Archive for the ‘Music’ Category

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Obit watch: December 15, 2021.

Wednesday, December 15th, 2021

Frank “Frankie” Little Jr., a guitarist and songwriter with the O’Jays.

Little, born in 1943 and raised in Cleveland, was a guitarist and songwriter for The O’Jays in the mid-1960s. Eddie Levert, the lead singer for the Rock & Roll Hall of Fame band, told WEWS-TV Little moved with the group to California that decade, but didn’t stay on the West Coast.

…

“He could have been a great entity in the music business, but he was in love and love drove him back to Cleveland,” said Levert, who lost track of his one-time bandmate in the ensuing years.

…

Little was only with the band for a short time, The O’Jays said in a statement to Rolling Stone. He worked with Levert on a handful of songs, including 1964’s “Do the Jerk” and 1966’s “Pretty Words.”
“He came out with us when we first ventured out of Cleveland and traveled to Los Angeles, but was also in love with a woman in Cleveland that he missed so much that he soon returned back to Cleveland after a short amount of time,” the band said.

Mr. Little died sometime around or prior to February of 1982, but his death was not announced until recently, when his remains were identified.

The partial remains — first discovered in February 1982 in a garbage bag behind a now-shuttered business in Twinsburg, Ohio — were identified as Little’s using DNA provided by a close relative, police said in a statement Tuesday.
“In October 2021, the DNA Doe Project provided the names of potential living relatives, who were able to provide Frank’s name,” Twinsburg police said, adding that Little’s identity was later confirmed by a medical examiner who ruled his death a homicide.

…

Little’s partial remains were found in a garbage bag after a worker discovered a skull in snowfall behind the business, WEWS reported. The bones and body were “cut up” prior to being placed in bags, according to an original coroner’s report obtained by the station.

Cara Williams, actress. 55 credits in IMDB.

High points include “The Defiant Ones”, “We Go to Monte Carlo”, “The Man From the Diners’ Club”, and the wife of Harry Morgan’s character in “Pete and Gladys”.

Posted in Law, Movies, Music, Obits, TV | Comments Closed

Obit watch: December 11, 2021.

Saturday, December 11th, 2021

Michael Nesmith, of the Monkees.

The four members were picked to fit types. Davy Jones, a British vocalist, was the cute scamp; Micky Dolenz, the drummer and primary lead singer, was the wild jokester; and Peter Tork, the bass player, was the lovable dim bulb. Mr. Nesmith, a guitarist and occasional singer, was variously described as the cerebral Monkee, the introspective Monkee, the sardonic Monkee, the quiet Monkee.
“He has that dry Will Rogers sense of humor,” Mr. Dolenz told Rolling Stone in 2012, characterizing Mr. Nesmith’s real persona. “That’s probably one of the reasons they cast him.”

He was also a music video pioneer:

In 1977 he recorded a song called “Rio” for the Island Records label, which asked him to make some kind of promotional film for it.
“They wanted me to stand in front of a microphone and sing,” Mr. Nesmith was quoted as saying in the 2011 book “I Want My MTV: The Uncensored Story of the Music Video Revolution,” by Craig Marks and Rob Tannenbaum. But he did something different.
“I wrote a series of cinematic shots: me on a horse in a suit of light, me in a tux in front of a 1920s microphone, me in a Palm Beach suit dancing with a woman in a red dress, women with fruit on their head flying through the air with me,” he said.
“As we edited these images,” he added, “an unusual thing started to emerge: The grammar of film, where images drove the narrative, shifted over to where the song drove the narrative, and it didn’t make any difference that the images were discontinuous. It was hyper-real. Even people who didn’t understand film, including me, could see this was a profound conceptual shift.”
Almost by accident, he had made one of the first music videos as that term came to be understood. It got some play in Europe, but Mr. Nesmith was struck by the fact that there was no outlet in the United States for showing such works, which a few other pop and rock stars were also beginning to make (and some, like the Beatles, had made earlier).
In 1979 he and the director William Dear developed a TV show, “Popclips,” for Nickelodeon, a recently inaugurated channel for children that was looking to add teenagers to its audience. “Popclips” showed nothing but music videos, introduced by a V.J. The show is often said to have helped inspire the creation of MTV in 1981, although accounts of the various people who claim to have had a role in MTV’s emergence differ widely.

Posted in Music, Obits | Comments Closed

Obit watch: December 5, 2021.

Sunday, December 5th, 2021

Bob Dole, for the record. WP. Battleswarm.

