Archive for July, 2020

Obit watch: July 3, 2020.

Friday, July 3rd, 2020

Hugh Downs, long time TV guy and good Akron boy. (“20/20”, “Today”, “The Tonight Show” with Jack Parr.)

In February 1960, Mr. Paar, no stranger to volatility, became furious after NBC removed a joke from the show for reasons of taste. (The joke, tame by today’s standards, involved the use of the term “water closet,” meaning bathroom.) He decided that the best way to teach NBC a lesson was to walk off the next night’s show as it was being taped, leaving Mr. Downs in charge. Mr. Downs assumed the host’s chair immediately, if not confidently: at one point he looked into the camera and plaintively said, “Jack, come back.” The show aired as scheduled, walk-off and all.
Mr. Paar did come back, to the surprise of nobody, but not until 25 days later. In his absence Mr. Downs — who years later would diplomatically remember his former boss as “quite a bundle” — ably assumed his duties as “Tonight Show” host. The Times critic Jack Gould saluted Mr. Downs for having “in most trying circumstances carried off the situation with dignity.”

In addition to his television work, Mr. Downs was a composer (he wrote a prelude that was performed by the St. Louis Symphony Orchestra); an amateur guitarist (he played for Andrés Segovia and said he was pleased that Segovia did not leave the room) and painter (when he had the time); the author of numerous books; an advocate for the elderly (he wrote books and articles about the aging process and was the host of a PBS series on aging called “Over Easy”) and for family planning (including abortion rights); a science buff (he was once NBC’s resident expert on science programming); an audiophile (he built his own stereo equipment from scratch); an environmentalist; and an unabashed adventurer who piloted a 65-foot ketch across the Pacific, went to the South Pole and rode a killer whale at Sea World.

Andrew “Jack” Whittaker Jr. The name may not ring a bell right off: he hit the Powerball for $315 million in 2002, took a lump sum payout of $113.4 million post tax…and it didn’t work out quite like wanted.

…he quickly fell victim to scandals, lawsuits and personal setbacks as he endured constant requests for money, leaving him unable to trust others. He was often quoted as saying he wished he had torn up the ticket.
His wife left him. A friend of his drug-addicted granddaughter was found dead at his home in 2004. Three months later, his 17-year-old granddaughter was gone, too.
His daughter, Ginger Whittaker Bragg, died of cancer in 2009 at 42.
And in 2016, he lost a Virginia home to a fire.

Byron Bernstein. I’d never heard of him, but he was a popular Twitch streamer under the name of “Reckful” and noted World of Warcraft player. He was 31.

In a YouTube video posted in January, Byron revealed that he lost his brother to suicide when he was 6 years old. He also admitted to struggling with his mental health but was improving as he worked on a new game.

The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a good page of additional resources.

“What you gonna do when you get out of jail?…” part 94

Thursday, July 2nd, 2020

Ah, the Lockheed Electra. The L-188 version, to be clear, not the Model 10 Electra, which is what Amelia Earhart was flying when she was lost.

The L-188 story is fascinating. Lockheed started working on a similar aircraft in 1951, but couldn’t get anyone to buy it. They kept refining the design (going from two to four engines and stretching the plane for increased seating) and, in 1955, Eastern and American placed orders. The first Electra went into service with Eastern in January of 1959.

Three aircraft were lost in fatal accidents between February 1959 and March 1960. After the third crash, the FAA limited the Electra’s speed until the cause could be determined.

There’s an excellent book, The Electra Story, by Robert J. Serling, that covers the history of the plane. The first accident was determined to be basically “pilot error”, though Serling quotes the Civil Aeronautics Board (CAB – they investigated crashes until the National Transportation Safety Board (NTSB) took over in 1967) as stating “…the accident was an accumulation of several factors or errors which, together, compromised the safety of the flight“. (Among those factors: limited experience in the Electra, the plane was using a new type of altimeter different from the ones American used in Electra crew training, and inadequate approach lighting.)

The second two accidents were a lot more complicated. Two Electras (one operated by Braniff and one by Northwest Orient) came apart in mid-air and crashed, killing everyone on board. Much of Serling’s book deals with the investigation and the controversy surrounding it. There was a tremendous amount of pressure put on the FAA administrator by Congress and even some airlines to ground the Electra completely until the cause of the accidents was determined.

Lockheed went to extraordinary efforts to find out what had happened:

Each day Bob Gross met with all Lockheed department heads and key engineers. Each day he asked the same question:
“Do you have all the people you need and all the equipment you need? If not, well get it.”
They took him at his word.

It wasn’t just Lockheed, though. Amazingly (to me) both Boeing and Douglas provided engineers and equipment to Lockheed as well, even though the companies were fierce rivals.

Where safety begins, competition ends, for public confidence is the pillar supporting all commercial aviation. Any unsolved accident is a challenge to every airline and every airframe manufacturer, no matter what individual carrier or individual aircraft is involved. Buffalo and Tell City not only were unsolved crashes, but disasters that raised doubts about the industry’s very system of designing and testing new planes. Lockheed’s methods of developing and testing the Electra were almost identical to those used by other companies.

