Archive for the ‘Music’ Category

Obit watch: October 1, 2025.

Wednesday, October 1st, 2025

Jane Goodall has passed away. She was 91.

It goes against my usual policy, but here’s a NYT obit from today that seems pretty comprehensive. I’ll try to post an updated version tomorrow if it is justified.

NYT obit for Thomas Perry. Fun fact I didn’t know: he and his wife worked as TV writers and producers. Credits include “Simon and Simon”, “Snoops”, and a spin-off of a minor SF TV series from the 1960s.

Viv Prince, drummer for the Pretty Things. I’d never heard of the Pretty Things (pigpen51?) but the paper of record describes them as a “ruder, cruder version of the Rolling Stones”. And the obit is entertaining, especially if you’re a fan of Spinal Tap.

An appreciation published in The Guardian after his death unearthed a 1965 interview with Mr. Prince from Record Mirror, the British music newspaper, in which he was grilled about his antics with the band during a scorched-earth tour of New Zealand that year.
In the interview, Mr. Prince denied lighting fires onstage but did admit to sabotaging a performance by the teen idol Eden Kane by laying carpet onstage while Mr. Kane was performing. “Everyone was digging it,” Mr. Prince said.
And he addressed news accounts that he had released live crayfish in an airport lounge. “The fish were dead when we bought them,” he said. “They always are. How on earth can dead fish run around?”

Obit watch: September 9, 2025.

Tuesday, September 9th, 2025

Christoph von Dohnanyi, conductor and a good Cleveland boy.

A German of Hungarian extraction, Mr. Dohnanyi (pronounced DOKH-nahn-yee) served as Cleveland’s music director from 1984 to 2002, during which time the orchestra was widely described as one of the foremost in the world. At his death, he was the ensemble’s music director laureate.

Mr. Dohnanyi was esteemed for his meticulous, unfussy interpretations; fealty to composers’ intent; and broad historical compass. He was associated in particular with the music of Germanic composers — his Brahms was especially admired — and he was also an ardent champion of 20th-century repertoire, a notoriously hard sell for contemporary American audiences.

Founded in 1918, the Cleveland Orchestra is the youngest of the so-called Big Five — the cohort of high-wattage American ensembles that also includes the Boston and Chicago symphonies, the New York Philharmonic and the Philadelphia Orchestra. Mr. Dohnanyi was only the sixth music director to serve in Cleveland, succeeding Lorin Maazel, who had in turn succeeded Szell, whose masterful, iron-fisted quarter-century tenure was considered chiefly responsible for the orchestra’s impeccable sheen, precision and transparency.
Mr. Dohnanyi was widely credited with having restored that sheen, which many reviewers described as having coarsened during the Maazel years. He was also lauded for his tightly disciplined yet strikingly democratic control of the orchestra’s musicians, among the most skilled in the world: “this Rolls-Royce of orchestras,” he called the ensemble.
Under his stewardship, the Cleveland Orchestra attracted younger audience members, recorded prolifically and commissioned new works from the German composer Matthias Pintscher, the Finnish composer Magnus Lindberg and the American Philip Glass, among many others.

Rick Davies, of Supertramp.

Mark Volman, of the Turtles.

Tom Shipley, of Brewer & Shipley.

Ruth Paine, historical footnote. She rented her home in suburban Dallas to Marina Oswald and her husband, Lee Harvey Oswald.

Dr. David Baltimore, Nobel prize winning biologist.

Dr. Baltimore was only 37 when he made his Nobel-winning discovery, upending what was called the central dogma, which stated that information in cells flowed in only one direction — from DNA to RNA to the synthesis of proteins. Dr. Baltimore showed that information can also flow in the reverse direction, from RNA to DNA. The key was finding a viral enzyme, called a transcriptase, that reversed the process.
The discovery led to an understanding of retroviruses and viruses, including H.I.V., that use this enzyme. Today, gene therapies with disabled retroviruses are used to insert good genes into patients’ DNA to correct genetic diseases.

