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“What you gonna do when you get out of jail?…” part 329

Tuesday, February 23rd, 2021

I don’t like falling back on the same people over and over again. In this case, I am pleading the timeliness exemption.

For those of you who may not have heard, there was an incident over the weekend involving a United 777 flying from Denver to Honolulu: one of the engines failed and the engine inlet separated from the aircraft. The aircraft was able to make an emergency return to Denver, and there were no injuries on board. Parts of the aircraft fell into a neighborhood in the flight path, and some of those parts went through the roof of a house, but there were no injuries on the ground.

So the question comes up: what do you do in these situations? What do you do if you’re flying a plane with 239 people on board, and the plane starts shedding chunks of itself on departure?

I’ve said this before, but one of the answers is: first, fly the plane. At least, for as long as you can: it doesn’t always end this way. (But we have learned a lot since 1979.)

“Captain Joe” put up a video explaining what happened (including what checklists the pilots would have used) from his perspective, based on what we know now.

Bonus #1: From the VASAviation channel, here’s the traffic between the United flight and Denver ATC.

This video states the plane made a full stop on the runway, where no problems were found, and then it was towed off to parking. However, the article I linked earlier says that the right engine was actually on fire when the plane landed: emergency services extinguished the fire and then it was towed off.

Which kind of made me wonder when I read it: why did they not evacuate the aircraft if the engine was on fire? My suspicion is that it was a trade-off. As I understand it, the expectation is that anytime they have to use those emergency slides, people are going to get hurt. They aren’t designed to be gentle, they’re designed to get you off the airplane fast, and there are usually bruises, sprains, or even broken bones associated with that. Emergency services may have felt the fire was small enough to be controlled, and decided the risk to passengers was manageable. It seems like that was the right choice in this case…

Bonus #2: sort of unrelated, but I wanted to put this here for reasons. “Reel Engineering” covers “No Highway In the Sky”.

We watched “No Highway” not too long ago (it is available in a reasonably priced bluray (affiliate link)) and I think it is a fine movie. The book, to my mind, is even better, and I would genuinely like to see more people seek out Nevil Shute’s work.

It seems like he’s mostly remembered for On the Beach, which, you know, is an okay novel and worth being remembered for. But he wrote a lot of other stuff as well: besides No Highway, I enthusiastically recommend Trustee from the Toolroom and Slide Rule, his autobiography of his experiences in the aviation industry.

Posted in Books, Movies, Planes | 1 Comment »

“What you gonna do when you get out of jail?…” part 320

Sunday, February 14th, 2021

Science Sunday!

I’ve been thinking about volcanoes. Why? No reason, really.

This seems right up RoadRich’s alley, and possibly Lawrence’s as well. I’m trying to find this on blu-ray, but the only versions I’ve found so far are not US region discs.

(What I really want to do is a double-bill of this and “Krakatoa, East of Java”. The latter actually does seem to be available on a US region disc at a reasonable price.)

Anyway…

I like this video because it clearly solves two problems at once: heating up the ravioli and opening the can. And because the ravioli is in the can, you avoid the gas problems you get when you try to toast marshmallows over hot lava. Now if you could just figure out a way to contain the hot ravioli once the can explodes.

Anyway, that was just the appetizer. From Gresham College and visiting professor Sir Stephen Sparks CBE, “Enormous Volcanic Eruptions”.

Bonus #1: “Volcano!”, a NatGeo documentary.

Bonus #2: “Life on the Rim: Working as a Volcanologist”, also from NatGeo, but short.

Bonus #3: Professor Tamsin Mather on “Volcanoes: from fuming vents to extinction events”.

Posted in Geek, History, Movies | Comments Closed

Obit watch: February 14, 2021.

Sunday, February 14th, 2021

Lawrence sent over an obit for Lynn Stalmaster, Hollywood casting director.

