Archive for the ‘Music’ Category

Obit watch: August 9, 2022.

Tuesday, August 9th, 2022

I’m thinking about no longer posting obits.

Recently, it seems like as soon as I post one obit watch, two or three or more people die. Clearly, correlation implies causality: my posting obits is making people die, therefore, if I stop posting, people will stop passing away. Right?

Well, it’s a theory, anyway.

David McCullough, historian and author. It is an odd thing: I enjoy history, but I mostly haven’t read any of McCullough’s work, and I don’t know why. (I say “mostly” because we did have some of those Reader’s Digest Condensed Books volumes around the house when I was very young, and one of them had The Johnstown Flood in it. I remember being fascinated, but more for the account of the actual flood itself than the human and engineering factors leading up to it. I should probably grab a copy of the real book somewhere and read it.)

Olivia Newton-John.

In 1970, she was asked to join a crudely manufactured group named Toomorrow, formed by the American producer Don Kirshner in an attempt to repeat his earlier success with the Monkees. Following his grand design, the group starred in a science-fiction film written for them and recorded its soundtrack. Both projects tanked.
“It was terrible, and I was terrible in it,” she later told The New York Times.

The name of the film is also “Toomorrow“, as best as I can tell. There’s a PAL DVD listed on Amazon as “currently unavailable”, but you can get the soundtrack on vinyl.

Lawrence emailed the obit for Lamont Dozier.

In collaboration with the brothers Brian and Eddie Holland, Mr. Dozier wrote songs for dozens of musical acts, but the trio worked most often with Martha and the Vandellas (“Heat Wave,” “Jimmy Mack”), the Four Tops (“Bernadette,” “I Can’t Help Myself”) and especially the Supremes (“You Can’t Hurry Love,” “Baby Love”). Between 1963 and 1972, the Holland-Dozier-Holland team was responsible for more than 80 singles that hit the Top 40 of the pop or R&B charts, including 15 songs that reached No. 1. “It was as if we were playing the lottery and winning every time,” Mr. Dozier wrote in his autobiography, “How Sweet It Is” (2019, written with Scott B. Bomar).

Sometimes he would have an idea for a song’s feel: He wrote the Four Tops’ “Reach Out I’ll Be There” thinking about Bob Dylan’s phrasing on “Like a Rolling Stone.” Sometimes he concocted an attention-grabbing gimmick, like the staccato guitars at the beginning of the Supremes’ “You Keep Me Hangin’ On” that evoked a radio news bulletin.
And sometimes Mr. Dozier uttered a real-life sentence that worked in song, as he did one night when he was in a Detroit motel with a girlfriend and a different girlfriend started pounding on the door. He pleaded with the interloper, “Stop, in the name of love” — and then realized the potency of what he had said. The Holland-Dozier-Holland team quickly hammered the sentence into a three-minute single, the Supremes’ “Stop! In the Name of Love.”

Obit watch: August 6, 2022.

Saturday, August 6th, 2022

Today’s kind of a run-down of people who aren’t as famous as I usually cover, but whose obits I find interesting in one way or another.

Dee Hock. He’s generally credited with having built the consortium that became Visa into what it is today.

As chief executive, he oversaw the development of the first electronic authorization system and the first interbank electronic clearing and settlement system. Banks would issue the cards, not Visa, and they were mandated to add the magnetic stripe to their cards.

Melissa Bank. The Girls’ Guide to Hunting and Fishing was a big deal (I never read it). Her follow-up book seems to have been well regarded, but didn’t do as well, and she was working on a third book when she died at 61.

Mary Ellin Barrett. She was one of Irving Berlin’s daughters, and wrote a book about her father (Irving Berlin: A Daughter’s Memoir).

In it, Ms. Barrett offered a new portrait of her father: droll, self-effacing, with an unspoken perfectionism that would doom him to bitterness in old age but that for four decades of maturity pushed him to dazzling artistic achievements, along with attentiveness to his family.
That has become a definitive insider’s view of Irving Berlin. The Times critic Stephen Holden credited Ms. Barrett with the ability to balance affection for her father with awareness of his flaws, and he called her book a “touching, wise, gracefully written memoir.”

