Archive for the ‘Art’ Category

Art, damn it, art! watch (#11 in a series).

Wednesday, June 30th, 2010

A former Royal Navy Sea Harrier jump-jet that saw active service in the skies over Bosnia has become the centrepiece of an exhibition at Tate Britain.

The plane, which would have cost £12 million when new, has been suspended from the ceiling in one of the grand sculpture galleries, looking more like a trussed bird than a deadly piece of kit.

Indeed, all of the plane’s wartime paintwork has been stripped off to reveal a reflective metallic surface so visitors ‘can’t detach themselves from their own reaction’ to the lethal machine.

Banner’s previous work has included written transcriptions of the frame-by-frame action in Top Gun and an installation of Airfix models of all war planes currently in service in the world. She has also made sculptures of punctuation marks.

Photos of the installation at the first link.

(Hattip: Bayou Renaissance Man.)


Art, damn it, art! watch (#10 in a series).

Sunday, June 6th, 2010

Laurie Anderson, my favorite living performance artist, played her latest composition for the first time over the weekend.

The piece is called “Music for Dogs”.

Hundreds of dogs and their owners bounced around as Anderson entertained them with 20 minutes of thumping beats, whale calls, whistles and a few high-pitched electronic sounds imperceptible to human ears.

The concert was originally billed as a performance for dogs’ ears only, and was going to be largely limited to electronic noises played at a frequency too high for human ears. But Anderson changed things up when she decided she wanted people to have some fun, too.

“Man, how exciting!”

Friday, May 21st, 2010

Big-time heists like the Paris job occupy a special place in the public imagination. They aren’t like ordinary crimes, which are dreary and depressing. Novels, movies and TV shows have trained us to believe a good caper is thrilling, even admirable. We think we know the vocabulary and visual terrain, from the dashing perp (Cary Grant in Hitchcock’s “To Catch a Thief” is your go-to guy here) to the shocked-and-outraged victim to the feckless investigators.

That sounds familiar, doesn’t it?

Random notes: May 20, 2010.

Thursday, May 20th, 2010

For various reasons, I haven’t been able to work up a lot of excitement about “Everyone Draw Mohammed Day.” If that’s your cup of tea, let me point you over to Lawrence’s coverage at the Battleswarm blog.

I did want to link back to this thread over at Alan’s blog. Not so much because I posted in it, but because:

  • the photos are pretty neat.
  • Jim Supica debunks a common myth that I’ve heard (and read) elsewhere about the Dirty Harry .44 Magnums.

There’s something about an art theft…

Thursday, May 20th, 2010

…that I find simply irresistible. Call it the hopeless romantic in me. Or perhaps it is the youthful memories of all those movies and TV shows where the “bad” guys engaged in incredibly complicated high-tech schemes to steal diamonds or art or priceless artifacts from heavily guarded museums. (Of course, these days, art thefts involve less high-tech electronics and rappelling from the ceiling, and more  brute force and ignorance. But that’s another rant.)

I’ve been tempted from time to time to purchase a bunch of prints of stolen artworks, put them in frames, and decorate my home with them.

Anyway:

A thief stole five paintings possibly worth hundreds of millions of euros, including major works by Picasso and Matisse, in a brazen overnight heist at a Paris modern art museum, police and prosecutors said Thursday.

In the interest of being a good citizen (think of this as sort of a “Crimewatch” thing), here’s links to images of the stolen works. Links open in a new window.

“Le pigeon aux petits-pois”, by Pablo Picasso.

“La Pastorale”, Henri Matisse.

”L’olivier pres de l’Estaque”, by Georges Braque.

“La femme a l’eventail”, by Amedeo Modigliani.

I believe this is “Nature-mort aux chandeliers”, by Fernand Leger. But I’m not 100% sure; the articles I’ve seen refer to the painting as “Still Life with Chandeliers” (plural), while this is “Still Life with a Chandelier.”

While I was working on this post, I see that the LAT put up a similar slide show; the Leger is missing from theirs.

Art, damn it, art! watch (#9 in a series).

Wednesday, May 19th, 2010

This is also the Torment Lawrence Watch.

LAT architecture critic Christopher Hawthorne reviews the new Cleveland Clinic Lou Ruvo Center for Brain Health, located in Las Vegas and designed by Frank Gehry.

I was going to complain about the lack of photos in the article. Looking online, though, it doesn’t look like there are that many photos of the building itself elsewhere, either; I suspect there may be photography limits imposed by Gehry, the Clinic, or both.

Random notes: April 20th, 2010.

Tuesday, April 20th, 2010

Today is my 45th birthday. I’ve been tied up most of the day: but, as the great philosopher Ice Cube once said, “It was a good day.”

Meanwhile, two of my favorite people have said things that deserve a response, even though they’ve been widely linked elsewhere.

First up is Penn Jillette’s tribute to the Hummer. I bow to no one in my admiration for Penn and Teller, and I don’t see a lot to argue with in his thesis that “We need to protect other people’s stupid to save freedom for all of us.” But there’s one thing I think he overlooks in this piece. Hummer failed because they didn’t make good cars.