Nicknamed “The Master Caster,” Stalmaster has more than 400 casting credits listed on IMDb, with the too-many highlights to mention including I Want to Live! (1958), Inherit the Wind (1960), The Great Escape (1963), The Russians Are Coming, the Russians Are Coming (1966), In the Heat of the Night (1967), They Shoot Horses, Don’t They? (1969), Harold and Maude (1971), Jeremiah Johnson (1972), The Onion Field (1979), Tootsie (1982), Nine 1/2 Weeks (1986), The Bonfire of the Vanities (1990) and Battlefield Earth (2000).

…

For John Boorman’s Deliverance (1972), Stalmaster set up a casting call at a Georgia elementary school and found Billy Redden to play the quirky youngster in the movie’s famous banjo scene. And he suggested that Ned Beatty (making his film debut) play one of the businessmen who takes that fateful canoe trip down the river.
Stalmaster also was instrumental in the career of William Shatner (Judgment at Nuremberg); discovered LeVar Burton, then a sophomore at USC, for the landmark ABC miniseries Roots; cast country singer Mac Davis to play a pro quarterback in North Dallas Forty (1979); and insisted that eventual Oscar nominee Sam Shepard portray Chuck Yeager in 1983’s The Right Stuff (“It’s the only time I thought the film couldn’t be made without one specific actor,” he once said). He cast more than 100 roles for that movie alone.

He also was responsible for getting Dustin Hoffman into “The Graduate”, Christoper Reeve into “Superman”, and John Travolta into “Welcome Back, Kotter” among almost 400 credits in both movies and TV. He was the first casting director in history to receive an Academy Award.

Brayden Smith. He was a recent five-time “Jeopardy” champion:

Mr. Smith, she said, had achieved a lifelong dream by winning “Jeopardy!” as a contestant on some of the final shows hosted by Mr. Trebek before Mr. Trebek died in November at age 80 after a battle with cancer.

He was only 24.

He graduated last year from the University of Nevada, Las Vegas, with a degree in economics and had planned to become a lawyer in the federal government. He had recently served as an intern at the Cato Institute in Washington, researching criminal justice reform.

Posted in 1970s, Movies, Obits, TV | 2 Comments »

Obit watch: February 6, 2021.

Saturday, February 6th, 2021

Christopher Plummer. THR. Variety.

He also had charm and arrogance in equal measure, and a streak both bibulous and promiscuous, all of which he acknowledged in later life as his manner softened and his habits waned. In one notorious incident in 1971, he was replaced by Anthony Hopkins in the lead role of “Coriolanus” at the National Theater in London; according to the critic Kenneth Tynan, who at the time was the literary manager of the National, Mr. Plummer was dismissed in a vote by the cast for crude and outrageous behavior.
For years, until he came to share the widely held opinion of his best-known film — the beloved 1965 musical “The Sound of Music,” in which he starred as the Austrian naval officer Georg von Trapp opposite Julie Andrews — as a pinnacle of warmhearted family entertainment, Mr. Plummer disparaged it as saccharine claptrap, famously referring to it as “S&M” or “The Sound of Mucus.”
“That sentimental stuff is the most difficult for me to play, especially because I’m trained vocally and physically for Shakespeare,” Mr. Plummer said in a People magazine interview in 1982. “To do a lousy part like von Trapp, you have to use every trick you know to fill the empty carcass of the role. That damn movie follows me around like an albatross.”

To be fair:

Despite all the recognition he received as an octogenarian, Plummer is probably most widely recognized for his performance as Captain Von Trapp opposite Julie Andrews in The Sound of Music (1965), the syrupy family classic that he once referred to as “The Sound of Mucous.”
“It was so awful and sentimental and gooey,” he told THR in 2011. “You had to work terribly hard to try to infuse some minuscule bit of humor into it.” He also said most of his singing parts in the movie were performed by someone else.
Plummer, however, had changed his tune when he appeared with Andrews before a screening of the musical at the 2015 TCM Classic Film Festival in Hollywood and added his hand- and footprints to the collection outside the TCL Chinese Theatre.
“The world has lost a consummate actor today and I have lost a cherished friend,” Andrews said Friday in a statement. “I treasure the memories of our work together and all the humor and fun we shared through the years.”

