Archive for March, 2016

Obit watch: March 9, 2016.

Wednesday, March 9th, 2016

I have to note this one: Kathryn Popper has passed away at the age of 100.

Ms. Popper had a very small, almost microscopic, role in “Citizen Kane“: she appears as a photographer at the very end of the movie, and has two lines.

According to the NYT, she was the last surviving person to have appeared in the film: Jean Forward Baker, who dubbed Susan Alexander’s voice, is still alive.

Her first visit to New York was with Welles to promote “Citizen Kane.” She moved to the city a year later, befriended many celebrities, wrote a hibachi cookbook and never left.

I’m guessing this is the cookbook?

Also among the dead: George Martin, noted record producer, perhaps most famous for his work producing an overrated mediocre band with a few toe-tappers.

Obit watch: March 7, 2016.

Monday, March 7th, 2016

I know I keep using this excuse, but it really was a busy weekend. I spent a large chunk of Saturday babysitting children, away from a computer I could use. I may write some later on about how I spent my Sunday, but not right now; also, I wanted to let the Nancy Reagan obits sit for a day.

NYTimes. LAT. WP. Lawrence.

Catching up from the weekend and for the historical record: Pat Conroy. NYT. WP. A/V Club. Charleston Post and Courier.

I’ve read very little of Conroy’s work: The Prince of Tides in particular always struck me as being chick lit. But somewhere recently (and I wish I could remember where) I read part of his followup to The Great Santini, The Death of Santini: The Story of a Father and His Son…and I was actually kind of hooked. Maybe I need to give his work a second look.

And I have to confess: I’m a sucker for crap like this. (See also this, which I picked up at Half-Price over the weekend, even though I’m a little embarrassed to admit it.)

The past is another country.

Friday, March 4th, 2016

They did things differently there.

The San Francisco Chronicle used to give out firearms as subscription premiums.

I am well pleased with the gun, as it is all that is represented to be. I did not expect to get a $100 gun for $13.50.

You could also get a Colt rifle plus a one-year subscription to the paper for $14.50. (“$15 of 1887 dollars would be worth: $362.50 in 2015.”)

Peter Hartlaub for the win:

We were like Leland Yee, but with more follow-through.

(Hattip: Jimbo.)

Random notes: March 1, 2016.

Tuesday, March 1st, 2016

The HouChron ran an article about the various official state weapons, tied to Tennessee naming the Barrett M82 as the official state rifle.

Problem is, as part of the continuing creeping BuzzFeedification of the HouChron, it was a shallow slideshow. So instead I’ll link to Wikipedia’s list. Thoughts:

  • Pennsylvania, Indiana, and West Virginia have all named historic firearms. Hard to argue with those, especially the long rifle.
  • Arizona has the Colt Single Action Army revolver, which is a fine gun, but doesn’t seem to be uniquely Arizonan, so to speak. I guess there’s that whole Wild West association…
  • I guess if you’re going to pick a gun to represent native son John Moses Browning, the 1911 is a fine choice. For a pistol. Now how about the Winchester Model 1894 as the official state rifle, guys?
  • And speaking of Winchesters, yes, it does fill me with indescribable delight down to the very bottom of my shriveled coal-black heart that Alaska’s state rifle is the pre-64 Model 70.
  • Hey, whatever happened to that movement to make the Walker Colt the Texas state gun, anyway?

In other news, Lawrence’s review of “Hail, Caeser!” is up. I think he liked it more that I did, but I also don’t think we’re all that far apart on it. Elaborating on a couple of Lawrence’s points (some spoilers):

  • I like Hobie’s character arc, too. He seems to be underplaying how smart he really is for much of the movie, but there’s a scene between him and Eddie Mannix that made me think, “Wow, Eddie’s going to leave the studio for Lockheed…and Hobie’s going to become the new fixer.” He could pull that off. But what I liked even more was the scenes between Alden Ehrenreich’s Hobie and Veronica Osorio’s Carlotta Valdez (basically Carmen Miranda with the serial numbers filed off). Those two actors are totally convincing as a couple that’s surprisingly good together. Lawrence talked about wanting to see the imaginary movies within the movie more than the actual movie itself: I agree. And I’d also love to see a movie about Hobie and Carlotta, and their rise from cowboy actor/Latin singer-dancer to deeply in love Hollywood power couple over a period of, say, 50 years.
  • The Thora Thacker / Thessaly Thacker thing is a clever gag that just didn’t quite work for me. But there’s the gem of another good movie in there: identical twins who are bitter childhood rivals and become bitter adult rivals, both working the Hollywoood gossip industry…I’d watch that movie, too, especially if the Coen brothers directed it.
  • Where did the police raid on the Communist house come from? Did Hobie call the cops before pulling Baird Whitlock out? Did he call Eddie, who called the cops? Did somebody on shore spot the Russian submarine and call the Coast Guard? Was there something I missed, or did a scene perhaps get cut?

Obit watch: March 1, 2016.

Tuesday, March 1st, 2016

George Kennedy. NYT. A/V Club.

Yes, yes, Naked Gun. But also “Cool Hand Luke”.

And this thought isn’t original to me, though I don’t remember where I first encountered it: Joe Patroni had a rather interesting aviation career. He started out as a mechanic in “Airport“, and wound up pilot in command (?) of the Concorde nine years later. (I honestly don’t remember what he did in the other two “Airport” movies, but he was in them, and was the only actor to appear in all four.)

(Interestingly, Wikipedia says Kennedy was a pilot in real life.)

Edited to add: I intended to also mention (but ran out of time) Kennedy’s two police series:

  • “Sarge”, which I’m a little young to remember; I think we were watching “Five-0” at the time, anyway. But “Sarge”, as the Wikipedia entry notes, was showing up on RTN for a while as part of “The Bold Ones” wheel. (This is odd, as “Sarge” was really more of an “Ironside” spinoff.)
  • “The Blue Knight”, which should be closer to what I’m able to remember, but I don’t think I ever saw an episode of it. That’s odd, as it would have been right up my alley. I think it was right around this time that I read Wambaugh’s book