Albert Woodfox, who spent 42 years in solitary at Angola.

Mr. Woodfox was placed in solitary confinement in 1972 after being accused of murdering Brent Miller, a 23-year-old corrections officer. A tangled legal ordeal ensued, including two convictions, both overturned, and three indictments stretching over four decades.
The case struck most commentators as problematic. No forensic evidence linked Mr. Woodfox to the crime, so the authorities’ argument depended on witnesses, who over time were discredited or proved unreliable.

Sid Jacobson, comics writer.

Obit watch: July 1, 2022.

Friday, July 1st, 2022

Richard Taruskin, musicologist.

An emeritus professor at the University of California, Berkeley, and a specialist in Russian music, Mr. Taruskin was the author of a number of groundbreaking musicological studies, including the sweeping six-volume Oxford History of Western Music. He was also a contributor to The New York Times, where his trenchant, witty, and erudite writings represented a bygone era in which clashes over the meaning of classical music held mainstream import.
“He was the most important living writer on classical music, either in academia or in journalism,” said Alex Ross, music critic of The New Yorker, in a recent interview. “He knew everything, his ideas were potent, and he wrote with dashing style.”

His words were anything but sterile: Mr. Taruskin courted controversy in nearly everything he wrote. In the late 1980s, he helped ignite the so-called “Shostakovich Wars” by critiquing the veracity of “Testimony: The Memoirs of Dmitri Shostakovich, as related to and edited by Solomon Volkov” (1979), which portrayed the composer as a secret dissident. (Mr. Volkov is a journalist, historian and musicologist.) Drawing on a careful debunking by the scholar Laurel Fay, Mr. Taruskin called the book’s positive reception “the greatest critical scandal I have ever witnessed.”

Mr. Taruskin’s most consequential flamethrowing was his campaign against the movement for “historically authentic” performances of early music. In a series of essays anthologized in his 1995 book “Text and Act,” he argued that the use of period instruments and techniques was an outgrowth of contemporary tastes. He didn’t want conductors like Nikolaus Harnoncourt and Roger Norrington to stop performing; he just wanted them to drop the pretense of “authenticity.” And many did.
“Being the true voice of one’s time is (as Shaw might have said) roughly 40,000 times as vital and important as being the assumed voice of history,” he wrote in The Times in 1990. “To be the expressive medium of one’s own age is — obviously, no? — a far worthier aim than historical verisimilitude. What is verisimilitude, after all, but correctness? And correctness is the paltriest of virtues. It is something to demand of students, not artists.”

“I have always considered it important for musicologists to put their expertise at the service of ‘average consumers’ and alert them to the possibility that they are being hoodwinked, not only by commercial interests but by complaisant academics, biased critics, and pretentious performers,” he wrote in 1994.
Mr. Ross said: “Whether you judged him right or wrong, he made you feel that the art form truly mattered on the wider cultural stage.” Mr. Taruskin’s polemics, he added, “ultimately served a constructive goal of taking classical music out of fantasyland and into the real world.”

Thing I did not know.

Friday, June 24th, 2022

The director of Elvis Presley’s 1968 comeback special (Steve Binder) also directed…”The Star Wars Holiday Special”.

Obit watch: June 10, 2022.

Friday, June 10th, 2022

Julee Cruise, musician. You probably recognize the name from “Twin Peaks”:

Cruise’s best-known work is her single “Falling,” whose instrumental version written by composer Angelo Badalamenti, served as the theme song for Lynch’s belovedly weird 1990 Twin Peaks TV series, later winning a Grammy for best pop instrumental. The singer with the haunting voice also had cameos as a roadhouse crooner in the series and the 1992 spinoff movie, Twin Peaks: Fire Walk With Me; she sang the closing credits on an episode of the 2017 Showtime TV reboot, Twin Peaks: the Return.