I don’t have much to add to any of these, but I am glad he’s getting credit for his honorable service during WWII.

Stonewall Jackson.

That’s Stonewall Jackson, the Grand Ole Opry singer, not the Confederate general.

Posted in History, Music, Obits, Politics | Comments Closed

Obit watch: December 3, 2021.

Friday, December 3rd, 2021

Alvin Lucier, “experimental composer”.

In “I Am Sitting in a Room,” Mr. Lucier began by quietly reading a short statement describing what he is doing. “I am sitting in a room different from the one you are in now,” the text begins. “I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed.”
The room’s acoustics, as well as audio distortions that occur when a tape is rerecorded over and over, yields a gradually changing sound in which, after 10 minutes, the spoken text is buried in reverberation and overtones, and unintelligible. During the final section, high-pitched overtones coalesce into eerie, slow-moving melodies.

I used to have a CD of “I Am Sitting in a Room”, back when I was in my “difficult listening” phase. It was not something I spent a lot of time listening to, though I was happy to have it.

(See also.)

NYT obit for Curley Culp.

Eddie Mekka. Most famous as Carmine Ragusa on “Laverne & Shirley”. Other credits include guest shots on “The Love Boat”, “Fantasy Island”, and one of the “Rockford Files” TV movies.

Posted in 1970s, Music, NFL, Obits, Sports, TV | Comments Closed

Why, is this not Hell? And are we not already in it?

Monday, November 29th, 2021

British fans of an Oasis tribute band spent the weekend confined to a remote Yorkshire pub with the group when a mountain of snow trapped them all in the bar.

…

Local authorities said it was not safe to travel, so 61 stranded pub-goers and employees hunkered down and spent the night, the paper said.
The conditions did not improve, so the shut-ins also slept in the pub on Saturday and were preparing to sleep over again on Sunday amid howling winds and swirling snow, according to the report.
Off-roaders and a mountain rescue group were able to transport several people out of the bar to attend to medical and family situations, but most patrons didn’t look back in anger and made the best of the situation with cold beer, a warm fire and plenty of “Wonderwall” singalongs, the article said.

Posted in Bagatelle, Music | Comments Closed

Obit watch: November 27, 2021.

Saturday, November 27th, 2021

Stephen Sondheim. THR (I love the Meryl Streep “don’t f–k it up” story). Variety.

I am not the person who should be writing this. I am hoping that the person who should be writing this will send me something I can use here.

But what little I know about musical theater, I know because Mike the Musicologist introduced me to it…by playing me lots of Sondheim’s work.

NYT interview conducted last Sunday. It sounds like he was in full possession of his facilities until the end, and didn’t have any more complaints than the average 91 year old would.

MtM sent me this last night. I confess, I haven’t watched all of it yet (it is over two hours). But: this is the complete original production of “Pacific Overtures“, recorded on June 9, 1976 for broadcast in Japan.

“Pacific is, I think, the least appreciated of Sondheim’s shows, and is probably his most brilliant one.”

I often say, when people die, that the world is a smaller, colder, lesser place. I mean that: there are people whose contributions are so great or important or enlightening or just so much damn fun that, when they die, they leave a hole in the world. Richard Feynman. Ricky Jay. Stephen Sondheim.

Posted in Music, Obits, Theatre | Comments Closed

Obit watch: November 24, 2021.

Wednesday, November 24th, 2021

Ian Fishback. He was 42.

Major Fishback was one of three former members of the 82nd Airborne who said soldiers in their battalion had systematically abused prisoners by assaulting them, exposing them to extreme temperatures, stacking them in human pyramids and depriving them of sleep to compel them to reveal intelligence — or, in some cases, simply to amuse the soldiers. He said his complaints were ignored by his superiors for 17 months.

I wanted to note this because the circumstances seem particularly sad to me:

His family said in a statement that the cause had not been determined. He died in an adult foster care facility, the climax to a distinguished but abbreviated career that the family said had begun to unravel as a result of neurological damage or post-traumatic stress disorder resulting from combat tours in Iraq and Afghanistan. He was admitted to the facility following court-ordered treatment with anti-psychotic drugs after he had become delusional and created public disturbances, his family said.

I’m reminded of a story I read several years ago about a young Green Beret who had a distinguished service record. Until he started going downhill: showing up late, not showing up at all, other issues which ultimately led to him being dishonorably discharged from the Army. He kept going downhill, was eventually institutionalized, and finally died. After his death, it was determined that he had Creutzfeldt-Jakob disease (possibly picked up from eating sheep brains and eyeballs in the field with indigenous personnel). His family petitioned to have his discharge upgraded to honorable, and I believe they were eventually successful.