…

He played Hamlet, Macbeth, Richard III, Mark Antony and others of Shakespeare’s towering protagonists on prominent stages to consistent acclaim, and he starred in “Hamlet at Elsinore,” a critically praised 1964 television production, directed by Philip Saville and filmed at Kronborg Castle in Denmark, where (under the name Elsinore) the play is set.
But he also accepted roles in a fair share of clinkers, in which he made vivid sport of some hoary clichés — as the evil bigot hiding behind religiosity in “Skeletons” (1997), for example, one of his more than 40 television movies, or as the somber emperor of the galaxy who appears as a hologram in “Starcrash,” a 1978 rip-off of “Star Wars.”

…

In the movies, his performance in “The Sound of Music” as von Trapp, a severe widower and father whose heart is warmed and won by the woman he hires as a governess, propelled a parade of distinctive roles, more character turns than starring parts, across a formidable spectrum of genres. They included historical drama (“The Last Station,” about Tolstoy, and “The Day That Shook the World” about the onset of World War I); historical adventure (as Kipling in John Huston’s rollicking adaptation of “The Man Who Would Be King,” with Sean Connery and Michael Caine); romantic comedy (“Must Love Dogs,” with John Cusack and Diane Lane); political epic (“Syriana”); science fiction (as Chang, the Klingon general, in “Star Trek VI”); and crime farce (“The Return of the Pink Panther,” in which, opposite Peter Sellers’s inept Inspector Clouseau, he played a retiree version of the debonair jewel thief originally portrayed by David Niven).

I enthusiastically recommend “The Man Who Would Be King”. I have not seen “Star Trek VI”, but I know some other readers of this blog have and may be able to comment upon that film.

…

Mr. Plummer made notable Broadway appearances in works by Archibald MacLeish (the Devil-like Nickels in “J.B.” in 1958), Bertolt Brecht (the Hitler-like title role in “Arturo Ui” in 1963), Peter Shaffer (the Spanish conquistador Francisco Pizarro in “The Royal Hunt of the Sun” in 1965), Neil Simon (the Chekhov-like narrator in “The Good Doctor” in 1973) and Harold Pinter (“No Man’s Land,” opposite Jason Robards, in 1994).
He won a Tony in the title role of “Cyrano,” a 1973 musical version of Edmond Rostand’s “Cyrano de Bergerac,” and in 2007 he was nominated for a Tony for the Clarence Darrow-like role of Henry Drummond, opposite Brian Dennehy, in “Inherit the Wind,” his final Broadway appearance.

…

“The performance of a lifetime,” Ben Brantley wrote in The Times of Mr. Plummer’s “King Lear,” which arrived on Broadway in 2004 after first being produced at the festival. “He delivers a Lear both deeply personal and universal: a distinctly individual man whose face becomes a mirror for every man’s mortality.”
Ms. Taylor, his wife, said that at his death Mr. Plummer had been preparing to appear as Lear on film for the first time, under the direction of Des McAnuff.
But it was his portrayal of Iago in a 1981 Connecticut production of “Othello,” which starred James Earl Jones in the title role and came to Broadway in 1982, that defined his reputation as a Shakespearean of profound depth, worthy of comparison to the likes of Laurence Olivier, Michael Redgrave and John Gielgud.
“He gives us evil so pure — and so bottomless — that it can induce tears,” Frank Rich wrote in The Times. “Our tears are not for the dastardly Iago, of course — that would be wrong. No, what Mr. Plummer does is make us weep for a civilization that can produce such a man and allow him to flower.”
The praise was amplified by the senior Times critic of the day, Walter Kerr, who wrote, “It is quite possibly the best single Shakespearean performance to have originated on this continent in our time.”

Noted: THR claims he was a die-hard “Star Trek” fan, even before doing “Star Trek VI”. The THR story includes a clip from “The Captains” with Mr. Plummer and William Shatner talking.

Posted in Movies, Obits, Theatre | Comments Closed

Obit quickie.