She also toured with the B-52s (“from 1992-1999 as a fill-in for member Cindy Wilson“).

Obit watch: June 8, 2022.

Wednesday, June 8th, 2022

Jim Seals, of Seals and Crofts.

Paul Vance, most famous for “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini”.

Obit watch: June 6, 2022.

Monday, June 6th, 2022

Linda Lawson, actress. Other credits include “Sea Hunt”, “Hawaiian Eye”, and “Ben Casey”.

Alec John Such, drummer bassist [thanks, LP] for Bon Jovi.

Lawrence sent over an obit for Isidoro Raponi, who did a lot of practical effects work.

His biggest triumph in the sector was helping to design, build and operate E.T. for the 1982 Steven Spielberg film E.T. The Extra-Terrestrial. His résumé includes work on such other big films as King Kong, Alien, Close Encounters of the Third Kind., Baby: Secret of the Lost Legend, Gangs of New York, The Aviator, The Green Mile and The Shawshank Redemption.

Obit watch: May 29, 2022.

Sunday, May 29th, 2022

Still in on the road mode:

Bo Hopkins, actor. My mother described him as one of those “oh, yeah, that guy” guys.

Ronnie Hawkins, musician. I feel like some of my readers will have more to say about him (and they are welcome to do so in the comments) but I did like this:

“Ninety percent of what I made went to women, whiskey, drugs and cars,” he said. “I guess I just wasted the other 10 percent.”

Obit watch: May 27, 2022.

Friday, May 27th, 2022

Still somewhat time constrained due to my vacation, so short and quick: Alan White, drummer for Yes. (He replaced Bill Bruford in 1972.)

Andy Fletcher, of Depeche Mode.

Obit watch: May 24, 2022.

Tuesday, May 24th, 2022

Simon Preston, organist.

Mr. Preston, who was admired as one of the most important English church musicians of his generation, was an archetypal product of a choral tradition that, with unstinting energy and an insatiable demand for high standards, he reinvigorated — and eventually moved beyond. His solo career took him to organ lofts across the world, and he recorded prolifically, including with the conductors Yehudi Menuhin in Handel, Seiji Ozawa in Poulenc and James Levine in Saint-Saëns.

But Mr. Preston, who maintained a vigorous solo schedule throughout that period, came to chafe at the tedious routine of playing and conducting regular services. He decided to leave the abbey and to concentrate on his freelance career, one that came to include more than a decade spent working with the Deutsche Grammophon label on the organ works of Bach, in whose more grandly scaled compositions he excelled.
“It was hard to imagine that anyone could have displayed the mighty Skinner instrument of St. Bartholomew’s Church, said to be the largest pipe organ in New York, more fully and effectively,” critic James R. Oestreich of The New York Times wrote in reviewing one of Mr. Preston’s many recitals in the city in 1992.

Noted:

While singing at King’s College, he trained under the organ scholar Hugh McLean, into whose prestigious former post he would move after studies at the Royal Academy of Music. He returned to King’s at an auspicious moment; the new organist and director of music, David Willcocks, was to markedly raise the stature of a choir now widely known for its Christmas broadcasts. Mr. Preston contributed an arrangement of the carol “I Saw Three Ships” that remains in festive use, at King’s and elsewhere.

Robert J. Vlasic, pickle guy. He was 96.

“We decided that pickles are a fun food,” Mr. Vlasic told The New York Times in 1974. “We decided we didn’t want to take ourselves or our business too seriously.”

Obit watch: May 19, 2022.

Thursday, May 19th, 2022

Vangelis (Evángelos Odysséas Papathanassíou).

