Whipped Cream Difficulties

I wanted to give the Carol Channing obit a chance to shake out before posting it. I’m kind of glad I did: now they’re leading off the obit with the Hirschfeld drawing, which fills me with delight down to the bottom of my coal black heart.

By the time she returned to the role on Broadway in October 1995, Ms. Channing had played Dolly more than 4,500 times, missing only one performance — in June of that year, when she left the show for a day to fly to New York from San Diego to accept a Tony Award for lifetime achievement. She had appeared onstage in a cast, a neck brace and a wheelchair, and with viruses that would have felled anyone with lesser determination. (By her own count, she went on to surpass the 5,000 mark.)

…

Ms. Channing’s own motion picture career never really took off, although she received an Academy Award nomination and won a Golden Globe for her performance in “Thoroughly Modern Millie” (1967). She did enjoy some success on television, and in her later years she did a lot of cartoon voice-over work. But the theater was her natural home.

As Lawrence pointed out to me yesterday, she was also in “Skidoo“. (Honest to Ghu, I thought that had been released on Criterion, but apparently not.)

This one goes out to my friend Todd: Alan R. Pearlman, synthesizer pioneer and founder of ARP Instruments.

ARP’s analog synthesizers — particularly the compact, portable ARP Odyssey, introduced in 1972 — grew ubiquitous in pop and electronic music. By the mid-1970s, ARP was the leading synthesizer manufacturer, commanding 40 percent of the market and outselling its predecessors and competitors, Moog and Buchla.
ARP sounds were central to numerous songs, including Edgar Winter’s “Frankenstein,” Herbie Hancock’s “Chameleon,” Kraftwerk’s “The Robots,” Underworld’s “Rez,” Nine Inch Nails’ “The Hand That Feeds” and the early-1980s version of the theme to the television series “Doctor Who.”
The five-note signature motif of “Close Encounters of the Third Kind” was played on an ARP 2500 synthesizer, which is seen in the film. An ARP 2600, mixed with natural sounds, provided the voice of R2-D2 in the first “Star Wars” movie.

This entry was posted on Wednesday, January 16th, 2019 at 7:00 am and is filed under Geek, Movies, Music, Obits, Theatre. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.