Friday, February 5th, 2021

The full obit for Christopher “Starcrash” Plummer will more than likely be tomorrow, to give the various papers of record a chance to react. The current NYT obit is a preliminary one, and I feel sure there will be corrections.

(And if ever Wikipedia needed a “[citation needed]” or [by whom?]” tag, it is for the statement “It is considered a cult classic.”)

Posted in Movies, Obits | 1 Comment »

Obit watch: February 2, 2021.

Tuesday, February 2nd, 2021

Hal Holbrook. He was 95, but still, this stinks. THR. Variety.

Mr. Holbrook never claimed to be a Twain scholar; indeed, he said, he had read only a little of Twain’s work as a young man. He said the idea of doing a staged reading of Twain’s work came from Edward A. Wright, his mentor at Denison University in Granville, Ohio. And Mr. Wright would have been the first to acknowledge that the idea had actually originated with Twain himself — or rather Samuel Clemens, who had adopted Mark Twain as something of a stage name and who did readings of his work for years.
Mr. Holbrook was finishing his senior year as a drama major in 1947 when Mr. Wright talked him into adding Twain to a production that Mr. Holbrook and his wife, Ruby, were planning called “Great Personalities,” in which they would portray, among others, Robert and Elizabeth Barrett Browning, John Alden and Priscilla Mullins, and Queen Victoria and Prince Albert.
Mr. Holbrook had doubts at first. “Ed, I think this Mark Twain thing is pretty corny,” he recalled telling Mr. Wright after the first rehearsals. “I don’t think it’s funny.”

…

Mr. Holbrook began developing his one-man show in 1952, the year Ms. Holbrook gave birth to their first child, Victoria. He soon looked the part, with a wig to match Twain’s unruly mop, a walrus mustache and a rumpled white linen suit, the kind Twain himself wore onstage. From his grandfather, Mr. Holbrook got an old penknife, which he used to cut the ends off the three cigars he smoked during a performance (though he was not sure whether Twain ever smoked onstage). He sought out people who claimed to have seen and heard Twain, who died in 1910, and listened to their recollections.
He had more or less perfected the role by 1954, the year he began a one-man show titled “Mark Twain Tonight!” at Lock Haven State Teachers College in Pennsylvania.
Two years later he took his Twain to television, performing on “The Ed Sullivan Show” and “The Tonight Show.” In the meantime he had landed a steady job in 1954 on the TV soap opera “The Brighter Day,” on which he played a recovering alcoholic.
The stint lasted until 1959, when, tiring of roles he no longer cared about, he opened in “Mark Twain Tonight!” at the Off Broadway 41st Street Theater.By then the metamorphosis was complete. With his shambling gait, Missouri drawl, sly glances and exquisite timing, Hal Holbrook had, for all intents and purposes, become Mark Twain.
“After watching and listening to him for five minutes,” Arthur Gelb wrote in The New York Times, “it is impossible to doubt that he is Mark Twain, or that Twain must have been one of the most enchanting men ever to go on a lecture tour.”

This is not intended as a shot at Mr. Holbrook, but I do wonder how much of our popular conception of Mark Twain is shaped by Holbrook’s performances.

Mr. Holbrook’s many film roles tended to be small ones, although there were exceptions. One was as the anonymous informant Deep Throat in “All the President’s Men,” the 1976 film adaptation of the book by Bob Woodward and Carl Bernstein about the Watergate cover-up. (Deep Throat was later revealed to have been W. Mark Felt, a top F.B.I. official.) Another big movie role was in “The Firm” (1993), based on John Grisham’s corporate whodunit, in which Mr. Holbrook played the stop-at-nothing head of a Memphis law firm.

Another film role that he doesn’t seem to be getting much credit for: “Lt. Briggs” in “Magnum Force”.

Mr. Holbrook had a long and fruitful run as an actor. He was the shadowy patriot Deep Throat in “All the President’s Men” (1976); an achingly grandfatherly character in “Into the Wild” (2007), for which he received an Oscar nomination; and the influential Republican Preston Blair in Steven Spielberg’s “Lincoln” (2012).
He played the 16th president himself, on television, in Carl Sandburg’s “Lincoln,” a 1974 mini-series. The performance earned him an Emmy Award, one of five he won for his acting in television movies and mini-series; the others included “The Bold Ones: The Senator” (1970), his protagonist resembling John F. Kennedy, and “Pueblo” (1973) in which he played the commander of a Navy intelligence boat seized by North Korea in 1968.

