Jules Feiffer, artist. He was perhaps most famous as a cartoonist for the “Village Voice”, but he also did some movie and theater work.
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In May 1997, Mr. Feiffer ended his affiliation with The Village Voice over a salary dispute. “It’s not that I’ve slipped,” he said at the time. “It’s that I’m too expensive.” (In April 2008, he returned for a one-shot, full-page take on Hillary Clinton’s presidential campaign.)
Later in life he derived great pleasure from writing and drawing children’s books, some in collaboration with his daughter Kate, among them “The Man in the Ceiling” (1993), “Bark, George” (1999), “By the Side of the Road” (2002), “The Daddy Mountain” (2004) and “A Room With a Zoo” (2005). A 2010 reunion project with Mr. Juster, “The Odious Ogre,” was warmly reviewed.
Garth Hudson, of the Band.
During its peak, the Band was famously a collaborative operation informed by the songwriting and barbed guitar playing of Robbie Robertson and the soulful singing and musicianship of Levon Helm, Rick Danko and Richard Manuel. But critics and his fellow band members agreed that Mr. Hudson played an essential role in raising the group to another level entirely.
Mr. Robertson, quoted in Barney Hoskyns’s 1993 book, “The Band: Across the Great Divide,” called him “far and away the most advanced musician in rock ’n’ roll.” “He could just as easily have played with John Coltrane or the New York Symphony Orchestra as with us,” Mr. Robertson said.