Yeah, yeah, yeah, “Chariots of Fire”, “Blade Runner”…

…in the late ’60s, he found success as a member of the Greek rock band Forminx and then with the progressive group Aphrodite’s Child, which had hits with the single “Rain and Tears” in 1968 and the influential album 666 in 1972.
He enjoyed a partnership with Yes lead singer Jon Anderson, and they released four albums as Jon & Vangelis from 1980 through 1991. (He had been asked to join Anderson’s prog rock band in the wake of keyboardist Rick Wakeman’s departure but declined.)

His other big-screen work included Costa-Gavras’ Missing (1982), the Japanese film Antarctica (1983), Roger Donaldson’s The Bounty (1984), Roman Polanski’s Bitter Moon (1992) and Oliver Stone’s Alexander (2004).

How about a musical interlude?

Ray Scott, pioneer of bass fishing as sport.

The idea for a bass fishing tour came to Mr. Scott, then an insurance salesman, when rain cut short a fishing outing with a friend in Jackson, Miss., in 1967. Stuck in his hotel room watching sports on television, he had an epiphany: Why not start the equivalent of the PGA Tour for bass fishing?
He held his first tournament at Beaver Lake, in Arkansas, where 106 anglers paid $100 each to compete over three days for $5,000 in prizes. A second tournament followed that year; in 1968 he formed a membership organization, the Bass Anglers Sportsman Society, or BASS.
In 1971, Mr. Scott started what has become known as the Super Bowl of bass fishing: the Bassmaster Classic, his organization’s annual championship tournament, which he paired with a merchandising expo for manufacturers of bass fishing boats and gear.

Mr. Scott was the showman of BASS, the umbrella company for tournaments, magazines and television shows. Easily recognized in his cowboy hat and fringed jackets, Mr. Scott memorably served as the M.C. for tournament weigh-ins, entertaining thousands of fans with his exuberant patter as anglers pulled flopping fish out of holding tanks.
“Now, ain’t that a truly wonderful fish?” he asked one tournament crowd. “How many of you want to see more fish like that? C’mon, let’s hear it for that fish!”

NYT obits for Rosmarie Trapp and Sgt. Maj. John L. Canley.

John Aylward, actor. Other credits include “Stargate SG-1”, “The X-Files”, and “3rd Rock from the Sun”. He also did some theater:

He appeared in stage roles at the Kennedy Center with Kentucky Cycle, and at Lincoln Center with the play City of Conversation. A classically trained actor, Aylward performed everything from Shakespearean roles to farce with plays by Alan Ayckborne, and dramas by David Mamet, Arthur Miller and Tennessee Williams.
His standout roles included playing Willy Loman in Death of a Salesman, Richard III, Scrooge in Inspecting Carol and Shelley Levine in Glengarry Glen Ross, a role he played twice.

Marnie Schulenburg, actress. (“One Life to Live”, “As the World Turns”) She was only 37, and died from cancer.

Obit watch: May 18, 2022.

Wednesday, May 18th, 2022

June Preston has passed away at 93.

Interesting career. She was a child actress: among her credits, “Anne of Green Gables”, “Heaven Can Wait”, “It Happened One Night” (uncredited) and “Never Give a Sucker an Even Break” (uncredited).

She also had considerable musical talent.

A year after playing Ann Rutherford‘s daughter in Happy Land (1943), her final feature, Preston was discovered at age 16 by maestro Gustav Stern, a German conductor and vocal coach in Seattle.
She graduated from West Seattle High School in 1947 and began touring two years later. In 1952 at age 24, she debuted with a Metropolitan Opera company on a South American tour in the leading role of Mimi in La Boheme opposite Met standout Jan Peerce.
During the next decade, Preston performed in the world’s most prestigious opera houses and with symphony orchestras in the U.S., Europe and Central and South America. A soprano with a five-octave range, she was nicknamed the “Golden Voice,” and entertainment columnist Walter Winchell was an admirer.

She retired after her marriage in 1963.

NYT obit for Maggie Peterson.

Ricky Gardiner, guitarist. He worked with David Bowie (“Visconti co-produced Bowie’s “Low” album and brought Gardiner to play lead guitar on the first half of the iconic album.“) and with Iggy Pop on “Lust for Life“.