Peter Buck, co-founder of Subway.

Margo Guryan. I’d never heard of her, but this is another one of those stories with a hook. She was a talented musician and songwriter who, in 1968, released an album called “Take a Picture”. The album tanked, in large part because she wouldn’t tour…

Yet somehow decades later, with the digital age facilitating both word of mouth and the sharing of music, adventurous listeners discovered it — first in Japan, then in Europe, and finally in the United States, where in 2000 Franklin Castle Recordings rereleased it, followed the next year by “25 Demos,” a collection of other recordings of hers. Ms. Guryan, who by then was in her 60s and had settled into an anonymous career teaching music, had an unexpected burst of something resembling fame.
“It’s still amazing to me to have something resurface after 30 years,” she told The Los Angeles Times in 2002. “People say I’ve been rediscovered. It’s not true — I’ve been discovered.”

NYT obit for Malikah Shabazz.

Posted in Music, Obits | Comments Closed

Obit watch: November 18, 2021.

Thursday, November 18th, 2021

Philip Margo.

Mr. Margo had a varied career, performing with the Tokens and its offshoots, producing records and writing for television. But nothing had a bigger impact than the recording he was part of when he was 19: “The Lion Sleeps Tonight” became one of the most recognizable songs in American music, instantly identifiable from Jay Siegel’s opening falsetto. Mr. Margo sang baritone.

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Philip Margo and some of the others in the group didn’t have a lot of confidence in the resulting recording.
“We were embarrassed by it and tried to convince Hugo and Luigi not to release it,” he said in an interview quoted in “The Billboard Book of Number 1 Hits” by Fred Bronson. “They said it would be a big record and it was going out.”
They were right. It hit No. 1 on the Billboard chart in December 1961, remained there for three weeks and became a cultural touchstone. A whole new generation was introduced to it in 1994 when a version turned up in the Disney movie “The Lion King.”
“Now that it’s current, we’re current,” Mr. Margo said at the time. “I am thrilled.”

Dave Frishberg.

Mr. Frishberg, who also played piano and sang, was an anomaly, if not an anachronism, in American popular music: an accomplished, unregenerate jazz pianist who managed to outrun the eras of rock, soul, disco, punk and hip-hop by writing hyper-literate songs that harked back to Hoagy Carmichael and Johnny Mercer, by way of Stephen Sondheim.
His songwriting wit was for grown-ups, yet he reached his widest audience with sharpshooting ditties for kids as a regular musical contributor to ABC-TV’s long-running Saturday morning animated show “Schoolhouse Rock!”

Among his credits: “I’m Just a Bill”.

Lawrence sent over an obit from Slam Wrestling for Joe Cornelius. In addition to his wrestling work, he helped with fight coordinating on “The Avengers” and also made some uncredited movie appearances. Perhaps his best known work was as the titular character in “Trog”.

Heath Freeman. He had some roles on “Bones” and “NCIS”. According to THR, he was only 41.

Posted in Movies, Music, Obits, TV | 2 Comments »

Obit watch: November 17, 2021.

Wednesday, November 17th, 2021

Still playing catch up on obits. Please to excuse the shortness here.

Terence Wilson, of UB40.

Graeme Edge, of the Moody Blues.

Clifford Rose, noted actor with the Royal Shakespeare Company. He also did some movie and TV work, including “Doctor Who”.

Geir Vegar Hoel, Norwegian actor. Lawrence and I knew him from “Dead Snow“, a fun little horror movie about Nazi zombies.

Posted in Movies, Music, Nazis, Obits, Theatre, TV | Comments Closed

Obit watch: November 4, 2021.

Thursday, November 4th, 2021

William Lucking, actor.

161 credits in IMDB. He did a lot of work on “Sons of Anarchy”: other credits include “The X-Files”, “Millennium”, two spinoffs of a minor SF TV series from the 1960s, “Renegade”, “Columbo”, “Jake and the Fatman”…

…and “Mannix”. (“Desert Sun”, season 8, episode 10. And I have to update the list, because according to the IMDB reviews, this is another episode in which “Mannix gets a phone call from an old Korean War buddy…asking for help.”)

I wrote yesterday about Pat Martino (and please read the excellent comment left by pigpen51). This isn’t quite an obit, but it came across Hacker News today: a piece from Nautilus about Mr. Martino, his surgery, and his recovery. It was originally published in 2015, from what I can tell, but was updated with a new introduction.

