I’m trying to find some appropriate links. I’m not sure this one shows Myers or the rest of the band well, but it is from the right era as well as being one of my favorite Devo songs. Plus, does anyone remember “Fridays”?
And now, here’s something we hope you’ll really like:
Also, a shoutout to my homeboys at Popehat:
Hey! @nytimes! Richard Matheson died two days ago. Where’s the obituary? “All the news that’s fit to print” indeed.
(Note that the musical in question, “Somewhere in Time” is based on the movie, which in turn was based on a novel, “Bid Time Return”, by Richard Matheson. I’m not linking to Amazon, but you should be able to find the novel easily: the cheaper editions are listed under “Somewhere in Time”, and the editions carrying the original title are pricy.)
You know what NYC needs? Strict pen control. And perhaps strict costume control, too.
I feel kind of blocked when it comes to paying tribute to Mr. Matheson. The one thing I can say is: whenever I was trying to think of “who wrote this story?” – the box with the button, the family fleeing their home planet, the girl who falls into the fourth dimension – at least seven times out of every ten, the story I was trying to think of was written by Richard Matheson. It is impossible to overstate the depth of his influence on the genre.
In other news, I’m sure some of my readers remember the 2003 documentary Capturing the Friedmans about the child abuse convictions of Arnold and Jesse Friedman. Since the documentary was released, there’s been a lot of back and forth about the guilt or innocence of the Friedmans, leading up to an investigation by the Nassau County district attorney.
The Viking is somewhat interesting because it was the first talkie shot in Canada, because it was one of the earliest films shot in a documentary style (inspired by Nanook of the North) and because of how it was shot:
But other than the location aspects, and the seal hunting, why is The Viking interesting? After it premiered, the producer, Varick Frisell, decided “What this movie needs is more footage of ice floes.” So he and some film crew members went out to get pickup shots of the ice floes while their ship (the real ship named Viking) was hunting seals. The Viking (the ship) got stuck in the ice…
….and, on March 15, 1931, the good ship The Vikingexploded, killing Frisell, his dog, and 26 other members of the crew.
As far as I know, and have been able to determine, this is the largest number of people killed in a single accident during the making of a film. I’m a little surprised I’d never heard this story before today.
(I looked around a while back: there are several people who have registered Kickstopper-like domain names, but the associated sites seem to be dormant. Which is a shame, as I think a Kickstopper blog dedicated to highlighting possible scams and stupid projects is something the Internet needs. If I thought I could make money off of it, I’d do it: after all, my hero April Winchell parlayed Regretsy into a book deal. But right now I’m putting my energy into job hunting, not starting new blogs.)
This is the “front” side of the Armstrong family monument in Oakwood Cemetery.
This is the John B. Armstrong side:
Who was John B. Armstrong, other than a Texas Ranger? A serious badass, most famous for capturing John Wesley Hardin. Armstrong had been shot in the leg previously (according to his entry in the Handbook of Texas Online, it was a self-inflicted wound), and was using a cane:
(Some accounts say the bullet fired by Hardin’s man went through Armstrong’s favorite hat, seriously pissing him off, and that Armstrong’s blow knocked Hardin unconscious for two hours. These accounts are not well sourced, so I would take them with a grain of salt.)
Armstrong was also involved in the capture of Sam Bass, which is probably worthy of another post and some more photos next time I’m out near Round Rock.
This makes me kind of sad: one of Gandolfini’s pending projects was “Bone Wars” with Steve Carell, about the 19th Century paleontologists Edward Drinker Cope and Othniel Charles Marsh. The Cope/Marsh story is fascinating, and I would have enjoyed seeing what Gandolfini and Carell did with it.
Also among the dead: thriller writer Vince Flynn. I’ve never read any of his novels, but I was aware of them: the Mitch Rapp books are ubiquitous in my local grocery stores, right up there with James Patterson and Lee Child. (I don’t say that with any snark intended; when your books are in every grocery store, you’re pretty much doing okay for yourself.)
The paper of record has a story about a new exhibition at the Park Avenue Armory. (Despite the name, it is an exhibition hall, “with one of the largest open exhibition floors in the world”. But it did start life as a National Guard armory.)
The new exhibit is by Paul McCarthy, described by the NYT as a “revered Los Angeles video artist and sculptor”. The exhibition, “WS”, is described as a retelling of the story of Snow White.
I have no joke here, I just like saying “highly unorthodox use of processed foods”. (Karen Finley, call your office, please.)
As the NYT notes, exhibiting something so…out there…that you don’t want to let minors in to see it is unusual by NYC art world standards: MoMA didn’t ban minors from the Marina Abramović retrospective (though they did put up warning signs), and the Brooklyn Museum recommended (but did not require) parental guidance for “Sensation”.
On the other hand, I did not attend either of those events, and the Wikipedia summaries are unhelpful in determining if processed foods were used in a highly unorthodox manner.
Sounds like the title of a Community episode, doesn’t it?
But I’ve been trying to think of television shows, especially 1970s television shows, that reflect libertarian themes, and I’m having a hard time coming up with many. For my purposes, I’m defining “libertarian themes” as: self-reliance/entrepreneurship, distrust of big government, and adherence to the non-agression principle.
I don’t remember how well Little House on the Prairie followed these ideas: the books certainly are libertarian (for obvious reasons) but I just don’t remember the TV show well enough to recall how that translated. (I think I avoided the TV show because I had a perception it was a chick thing. Though I do want to see the episode where Pa and Mr. Edwards do a remake of The Wages of Fear.)
Beyond that, pickings seem slim for the 1970s. I think Gunsmoke may have incorporated those themes, but I don’t remember the show well enough to be sure.
There is one show I can think of that, to me, is a nice example of libertarian thought:
Really, what could be more libertarian than a private space program? How about a private space program that intends to make a profit by selling off discarded government property? I seem to recall that there were frequent conflicts with one officious government p—k or another, always resolved in Andy Griffith’s favor – and without much force or violence.
Any other series I may be missing? Feel free to leave comments. They don’t even have to be series from the 1970s: I’ll take anything from the birth of television all the way up until now. It does seem to me, though, that libertarian thought became more and more mainstream and was better represented on television after the 1980s.
I’m going to wait to say anything about James Gandolfini; this is still breaking news, and by tomorrow the papers should have their obits and appreciations up.
I guess this kind of breaks the 1970s television theme, but, you know, you do what you gotta do.
(Yes, this does count as 1970s television: quoth the A/V Club, “That changed in 1979, with a saturation TV ad campaign promoting a greatest-hits collection by an artist who, the commercials swore, had sold more records than Elvis and The Beatles. The commercial simultaneously revived the 55-year-old Whitman’s domestic career and turned him into a pop-culture punchline.”)
Two clips. First, the opening from Movin’ On, the trucker series starring Claude Akins and Frank Converse, with Merle Haggard doing the theme music.
I have fond memories of this series, but the usual (“nostalgia is a moron”) caution applies. Fortunately, you don’t have to spend a lot of money to confirm or refute my thesis: you can watch all of the first season on Hulu for free. (It does not look like the pilot is included.)
Second, a series that I don’t have fond memories of, but which I recall my brother loving when he was a child. It isn’t on Hulu, but people have been uploading episodes to YouTube.
I know, I know: how can you go wrong with a man and a monkey? I guess there’s something about the plots that rubbed me the wrong way, as opposed to what I recall as the relative realism of Movin’ On. On the other hand, I do have to give the series credit: it did with one man (and a monkey) what it took The A-Team four men to do.
(My brother was also a big fan of The A-Team. I never got into it, but I do believe it was a better show than B.J. and the Bear.)
