Len Deighton, one of the great British spy writers. NYT (share link). He was 97.
He wrote “The IPCRESS File” to amuse himself during a vacation. The story of a secret agent confronted with duplicity and bureaucracy from his own side while investigating a Soviet kidnap ring, it was published in 1962 and went on to sell millions of copies.
The novel was adapted into a 1965 film, with Caine in a star-making performance as Deighton’s protagonist, a sardonic working-class sophisticate with a love of gourmet food. The character is unnamed in the book, though Caine’s character was given the name Harry Palmer.
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Another passion was food. Deighton was food correspondent for The Observer newspaper in the 1960s and wrote several cookbooks aimed at men — a then-novel idea — including “Len Deighton’s Action Cook Book” (1965), with recipes illustrated like comic strips.
Judy Pace, actress. Other credits include “Cotton Comes to Harlem”, “O’Hara, U.S. Treasury”, “Shaft” (the TV series), and “The Thomas Crown Affair” (the original).
Matt Clark, actor. Other credits include “Hardcastle and McCormick”, “The Adventures of Buckaroo Banzai Across the 8th Dimension”, “The Laughing Policeman”, and “T.H.E. Cat”.
John Bengtson. No, you probably haven’t heard of him, unless you have a lot in common with the Saturday Night Movie Group.
For more than 30 years, he captured images of them from silent films and then matched them with archival photos, aerial maps and postcards to pinpoint where Buster Keaton, Charlie Chaplin and Harold Lloyd performed their slapstick shenanigans.
In identifying hundreds of locations in Hollywood, San Francisco and New York that those geniuses of silent comedy used in movies like “The Kid” (1921), “Cops” (1922) and “Safety Last!” (1923), Mr. Bengtson inadvertently uncovered a visual record of vanished cityscapes.
“When you watch a silent movie,” he said, “you’re not only being entertained by the story, but you’re experiencing time travel.”
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His most remarkable revelation centered on a T-shaped alley in Hollywood, between Cahuenga Boulevard and Cosmo Street. Triangulating frame-by-frame stills with his go-to research materials, Mr. Bengtson discovered that the alley had been used in more than a dozen films in the early 1920s, including Keaton’s “Cops,” Chaplin’s “The Kid” and Lloyd’s “Safety Last!”
The location’s ubiquity made sense to Mr. Bengtson. At the time, Hollywood was mostly a neighborhood of open fields and vacant lots. Because the alley was close to the filmmakers’ studios, they could go there for quick urban shots instead of lugging their equipment to downtown Los Angeles.
“I can absolutely guarantee you that there is no place anywhere that has three of the biggest stars and three of their most important movies in one spot,” Mr. Bengtson told Atlas Obscura, a travel website, in 2021, the year a commemorative plaque he advocated for was placed at the alley. “This is absolutely two or three strata above anything else I’ve ever found.”
He did three books: Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, Silent Visions: Discovering Early Hollywood and New York Through the Films of Harold Lloyd, and Silent Traces: Discovering Early Hollywood Through the Films of Charlie Chaplin.
I burned a share link on this because I’d like for folks to look at the header of the NYT obit, which partially reproduces an extra on the Criterion Collection disc, showing how they did the clock stunt in Harold Lloyd’s “Safety Last!”. Mr. Bengtson sounds like a really cool guy who it would have been a pleasure to know. ALS got him at 68.