Archive for September 2nd, 2020

“What you gonna do when you get out of jail?…” part 156

Wednesday, September 2nd, 2020

Some people may be surprised by this, but: I like poetry.

I know, maybe I should turn in my man card. But I’m weird about the poetry I like. I find much of T. S. Eliot incomprehensible, but his imagery! Rod Dreher wrote a while back about the Australian poet Les Murray, and I want to read more of his work. Someone gave me a coffee mug with a quote from James Merrill’s “The Black Swan” on it and now I want to read more Merrill.

And Penny Arcade introduced me to “i sing of Olaf glad and big” which I find comforting from time to time.

“there is some shit I will not eat”

I believe there are two poets you don’t have to turn in your man card to like.

One is Kipling.

Charles Dance reads “The Road to Mandalay” during a 70th anniversary of VJ Day commemoration in London.

“The Power of the Dog”.

The other poet you don’t have to turn in your man card for? Robinson Jeffers. I think even TJIC would concede this point: you have to like a poet who apprenticed himself out so that he could learn stonemasonry, then used that skill to keep adding on to Tor House for the rest of his life.

He later built a large four-story stone tower on the site called Hawk Tower. While he had not visited Ireland at this point in his life, it is possible that Hawk Tower is based on Francis Joseph Bigger’s ‘Castle Séan’ at Ardglass, County Down, which had also in turn influenced William Butler Yeats’ choice of a poets tower, Thoor Ballylee. Construction on Tor House continued into the late 1950s and early 1960s, and was completed by his eldest son. The completed residence was used as a family home until his descendants decided to turn it over to the Tor House Foundation, formed by Ansel Adams, for historic preservation. The romantic Gothic tower was named after a hawk that appeared while Jeffers was working on the structure, and which disappeared the day it was completed. The tower was a gift for his wife Una, who had a fascination for Irish literature and stone towers. In Una’s special room on the second floor were kept many of her favorite items, photographs of Jeffers taken by the artist Weston, plants and dried flowers from Shelley’s grave, and a rosewood melodeon which she loved to play. The tower also included a secret interior staircase – a source of great fun for his young sons.

Judith Anderson reads Robinson Jeffers, part 2.

I’m leading off with this one because it contains two of my favorite Jeffers poems: “Hurt Hawks” and “The House Dog’s Grave”.

Part 1:

A shortish documentary from 1967:

Sadly, I can’t find any readings of my other two favorite Jeffers poems: “Be Angry at the Sun” and “The Stars Go over the Lonely Ocean“.

“…Long live freedom and damn the ideologies”

Obit watch: September 2, 2020.

Wednesday, September 2nd, 2020

Kaing Guek Eav, also known as “Duch”, is burning in Hell.

Duch was sentenced to life imprisonment in 2010 for atrocities he had committed as a commandant of the Tuol Sleng prison. At least 14,000 people died after being held there, most of them sent to a killing field after being tortured and forced to confess to often imaginary crimes. Only a handful survived.
Duch (pronounced doik) and Tuol Sleng prison became a symbol of the brutality of the Khmer Rouge as it devoured itself in paranoia and purges. Under the regime, from 1975 to 1979, at least 1.7 million people died from execution, torture, starvation, untreated disease or overwork.
A joint Cambodian-United Nations tribunal found Duch guilty of crimes against humanity and war crimes as well as homicide and torture. The tribunal first sentenced him to 35 years, giving him credit for years already served in pretrial detention. A higher court within the tribunal later increased the sentence to life imprisonment without a right to appeal.

The force of his personality dominated the courtroom, and his self-confidence sometimes hardened into condescension as he corrected a lawyer or witness about details of the case against him.
At one point, a judge reminded him that laughter was not an appropriate response to a question.
A panel of court-appointed psychiatrists said that Duch was “meticulous, conscientious, control-oriented, attentive to detail and seeks recognition from his superiors,” and that he exhibited “a strong presence of obsessive traits.”
One question hovered above the trial: the source of the “evil” — as he himself described it — that could have compelled him to scribble on a list of 17 children, “Kill them all.”

When a Vietnamese invasion drove the Khmer Rouge from Phnom Penh in January 1979, Duch oversaw the execution of the remaining prisoners. But he did not destroy the records of interrogations, meticulously kept accounts that could run to as many as 200 pages. They amounted, in the end, to his life’s work.

During his trial, however, Duch seemed to doubt the validity of his work, telling the courtroom that while running the prison he did not believe most confessions that his torturers had extracted and that he then annotated and sent to his superiors.
“I never believed that the confessions I received told the truth,” he said. “At most, they were about 40 percent true.”
And he said he believed that only 20 percent of the people whose names had been extracted through torture were genuine opponents of the regime. Those people were in turn pursued, arrested and tortured until they, too, produced the names of imagined accomplices.
“The work expanded,” Duch said. “People were arrested illegally, right or wrong. I considered it evil eating evil.”