…a decade after his Nobel, Dr. Baltimore found himself ensnared in a scandal and the subject of attacks that tested his resolve and resilience.
It began when a postdoctoral fellow, Margot O’Toole, accused a researcher, Thereza Imanishi-Kari, of misreporting data in a paper that was published in the journal Cell. Dr. Baltimore was an author of that paper, although the work was not done in his lab.
The case escalated, with investigations by the National Institutes of Health and the Secret Service, which conducted a forensic study of Dr. Imanishi-Kari’s notebooks. There were also contentious hearings led by the Michigan Democrat John Dingell Jr., who was chairman of the House Energy and Commerce Committee. As a Nobel laureate, Dr. Baltimore became fodder for the case; he held his ground, standing up to Mr. Dingell in hearings and insisting that there had been no fraud…
Dr. Baltimore and Dr. Imanishi-Kari were finally vindicated in 1996, when an appeals panel found the accusations of fraud unfounded. But, Dr. Baltimore said, the case had taken its toll.
“I will never be able to forget it,” he said in an interview at the time. He said he had kept all the front-page New York Times articles about the accusations in his basement, unread, hoping someday to have the stomach to look at them.

Jacques Charrier. I want to make an argument that he was the luckiest man in the world. He was a huge movie star in France in the late 1950s.

…Mr. Charrier gained custody of their son, and the onetime movie idol began a slow slide into obscurity. He acted in over a dozen films through the 1960s and ’70s, including several directed by Claude Chabrol and one by Jean-Luc Godard (“Anticipation, ou l’Amour en l’An 2000,” 1967). But he quit the movie business after a 1975 film he produced (but did not act in) — “Il Pleut sur Santiago,” centered on the 1973 coup in Chile — bombed. (The film, which starred Jean-Louis Trintignant, was spoiled by its “didacticism,” Le Monde wrote.)

So why was he lucky? He married Brigitte Bardot. Then again, he may not have been that lucky: Ms. Bardot does not come across well in the obituary.

Their unhappiness was intensified by Ms. Bardot’s pregnancy — “nine nightmarish months,” she wrote in her 1996 memoir, “Initiales B.B.” She made it clear then and afterward that the birth of her only child, Nicolas-Jacques Charrier, was deeply unwelcome. She would have preferred “giving birth to a dog,” she wrote.

Mr. Charrier had been discreetly out of the public eye for nearly three decades when Ms. Bardot published her memoirs, which included a section viciously attacking him as a bourgeois loser, a freeloader and an egotist. As for her son, she wrote, when he was presented to her at his birth, “I started to cry, begging that he be taken off of me.”

Obit watch: August 4, 2025.

Monday, August 4th, 2025

Loni Anderson. NYT.

“WKRP” was a great show, and she was a big part of what made it great. (“And, as we know, Jennifer was the smartest person in the room.” Yes, Jennifer was smart, and I’d even agree deceptively smart. But “smartest person in the room”? Hello, Bailey Quarters. Hello, Venus Flytrap. That’s another one of the things that made “WKRP” great: multiple smart people.)

Edited to add: I probably should have put in an IMDB link. Especially since Lawrence asked:

Who is killing the cast of “3 Ninjas: High Noon at Mega Mountain”?

Rahaman Ali. Long time readers know I don’t like covering people just because of their relationship with other famous people. But Mr. Ali has an interesting story.

He was Muhammad Ali’s brother.

Rahaman Ali was a promising amateur boxer who won his first professional fight in an undercard bout the same evening that his brother beat Liston to become the world heavyweight champion. Rahaman went on to earn a middling record of 10 wins, three losses and one draw. He retired after a technical knockout in 1972.
Several figures from the brothers’ youth later said in interviews that Rahaman Ali had been a clever, coachable fighter who just lacked Muhammad’s charisma. When a group of Louisville businessmen got together to sponsor Muhammad, then known as Cassius Clay, they left Rahaman, then Rudy Clay, out of the deal. (The two brothers changed their names and joined the Nation of Islam around the same time in the early 1960s.)

He gave up his career to become part of Muhammad’s entourage, serving as “chauffeur, sparring partner, gofer, chef and cornerman”. Also human wristwatch, because Muhammad wouldn’t wear one: he’d just ask Rahaman for the time.

