Over the weekend, Lawrence and I went to see “They Shall Not Grow Old“.
Quick hot take: go see this movie. Take your teenage children.
For those of you who aren’t familiar with the movie: Peter Jackson went through about 100 hours of vintage WWI footage at the Imperial War Museum and selected portions which he enhanced (removing scratches and other artifacts of old age, as well as adjusting exposures), adjusted the film speed to contemporary standards, colorized it, and edited it into a narrative of the war.
Almost all of the voices you hear in the film are actual veterans of WWI (taken from 1950s-1960s oral histories recorded by the BBC). There are some places where Jackson actually hired professional lip readers to determine what the people in the film were saying, and then had professional actors dub the lines.
It doesn’t concentrate on one major battle, or the larger scale strategy of the war: it’s more like “this is what the typical experience of a soldier on the Western Front was like”, from the pre-war mobilization through training to trench combat and finally the end of the war.
IMDB lists the movie as 99 minutes long. In the showing we saw, there was also a 30-minute post credit documentary narrated by Jackson explaining some of the technical aspects. (It isn’t clear to me if that’s the case for all showings.)
I could not be more enthusiastic about recommending this movie: if I had the money, I would rent out movie theaters for showings of this, and give out free tickets in schools. (Yes, it is kind of a hard “R”, mostly for realistic depictions of the effects of war. There’s also some brief shots of male butts in a non-sexual context.)
Of course, I do have a couple of minor notes…
- We saw the 2D version. It looks like there’s also a 3D version, but that wasn’t playing in our location.
- Jackson’s grandfather was a WWI vet, and Jackson has been interested in the war for most of his life. Apparently, he has a rather large collection of WWI artifacts…including artillery. As he puts it at one point, “I sort of accumulated some artillery pieces, the way one does.”
- He talks at one point in the documentary about sound design for the artillery: the actual firing and explosions were based on recordings of contemporary 105mm howitzers with the cooperation of the New Zealand military. It’s interesting to me, though, to compare this with “All Quiet on the Western Front”: one of the things that stood out to me in the latter movie was that the bursting shells all sounded different depending on what type of shell they were. It’s not that you could tell a French 75 from a German gun by sight: more, “that shell sounded different than the last one. Oh, there’s another one. Oh, there’s that first one again.” That seems to me to be somehow more realistic. But I don’t know how Jackson could have gotten around that: explosive shells for vintage WWI guns are probably hard to come by, even if you do have all that “Lord of the Rings” money.
- Jackson talks about there being about 100 hours of Imperial War Museum footage that he cut down to about 100 minutes, and how many aspects of the war he had to leave out. I’m wondering: have Jackson and his team made any efforts to process the rest of the footage and make it available to other filmmakers, or to the IWM? I don’t expect him to go back and do a second WWI documentary (unless this is one is massively successful, and I hope it is) but I’d love it if Jackson’s production company worked with another director on a similar film about the air war, or the Navy, or any of the other aspects of the war he had to leave out.
- For that matter, is anyone in the US doing something like this with US WWI footage?
- I haven’t been able to find the soundtrack for this film on Apple Music or Amazon. And I want it. If you search, though, you can find the closing credits on YouTube (at least until there’s a copyright strike.)
Repeating myself: go. See. It’s not “fun”, but it’s an extraordinary piece of work.