We rented a H2 for the barbecue road trip last year. It was large, it was uncomfortable (it couldn’t even seat five people), it had very little cargo capacity for a vehicle of that size (we couldn’t get a cased AR-15 to lie flat in the back cargo area), the interior was ugly, and on the whole I hated it. I’d like to think that Hummer’s failure is just the market catching up to the fact that they aren’t very good cars, much like the Yugo. (And before you accuse me of being anti-GM, I liked the CTS we rented this year very much; if I had the money, that would go on my short list of cars to consider.) “Protecting other people’s stupid” doesn’t mean that we have to bail out companies that make poor choices.

Secondly, Roger Ebert’s decided to kick the “video games can never be art” ball around again. There are two problems with this:

  1. Roger is wrong.
  2. Roger is asking and answering the wrong question.

To point 1, we’ve discussed previously the definition of art (by way of Scott McCloud) as “any human activity that doesn’t grow out of either of our species two basic instincts: survival and reproduction” and the definition of art quoted by Shii:

Art is the word we use when we refer to that creative activity or its result, when images and objects, sights and sounds, drawings and carvings, convey the beauty and splendor of the world, or realize the imagination of the artist, for the purpose of self-expression or the shared enjoyment of its creation.

By either of those two definitions, video games are art: video games don’t grow out of the survival or reproductive instincts, and video games do realize the imagination of the artists for the purpose of self-expression or shared enjoyment. Of those two, I like McCloud’s definition best, as it comes closet to my own joking definition: Art is anything I can point to and say, “That’s art, damn it, art!” (This is, of course, where the “Art, damn it, art! watch” comes from.) Mike, I think, would argue that there has to be an element of intention involved; that is, you have to intend to make art, it can’t just happen by accident. Even granting that addendum, I still don’t see any way to argue that video games are not art.

To point 2, the question Roger really wants to ask is “Can video games be good art?” I’m with Shii on the high art/low art distinction, and I want to avoid using those terms. I think what Roger should be asserting is that video games are not “good art”, and that he’s dubious that they can reach that point. I’m inclined to agree with him that video games haven’t reached the point of “good art” yet. But: I am not a gamer, or an art critic. It might be more honest for both Roger and I to say “I don’t think video games have reached the point of being ‘good art’, but I don’t have the critical tools or the sympathy to be able to appreciate them fully, so I will try to keep an open mind and reserve judgment.”

I don’t think there’s enough history behind video games, or video game criticism, for us to even have evolved a grammar to talk about video games as art. We’ve had hundreds of years to develop ways of talking about and critiquing paintings and sculpture and music; we’ve only had about 25 years to develop ways of talking about and critiquing video games. It seems somehow wrong for Ebert to assert “”No one in or out of the field has ever been able to cite a game worthy of comparison with the great poets, filmmakers, novelists and poets”. A painting is not a poem is not a sculpture is not a symphony; all of these things have different grammars and critical vocabularies. How far were we into the history of painting before La Gioconda became an acknowledged classic?

I think the world of Roger Ebert, as I’ve noted before. But he’s dug himself into a hole here, and should stop digging.

In other news, I haven’t been able to find a LAT reference to this, but the NYT is reporting that the wrongful death suit brought by the family of Notorious B.I.G. has been dismissed. B.I.G’s death, and the lawsuit, are one of the most bizarre crime stories ever, involving possible police corruption by the LAPD, journalistic fraud by the LAT, withholding of evidence by the city of Los Angeles, fraudulent testimony by jailhouse snitches, and of course the whole West Coast/East Coast rap feud. (Edited to add: Here’s the LAT story, but it doesn’t add much.)

Lawrence sends along word of the arrest of 14 members of the Gambino family. Oddly, I see no mention of this on the NYT site. (Edited to add: NYT coverage here.)

But I do see that the Supremes have voted 8-1 (Dianna Ross Alito dissenting) to strike down a federal law banning videos of animal cruelty. I’m not in favor of dogfighting, but this was a bad law; it could have been used against videos of legal hunting, or expose videos showing practices that are legal in other countries, but illegal here. (Indeed, in the case in question, some of the material was filmed in Japan, where dogfighting is legal. Could the producers of The Cove have been prosecuted in this country under this law if someone in Japan pushed hard enough? Does the Pope crap in the woods? Are bears Catholic?) I’m delighted to see that the decision was that lopsided.

Edited to add: See what I get for being out and about all day and not making the blog rounds? Both Patrick and Ken over at Popehat are on the Supreme Court decision like…something that’s on something a lot. Go read those two; they’re really smart and funny, more so than I am.

Random notes: April 16, 2010.

Friday, April 16th, 2010

Obit watch: former LAPD chief Daryl F. Gates.

Plus: Invisible Siegfrieds.

Edited to add: And thanks to the Chron for reminding me that the Texas City disaster was 63 years ago today.

Na, Na, Na, Na, Na, Na, Na, Na…

Wednesday, March 31st, 2010

Bat Fest!