It wasn’t until 2007 that Martino had an MRI and not until recently that neuroscientists published their analyses of the images. Galarza’s astonishment, like that of medical scientists and music fans, arises from the fact that Martino recovered from surgery with a significant portion of his brain and memory gone, but his guitar skills intact. In a 2014 report in World Neurosurgery, Galarza, of the University Hospital in Murcia, Spain, and colleagues from Europe and the United States, wrote, “To our knowledge, this case study represents the first clinical observation of a patient who exhibited complete recovery from a profound amnesia and regained his previous virtuoso status.”

…

Martino has also put on a show for neuroscientists. His case demonstrates neuroplasticity, the brain’s remarkable ability, during development and learning, to “optimize the functioning of cerebral networks,” wrote Hugues Duffau, a professor and neurosurgeon at Hôpital Gui de Chauliac at Montpellier University Medical Center in France, who studied Martino’s case. The guitarist’s recovery epitomizes the ability of the brain to improvise—to compensate for malformations or injuries by wiring new connections among brain regions that restore motor, intellectual, and emotional functions. For an encore, say neuroscientists, Martino’s story is about music and how it helped shape his brain in ways that revived his life.

Posted in 1970s, Mannix, Music, Obits, TV | Comments Closed

Obit watch: November 3, 2021.

Wednesday, November 3rd, 2021

Linda Carlson, actress.

She was the TV station owner on “Newhart” and a judge on “Murder One”, among other roles. I was not aware there was a 1993 “Beverly Hillbillies” movie, nor did I know there was an attempt at an “African Queen” TV series. She also did an episode of “Space: Above and Beyond” and appeared in “Honey, I Blew Up The Kid” for those of you looking for genre credits.

Pat Martino, jazz guitarist. This is a little outside of my usual beat (ha!) but it sits at a point I find fascinating: the relationship between music and the brain.

In 1967, when he was in his early 20s, he released his first album, “El Hombre,” on the Prestige label, and a series of well-regarded records followed. At the start of his career he often drew comparisons to earlier jazz guitarists like Wes Montgomery, but by the 1970s he was forging his own sound. “Pat Martino: Breaking Barriers Between Rock & Jazz,” a 1975 headline in The San Francisco Examiner read.
On a tour supporting his first albums for Warner Bros., “Starbright” (1976) and “Joyous Lake” (1977), Mr. Martino began experiencing frequent headaches and seizures, something he had dealt with occasionally since childhood. One seizure came while he was onstage in France in 1976.
“I stopped playing and stood there for about 30 seconds,” he wrote in his autobiography, “Here and Now!” (2011, with Bill Milkowski). “During these moments of seizure, it feels like you’re falling through a black hole; it’s like everything just escapes at the moment.”

Cutting to the chase, he had brain surgery, but was left with total amnesia.

“When you don’t remember something, you have no idea of its existence,” he wrote. “And upon awakening after the surgery, I remembered nothing.
“But it wasn’t a disorienting feeling,” he continued. “If I had known I was a guitarist, if I had known those two people standing by my bedside in the hospital were in fact my parents, I then would’ve felt the feelings that went along with the events. What they went through and why they were standing there looking at me then would’ve been very painful for me. But it wasn’t painful because to me they were just strangers.”
His parents helped him relearn his past, showing him family photographs and playing him his own albums. Picking up the guitar again was another form of memory recovery.
“I had to start from Square 1,” he told The Edmonton Journal of Alberta, Canada, in 2004. “But once I made the decision to try, it activated inner intuitive familiarities, like a child who hasn’t ridden their bicycle for many years and tries to do so again to reach a destination. There are moments of imbalance, but it’s subliminal, and it emerges after some mistakes, and then it strengthens.”
By the mid-1980s he was performing again. Jon Pareles, reviewing one performance, at Fat Tuesday’s in Manhattan in 1986, found Mr. Martino as virtuosic and unpredictable as ever.

…

In his autobiography, he described the process of recovering the ability to play.
“As I continued to work out things on the instrument,” he wrote, “flashes of memory and muscle memory would gradually come flooding back to me — shapes on the fingerboard, different stairways to different rooms in the house. There are secret doorways that only you know about in the house, and you go there because it’s pleasurable to do so.”
The records he made after his surgery included “All Sides Now” (1997), on the Blue Note label, an album on which he shared tracks with other famed guitarists, including Mr. Paul. Two of his albums, also on Blue Note, were nominated for Grammy Awards, “Live at Yoshi’s” (2001) and “Think Tank” (2003).
His surgery and the recovery period, Mr. Martino said, changed what he was after in his music.“It used to be to do everything I possibly could to become more successful in my craft and my career,” he told the Edmonton paper. “Today, my intention is to completely enjoy the moment and everything it contains.”

