Scott Brooks out as head coach of the Washington Wizards, though this is being presented as an inability to negotiate a new contract instead of a firing.
He was 183-207 over five years. The Wizards actually made the playoffs this year:
They lost in the first round to Philadelphia.
This is a little newer than I usually like to use, and I have not watched all of it yet. But I have linked to DeviantOllam before, I trust his content, and I don’t think he’s quite as popular in the gun community as hickok45 or Forgotten Weapons…
“Gun Storage: The Good, The Bad, and The Ugly of Gun Safes and Locks”.
From the wonderful folks at Wilson Combat: “Gun Guys Ep. 34 with Bill and Ken”. This time, they discuss “Elmer Keith, the .44 Magnum, and the .357”. I like this because it serves as a decent introduction to Elmer Keith (who I have touched on before) for those folks who are interested in guns, but came after the Elmer Keith era.
Jerry Miculek shoots his S&W 5906 Performance Center pistol (which was apparently an overrun from a contract with the Mexican Special Forces). Bonus: 9MM Incendiary ammo.
I watched this over the weekend (it popped up in my recommendations). Then I started looking at 5906 pistols on GunBroker…
Random acts of hoplobiblophilia:
Modern Gunsmithing by Clyde Baker. This is only “fair” at best, and yes, that is a crappy dust jacket. But this is one of those original Samworth/Small-Arms Technical Publishing Company editions that are hard to find. Ran across this at HPB, and paid what I think is about the same price as I would have paid on ABEBooks.
One of the odd things about Samworth’s books is that he didn’t use a printers key, so it’s hard to tell what printing one of his books is. You have to rely on internal clues, like the advertising pages in the back of the book: while the original copyright is 1933, the advertising page in the back is dated September 1950, and includes some SATPCO post-WWII books.
This is the first time that I’ve ever found a story with a headline that I wanted to link, but I don’t even want to mention the headline here for reasons.
So I’m just going to put a link right here. I’m not going to tell you what the headline is, though I will tell you it is from the NYPost. Click at your own risk. You have been warned.
One hint: it involves a famous and controversial musician. Think “Chappelle’s Show”. Not Prince.
Wow. Maybe I will be able to get it together to do Bloomsday greeting cards before the 100th anniversary of Ulysses next year.
In the meantime, please to enjoy: by way of Hacker News, vintage recordings of James Joyce actually reading from his works.
Stan Van Gundy out as coach of the New Orleans Pelicans after a single season.
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New Orleans’ inability to close games was another of its other defining features. It lost an NBA-most 14 games when it had a double-digit lead.
Perhaps the most frustrating late-game meltdown came in April against the New York Knicks. The Pelicans led by three points with 7.8 seconds remaining. Van Gundy instructed his team in a timeout to intentionally foul, but veteran guard Eric Bledsoe failed to. Knicks forward Reggie Bullock tied the game with a corner 3, and the Knicks won in overtime.
Lisa Banes. She was “Marybeth Elliott” in “Gone Girl” and has a fair number of IMDB credits for TV work as well.
Mostly, I wanted to note this here because of the circumstances of her death: she was run over by a scooter driver in NYC on June 4th, and never regained consciousness.
Remember, tomorrow is not promised to anyone…
Edited to add: NYT obit, which was not present when I posted this.
Ned Beatty. THR. Variety.
Damn. 165 acting credits in IMDB. The man worked. And as far as I’m concerned, he classed up everything he was in.
I apologize, but this is the best Big Man scene I can find on the ‘Tube.
John Gabriel, long time actor on “Ryan’s Hope”. He did a decent amount of other stuff, including several appearances on “77 Sunset Strip”. Interestingly, he was also one of the (uncredited) newsreaders in “Network”.
Lawrence forwarded me an obit for Douglas S. Cramer, TV producer. I wasn’t really planning on noting this, but Lawrence pointed out that his credits do include “Mannix”…
Mudcat Grant, pitcher for the Twins and the Indians.
Grant led the American League in victories, winning percentage and shutouts in 1965 and pitched for 14 major league seasons.
He was remembered as a leading right-hander of his time, but also for his intriguing nickname, his second career singing and dancing at nightspots, and his book profiling outstanding Black pitchers.
Grant, a two-time All-Star, was a mainstay in the starting rotation for the Indians and the Twins for much of his career, then became a reliever, most notably with the Oakland A’s and Pittsburgh Pirates.
The Indians traded Grant to the Twins in June 1964. His best season came the following year, when he went 21-7, turned in a winning percentage of .750 and threw six shutouts. He pitched two complete-game victories against the Los Angeles Dodgers in the World Series, losing once, and hit a three-run homer as the Dodgers went on to win the series in seven games.