A man named Tom Harris was running Aero Design and Engineering at the time: they made the Aero Commander, a very popular general aviation aircraft. While on the road, he heard people talking about how unsafe and not airworthy the Electra was. When he returned home, he wrote a memo to his staff:

When we have completed an aircraft, and are satisfied that we have produced a safe and airworthy vehicle, we must of course secure this government certification. These two things accomplished, we go to the public and do our best to persuade potential customers that this is the machine they should buy. How well we succeed depends on how effective our persuasive efforts are. We ask for no help from others. We do expect, however, that to the extent our reputation has substance, and to the extent this government certification is valid, that others in the industry will respect our claim for airworthiness. We ask no praise from competitors, but in fairness and in behalf of total industry growth, we believe under this circumstance other members of the industry should not attack, criticize, or infer any unsafe situation with regard to such a product…
It has developed that some of our own people have opinions that the airplane is not safe to ride as presently being operated by the airlines; that it has an inherent defect which has not been determined or remedied, and that to fly in it is foolish and unwise.
At this point, I should like to make it very clear that I do not intend to ask anyone in this organization to fly in any aircraft which he or she does not wish to fly in, either because of the opinions as to safety, comfort, or any other reason. The people of Aero Commander are free to exercise their own judgment and conscience in determining what aircraft, if any, they are individually willing to travel in.
Having made this clear, I feel impelled also to make clear that in my opinion, as responsible members of the aircraft industry, we also have the obligation to avoid making any remarks about another manufacturer’s aircraft that tend to destroy confidence in it, or impute any dangerous condition to such aircraft that would damage its reputation as well as the reputation of this industry, of which we are a part. No one is expected to make statements in praise of an aircraft that they honestly do not feel warrants praise, but an aircraft which has the reputation and experience of a sound manufacturer and the certification of the FAA should be talked about by others in our industry as being safe and airworthy, and if it cannot be praised by an individual, certainly it should not be run down.
If we cannot say something good about airplanes such as this, I suggest that we should at least remain silent.

They don’t make them like that any more.

The cause of the crashes was determined to be a little understood (at the time) phenomena called “whirl mode flutter”. What was happening was that the outboard engines could get into a mode where they’d start vibrating, and the engine mounts were not stiff enough to stop the vibration. Those vibrations could, in turn, be transmitted to the wings and set up a resonance, which would turn into a violent oscillation that only ended when it tore the wing off. Lockheed retrofitted the Electras with stronger engine mounts and engine mount supports, and thickened the struts, which resolved the whirl mode issue. But there were some other high profile crashes (for other reasons) and the public lost confidence in the Electra. Production ended in 1961, with 170 built. Many of them continued in use as cargo, rather than passenger aircraft, though some smaller carriers continued to use Electras on their routes. And Lockheed built a modified version of the Electra which became the highly successful P-3 Orion.

I enthusiastically recommend the Serling book. I don’t recommend that you pay what Amazon is asking for the Bantam Air and Space reprint, as it seems to show up intermittently at better used book stores for much less. But you can get the Kindle edition at a reasonable price, or for free if you have Kindle Unlimited.

Those two crashes were in Tell City, Indiana and Buffalo, Texas. Buffalo is about three hours from Austin: when we get out of jail, I may take a road trip up that way.

Just for giggles.

Wednesday, July 1st, 2020

The Saturday Night Live channel on YouTube has posted “Midday with Jennifer Hicks”. This is the “interviews with Bond villains” sketch that contains the frequently quoted (in my circles) line, “I question the wisdom of having a self-destruct button at all.”

(See also, especially number 9, number 9, number 9…)

This surfaced on Twitter, and I have not seen it before. I wouldn’t say I can’t stop laughing, but it does make me giggle.

I wasn’t a regular “Magnum” watcher when it was on the air, but I sometimes think I should go back and watch from the beginning. (In addition to doing the same with “Blue Bloods”.)

Oddly, though, I have a weird allergic reaction to “Quigley Down Under”, and I don’t know why: that movie should push my buttons, and I’d kind of like to have an (accurate) reproduction of the movie gun.

“What you gonna do when you get out of jail?…” part 93

Wednesday, July 1st, 2020

I’ve done gun stuff. But I haven’t done any knife stuff. Until now.

“The KA-BAR Story”. I know, this is a little on the long side. Perhaps bookmark it for later.

I don’t actually own any KA-BARs, though I’ve thought about getting one: all my sheath knives are Buck or Gerber. (And one Benchmade, though that’s really more of a karambit.)

Bonus #1: “KA-BAR Knife Tips and Mods”, from Blackie Thomas.

Bonus #2: “Making Knives, the History of the Bowie Knife, and the Rambo Knives”, from A.G. Russell Knives.

Bonus #3: I wouldn’t ordinarily do four videos in one post, but this one is short and relevant to Lawrence‘s interests: David Morrell talks about the Rambo knife, from the audio commentary on the DVD.

As I understand it (and based in part on this article) the knives for the first two movies were made by Jimmy Lile, a legendary Arkansas knife maker. He passed away in 1991, but his successors are still making knives under his name. You can still buy a version of the Rambo knife from them if you have $2,000 and up to spend.

The knives for the third and fourth movies were made by Gil Hibben. It looks like you can still get a version of the knife from the third movie…if you have $2,000 to spend.

Or you can purchase replicas of varying quality, as anybody who goes to a gun show knows.

I have mixed feelings about the fandom.com wikis, but this is a good entry.

At the time of First Blood’s release, very crude knock-off knives were produced for children to play with. They were rather inexpensive, only around five dollars, and the handles came in a variety of colors, including camouflage. The knives were real blades, featuring survival kits, which stirred some controversy, as real knives were being sold to children as toys.

Heh. Heh. Heh.

“You can’t give her that!’ she screamed. ‘It’s not safe!’
IT’S A SWORD, said the Hogfather. THEY’RE NOT MEANT TO BE SAFE.
‘She’s a child!’ shouted Crumley.
IT’S EDUCATIONAL.
‘What if she cuts herself?’
THAT WILL BE AN IMPORTANT LESSON.”

–Terry Pratchett, Hogfather