I caught a few episodes of “The Senator” back when RetroTV was airing in Austin, and I thought it held up well. The whole series is on DVD (affiliate link) and it looks like there are full episodes on the ‘Tube.

Harlan Ellison was particularly fond of these episodes (it was a two-parter).

He didn’t do a lot of ’70s detective shows, but, oddly, he did some in the 21st century: “NCIS”, “Bones”, and the bad “Hawaii 5-0”, among other credits.

In other news: Jamie Tarses, prominent TV executive.

Dustin “Screech” Diamond.

Finally, Jack Palladino, who the NYT calls a “hard-charging private investigator”.

Mr. Palladino was placed on life support after sustaining a severe head injury on Jan. 28 in what the San Francisco district attorney, Chesa Boudin, called “a brutal attack” in the city’s Haight-Ashbury neighborhood. Two people were arrested in the attack and booked at the San Francisco County Jail on charges that include attempted robbery, assault with a deadly weapon and elder abuse.

What makes this interesting is: he worked for the Clintons. Specifically, Bill:

During the 1992 presidential campaign, he was hired by the Clinton campaign after Gennifer Flowers released tapes of phone calls with Mr. Clinton to back up her claim that they had had an affair.
Mr. Palladino embarked on a mission, as he put it in a memo, to impugn Ms. Flowers’s “character and veracity until she is destroyed beyond all recognition.”
“Every acquaintance, employer and past lover should be located and interviewed,” Mr. Palladino wrote. “She is now a shining icon — telling lies that so far have proved all benefit and no cost — for any other opportunist who may be considering making Clinton a target.”

He also did work for R. Kelly and Harvey Weinstein.

In his work for the Clinton campaign, Mr. Palladino’s staff scoured Arkansas and beyond, collecting disparaging accounts from Ms. Flowers’s ex-boyfriends, employers and others who claimed to know her, accounts that the campaign then disseminated to the news media.
By the time Mr. Clinton finally admitted to “sexual relations” with Ms. Flowers, years later, Clinton aides had used stories collected by Mr. Palladino to brand her as a “bimbo” and a “pathological liar.”

Posted in 1970s, Movies, Obits, Theatre, TV | 3 Comments »

Obit watch: January 29, 2021.

Friday, January 29th, 2021

Cicely Tyson. THR. Variety.

In a remarkable career of seven decades, Ms. Tyson broke ground for serious Black actors by refusing to take parts that demeaned Black people. She urged Black colleagues to do the same, and often went without work. She was critical of films and television programs that cast Black characters as criminal, servile or immoral, and insisted that African-Americans, even if poor or downtrodden, should be portrayed with dignity.
Her chiseled face and willowy frame, striking even in her 90s, became familiar to millions in more than 100 film, television and stage roles, including some that had traditionally been given only to white actors. She won three Emmys and many awards from civil rights and women’s groups, and at 88 became the oldest person to win a Tony, for her 2013 Broadway role in a revival of Horton Foote’s “The Trip to Bountiful.”
At 93, she won an honorary Oscar, and was inducted into the American Theater Hall of Fame in 2018 and into the Television Hall of Fame in 2020. She also won a career achievement Peabody Award in 2020.

So she was a “G” short of an EGOT, but picked up the “P” to make her a PEOT.

For many Americans, Ms. Tyson was an idol of the Black Is Beautiful movement, regal in an African turban and caftan, her face gracing the covers of Ebony, Essence and Jet magazines. She was a vegetarian, a teetotaler, a runner, a meditator and, from 1981 to 1989, the wife of the jazz trumpeter and composer Miles Davis. Since the ’60s she had inspired Black American women to embrace their own standards of beauty — including helping to popularize the Afro.
“She’s our Meryl Streep,” Vanessa Williams told Essence in 2013. “She was the person you wanted to be like in terms of an actress, in terms of the roles she got and how serious she took her craft. She still is.”