Cited by Sporting News as the A.L. pitcher of the year, Grant headed a staff that included Jim Kaat, Jim Perry and Camilo Pascual, backed by a lineup featuring Harmon Killebrew, Tony Oliva, Bob Allison and shortstop Zoilo Versalles, the league’s most valuable player.
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As a youth Grant performed in a choir. Following the 1965 World Series, he founded Mudcat and the Kittens, a song and dance group that played at nightclubs and hotels during the off-seasons and that also gained international bookings.
“First his musicians — up to seven of them — begin, playing dance music and jazzier stuff, and then the Kittens, some very sexy girls in spare feline outfits, take over the stage to sing and dance and purr,” Frank Deford wrote in Sports Illustrated in 1968. “Then Mudcat comes on. He sings — everything from show tunes to rock ‘n’ roll — and tells jokes and dances.”
“I made way more money in music than I did in baseball,” Grant once said.
This popped up on Hacker News, and, while I have reservations about linking to Esquire for anything but drinks, it did entertain me: “The Rise and Fall of Planet Hollywood“.
I never went to a Planet Hollywood: when it first opened, it struck me as a cynical cash grab, and nothing in this article convinces me otherwise.
Some relevant quotes:
The ax Jack Nicholson wielded in The Shining, still caked in fake blood, was buried in the back of the garden shed of a guy who worked on the film.
“We asked what he wanted for it,” Todd told the Los Angeles Times in 1995, “and he said, ‘Well, I’ll need another ax.’ That was an easy deal.”
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(For those who don’t recognize Natalie Zea’s name, she did get discovered eventually. She was “Raylan Givens” ex-wife/current girlfriend on “Justified”, and was “Wade Felton”‘s (Walton Goggins) girlfriend on “The Unicorn” before that got cancelled.)
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Bonus: I was sort of on the fence about using this. But in the end, it told me something I didn’t know, and the presenter isn’t quite as grating as some of those other “abandoned thing” guys.
Did you know there was a Hard Rock theme park? It opened in Myrtle Beach, South Carolina in April of 2008. The plan was for it to be the first of a chain of Hard Rock theme parks.
It closed in September of 2008. The parent company filed for Chapter 11, and the park was sold off. It reopened in May of 2009 as “Freestyle Music Park“, with the Hard Rock branding removed. Freestyle’s parent company was sued multiple times by various entities for various reasons, and the park closed again at the end of the 2009 season. It never reopened and remains abandoned today.
(I’ve been to Myrtle Beach once or twice, but it was when we lived in Virginia, so about 50 years ago, long before Hard Rock Park. My most vivid memory of those trips was us going to some other amusement park, and being upset that I was too short for the bumper cars. I do know people in the North Carolina area, but I’m not sure if any of them ever made the trip down to Hard Rock Park.)
(And hattip to Mike the Musicologist for pointing this out to me.)
In honor of WGD, I thought I’d post this: “How To Drink” covers The Last Word (as well as a non-gin variant made with mezcal).
I think The Last Word is an interesting cocktail, what with the whole Prohibition thing and “rediscovery” in the 21st Century. Plus: Chartreuse.
I mixed up one recently for my weekly happy hour based on Esquire’s recipe (and using Beefeater gin). The Chartreuse gives it an interesting herbal note, but, overall, I found it to be really sweet. It was almost too sweet for my palate, which is a rare thing for me. If I mix one up again, I might cut back on the maraschino liqueur: maybe 1/2 ounce instead of 3/4 ounce. But I recommend you try the recipes as written first. Your palate may vary.
Gottfried Böhm, Pritzker Prize-winning Brutalist architect. He was 101.
Arguably the defining work of Mr. Böhm’s career was the Roman Catholic Pilgrimage Church at Neviges, known in German as the Wallfahrtsdom or the Mariendom, close to the city of Wuppertal in northwest Germany.
Completed in 1968, it is a monumental Brutalist Gesamtkunstwerk or total of work of art, whose jagged concrete roof has been likened to a tent, a crystal and an iceberg. Set at the top of a hill, the church rises imposingly above the picturesque houses of medieval Neviges.
Mr. Böhm lavished as much attention on the church’s forum-like interior as he did on its folding roof and sculptural facade, with their rough concrete textures and sharp angles. He designed the stained-glass windows, lamps and door handles and even the chairs. With room for 8,000 worshipers, it is the second largest church north of the Alps.