In 1990, speaking to The Courier-Journal of Louisville, Rahaman Ali expressed regret for not having focused on his own boxing career.
After his own bouts, “Muhammad never said, ‘Good fight, good fight, Rahaman,’” Rahaman said. “I feel he could have come back and congratulated me.”

Mr. Eig wrote that though Muhammad Ali had once promised always to provide for his brother, Rahaman had begun to live in poverty after a falling-out with Lonnie, Muhammad’s fourth and final wife.
He was sometimes described showing up to Ali Center events attended by his brother yet hardly speaking to him, instead wandering around to introduce himself as “Muhammad Ali’s brother.” Mr. Eig described one such occasion in 2015. Rahaman was not among the list of eminences who got a private audience with Muhammad. Afterward, he walked from table to table, collecting small decorative photographs of Muhammad and putting them into a shopping bag.

Flaco Jiménez, Tex-Mex accordion player. This isn’t my style of music, but even I’d heard of Flaco Jiménez. He was just that big a deal.

David Rendall, operatic tenor. I find this noteworthy because he had a series of…issues? Accidents?

In April 2005, Mr. Rendall was singing Radamès in Verdi’s “Aida” at the Royal Danish Theater in Copenhagen when part of the stage collapsed, destroying the set. He was “knocked down at least 15 feet and tried to crawl to safety to avoid being crushed,” he later told The Telegraph of London. “I thought I was going to die,” a fate that awaits Radamès in the opera but is not normally faced by tenors singing the role.
Mr. Rendall had knee and hip replacements and surgery to his shoulder after the accident. Directors stopped calling, and he had to put his home up for sale. “I can’t do what some directors want onstage,” he told the British newspaper The Telegraph. He received some compensation from the theater but sued anyway.

Before that he nearly killed his singing partner.

Mr. Rendall was singing Canio in “I Pagliacci” in Milwaukee in November 1998 — his ringing performance of the great Act I aria “Vesti la giubba” is particularly noteworthy — when he nearly stabbed to death the baritone Kimm Julian.
The last scene includes, in the libretto, just such a stabbing, when Canio kills Silvio, the lover of his unfaithful wife.
“I’d been given my props when we started rehearsing, and these included a knife for the stabbing scene,” Mr. Rendall later told The New York Times. “At the crucial moment, just as I’d done 12 times before, I pushed the button to make the blade retract. But when I looked down, I saw to my amazement that the blade was still out.”
Mr. Julian, blood-soaked, collapsed. The blade had gone three inches into his chest and narrowly missed killing him.

The remaining performances of the show sold out. Mr. Julian made a full recovery. Mr. Rendall was questioned by the police, but ultimately released.

Obit watch: July 31, 2025.

Thursday, July 31st, 2025

Robert Wilson, “theater director, playwright and visual artist”, and a good Texas boy.

Time was an important element for Mr. Wilson, too. Where playwrights traditionally compressed time in their works, Mr. Wilson expanded it. His stage work “KA MOUNTAIN AND GUARDenia TERRACE,” which had its premiere in 1972 at the Festival of Arts in Shiraz, Iran, ran 168 hours and was presented over 10 days. Viewers were astonished and outraged to see actors taking hours to complete actions as simple as walking across the stage or slicing an onion.

By contrast, Mr. Wilson’s first foray into opera, and his first collaboration with Mr. Glass, “Einstein on the Beach” (1976), is a comparatively trim five-hour work. It has no plot, but its tableaux touches on nuclear power, space travel and even Einstein’s love of playing the violin. And while it has plenty of text — counting sequences, solfège syllables, the lyrics to the pop song “Mr. Bojangles” and sections of poetry and prose by Christopher Knowles, Samuel M. Johnson and Lucinda Childs — none of it is dialogue. The audience, free to leave and return during a performance, is presented with ideas about Einstein by inference and metaphor rather than directly.

“Einstein,” which had its premiere at the Festival d’Avignon in France in July 1976 and was staged at the Metropolitan Opera House in New York that November, has proved to be among the most durable works in Mr. Wilson’s and Mr. Glass’s catalogs. It has been recorded three times and revived regularly, with world tours in 1985, 1992 and 2012-15.