…

In January 2021, when she was 96, her memoir, “Just as I Am,” appeared, and in a pre-publication interview with The New York Times Magazine, she was asked if she had any advice for the young.
“It’s simple,” she said. “I try always to be true to myself. I learned from my mom: ‘Don’t lie ever, no matter how bad it is. Don’t lie to me ever, OK? You will be happier that you told the truth.’ That has stayed with me, and it will stay with me for as long as I’m lucky enough to be here.”

Posted in 1970s, Movies, Obits, TV | Comments Closed

Obit watch: January 28, 2021.

Thursday, January 28th, 2021

Cloris Leachman.

…between 1972 and 2011 she was nominated for 22 Primetime Emmys and won eight.

(Of course, she won an Oscar as best supporting actress for “The Last Picture Show”. Interestingly, she beat Ellen Burstyn who was also nominated for the same film.)

A number of those Emmys were for dramatic work, including her performance as a woman who finds herself pregnant at 40 in the made-for-TV movie “A Brand New Life” (1973). But comedy was her forte.
She was nominated four times and won twice for her performance on the hit CBS sitcom “The Mary Tyler Moore Show” as Phyllis Lindstrom, the scatterbrained landlady of Mary Richards, the plucky TV news producer played by Ms. Moore. She went on to play the same role from 1975 to 1977 on the spinoff series “Phyllis,” for which she received another Emmy nomination and won a Golden Globe.

Although her focus for the rest of her career was on television, she also had some memorable movie roles, notably under Mel Brooks’s direction. In his beloved horror spoof “Young Frankenstein” (1974) she was the sinister Transylvanian housekeeper Frau Blücher, the very mention of whose name was enough to terrify any horse within earshot. She played similarly intimidating women in Mr. Brooks’s “High Anxiety” (1977) and “History of the World, Part I” (1981). She also co-starred with Harvey Korman in Mr. Brooks’s short-lived sitcom “The Nutt House” (1989).

And, yes! She did do a “Mannix”! (“The Need of a Friend“, season 2, episode 9.)

Posted in 1970s, Mannix, Movies, Obits, TV | 3 Comments »

Obit watch: January 26, 2021.

Tuesday, January 26th, 2021

Antonio Sabàto. He was most famous as one of the drivers in “Grand Prix”. He did a lot of Italian movies including “Escape from the Bronx” and “Ritornano quelli della calibro 38”.

Walter Bernstein, noted screenwriter.

Posted in Movies, Obits | Comments Closed

Obit watch: January 24, 2021.

Sunday, January 24th, 2021

Gregory Sierra, knock-around actor.

He did some theater work, but was mostly a TV and movie actor. He was “Julio”, Fred’s sidekick on “Sanford and Son”, Carlos “El Puerco” Valdez (the guy who kidnapped Jessica) on “Soap”, and “Chano”, one of the detectives in the early seasons of “Barney Miller”. He also did a lot of guest appearances, including nearly every major detective show of the 1970s (except that one): “Police Story”, “Banacek”, “Hawaii 5-0” (the good one), “Columbo”, “McCloud”, “Mission: Impossible”, and the list goes on. He was also Lieutenant Rodriguez in the early episodes of “Miami Vice” (that character got killed off and was replaced by Edward James Olmos’s “Martin Castillo”).

His movie credits include “Beneath the Planet of the Apes” and, interestingly, “The Other Side of the Wind“.

Posted in 1970s, Movies, Obits, Theatre, TV | 2 Comments »

Obit watch: January 20, 2021.

Wednesday, January 20th, 2021

Don Sutton.

Sutton’s major league career began with the Dodgers in 1966. He went on to win 233 games during 16 seasons with the team, the most in franchise history.
“When you gave him the ball, you knew one thing,” the former Dodger manager Tommy Lasorda, who died this month, once said. “Your pitcher was going to give you everything he had.”
Sutton also pitched for the Houston Astros, Milwaukee Brewers, California Angels and Oakland A’s before retiring in 1988. He was elected to the Hall of Fame on his fifth attempt.

