensive, including “McQ” and “The Last Movie”.

And she did a whole bunch of TV work: Jimmy Stewart’s wife on “The Jimmy Stewart Show”, guest shots on “Perry Mason”, “Ironside”, “The Bold Ones: The New Doctors”…

…and “Mannix”. (“Then the Drink Takes the Man”, “Little Girl Lost”). And she was the drunken wife of the dead scientist in the “Mr. R.I.N.G” episode of “Kolchak: The Night Stalker“.

(Oddly enough, she came up in passing Saturday night. The main topic of discussion was the annoying (to me, anyway) tendency of “Kolchak”‘s writers to kill off the more attractive women. The hot girl in the bathing suit in “Firefall”, the lab worker in “The Energy Eater”, the Air Force captain in “Legacy of Terror”, etc.)

As an administrative side note: I’ve been thinking about posting this for a while, but finally decided to make it explicit. If your IMDB credits include an entry for “Mannix”, you will automatically get an obit watch entry here. Please feel free to contact me with any omissions.

Obit watch: February 2, 2019.

February 2nd, 2019

NYT obit for Dick Miller.

This one goes out to Mike the Musicologist: Sanford Sylvan, noted baritone. He did a lot of work with John Adams: among other roles, he was the first Chou En-lai in “Nixon in China” and Leon Klinghoffer in “The Death of Klinghoffer”.

His recordings, many with Mr. Breitman, include programs of Schubert, Fauré, Jorge Martin and Virgil Thomson, as well as a luminous, delicate 1991 release, “Beloved That Pilgrimage,” which includes Theodore Chanler’s “Eight Epitaphs,” Barber’s “Hermit Songs” and Copland’s “Twelve Poems of Emily Dickinson.” Mr. Sylvan took part in the New York premiere of Mr. Adams’s opera “A Flowering Tree” in 2009, and also performed contemporary works by composers like Peter Maxwell Davies, Philip Glass, John Harbison and Charles Fussell.

Finally, Captain Rosemary Mariner, United States Navy (ret.). She was one of the first six women to go through naval flight training, the first to fly an attack jet, and the first woman to command a naval aviation squadron. She also had a leading role in removing the restrictions on women flying combat missions.

When she retired from the Navy in 1997, Captain Mariner “had become one of the nation’s leading advocates for equal opportunity in the military,” Deborah G. Douglas wrote in “American Women and Flight since 1940” (2005).
Captain Mariner logged 17 landings on aircraft carriers and more than 3,500 flight hours in 15 different aircraft.

Obit watch: January 31, 2019.

January 31st, 2019

Lawrence sent me the “Variety” obit for character actor Dick Miller.

He was hella prolific. Among his credits: the pawn shop guy in “The Terminator”, the sleezy land developer in the original “Piranha”, “Gremlins”, “Chopping Mall”, “Twilight Zone: The Movie”…

…and a lot of TV guest shots, including “Police Squad!” (“In Color!”), “Dragnet 1967”, and, yes, “Mannix” (“Falling Star”, “The Cost of a Vacation”).

He also appeared in “W*A*L*T*E*R”, which is one of those curious side notes in television history.

Speaking of curious side notes, Meshulam Riklis passed away a few days ago at the age of 95. He was a prominent financier, but became somewhat famous in the 1980s for what happened after he married his second wife…

…Pia Zadora.

His devotion to Ms. Zadora included inviting Golden Globe Awards voters to private screenings of “Butterfly” (1982), a film he produced for her, and promoted her candidacy in a media campaign — all for someone considered a lightweight competing with the likes of Kathleen Turner, Howard E. Rollins Jr. and Elizabeth McGovern for best new star of the year in a motion picture.
When Ms. Zadora won the award — a shock in Hollywood and beyond — it was assumed that Mr. Riklis had somehow engineered her victory, although he and the Hollywood Foreign Press Association, which runs the Golden Globes, denied the accusation.

Obit watch: January 24, 2019.

January 24th, 2019

Mary Boyd Higgins, trustee of the Wilhelm Reich estate and legacy.

When she was appointed trustee, in March 1959, Ms. Higgins had her work cut out for her.
She quickly discovered that most of Dr. Reich’s personal papers, which he had wanted sealed for 50 years before anyone could see them, had been stolen; she had to start litigation to retrieve them. He wanted his Maine property turned into a museum; she would need to become an expert in museum design. She also studied copyright law in seeking to have his books republished.

I wasn’t originally going to post this, but then it occurred to me that this obit gives me a flimsy excuse to embed this video:

Obit watch: January 23, 2019.

January 23rd, 2019

Russell Baker, Pulitzer Prize-winning humor columnist for the NYT.

Kaye Ballard, noted actress.

I apologize for giving these short shrift, but Ms. Ballard was before my time.

I also want to call out this one, not out of any malice or ill will, but because when you read the details in the obit, it’s kind of disturbing: Brandon Truaxe, “the founder of the disruptive Canadian cosmetics company Deciem”.

If you need help, please don’t be ashamed to ask for it. Anyone who would shame you for needing help…well, their opinions don’t matter.

Firings watch.

January 22nd, 2019

Bob Sutton out as defensive coordinator for Kansas City.

To steal a riff from Tuesday Morning Quarterback, “Sure, you got us to the AFC championship game and into overtime against New England. But what have you done for us lately?”

To steal a riff from TMQ Watch: “Gave up two touchdowns at the end of regulation and failed to stop New England in overtime.”

The Chiefs defense ranked among the worst in the NFL this season. They finished 31st in the regular season in yards allowed (405.5), 24th in yards per play (5.85), and 24th in points per game (26.3).