Mr. Wilson and Mr. Glass teamed up again, in 1984, to produce “The Civil Wars: A Tree Is Best Measured When It Is Down,” the fifth act, called “the Rome Section,” of what was to be a 12-hour opera, with other sections composed by Jo Kondo, David Byrne, Gavin Bryars and others. Because of funding problems, the full work was never produced. But Mr. Wilson and Mr. Glass went on to produce two more operas, “White Raven” and “Monsters of Grace” (both 1998). In 2022, Mr. Wilson produced “H-100 Seconds to Midnight,” a work inspired by the physicist Stephen Hawking, with texts by Etel Adnan and music by Mr. Glass and Dickie Landry.

Mr. Wilson’s other notable collaborations include Euripides’s “Alcestis” (1986) with Laurie Anderson; “Cosmopolitan Greetings” (1988) with Allen Ginsberg; a Spirituals recital, “Great Day in the Morning” (1982), and stagings of Schoenberg’s “Erwartung” (1995) and Schubert’s “Winterreise” (2001) for the soprano Jessye Norman; “The Old Woman” (2013) with the choreographer Mikhail Baryshnikov and the actor Willem Dafoe; and “Bach 6 Solo,” a staging of Bach’s unaccompanied violin works, played by Jennifer Koh and choreographed by Ms. Childs.
He also worked several times with Lady Gaga, including one work at the Louvre in Paris in 2013 involving what he called “Video Portraits” of her.

Laura Dahlmeier.

Ms. Dahlmeier won the sprint and pursuit events in biathlon at the 2018 Winter Games in Pyeongchang, South Korea, and added a bronze in the individual event. In Germany, she had helped boost the popularity of the biathlon, a cross-country ski race in which participants also shoot at targets. She won five gold medals at the 2017 world championships in Hochfilzen, Austria, among a total of seven in her career.

She was 31, and died in a climbing accident in Pakistan.

Obit watch: July 28, 2025.

Monday, July 28th, 2025

Tom Lehrer was wrong.

We did not all go together when we go. He went first.

THR. NYT.

Shunsaku Tamiya, CEO of Tamiya Company.

For more than four decades, Mr. Tamiya led the company that bore his family’s name, turning it into one of the world’s largest makers of build-it-yourself plastic model kits of racecars and military vehicles. Since producing its first such kit in 1960, of the Japanese World War II battleship Yamato, Tamiya Co. has become a globally known brand that also produces remote-controlled cars.

The company, which was renamed Tamiya in 1984, also won customers because of the meticulous accuracy of its kits. Mr. Tamiya visited military museums around the world to research archives and take pictures of tanks, warships and aircraft. At locations where photography wasn’t allowed, he memorized the details, recording them in a notebook afterward.
During the Cold War, he got his first up-close look at Soviet tanks at a museum in Israel, which had captured them from Arab countries during the Six-Day War.
His company also built model kits of racing cars as well as radio-controlled cars. To make a miniature replica of a Porsche 911 that was perfect down to the shape and placement of the engine, he bought one of the expensive German sports cars.
He did this “not to drive it, but to use it as a reference,” Mr. Tamiya wrote in a memoir. “I brought the 911 into my garage and disassembled everything that could be disassembled.”

Obit watch: July 25, 2025.

Friday, July 25th, 2025

Hulk Hogan. THR. NYT. WWE. Legal Insurrection. McThag has a nice obit up which I can’t link to directly: search for “Another One”. IMDB.

Lawrence was trying to convince me yesterday that we should watch “Gremlins 2: The New Batch”. I countered with “Thunder In Paradise”, which appears to be available on DVD as three movies cut together from episodes of the TV show. (See also: “The Master“.)

Lawrence: That’s the one that’s “Airwolf, on a boat, except stupid”?

And “Suburban Commando” is, arguably, a genre film.

Chuck Mangione. THR.

Obit watch: July 23, 2025.

Wednesday, July 23rd, 2025

Ozzy Osbourne roundup: THR. NYT. ASM826 by way of Borepatch.

In honor of Mr. Osbourne and ASM826’s obit, please feel free to share your favorite “inappropriate public urination” story in the comments below. You can remain monogamous if you’d like: I’m certainly not going to out anybody.