…

Sutton — whose major league career began as part of a Dodger pitching rotation that also included Sandy Koufax and Don Drysdale — won 20 games only once (he had a 21-10 record in 1976). But he is tied for 14th place in career wins with Nolan Ryan, and ranked seventh in both strikeouts, with 3,574, and innings, with 5,282.1.
He holds the Dodger team records not only for career wins but also for strikeouts (2,696), starts (533), shutouts (52), home runs surrendered (309) and losses (181).

Barbara Shelley, British actress. She did a lot of horror films: “Village of the Damned”, “Dracula: Prince of Darkness”, “Quatermass and the Pit”, etc. She also did a lot of non-horror TV, including “Eastenders” and two guest shots on “12 O’Clock High”.

Posted in Movies, Obits, Sports | Comments Closed

Obit watch: January 13, 2021.

Wednesday, January 13th, 2021

Adolfo Quiñones, street dancer. He was in “Breakin'” and “Breakin’ 2: Electric Boogaloo”, among other credits.

I got a whole bunch of stuff from Lawrence and other folks, so let’s start:

Sheldon Adelson, casino and resort hotel owner, and major donor to the Republican Party and conservative politicians in Israel.

John Riley. He was on “General Hospital” and also did a lot of appearances on non-“Mannix” 1970s detective series.

Jessica Campbell. She was “Tammy Metzler” in “Election”, and was only 38.

Lawrence sent over a report of the death of Julie Strain, “scream queen”, B-movie actress, and Penthouse Pet of the Year (1993). The site admits that she was mistakenly reported dead last year, so I would take this with a lick of salt (though they claim confirmation from multiple sources).

She was in a lot of Andy Sidaris films. (If you’re not familiar with those, and you like MST3K, you are missing a treat.)

Strain was also very much associated with fantasy comic book magazine Heavy Metal, where she was a frequent cover model, and eventually the wife of publisher (and Teenage Mutant Ninja Turtles co-creator) Kevin Eastman. Her image was that of the confident, assertive glamazon—at 6’1’’ plus heels she towered over many of her male co-stars. In fact, she essentially became the de facto face of Heavy Metal in 2000 when she contributed both the voice and likeness of protagonist Julie in the film Heavy Metal 2000 and its videogame spinoff Heavy Metal F.A.K.K.2.

Among her other movie credits was “Exterminator City”, which Lawrence will tell you (at the drop of a hat) is the worst movie he’s ever seen. Here’s a clip from the movie which does not feature Ms. Strain, just for illumination:

As Lawrence will tell you (again) that’s the best scene in the movie.

Finally, Diana Millay, actress most famous for “Dark Shadows”.

Posted in 1970s, Movies, Obits, Politics, TV | Comments Closed

“What you gonna do when you get out of jail?…” part 286

Monday, January 11th, 2021

I have another doctor’s appointment today (actually, two) so I’m serving up a variety platter based on some recent events.

It snowed here yesterday. Seriously, snowed. For several hours. In Texas.

It is supposed to be pretty cold today, too, so how about a refreshing cold weather drink recipe?

This recipe is different from the one given in How To Archer, specifically the addition of Creme de Cacao and Crème de menthe. (Also, eight ounces of peppermint schnapps to 12 ounces of hot chocolate sounds like a really good way to get messed up. So I’d recommend drinking these when you don’t have to go anywhere.) I should have picked up some schnapps, Creme de Cacao, and Crème de menthe when I was out…

We watched “Tombstone” Saturday night. Spoiler: I think we all rather liked it. However, me being who I am and the rest of us being who we are (the kind of people who have the Internet Movie Firearms Database open on their phones while we watch), of course I ended up discoursing on the Buntline Special during breaks.

This is a pretty good short video hitting some of the main points on the Buntline Special and Wyatt Earp.