Posted in 1970s, Movies, Music, Neuroscience, Obits, Theatre, TV | 2 Comments »

Obit watch: October 29, 2021.

Friday, October 29th, 2021

Richard Hammer, author. He wrote two books on the My Lai massacre:

Mr. Hammer’s account of the My Lai slaughter in 1968, “One Morning in the War: The Tragedy of Son My” (1970), was frequently reviewed alongside one by Seymour M. Hersh, who had broken the story — “My Lai 4: A Report on the Massacre and Its Aftermath.” (The village of Son My included the hamlet of My Lai.)
“Richard Hammer — knowing perhaps that Hersh had the jump on him — tried to put the incident in perspective and thereby ended up writing the better book,” the book critic Christopher Lehmann-Haupt wrote in The New York Times.“He took the time,” he added, “to explain the gradual depersonalization of the Vietnamese in American soldiers’ eyes — to make us understand how even women and children begin to seem hated and dangerous.”
Mr. Hammer followed up that book with another centered on the massacre, “The Court-Martial of Lt. Calley,” which John Leonard of The Times numbered among “a handful of public-affairs books published in 1971 that people will be reading a generation from now.” William Styron, writing in The Times Book Review, called it “an honest, penetrating account of a crucially significant military trial.”

…

Mr. Hammer also wrote and narrated the film “Interviews With My-Lai Veterans” (1970), which won an Oscar for best documentary (short subject).

Additionally, he was a two-time winner of the Edgar award for “best fact crime” for books unrelated to My-Lai: The CBS Murders: A True Account of Greed and Violence in New York’s Diamond District and The Vatican Connection: The True Story of a Billion-Dollar Conspiracy Between the Catholic Church and the Mafia (affiliate links).

Viktor Bryukhanov, the guy who took the rap for Chernobyl.

After serving five years in prison, Mr. Bryukhanov returned to government service in Ukraine to head the technical department in its Economic Development and Trade Ministry.

It really was a different country, wasn’t it?

Sonny Osborne, of the Osborne Brothers.

Best known for their 1967 hit “Rocky Top,” the Osborne Brothers pioneered a style of three-part harmony singing in which Bobby Osborne sang tenor melodies pitched above the trio’s other two voices, instead of between them, as was the custom in bluegrass. Sonny Osborne sang the baritone harmonies, with various second tenors over the years adding a third layer of harmony to round out the bright, lyrical blend that became the group’s calling card.
The Osbornes broke further with bluegrass convention by augmenting Mr. Osborne’s driving yet richly melodic banjo playing — and his brother’s jazz-inspired mandolin work — with string sections, drums and pedal steel guitar. They were also the first bluegrass group to record with twin banjos and, more alarming to bluegrass purists, to add electric pickups to their instruments, abandoning the longstanding practice of huddling around a single microphone.

This is in the NYT article, and I’ve posted this before, but fark that: I’m in the mood right now for some insurrectionist music.

Eleonore von Trapp Campbell, of the von Trapp family.

Mrs. Campbell’s father, Capt. Georg von Trapp, and his first wife, Agathe Whitehead von Trapp, had the seven children who were the basis for the singing family. Maria Kutschera married the captain after Agathe von Trapp died.
Georg and Maria von Trapp had three children, who were not depicted in the movie; Mrs. Campbell was the second. Early on, she sang soprano as a member of the Trapp Family Singers, who performed in Europe before World War II and, after fleeing Nazi-occupied Austria in 1938, continued to do so in the United States and internationally.

Martha Henry. She was 83.

For the last role of her long career, Martha Henry, one of Canada’s finest stage actors, played the character in Edward Albee’s “Three Tall Women” known simply as A. Mr. Albee’s character description reads in part, “a very old woman; thin, autocratic, proud, as together as the ravages of time will allow.”
As Ms. Henry took to the stage at the Stratford Festival in Ontario in August to begin the play’s two-month run, the cancer she had been dealing with for more than a year was well along. She used a walker in the first shows. In September she performed the role from a wheelchair, soldiering on in the demanding part through the final performance, on Oct. 9.

David DePatie, co-creator (with Friz Freleng) of “The Pink Panther”.

George Butler, documentary filmmaker. Among his credits: “Pumping Iron”, aka “the movie that made Arnold Schwarzenegger a star”.