Obit watch: January 22, 2019.

January 22nd, 2019

Tony Mendez, legendary CIA officer.

A technical operations officer, he specialized in creating counterfeit documents as well as counterfeit people, perfecting tricks used by Hollywood, con men and magicians. He was an expert in “exfiltration,” the art of spiriting people out of hostile situations. (The last C.I.A. cable he received before the rescue mission said, “See you later, exfiltrator.”) And he was a master of disguises.

He was most famous for his role in smuggling six US diplomats out of Iran during the hostage crisis.

Before their rescue, the six had managed to escape from a building near the American Embassy. They were sheltered and protected for two months by Canadian diplomats, including the country’s ambassador to Iran, Kenneth D. Taylor, who helped engineer their rescue.
Canadian and American officials were trying to figure out how to get them out when Mr. Mendez devised the elaborate plan that would carry the day. He had them pose as a Canadian film crew scouting for a place in Tehran to shoot a movie. He supplied them with fake Canadian identities and instructed them in the proper mind-set to pass through armed Iranian security; and he led the way, pretending to be the crew’s production manager.

As I’m sure everyone knows, this became the basis for the movie “Argo“. He also wrote several books (the only one I’ve read is “Argo”) and has another one forthcoming.

Some of the six State Department employees whom Mr. Mendez had escorted to safety, euphemistically called “houseguests,” said in emails to his wife that he was the bravest man they had ever known.
“Not a surprise that Tony slipped away quietly,” two of them, Mark Lijek and Cora Amburn-Lijek, wrote. “What else would you expect from the master of disguise?”

Quaint and curious volumes of forgotten lore (#5 in a series).

January 19th, 2019

I’m not going to do a full Lawrence here, but I want to mention a couple of interesting things I’ve found at Half-Price Books recently:

Not much to say about this one: anybody who knows me well, or even regularly reads this blog, understands why I had to pick this one up.

Spoiler: that “bizarre menace” is…LSD.

I actually already have, and have read, The Ravens, and rather liked it. (Christoper Robbins also wrote Air America, which the Robert Downey Jr./Mel Gibson movie was based on.) But prices on this seem to be all over the place, and I thought it might be worth taking a flyer on for $7.99…

…and then I took a look at the title page:

If you can’t read it, this appears to have been signed to somebody named “Chris” by multiple former Ravens. I think this is kind of nifty, and will probably hang onto this copy. (I might flip the other one.) I don’t think the “Chris” in question is the author, as he died in London in 2012, and his bio doesn’t say anything about military service. I suspect there’s a sad story behind this ending up at HPB that I don’t really want to think about, but I hope wherever “Chris” is, he knows that someone values his book.

Also, just to drive one or two of my friends crazy: I picked up some more Jack O’Connor. The two volume Hunting on Three Continents, which I found for $14.99 (minus 20% because it was after Christmas), and the Jim Casada edited The Lost Classics of Jack O’Connor. which I probably overpaid for. But both are in mint shape. I actually do not remember if I already have Lost Classics, but if I find it in one of the boxes I’ll flip it. I know I didn’t have Three Continents previously: that was a real find.

Probably the next thing I’m going to curl up with, though, is Drinking with the Saints: The Sinner’s Guide to a Holy Happy Hour which was a Christmas gift from my beloved and indulgent sister.

Obit watch: January 16, 2019.

January 16th, 2019

I wanted to give the Carol Channing obit a chance to shake out before posting it. I’m kind of glad I did: now they’re leading off the obit with the Hirschfeld drawing, which fills me with delight down to the bottom of my coal black heart.

By the time she returned to the role on Broadway in October 1995, Ms. Channing had played Dolly more than 4,500 times, missing only one performance — in June of that year, when she left the show for a day to fly to New York from San Diego to accept a Tony Award for lifetime achievement. She had appeared onstage in a cast, a neck brace and a wheelchair, and with viruses that would have felled anyone with lesser determination. (By her own count, she went on to surpass the 5,000 mark.)

Ms. Channing’s own motion picture career never really took off, although she received an Academy Award nomination and won a Golden Globe for her performance in “Thoroughly Modern Millie” (1967). She did enjoy some success on television, and in her later years she did a lot of cartoon voice-over work. But the theater was her natural home.

As Lawrence pointed out to me yesterday, she was also in “Skidoo“. (Honest to Ghu, I thought that had been released on Criterion, but apparently not.)

This one goes out to my friend Todd: Alan R. Pearlman, synthesizer pioneer and founder of ARP Instruments.

ARP’s analog synthesizers — particularly the compact, portable ARP Odyssey, introduced in 1972 — grew ubiquitous in pop and electronic music. By the mid-1970s, ARP was the leading synthesizer manufacturer, commanding 40 percent of the market and outselling its predecessors and competitors, Moog and Buchla.
ARP sounds were central to numerous songs, including Edgar Winter’s “Frankenstein,” Herbie Hancock’s “Chameleon,” Kraftwerk’s “The Robots,” Underworld’s “Rez,” Nine Inch Nails’ “The Hand That Feeds” and the early-1980s version of the theme to the television series “Doctor Who.”
The five-note signature motif of “Close Encounters of the Third Kind” was played on an ARP 2500 synthesizer, which is seen in the film. An ARP 2600, mixed with natural sounds, provided the voice of R2-D2 in the first “Star Wars” movie.

Obit watch: January 10, 2019.

January 10th, 2019

Carlos Sánchez, best known as Juan Valdez in the commercials for Colombian coffee.

(Hattip on this to my beloved and indulgent sister-in-law.)