Betty Broderick passed away last week. She was 78.
Some folks may remember this from the late 1980s. Ms. Broderick’s husband dumped her for a younger woman.
On Nov. 5, 1989, Ms. Broderick entered the home of her ex-husband, Daniel T. Broderick III, a prominent malpractice lawyer in San Diego, and Linda Kolkena Broderick, a former flight attendant who became his legal assistant and, while he was still married to Ms. Broderick, his lover, and shot them in bed with a .38-caliber pistol.
Ms. Broderick, then about to turn 42, immediately turned herself in to the police, and never denied firing the fatal shots at her former husband, 44, and his second wife, 28. But she denied committing murder, claiming in media interviews and in the courtroom to have been a victim of years of psychological abuse.
It was one of those minor sensations at the time.
Ms. Broderick spoke to magazines and newspapers before and after her trials, and twice appeared from prison on “The Oprah Winfrey Show,” angrily venting about her husband.
“He went off with the bimbo at 40, driving a red Corvette — haven’t we heard this before?” she told The Los Angeles Times three weeks after the killings.
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At her first trial, mental health specialists called by both the prosecution and the defense testified that Ms. Broderick was narcissistic and histrionic. Melvin G. Goldzband, a psychiatrist who testified for the prosecution, refuted her claims of emotional abuse.
“She wanted not to be rejected,” he said, adding that she would have been angry even if her husband had agreed to an extravagant monthly support settlement.
“People extend battles because it’s the only form of the relationship that they have,” Dr. Goldzband said.
Ms. Broderick was sentenced in 1992 to the maximum possible term: 32 years to life in prison. She was twice denied parole.
Rex Reed, noted (and I kind of want to say “notorious”) movie critic.
His 1967 Times article on Michelangelo Antonioni — “If there is anything more excruciating than sitting through a Michelangelo Antonioni film, it’s sitting through a Michelangelo Antonioni interview” — led the Italian director to write a letter to the editor disputing Mr. Reed’s characterization of him. To Mr. Reed, Bette Midler was “a zaftig waif,” Peter Lawford a low-I.Q. “court jester” and Warren Beatty just plain insufferable.
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An oft-quoted Reed takedown was his skewering of Barbra Streisand in 1966 after she kept him waiting longer than a David Lean epic. “Three-and-a-half hours late,” he wrote for The Times, “she plods into the room, falls into a chair with her legs spread out, tears open a basket of fruit, bites into a green banana and says to the reporters, ‘OK, you’ve got 20 minutes.’ ” What Ms. Streisand had to say about him later is best suited for impolite company.
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He lived in the Dakota, one of New York City’s most prestigious buildings, in a two-bedroom apartment that he had bought in 1969 for $30,000. He even had a brief film career in the 1970s and ’80s, most notably in the gender-bending comedy “Myra Breckinridge,” where Mr. Reed played Myron, who was transitioning to Raquel Welch’s Myra. The movie was universally panned. It was so bad that Mr. Reed put it at the top of his own list of the 10 worst films of 1970.
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When Marlee Matlin, who is deaf, won best actress at the 1987 Academy Awards for “Children of a Lesser God,” Mr. Reed wrote that she had benefited from a “pity vote.” Bizarrely, and wrongly, he insisted that Marisa Tomei did not really win the 1993 Oscar for best supporting actress for her role in “My Cousin Vinny” and that the presenter, Jack Palance, had read the wrong name. Mr. Reed once mixed up Benicio del Toro, a Puerto Rican actor, and Guillermo del Toro, a Mexican filmmaker, misspelling Benicio to boot.