NYT obit for Val Bisoglio.

In an interview with The Daily News of New York in 1977, when he was early in his run on “Quincy” (he eventually appeared in the vast majority of the show’s 148 episodes), Mr. Bisoglio gave himself a nickname of sorts that was a reference to his “Quincy” role but could well have applied to much of a career in which he specialized in making a memorable impression in a brief amount of time.
“Whenever the writers find they’re a little short of time after they wrap up the case,” he explained, “they write in a little scene at the restaurant. It’s only one minute or two, at the most. So I’m the one- or two-minute man.”

Posted in Books, Geek, Law, Movies, Music, Obits, Theatre, TV | Comments Closed

Obit watch: October 2, 2021.

Saturday, October 2nd, 2021

For the historical record: NYT obits for Tommy Kirk and Commander Cody. The obit for the latter includes a video of “Hot Rod Lincoln”, which I was intending to go back and embed anyway.

Carlisle Floyd, opera guy.

Among the leading 20th-century American opera composers, Mr. Floyd is often cited with Ned Rorem, Philip Glass, John Coolidge Adams, the Italian-American Gian Carlo Menotti, Samuel Barber and others whose works have joined the standard repertory, including George Gershwin, who called his “Porgy and Bess” a folk opera, and Leonard Bernstein, whose “Candide” was an operetta.

…

His best-known opera was “Susannah,” based on the Apocrypha story of Susanna and the Elders. Taken from the Book of Daniel to the Tennessee hills and rendered in Smoky Mountain dialect, it portrays a young woman wrongly accused of promiscuity and a traveling preacher who incites a mob, then seduces her. The preacher is slain by her brother, and Susannah stands defiant, holding off the mob with a shotgun.

…

Other notable Floyd operas included “Of Mice and Men,” his adaptation of John Steinbeck’s story of two tragic migrant farm workers in the Dust Bowl; “Willie Stark,” his treatment of Robert Penn Warren’s “All the King’s Men,” about a ruthless politician modeled on Louisiana’s Huey P. Long; and “The Passion of Jonathan Wade,” about a Reconstruction-era love affair destroyed by intolerance and hate.

Posted in Movies, Music, Obits | Comments Closed

Obit watch: September 23, 2021.

Thursday, September 23rd, 2021

Melvin Van Peebles.

A Renaissance man whose work spanned books, theater and music, Mr. Van Peebles is best known for his third feature film, “Sweet Sweetback’s Baadasssss Song,” which drew mixed reviews when it was released in 1971, ignited intense debate and became a national hit. The hero, Sweetback, starred in a sex show at a brothel, and the movie sizzled with explosive violence, explicit sex and righteous antagonism toward the white power structure. It was dedicated to “all the Black brothers and sisters who have had enough of The Man.”

…

In addition to making movies, Mr. Van Peebles published novels, in French as well as in English; wrote two Broadway musicals and produced them simultaneously; and wrote and performed spoken-word albums that many have called forebears of rap.
Over the course of his life he was also a cable-car driver in San Francisco, a portrait painter in Mexico City, a street performer in Paris, a stock options trader in New York, the navigator of an Air Force bomber, a postal worker, a visual artist and, by his own account, a very successful gigolo.

…

…Columbia Pictures then hired him to direct “Watermelon Man” (1970), a satirical comedy about a white bigot, played by Godfrey Cambridge, who turns into a Black man.
Columbia wanted Mr. Van Peebles to shoot alternative endings — one in which the protagonist becomes a Black militant, and another in which he discovers that it was all a dream. Mr. Van Peebles said he “forgot” to shoot the second ending.
Disliking working for a studio, he set out to be an independent filmmaker. To make “Sweetback,” for $500,000, he combined his $70,000 savings with loans, used a nonunion crew and persuaded a film lab to extend him credit.
The plot of the movie concerns a man who attacks two crooked police officers and then escapes as a fugitive to Mexico, vowing to return and “collect some dues.” Only two theaters, in Detroit and Atlanta, would show the movie at first, but it caught fire and for several weeks outgrossed “Love Story.” Its American box office exceeded $15 million (about $100 million in today’s money), a bonanza for an independent film at the time.

Barbara Campbell Cooke. She actually passed away in April at 85, but her family didn’t make an announcement until recently.

Their story started out as if lifted from one of his love songs. Sam Cooke was 18 and Barbara Campbell was only 13 when they met on the South Side of Chicago.

She married Sam Cooke in 1959 (or 1958, according to Wikipedia). When he died in 1964, she married Bobby Womack (who worked with Sam Cooke) three months later. He was 19, she was 29, and a lot of fans were not happy.