The quartet released its debut album, also called “Black Sabbath,” in 1970, and followed with seven more over the next eight years. The band’s music was largely reviled by critics and snubbed by radio stations, but its albums were consistently certified platinum, and songs like “Paranoid,” “Iron Man” and “War Pigs” became anthems for generations of disaffected youth.

Mr. Osbourne had long drunk to excess, but as Black Sabbath became successful he could afford a wider variety of intoxicants, and he enthusiastically pursued all of them. As he wrote in his autobiography, “I Am Ozzy” (2009), “Over the past 40 years I’ve been loaded on booze, coke, acid, quaaludes, glue, cough mixture, heroin, Rohypnol, Klonopin, Vicodin, and too many other heavy-duty substances to list.” Throughout his career he frequently announced his sobriety, only to backslide into addiction.

Sarah Morlok Cotton. She was the last survivor of the Morlok quadruplets. And this is one of those sad stories from before my time. I think this is sort of before my mother’s time, even.

They were born in 1930.

Donations poured in almost immediately. The city of Lansing provided the family with a rent-free home. The Massachusetts Carriage Company sent a custom-made baby carriage with four seats. Businessmen opened bank accounts for each child.
“Lansing’s Morlok quadruplets,” The Associated Press wrote, “are the most famous group of babies on the American continent.”
The Morloks charged visitors 25 cents to visit their home and see the babies. Carl Morlok, who ran for constable of Lansing in 1931, used photos of his daughters on his campaign ads with the slogan, “We will appreciate your support.” He won in a landslide.

The Great Depression was ongoing, so their mom turned them into song and dance performers. All four girls were also abused by their father.

He banged the sisters’ heads together when they wouldn’t go to sleep. A germophobe, he forbade them from going to the library because he worried that there were germs on the books. Worst of all, Ms. Farley noted, he sexually abused all of the girls when they were teenagers.

When the girls were in their 20s, they began to show signs of mental illness.

Eventually, a doctor who had been treating the sisters in Michigan referred them to the National Institute of Mental Health in Maryland. Intrigued by the connections between the genetic and environmental causes of mental illness, a team of researchers there studied the quadruplets from 1955 to 1958. Each woman had her own psychiatrist, though only Sarah was able to engage in meaningful psychotherapy.

Only Sarah recovered enough to live on her own. Ms. Farley attributed that to two factors: She had endured less abuse from her father than her sisters had, and she had benefited from exceptionally good psychotherapy during the study in Maryland.
“She knew quite clearly that she got better at NIMH and her sisters didn’t,” Ms. Farley said in an interview. “And she always had survivor’s guilt about that.”

Sarah met George Cotton, an Air Force officer, at Luther Place Memorial Church in Washington, D.C. They married in 1961, and for many years she worked as a legal secretary and typist.
Mr. Cotton died in 2023. In addition to their son David, Mrs. Cotton is survived by four grandsons. Another son, William, died in 1994. As for the other Morlok sisters, Wilma died in 2002, Helen in 2003 and Edna in 2015.

Obit watch: July 18, 2025.

Friday, July 18th, 2025

NYT (archived) and ESPN obits for Felix Baumgartner.

Alan Bergman. He and his wife, Marilyn (who passed away in 2022) were a formidable team of lyricists.

The Bergmans regularly collaborated with prominent composers like Marvin Hamlisch, with whom they wrote “The Way We Were,” from the 1973 Barbra Streisand-Robert Redford romance of the same name, and Michel Legrand, with whom they wrote “The Windmills of Your Mind,” from the 1968 crime movie “The Thomas Crown Affair,” starring Steve McQueen and Faye Dunaway. They also wrote the lyrics to Mr. Legrand’s score for Ms. Streisand’s 1983 film “Yentl,” for which they won their third Academy Award.
The Bergmans were among the favored lyricists of stars like Frank Sinatra, Tony Bennett and especially Ms. Streisand, who in 2011 released the album “What Matters Most: Barbra Streisand Sings the Lyrics of Alan and Marilyn Bergman.” The album’s 10 tracks included “The Windmills of Your Mind,” “Nice ’n’ Easy,” “That Face” and the title song, none of which were among the numerous Bergman lyrics Ms. Streisand had recorded before. Promoting the album, she described the Bergmans as having “a remarkable gift for expressing affairs of the heart.”
Between 1970 and 1996, the Bergmans received a total of 16 Oscar nominations. One year, 1983, they claimed three of the five best-song nominations, for “It Might Be You” from “Tootsie,” “If We Were in Love” from “Yes, Giorgio” and “How Do You Keep the Music Playing?” from “Best Friends.” (They lost to “Up Where We Belong” from “An Officer and a Gentleman.”)

