Archive for October, 2021

More adventures in hoplobibliophila.

Sunday, October 3rd, 2021

The Smith and Wesson Collector’s Association Symposium has wrapped up.

I thought I’d stay over a day, relax, and kick around a bit. Unfortunately, a lot of the places I’d like to kick around are closed on Sundays. But my loss is your gain. At least if you like gun books.

Pistol and Revolver Shooting by Walter F. Roper. The colophon lists it as Macmillan, 1945, and “First Printing”, but the “Olympic Edition” on the cover makes me wonder. Maybe first printing in this edition?

Mr. Roper was a prominent gun guy and gun experimenter: here’s a short article by John Taffin from Guns magazine about him. Purchased for $40 from a fellow collector at the Symposium.

I would have sworn great and good FotB (and official firearms trainer of WCD) Karl Rehn of KR Training had reviewed this book on his blog. But if he did, I can’t find the review now.

Two of a perfect pair:

(Previously on Experiments of a Handgunner.)

I do have a copy of what I believe is Mr. Roper’s only other book, Smith and Wesson Hand Guns (with Roy McHenry) but I didn’t bring it on the road with me, and my copy is a reprint anyway.

Not exactly a gun book, but worth noting, in my humble opinion:

Smith and Wesson ties, tie bar, and tie pin. The tie bar and pin were purchased from one collector, the ties were purchased from another. I think they add that subtle touch of class when I’m wearing a suit. And I paid $25 for both ties (and another $10 for the bar and pin).

There was another very classy S&W tie in the auction on Saturday: sadly, it got bid beyond what I was willing to pay early, and I did not get a photo of it. You’ll have to trust me when I say this tie was about as subtle as a sledgehammer.

Final totally unrelated side note: of course there’s an Internet Movie Firearms Database entry for “Johnny Dangerously”. Just in case you were wondering what the “.88 Magnum” actually was.

Obit watch: October 2, 2021.

Saturday, October 2nd, 2021

For the historical record: NYT obits for Tommy Kirk and Commander Cody. The obit for the latter includes a video of “Hot Rod Lincoln”, which I was intending to go back and embed anyway.

Carlisle Floyd, opera guy.

Among the leading 20th-century American opera composers, Mr. Floyd is often cited with Ned Rorem, Philip Glass, John Coolidge Adams, the Italian-American Gian Carlo Menotti, Samuel Barber and others whose works have joined the standard repertory, including George Gershwin, who called his “Porgy and Bess” a folk opera, and Leonard Bernstein, whose “Candide” was an operetta.

His best-known opera was “Susannah,” based on the Apocrypha story of Susanna and the Elders. Taken from the Book of Daniel to the Tennessee hills and rendered in Smoky Mountain dialect, it portrays a young woman wrongly accused of promiscuity and a traveling preacher who incites a mob, then seduces her. The preacher is slain by her brother, and Susannah stands defiant, holding off the mob with a shotgun.

Other notable Floyd operas included “Of Mice and Men,” his adaptation of John Steinbeck’s story of two tragic migrant farm workers in the Dust Bowl; “Willie Stark,” his treatment of Robert Penn Warren’s “All the King’s Men,” about a ruthless politician modeled on Louisiana’s Huey P. Long; and “The Passion of Jonathan Wade,” about a Reconstruction-era love affair destroyed by intolerance and hate.