Gardiner is credited with creating the three-note riff for “The Passenger,” which was described as “one of the greatest riffs of all time,” by Bowie’s biographer David Buckley.

Rosmarie Trapp, of the Trapp Family.

The family’s story was altered for the dramatic storyline and no character is meant to represent Trapp.

She spent many years traveling and performing with her family group, the Trapp Family Singers, and worked at the lodge when they began hosting guests. The devoted Christian also worked as a volunteer, missionary and teacher around the world.

Obit watch: May 12, 2022.

Thursday, May 12th, 2022

Gloria Parker has passed away at 100.

Ms. Parker played glasses.

At a young age, Gloria began studying violin (she said she played a child-sized instrument at the Brooklyn Academy of Music when she was 4 or 5). At 8, she began learning to play the glasses from her grandfather, who had brought the skill (and eight fragile Bohemian crystal glasses) from his native Czechoslovakia.
“When I was still a little girl,” Miss Parker told United Press International in 1984, “I had a musical vaudeville act playing both the glasses and marimba.”
She mastered how to conjure music from 28 glasses, each filled with water or white wine to produce particular sounds.
“One drop either way makes a difference,” she told The Daily News in 2012. “Height, circumference — it all makes a difference soundwise.”
She would rub her fingers over the rims of the glasses to produce a musical range of two octaves as she played pop, classical, jazz and calypso songs.

A multi-instrumentalist, she also played the marimba, vibraphone, violin, maracas and tabor, a type of drum.

She was also in “Broadway Danny Rose” as one of Rose’s clients.

NYT obit for Bob Lanier.

Richard Wagner. He was one of the old CBS news guys who covered Vietnam and a lot of other stories.

Obit watch: May 9, 2022.

Monday, May 9th, 2022

This was another one of those weekends where I got behind the power curve and am playing catch-up. I expect that next weekend will be closer to what passes for normal around here.

Mickey Gilley.

A honey-toned singer with a warm, unhurried delivery, Mr. Gilley had 17 No. 1 country singles from 1974 to 1983, including “I Overlooked an Orchid” and “Don’t the Girls All Get Prettier at Closing Time.”
He placed 34 singles in the country Top Ten during his two decades on the charts. But he was ultimately best known as the proprietor, with Sherwood Cryer, of Gilley’s, the honky-tonk in Pasadena, Texas, that became one of the most storied nightspots in country music.

“There wasn’t anything nice about that club,” he said in a 2019 interview with The Santa Fe New Mexican. “I mean, Gilley’s was a joint. But it worked because of what it represented — country music and the cowboy image.”

Interesting fact #1 which may not be generally known: Jerry Lee Lewis and Jimmy Swaggart were cousins of Mr. Gilley.

Interesting fact #2 for the benefit of FotB RoadRich:

Gilley was a licensed pilot, holding an instrument rating with commercial pilot privileges for multi-engine airplanes, as well as private pilot privileges for single engine aircraft.

George Pérez, comics guy. (“Wonder Woman”, “Avengers”, “The New Teen Titans”)

For the record, NYT obits for Kevin Samuels and Ric Parnell.

Dennis Waterman, British actor. Credits other than “The Sweeney” include “The Life and Loves of a She-Devil”, “Tube Mice”, and “Stay Lucky”.

Kenneth Welsh. 242 credits in IMDB, which is pretty impressive (Clint Howard has 253). Other credits include one of the spinoffs of a minor SF TV show from the 1960s, “Perfect Storms: Disasters That Changed the World”, “Fantastic 4: Rise of the Silver Surfer”, “Due South”, and “The X-Files”.

Threads from Twitter that amused me.

Friday, May 6th, 2022

By way of President Dawg, a long thread on “Convoy” (the song and the movie) and the ’70s trucker/CB culture:

Includes bonus “Phantom 309”, MST3K, and “B.J. and the Bear” references.

I’m a little old for this, but: