Tawny Kitaen, 80s figure.
She once described working with Paula Abdul, who was a choreographer at the time, on the set of one video.
As Ms. Kitaen recalled, Ms. Abdul asked her what she could do, and Ms. Kitaen showed Ms. Abdul some of her moves. Ms. Abdul then turned to the director, Marty Callner, and said, “She’s got this and doesn’t need me.” And then, Ms. Kitaen said, she left.
“That was the greatest compliment,” she said. “So I got on the cars and Marty would say, ‘Action,’ and I’d do whatever I felt like doing.”
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Ed Ward, music critic. He wrote for “Crawdaddy” and “Rolling Stone”:
Mr. Ward’s review of the Beatles’ “Abbey Road” (1969) in Rolling Stone demonstrated his tough side: He called “Sun King” the album’s “biggest bomb” and its second side “a disaster.”
“They’ve been shucking us a lot lately and it’s a shame because they don’t have to,” he wrote. “Surely they have enough talent and intelligence to do better than this. Or do they?”
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Mr. Ward was fired from Rolling Stone after a few months (he didn’t get along with Jann Wenner, the publisher), then became the West Coast correspondent for the rock magazine Creem, a post he held for most of the 1970s. He left in 1979 to write about the thriving music scene in Austin as a music critic at The American-Statesman.
“Ed brought a reputation to Austin as an unflinching critic — Rolling Stone had a lot of clout — and he was not diplomatic in his writing,” said his friend and fellow writer Joe Nick Patoski, who described Mr. Ward as cantankerous and difficult. “Early on, there was a reaction to some of the things he wrote and it started a ‘Dump Ed Ward’ movement that had bumper stickers and T shirts.”
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Ernest Angley, televangelist. Or, as I liked to call him, “the man who took over Rex Humbard’s soup kitchen“.
These last two by way of Lawrence: George Jung, cocaine smuggler.
Japanese composer Shunsuke Kikuchi. Among his credits: “Dragon Ball”, “Dragon Ball Z”, and several “Gamera” films.