Obit watch: July 17, 2025.

Thursday, July 17th, 2025

Connie Francis. NYT.

She made her stage debut at 4, singing “Anchors Aweigh” and accompanying herself on the accordion at Olympic Park in Irvington, N.J.
At 11, she was a regular on “Marie Moser’s Starlets,” a local television variety show. After she appeared on Ted Mack’s “Original Amateur Hour” and “Arthur Godfrey’s Talent Scouts,” Mr. Mack advised her to lose the accordion, and Mr. Godfrey advised her to change her last name to Francis.

“I often say, I’d like to be remembered not for the highs I’ve reached but for the depths from which I’ve risen,” she told Mr. James. “There were exhilarating highs and abysmal lows. But it was fighting to get out of those lows that I feel most proud of.”

Joanna Bacon, British actress. Other credits include “The Infinite Worlds of H.G. Wells”, “The Bill”, and “EastEnders”.

Bryan Braman, former NFL linebacker. (Hattip: Lawrence.)

Braman was part of the first playoff team in Texans history after signing with Houston as an undrafted free agent out of West Texas A&M. He was a regular on Houston’s special teams, with his most memorable moment coming in a helmet-less tackle of a Tennessee Titans kick returner in the 2011 regular-season finale. Braman was also a 2012 Pro Bowl alternate with Houston, and he finished his career with four years with the Philadelphia Eagles.

This is just in, and should be considered breaking news: Felix Baumgartner, noted skydiver and daredevil.

In 1999, he set the world record for the highest parachute jump from a building when he took a leap from the 1,483-foot Petronas Towers in Kuala Lumpur, Malaysia.
That same year, he set a record for the lowest BASE jump ever, hurtling himself from the 85-foot arm of the Christ the Redeemer statue in Rio de Janeiro.
Then in 2003, Baumgartner became the first person to skydive across the English Channel with the help of a custom-designed carbon fiber wing, leaping from the craft at a height of more than six miles over Dover, England before landing safely in Cap Blanc-Nez in France.
His most famous jump was in 2012, when Baumgartner jumped 24 miles from a helium balloon, reaching a top speed of Mach 1.25 (843.6 mph) and becoming the first person to ever break the sound barrier without a vehicle.
He descended from the stratosphere in full free-fall for four minutes and 19 seconds before deploying his parachute.

This broke Joe Kittinger’s old record. (Col. Kittinger assisted with planning the jump.)

The 56-year-old Austrian extreme sports enthusiast reportedly fell ill while flying a motorized paraglider in the Italian coastal town of Porto Sant’Elpidio, crashing the craft into a hotel swimming pool.
He reportedly died instantly during the freak accident, according to media reports. A hotel employee was also injured after being struck by the glider and taken to the hospital with neck injuries.

Obit watch: July 11, 2025.

Friday, July 11th, 2025

Rebekah Del Rio.

I don’t want to seem like I’m speaking ill of Ms. Del Rio: that sequence was one of the few good things in “Mulholland Drive”. Unfortunately, as I’ve said before, much of the rest of the movie was pretentious crap.

Dave “Baby” Cortez. He did an instrumental, “The Happy Organ”, which was a hit in 1959. He also had a hit with “Rinky Dink” in 1962.

Then he became what the paper of record describes as “reclusive”, though it also states that he worked as a church organist, held down other jobs, and even recorded a new album in 2011. The way I read the obit, it seems like he was more “bitter about the music business” than genuinely reclusive.

Then again…

…one of the reasons I wanted to note this obit is that it is one of the NYT‘s odd ones. Mr. Cortez actually passed away in 2022, but his death was not publicly disclosed until recently.