This is one of those “only in Austin” stories. The mayor is proposing an event to celebrate Austin’s bat population, even though we’ve had an event for the past five years. However, the existing event has shut down the Congress Avenue bridge, which is a major artery, for anywhere from a day to a weekend: the mayor’s proposal would only shut down the bridge for a couple of hours on Sunday night. Plus, the mayor’s plan doesn’t involve charging admission; the existing festival does charge, although the promoter has said he plans for it to be free this year.

As part of the “Night of the Bat” celebration, Adam West , star of the 1960s “Batman” TV series, will attend a June 6 Paramount Theatre screening of the 1966 film “Batman”; RunTex plans to hold a bat-themed run/walk June 6 ; and the Austin Convention and Visitors Bureau will host a private “Batini” contest for local hotel bartenders.

Obit watch: Jaime Escalante.

I’ve been neglecting the Nets. Sadly, they’re now 10-64, and out of record contention.

The WP has an article about the new exhibition at the Smithsonian American Art Museum, devoted to Christo and Jeanne-Claude’s 1976 “Running Fence”.

Art, damn it, art! watch (#8 in a series).

Friday, March 26th, 2010

Because I know Lawrence is endlessly fascinated by the work of Frank Gehry, here’s a link to the LAT and Gehry’s preliminary designs for the Eisenhower Memorial. (Also, I’ve added a new “Gehry” subcategory to the “Art” category.)

Meanwhile, the NYT has a nice article on the art and music scene in Burma Myanmar .

This doesn’t really fit into the “Art, damn it, art!” category, but I do want to throw in a link to the complete 6 part LAT series on Philip K. Dick in Orange County.

Art, damn it, art! watch (#7 in a series).

Thursday, March 25th, 2010

My checking of the NYT on weekends is somewhat iffy, so I missed this piece about the Marina Abramovic retrospective at MoMA until Lawrence mentioned it.

…a day spent watching people watch the show — naked performers re-enacting some of Ms. Abramovic’s most audacious pieces of the last 40 years; the artist herself in an epic endurance performance in the museum’s atrium; videos of Ms. Abramovic slicing a star into her stomach with a razor blade and standing for several minutes with an arrow in a drawn bow aimed at her heart — shows that it takes quite a bit to shake up most museumgoers these days.

More:

Probably the most talked-about part of the exhibition — generating headlines like “Squeezy Does It” in The New York Post — is a re-creation of a 1977 work in which Ms. Abramovic and her partner then, the German artist Frank Uwe Laysiepen, known as Ulay, faced each other naked within the frame of a gallery doorway, forcing people who wanted to enter to squeeze between them.

And:

Henk Abma, a former Dutch Reformed Church pastor who said he had followed Ms. Abramovic’s work for 30 years, began his visit by spending half an hour sitting across from the artist herself, who is installed at a table in the museum’s atrium, where she will sit silently all day, every day, barely moving, for the entire run of the show. (The performance will add up to more than 700 hours of sitting if she can complete it.)

Here’s a link to MoMA’s webpage about the exhibition. I find it interesting that the NYT refers to the artist as “Abramovic” and MoMA refers to her as “Abramović”.

Art, damn it, art! watch (#6 in a series).

Friday, March 19th, 2010

A once-prominent art dealer pleaded guilty on Thursday to a $120 million fraud scheme, admitting he sold paintings he did not own and at least once sold fractional shares of a painting that added up to more than 100 percent.

Zero Mostel approves.

Edited to add: URL fixed. Sorry.

Edited to add 2: Everything you ever wanted to know about the WSJ and hedcuts. I’m throwing this in here because:

  1. I do consider hedcuts a form of art, and
  2. I’m trying to limit myself to one “Art, damn it, art! watch” per day.

Art, damn it, art! watch (#5 in a series).

Wednesday, March 17th, 2010

There’s a nifty profile in the NYT of Beriah Wall, who’s been producing and giving away ceramic “coins” for about 30 years.

The article includes photos of some of his work.

Edited to add: Let me make it clear, I like Mr. Wall’s work very much.

So, here, have a link to some more questionable art: John Kelso (the local excuse for a newspaper’s designated cranky curmudgeon columnist) on “Barton Barriers“:

…this more than 100-foot-long, 12-foot-wide, 10-foot-high cluster of 50 road barriers that are lit up at night.

Art, damn it, art! watch (#4 in a series).

Friday, March 12th, 2010

The hot theater ticket in New York City is “The Demons”, an adaptation of a Dostoyevsky novel. There’s only going to be two performances. And the performance is taking place on Governors Island, so you’ll have to take a ferry and then walk 20 minutes to get to your seat. Only about 700 tickets are available, at either $175 or $225 a shot.

Oh, did I mention that “The Demons” is twelve hours long?

Art, damn it, art! watch (#3 in a series).

Friday, February 26th, 2010

One after the next, they trudged through the horizontal-blowing snow on Thursday, most focusing more on the icy sidewalk than on the body of a naked woman, who stood in a gallery window in Greenwich Village.