But it upset many people to see Mr. Womack, sometimes in Mr. Cooke’s clothes, squiring Mr. Cooke’s widow about. The couple received hate mail, including a package containing a baby doll in a coffin. At a Nancy Wilson concert, when Ms. Wilson introduced the couple sitting in the audience, the crowd booed. In his telling, Mr. Womack, goaded by his new wife, took to cocaine. He also began a sexual relationship with the Cookes’ daughter, Linda, by then a teenager. When Barbara found them in bed, she shot Mr. Womack, the bullet grazing his temple. (Ms. Cooke was not charged, according to Mr. Womack’s book.) They divorced in 1970.

The sad goes on. The Cookes had a son who died at 18 months. Ms. Cooke and Mr. Womack also had a son who strugged with addiction and killed himself at 21.

Bobby Womack experienced fame early on when the Rolling Stones covered his 1964 song “It’s All Over Now,” their first No. 1 hit. He died in 2014 at 70, but not before suffering other tragedies. Another son of his, Truth, died when he was a baby, and Mr. Womack’s brother Harry was murdered by a girlfriend.
“I don’t speak to Barbara no more,” Mr. Womack wrote in his memoir. “Linda doesn’t speak to her. Haven’t spoken to Cecil for years. No one speaks to no one.”

Al Harrington. He was “Ben Kokua” in the good 5-0 (his character replaced Kono), and was a surf shop owner in the bad 5-0. Also a couple of appearances on “Jake and the Fatman”, among other credits.

When Harrington left the show in 1975, he launched a second-act career as a Waikiki showroom headliner and recording artist known affectionately as “The South Pacific Man.” He retired from the stage in 1992, and spent the next 13 years living on the mainland doing film work in Utah and California.

Roger Michell, director. Most of his films were British, but he’s perhaps best known for “Notting Hill” (that Julia Roberts/Hugh Grant movie) and “Changing Lanes” (the Ben Affleck/Samuel L. Jackson movie).

Later films included Hyde Park on Hudson, a historical drama starring Bill Murray as President Franklin D. Roosevelt, and The Duke, a real-life art heist story starring Jim Broadbent and Helen Mirren that premiered at the 2020 Venice Film Festival.

NYT obit for George Holliday.

Posted in 1970s, Movies, Music, Obits, Theatre, TV | Comments Closed

Obit watch: September 22, 2021.

Wednesday, September 22nd, 2021

Loral I Delaney, well known dog trainer…and legendary trapshooter.

An animal lover who as a young girl kept as pets every creature from raccoons to skunks, Delaney at age 5 headlined her first dog act in 1943 at the Northwest Sportshow in Minneapolis.
When she returned to the same stage a year later, the Minneapolis Tribune gushed, “The tiny daughter of Fred Armstrong put her two beautiful black Labradors through a retrieving act that literally brought down the house.”
In the nearly six decades that followed, Delaney and her dogs would appear at sports shows from New York to Los Angeles. She often drove herself, pulling a trailer full of Labradors, setters, pointers and Chesapeake Bay retrievers.

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Trapshooting brought Delaney still wider acclaim. The first time she competed at the Minnesota State Trapshoot at age 19, she won the women’s title, breaking 197×200. At the same competition, she won the handicap in a shoot-off with five men.
A member of the National Trapshooting Hall of Fame, Delaney was named to every All-American Trapshooting team from 1966 to 1981, with the exception of one year. She won the Women’s World Flyer Championships four times. She shot on the U.S. Women’s Trapshooting Team before women’s trapshooting was included in the Olympics. And she and Chuck won the husband-wife U.S. trapshooting title four times.
Delaney also won seven Grand American World Trapshooting Championships, include five years consecutively, and was the only woman to win more than two in a row and more than four total.

Bennie Pete, leader of the New Orleans brass band, the Hot 8.

The Hot 8 began playing for tips on Bourbon Street and in Jackson Square, in the heart of the French Quarter. They performed outside a housing project in the Central City neighborhood, where people sat down with bags of crawfish and bottles of Abita beer to listen. Mr. Pete once found himself leading a jazz funeral for a dog.
“He was a popular dog for one of the popular musicians,” he told Esquire magazine in 2014, “and they threw a big second-line parade through the streets for him. They’d make a reason to party.”
By 2000, the Hot 8 had established itself as part of a vanguard of young brass bands that were upholding the jazz and funk traditions of New Orleans yet playing with a contemporary sound. The Hot 8’s repertoire included songs by the Specials and Marvin Gaye, and the band incorporated rap and hip-hop into its style. The musicians led second lines on Sundays for social aid and pleasure clubs; crowds formed at night to watch them play in bars in the Treme neighborhood.

Post Katrina, the Hot 8 led the effort to keep New Orleans’s musical heritage intact.

Two months later, the Hot 8 regrouped to lead the first jazz funeral in New Orleans after the storm. The band played with donated instruments, and members of the procession wore salvaged pieces of finery. The parade, which honored a celebrated chef, Austin Leslie, started at Pampy’s Creole Kitchen in the Seventh Ward before ambling to the former site of Chez Helene, where a sign greeted the marchers: “We won’t bow down. Save our soul.”
As despair weighed on the city, the Hot 8 began performing at evacuation shelters and emergency medical centers. They drove around in a van, stopping to jam for crowds until little second lines formed, before heading to another part of town. It wasn’t long before they became local heroes.
“Bennie wanted to play for these people to give them that New Orleans love that was missing,” his wife said. “He and the band got busy spreading the culture around.”

They were featured in Spike Lee’s “When the Levees Broke” and got a record deal.

Released in 2012, “The Life & Times Of …” was nominated for a Grammy Award as best regional roots music album. The group released “Tombstone,” a sister album also based on the theme of remembrance, the next year. The Hot 8 was also featured on a 2015 compilation album, “New Orleans Brass Bands: Through the Streets of the City,” on the Smithsonian’s Folkways label.
“Everything kind of worked,” Mr. Pete told Esquire. “Yeah, we are the Hot 8 who went through these things, but we’re still here, and this is who we are after the storm.”

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But even as music returned to New Orleans after the storm, the Hot 8 endured more misfortune. Their snare drummer, Dinerral Shavers, was shot dead in his car in December 2006. It was only the latest in a series of tragedies for the band.
In 1996, the trumpet player Jacob Johnson was shot in the head at his home. In 2004, the trombonist Joseph Williams was killed in an encounter with the police. And just after Katrina, the trumpeter Terrell Batiste lost his legs in a road accident.

Mr. Pete was 45 years old. He died from complications of COVID and sarcoidosis, according to his family.

Willie Garson, from “Sex and the City”.

In addition to the “Sex and the City” movies, Mr. Garson worked with the Farrelly brothers in some of their films, including “Kingpin” (1996), “There’s Something About Mary” (1998) and “Fever Pitch” (2005).
He also played Lee Harvey Oswald three times, in the film “Ruby” (1992) and on the TV shows “Quantum Leap” and “MADtv.”

Saadi Yacef. He was a major figure in the Algerian revolt.

Mr. Yacef became involved in opposition movements while still a teenager and in 1954 joined the Front de Libération Nationale, the F.L.N., the leading nationalist organization during the war for independence. The war lasted from 1954 to 1962, ending with the country’s liberation from France.
He became the organization’s military chief in Algiers in 1956, ordering bombings and other guerrilla attacks until his arrest by French paratroopers the next year in the part of the city known as the casbah. He was sentenced to death.
“While I was in prison the executions were always done at dawn,” he told The Sunday Herald of Glasgow, Scotland, in 2007, “so when I saw the sun coming through the prison bars I knew I was going to live through another day. But I was very certain that I would be executed.”

Charles de Gaulle eventually freed him. And then he went on to act in Gillo Pontecorvo’s “The Battle of Algiers”.

With a script based on his book, he met with Mr. Pontecorvo, who was said to have been considering his own movie about the Algerian War, one that he hoped would star Paul Newman as a French paratrooper turned journalist. Mr. Yacef and his backers nixed that idea, and Mr. Pontecorvo found Mr. Yacef’s script propagandistic, but they continued to talk. Mr. Yacef arranged to bring Mr. Pontecorvo and his screenwriter, Franco Solinas, to Algiers for an extended stay so they could study up on the revolution, see locations where the fighting had occurred and meet people who had fought.
The resulting movie, filmed in Algeria with Mr. Yacef as a producer, had its premiere at the Venice Film Festival in 1966 and caused a sensation for its startling realism. Some scenes, especially of bombings, looked so authentic that the film in its initial showings was preceded by a disclaimer saying that no newsreel footage had been used.

I have “The Battle of Algiers” but haven’t watched it yet. It is a tough sell for the Saturday Night Movie Group, especially since I sort of forced them to watch another movie about the Algerian revolt (“Lost Command“, based on The Centurions by Jean Lartéguy).

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