His body lies in Plot 434 on Hart Island, the potter’s field off the coast of the Bronx, where some one million bodies are buried in unmarked graves.

Obit watch: June 27, 2025.

Friday, June 27th, 2025

Fred Espenak, astrophysicist. He was known as “Mr. Eclipse”.

During five decades of chasing eclipses, Mr. Espenak wrote several books about them, notably “Five Millennium Canon of Solar Eclipses” (2006), ​​a two-volume, 742-page treatise written with the Belgian meteorologist Jean Meeus; operated four websites devoted to celestial statistics, including MrEclipse.com; and witnessed 52 solar eclipses, 31 of which were total.

In the early 1990s, Mr. Espenak began writing NASA’s eclipse bulletins with the Canadian meteorologist Jay Anderson. He also started a website for the space agency devoted to eclipse data. His goal: simplify and democratize complicated data so nonscientists sky gazers could geek out on the data, too.
All the while, he kept chasing eclipses — traveling to Kenya, Indonesia, Mexico, Aruba, Turkey, Zambia, Antarctica, Spain, Libya and beyond.

Lalo Schifrin. He was 93, and dang, what a career.

(Edited to add 6/28: NYT obit, which just went up today.)

The workaholic Schifrin received Oscar nominations for his scores for Cool Hand Luke (1967), The Fox (1968), Voyage of the Damned (1976), The Amityville Horror (1979) and The Sting II (1983) and for the song “People Alone” from The Competition (1980).
He scored Dirty Harry (1971) and the sequels Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983) and The Dead Pool (1988), all starring Clint Eastwood — the filmmaker presented him with his Oscar — and served as the composer on all three of the Rush Hour films.

His résumé also included work on Coogan’s Bluff (1968) — that kicked off his long association with Eastwood and director Don Siegel — Kelly’s Heroes (1970), Charley Varrick (1973), The Eagle Has Landed (1976), Telefon (1977), The Nude Bomb (1980), Black Moon Rising (1986), Money Talks (1997), Something to Believe In (1998), Tango (1998), Bringing Down the House (2003) and The Bridge of San Luis Rey (2004).
An inspired Bruce Lee worked out to the show’s score in his gym in Hong Kong before signing Schifrin as the composer and orchestrator on Enter the Dragon (1973). As a bonus, Lee gave the musician his first martial arts lessons, for free.
Schifrin concocted a jazz waltz in 3/4 time for the theme to the Mike Connors series Mannix — also produced by Geller — and played the Moog synthesizer on the opening music for another 1960s’ CBS drama, Medical Center.
Schifrin also was responsible for the themes for T.H.E. Cat, Petrocelli, Starsky & Hutch, Bronk and Most Wanted. And his “Tar Sequence” music from Cool Hand Luke was adopted by ABC affiliates for their Eyewitness News broadcasts.

IMDB.

Bill Moyers.

But he resisted opening up about himself. He occasionally spoke about his Johnson years, but he never consented to be interviewed by Robert A. Caro, the Pulitzer Prize-winning writer who has spent more than 40 years on his five-volume Johnson biography.

Rick Hurst, actor. NYT (archived). Other credits include “Return of the Killer Shrews”, “Supertrain”, and “Murder, She Wrote”.

Carolyn McCarthy, former Congresswoman from Long Island and prominent gun control advocate.

I bet you thought I wasn’t going to post this, didn’t you? Yes, I’ve used it before (though not in this version) but for my money, I think this is the greatest TV theme of all time. (Though I admit it does have some stiff competition.)

Obit watch: June 24, 2025.

Tuesday, June 24th, 2025

Bobby Sherman. NYT (archived). Other credits include “The F.B.I.”, “The Misadventures of Sheriff Lobo”, and “Flying High”.

NYT obit for Blake Farenthold.

Aki Aleong, actor. He was “Colonel Quoc” in an episode of “Airwolf” and “General Quoc” in “Braddock: Missing in Action III”, so he must have gotten promoted a few times in four years. Other credits include “Mancuso, FBI”, “Jake and the Fatman”, “The Wackiest Ship in the Army”, and three episodes of “Babylon 5”.