Bonus: I don’t usually link to hickok45 since you should already be watching him. But I’m making an exception here because: “Cimarron Wyatt Earp Buntline Special” which is (as I understand it) an exact replica of the movie gun. And hickok45 also discourses some more on Buntline history.

Cimarron lists them in their 2020 catalog. Bud’s lists them as out of stock, but says they are a special order item.

It is kind of a good looking gun. And I want something in the Colt Single Action Army style. But:

  • I have the same problem hickock45 has with the 10″ barrel length: it just doesn’t seem handy.
  • I’m really not sure how well these guns are made (though hickock45 seems to think they’re okay).
  • What I really want in the SAA style is…an actual Colt Single Action Army in .45 Colt, not a substitute.

(I do have a New Frontier in .22 LR, but I’m thinking of trading that off. It seems surplus to needs, now that I have a Ruger Single-Six with both .22 LR and .22 Magnum cylinders.)

Side note: “Wyatt Earp and the Buntline Special Myth” from the Kansas Historical Quarterly.

…the late Raymond Thorp told a story about Wyatt Earp showing him a revolver in the late fall of 1914. At that time, he said, Wyatt carried a Colt S.A.A. with a 5-1/2-inch barrel. Thorp claimed Earp told him, “I don’t like a gun with a longer barrel. Sometimes an inch or two makes a difference when you want to jerk it quickly.”

Side note #2: Josephine Earp, which I also find interesting: especially the part about “I Married Wyatt Earp“.

I’ve written before about “The Devil At Your Heels”, the Canadian documentary about Ken Carter and his five-year attempt to do a one-mile jump over the St. Lawrence River.

For those of you who might have been wondering and didn’t check Wikipedia: “Ken Carter – Stuntman To The End”. Or: the rest of the story after the jump attempt.

Posted in Guns, History, Mixology, Movies, Photography | Comments Closed

Obit watch: January 10, 2021.

Sunday, January 10th, 2021

Michael Apted. Yeah, yeah, “7 Up” and the follow-on movies, but he had an interesting career outside of that: “Coal Miner’s Daughter”, “The World Is Not Enough”, “Gorillas In the Mist”, “Gorky Park”…

John Richardson (by way of LP). Credits include “She”, “One Million Years B.C.”, and “Frankenstein ’80”.

Lawrence also sent over an obit from Mark Steyn’s website for Kathy Shaidle, their movie writer. I don’t read Mark Steyn regularly, and I wasn’t familiar with Ms. Shaidle, but from the obit, she sounds like someone I would have enjoyed knowing.

In a too short life, Kathy wrote in almost every form: She is the only writer I know who was both a respected poet nominated for major prizes and the “Ed Anger” columnist of The Weekly World News.

…

I posted this on Facebook last year:

I get over a thousand TV channels if you count my Roku. I have a Criterion Channel subscription, a bunch of DVDs still in their shrink wrap, and a pile of ‘to read’ books.

So of course because it’s on TCM (again), what I’m doing is watching All About Eve for probably the thirtieth time. #Loser.

(We watched “All About Eve” recently. It was the first time I’d seen it: it is a seriously great movie.)

Even back then, I resented being ordered around by the government.

Posted in Movies, Obits | 2 Comments »

Obit watch: January 4, 2021.

Monday, January 4th, 2021

It is the stated policy of this blog that, if you were a Bond girl, you get an obit.

Tanya Roberts has died at the age of 65. She was, of course, “Sheena: Queen of the Jungle”, Donna’s mother on “That ’70s Show”, and one of Charlie’s Angels (for the final season). She was also the Bond girl, Stacey Sutton, in “A View to a Kill”, the movie that caused me to punch out of the Bond franchise.

Edited to add: Lawrence sent me a link from TMZ that claims Ms. Roberts is still alive. However, I don’t trust TMZ any further than I can sling a piano, and THR has not retracted their story yet. I will try to keep an eye on this one.

Lawrence sent over obits for Floyd Little, noted running back, and Paul Westphal, noted basketball player and coach.

Posted in 1970s, Movies, Obits, Sports, TV | Comments Closed

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