I don’t want to draw too much on the NY Post. But Mike the Musicologist sent this to me with a challenge:
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Edited to add: I was unaware of this previously, but it popped up on Hacker News after I posted. I know, he only has 501 views as I write, but it seems like a good commentary. Or at least I found it mildly amusing.
Warning! Mime! Achtung! Mime! Avvertimento! Mimo! Avertissement! Mime!
Warning! Mime! Achtung! Mime! Avvertimento! Mimo! Avertissement! Mime!
Claudia Barrett. She did some Westerns and detective shows (including an appearance on “77 Sunset Strip”, making her the second person from that series to get an obit this week), but was out of acting by 1964.
She may be most famous as the female lead in “Robot Monster“.
Ernie Lively. He knocked around quite a bit (his first credit was 1975, and his last was 2020). He appeared multiple times on “The West Wing”, “Murder She Wrote” and “The Dukes of Hazzard”. However, he seems to be most famous as the father of “Bridget” in the two “Sisterhood of the Traveling Pants” movies. (“Bridget” was played by his daughter, Blake Lively.)
Professor Hollander joined the faculty of Princeton University in 1962 and taught beloved classes on Dante for 42 years. For medievalist scholarship, the three-volume translation he produced with Ms. Hollander found a wide degree of public interest, including two admiring reviews in The New Yorker.
In one, in 2007, the New Yorker critic Joan Acocella called all three volumes of their translation “the best on the market.” (The Hollanders produced “Inferno” in 2000, “Purgatorio” in 2003 and the last volume of the epic allegorical work, “Paradiso,” in 2007.)
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The couple brought complementary strengths to the project. Ms. Hollander, the author of five books of poetry, attended to the music of the language. Professor Hollander ensured the translation’s accuracy and wrote introductions to each volume, along with notes to the text.
Ms. Acocella estimated that the notes amounted to 30 times the length of “The Divine Comedy” itself. That was Professor Hollander’s style. He interpreted moralistically and theologically passages usually appreciated for their beauty. His erudition wore down fellow scholars. He reported that A.B. Giamatti, the Renaissance expert and former president of Yale University, once asked him, “Are you going to try to ruin this scene for me too, Hollander?”
One of the reasons I wanted to post this here (other than, he sounds like a really nifty guy: you should read the whole obit, especially the part about his stroke) is that I wanted to ask the huddled, wretched masses: does anybody have any experience with Dante translations, and can you recommend a good one?
Other than the Hollander one, Thomas Harris (yes, that Thomas Harris) likes the Robert Pinsky translation. Anthony Esolen (a writer I greatly admire) has also done a transalation
I could just read Rod Dreher’s book and see if he recommends one: I do want to read How Dante Can Save Your Life (and that’s actually what started me on this quest), but I’m having trouble finding a decent copy at a decent price.
(All links are Amazon affiliate links, for the record.)
Speaking of Rod Dreher, this is a beautifully written post about the death of a friend. Followup.
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Lawrence tipped me off to this: Chip McCormick, who I think can fairly be described as the father of the modern 1911.
Shooting Illustrated has a good article:
Before CMC (Chip McCormick Custom), there was no such thing as the now ubiquitous drop-in AR-15 trigger. Gunsmiths would put together a trigger with parts, often from a kit. McCormick created a single-unit trigger that installs in minutes; literally a “drop in.” Of course easy installation was not good enough for McCormick, he made it crisp, clean, with no creep….Match grade. Now dozens of imitators crowd the market, the market created by Chip McCormick.
Before Kimber, the 1911 had to be fitted from oversize parts. If you saw one in the gun store, it was usually a basic government model that the owner would have to customize. McCormick conceived of the “spec” 1911 with all parts being within specific tolerances so the gun could be assembled, instead of fitted. McCormick approached several companies, but they turned him away. Kimber’s Leslie Edelman saw the potential and quickly struck a deal for Chip to create a production gun. Unlike anything else on the market, it was fully accessorized with beavertail grip safety, extended slide release and ambidextrous thumb safeties. Not only was the Kimber handgun line born, but so was a new way of building the 1911. Now the production 1911 is the industry standard, as are fully accessorized guns.
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I never had the pleasure of meeting Mr. McCormick (though I swear by his 1911 magazines) but great and good friend of the blog (and official firearms trainer of WCD) Karl shot with him, and has a post up on Facebook:
Erin O’Brien, actress. She appeared on several Western series, and in the pilot of “77 Sunset Strip” (among other credits).
NYT obit for Jim Fassel, which did not go up until late in the day yesterday.