Obit watch: June 11, 2025.

Wednesday, June 11th, 2025

Brian Wilson. THR.

Playing catch-up, since this fell into the awkward “while I was traveling” gap: Sly Stone, of Sly and the Family Stone.

Harris Yulin, actor. Other credits include “S.W.A.T.” (the original), “Barnaby Jones”, “Kojack”, and “Little House on the Prairie”.

Chris Robinson, actor. Other credits include “Young Doctors In Love”, “Murder She Wrote”, and “The Streets of San Francisco”.

John L. Young. He was one of the early Cypherpunks, and founded Cryptome.

Cryptome, which Mr. Young and Ms. Natsios, the daughter of a C.I.A. officer, founded in 1996, offers up a grab-bag of leaked and obscure public-domain documents, presented in reverse chronological order and in a bare-bones, courier-fonted display, as if they had been written on a typewriter.
The 70,000 documents on the site range from the seemingly innocuous — a course catalog from the National Intelligence University — to the clearly top secret: Over the years, Mr. Young exposed the identities of hundreds of intelligence operatives in the United States, Britain and Japan.

Obit watch: May 27, 2025.

Tuesday, May 27th, 2025

Catching up from the three-day weekend:

Phil Robertson, noted beard guy and founder of Duck Commander. He was also on a TV show. NYT.

(I kid a little. I kind of liked what I saw of “Duck Dynasty”.)

Marcel Ophuls, French documentary film maker. He was pretty famous for “The Sorrow and the Pity”, but he first came to my attention when “Hotel Terminus: The Life and Times of Klaus Barbie” was released. I haven’t seen either one, though I feel obligated to. THR.

Charles B. Rangel, former Congressman from New York City.

Ronnie Dugger:

Inspired by Thomas Paine’s treatises on independence and human rights, Mr. Dugger was the founding editor, the publisher and an owner of The Texas Observer, a widely respected publication, based in Austin, that with few resources and a tiny staff took on powerful interests, exposed injustices with investigative reports and offered an urbane mix of political dissent, narrative storytelling and cultural criticism.

James McEachin. Other credits include…well, just about every damn thing. “The F.B.I”, “Play Misty for Me”, “The Bold Ones: The Senator”, “The Bold Ones: The Protectors”…and “Mannix” (“Pressure Point”, season 2, episode 3. He was “Benjy”, but went uncredited.)

Rick Derringer, musician.

Derringer was prolific, working with a range of major acts including Cyndi Lauper, Kiss, Steely Dan, Barbra Streisand, Bonnie Tyler and Ringo Starr. He produced Weird Al Yankovic‘s first six albums, winning a Grammy for “Eat It” (a parody of Michael Jackson’s Beat It) in 1984 for best comedy recording.

Obit watch: May 12, 2025.

Monday, May 12th, 2025

Hattip to pigpen51 for letting us know about the death of Chet Lemon, center fielder for the Detroit Tigers. ESPN.

Lemon played seven seasons with the Chicago White Sox from 1975 to ’81 and nine with the Tigers from 1982 to ’90. He batted .273 with 215 homers, 884 RBIs, 973 runs and 1,875 hits in 1,988 games.
Lemon set a still-standing American League record for outfielders with 512 putouts during the 1977 season.
He led the American League with 44 doubles in 1979 and made the All-Star teams in 1978, 1979 and 1984.

Baseball Reference.

Johnny Rodriguez, musician. NYT (archived).

Terry Brunk, who used the professional name “Sabu” in his wrestling career. He mostly worked with Extreme Championship Wrestling, though he did spend one year with W.W.E.

Although widely remembered for his use of props and tables in the ring, Mr. Sabu was wary of professional wrestling’s spectacle. He would go on to criticize the larger-than-life stunts that would come to define later iterations of the W.W.E. and other wrestling promotion companies.
“In an Olympic match, you cannot stack a couple tables and then climb something and jump off. That’s a stunt,” Mr. Brunk told an interviewer with Covalent TV at Wrestlecade 2024. “I’m not a stuntman or an actor.”

Somewhat related: a NYT article about wrestlers who died young.