Archive for February 17th, 2026

Noted, less briefly.

Tuesday, February 17th, 2026

LawDog put up a good post yesterday about his “pocket litter”. I was thinking about writing a comment there, but then I decided: I have a perfectly good blog of my own, why bogart his?

To be clear, I don’t have any issue with what LawDog says. I just thought I’d provide a different perspective. LawDog and I are two different people, with different use cases and different life experiences. What works for him may not work for me, and vice versa.

I’m a two knife man. For a long time, I’ve carried a Swiss Army Champ in my left front pants pocket with my keys. Still do, six days out of seven. I like the utility of it, but I wouldn’t use it for defense except in an extreme case. (When I’m wearing my Sunday clothes, I carry a smaller Swiss Army knife. If I’m wearing a suit and tie, I have a Benchmade (I think) penknife that I bought at a fun show because I liked the way it looked. It seemed suitably dressy.)

I’ve dabbled with various larger knives for “defense”. For a while, I carried a Spyderco Civilian for that purpose. But I came close to losing it a few times, and I don’t want to lose a $400 knife. I’m the kind of person who loses things, so I like my stuff to work and not break the bank. I have another Spyderco locking blade that I picked up for $20 at the Texas State Surplus Store, and I sometimes pack that in my checked bag when I fly. (My other choice for a disposable travel folder is a Buck 110.)

For some reason, though, pocket clips don’t work for me. What I have found is the KA-BAR TDI Law Enforcement Knife. It is a fixed blade, so I don’t have to worry about deploying it under stress (as LawDog says in the comments, “Grab, yank, shank”), it is small enough not to be intimidating (I don’t think most people even notice I’m carrying unless I whip it out) but it is large enough to be useful. I pull mine out at least once a day, sometimes five or six times, to open packages, break down boxes for the trash, and do everything else you’d do with a knife.

I bought this at the recommendation of Greg Ellifritz, and I don’t regret it. For my use case, this is just about perfect. (The price has gone up considerably since I bought mine. Alas.) I still accumulate knives (and will continue to do so), but the KA-BAR is the most useful one I have.

For flashlights, I’ve kind of touched on this before. I carry a Streamlight Pocket Mate on my keychain. It is always with me, doesn’t take up a lot of space, is surprisingly bright for the size, and doesn’t go through batteries.

I get LawDog’s point about rechargeables being down until you can recharge them. I have multiple AAA and AA pocket flashlights (and, like knives, will accumulate more). I even deploy them sometimes. (My AAA Olight is handy to slip in a suit pocket, when I don’t want to carry my keys because they spoil the clean lines of my suit.) For my use case, though, I top up the Pocket Mate when I think about it, and it generally gives me some warning that I need to plug it in before it goes dead. If I was really worried, I’d buy a second one and rotate them: they are that cheap.

There are recommendations for the Streamlight Wedge and Wedge XT in the article and comments. I have a Wedge as well, but I use it as either my bedside “things that go bump in the night” light, or as my hotel/motel/Holiday Inn “things that etc.” light.

I have carried a Zippo, off and on (“carry something to make light and something to make fire”), but I’m not doing so right now. I don’t smoke, but I will slip the Zippo into my pocket if I’m doing stuff outside.

So that’s my current practice. Feel free to drop yours (and your recommendations) in the comments.

Briefly noted.

Tuesday, February 17th, 2026

By way of CrimeReads, “The Three Lives of William Conrad: More Than Just the ‘Heavy’” by Keith Roysdon.

I think most people, if they think of William Conrad at all, think of “Cannon” or “Jake and the Fatman”. More sophisticated folks might be aware that he had a substantial radio career, including Matt Dillon in the radio version of “Gunsmoke”.

While his voice was perfect for narrating the noir TV drama “The Fugitive” from 1963 to 1967, there’s little in Conrad’s career to tip us to the lunacy of his narration of creator/producer Jay Ward’s “Rocky and Bullwinkle” cartoons and sister show “Dudley Do-Right.” Conrad’s narration is breathless and urgent and loose in the shows, which began in 1959. At times, Conrad – credited as “Bill Conrad” – is downright goofy.

I didn’t know that he also had a short but apparently successful career as a film director. (Lawrence, I ordered “Two on a Guillotine” for Halloween viewing.)

Obit watch: February 17, 2026.

Tuesday, February 17th, 2026

Another one of those “it got busy up in here all of the sudden” days.

Robert Duvall. THR.

Other credits include “T.H.E. Cat”, “The F.B.I.”, and he was the original Frank Burns in “M*A*S*H.”.

Mike the Musicologist tipped me off to this tweet. I can’t find the “embed” function on X, but here’s the long version of the video.

Frederick Wiseman, documentary filmmaker.

His directorial debut, “Titicut Follies” (1967), a harrowing portrait of the Bridgewater State Hospital for the criminally insane in Massachusetts, remains the only film ever banned in the United States for reasons other than obscenity, immorality or national security. (The ban, imposed by Massachusetts on the grounds that the film violated the inmates’ privacy, was lifted in 1991; the film subsequently aired on PBS.)

This may just be a personal reaction, but “Titicut Follies” is the most frightening film I have ever seen in my life. (I actually saw it in a screening at the old Dobie Theater.)

Mr. Wiseman’s approach to his films — shot in what he wryly referred to as “wobblyscope,” thanks to his hand-held camera — was perhaps never better expressed than during a face-off with his fellow documentarian Werner Herzog, onstage at the 2005 Sundance Film Festival.
Mr. Herzog, who had been espousing a theory of “ecstatic truth” and a willingness to manipulate his nonfiction films to achieve something sublime, confided to the audience that a shot apparently made through a dewdrop in his film “The White Diamond” had actually been made through a leaf to which glycerin had been applied. Asked whether he had ever done anything similar, or would, Mr. Wiseman said he had not, but admitted that he might change a lightbulb if a room seemed too dark.

Jesse Jackson.