Archive for the ‘Music’ Category

Obit watch: March 2, 2026.

Monday, March 2nd, 2026

Neil Sedaka. THR.

“I was the king of the tra-la-las and doo-be-do’s in the ’50s and ’60s,” he told Reuters in 2010. “It had to have a very catchy tune, with a catchy beat that you can dance to.”

Ed Iskenderian, “The Camfather”.

Mr. Iskenderian was best known for building or “grinding” camshafts, which are essentially an engine’s heartbeat. A camshaft consists of a rod and shaped lobes that synchronize the opening and closing of the engine’s air intake and exhaust valves. The size and shape of the lobes can be adjusted to affect power, torque, performance and fuel efficiency.

He started his own camshaft production company, as the sole employee, in 1946. A onetime apprentice tool-and-die maker, just back from wartime service in the Army Air Forces, he found the Los Angeles hot rod scene running at full throttle and the wait for high-performance camshafts to be a frustrating five months. He bought a grinding machine from a mentor and placed it on a dirt floor in a back room of a friend’s machine shop in Culver City, Calif.
His first major project was enhancing the performance of Ford Flathead V8s, a dominant racing engine of the 1940s and early ’50s. His solution was to create “fast action” cams that opened the intake valves earlier and held them open longer during the combustion process, allowing more air and fuel to flow into the cylinders, boosting horsepower.
Within a decade, he became the leading cam authority. His cams powered numerous iconic engines, including the four Pontiac V8s that fueled Mickey Thompson’s Challenger 1 when he became the first American driver to exceed 400 miles per hour, on the Bonneville Salt Flats in Utah in 1960.

The camshaft company, now in Gardena, Calif., south of Los Angeles, has expanded to 60 employees and 100,000 square feet of space. Mr. Iskenderian was considered among the first to use computers to design camshafts, though it was also said of his skill, with only mild hyperbole, that he could grind one out of a broomstick.

Mr. Iskenderian’s boyhood during the Depression left an indelible imprint. He seldom threw anything away, friends said. The Cadillacs that he preferred for daily driving were often filled, except for a small space behind the steering wheel, with soda bottles, books, magazines, camshafts and fishing gear. More than one visitor to his office failed at first glance to see him sitting behind the mountainous pile on his desk.

For the historical record: Ayatollah Ali Khamenei is burning in Hell.

Obit watch: February 12, 2026.

Thursday, February 12th, 2026

Bud Cort, actor. THR. Other credits include “Midnight Caller”, “The Chocolate War”, and “Sledge Hammer!”.

Lory Patrick, actress. She doesn’t have that long a list of credits, but this is interesting:

Her first husband was late science-fiction writer Harlan Ellison; they were married and divorced in 1966, and she was the second of his five wives.

She later married Dean Jones, and they stayed married for 42 years (until Mr. Jones died).

Andrew Ranken, drummer for The Pogues.

Among other contributions, the Pogues credited him with coming up with the title “Rum, Sodomy and the Lash,” based on a quotation attributed to Winston Churchill: “Don’t talk to me about naval tradition. It’s nothing but rum, sodomy and the lash.”
“It seemed to sum up life in our band,” Mr. Ranken once said.

Fred Smith, musician. Interesting story: he started out with Blondie, and then defected to Television. After he left, Blondie blew up into a huge success, while Television broke up after two albums.

James Van Der Beek. NYT (archived). Other credits include “CSI: Cyber”, “Law and Order: SVU”, “Law and Order: Criminal Intent”, and “Walker” (not “Walker, Texas Ranger”, but the reboot).

Obit watch: February 4, 2026.

Wednesday, February 4th, 2026

Chuck Negron, of Three Dog Night.

Mr. Negron’s bandmates’ initially rejected “Joy to the World,” but he argued that the group needed a “silly song” to keep success rolling. His instincts proved correct, as the track shot to No. 1 on the Billboard Hot 100 in 1971. That same year, his jaunty vocals on Paul Williams’s “An Old Fashioned Love Song” helped propel that song to No. 4.

The band splintered in 1976, and Mr. Negron sank further into the abyss, in large part because of heroin addiction. His millions in savings vanished and, before long, he was living in a Skid Row drug den in Los Angeles. The police often raided crack dealer neighbors but “never bothered us,” he recalled in a 1998 interview with The Las Vegas Sun. “That’s how pathetic we were.”
He hit a particular low one day when he was zonked out on a curb and noticed people gawking. “It’s really embarrassing,” he remembered telling a companion next to him, “these people want an autograph.”
“Chuck, you just peed in the street,” the friend responded. “They don’t know who you are.”

After 35 trips to rehab attempts in 13 years, Mr. Negron said he finally got clean in 1991, leading to an attempt to rekindle things with his bandmates. “They kind of went, ‘Get screwed,’” he told The Sun, “so I went, ‘OK, some things are too late — move on.’”

Virginia Oliver. I’m not exactly sure she qualifies as “notable”, outside of a small circle. But the obit is fun, she led a good life, and it lets me use a tag I don’t get to use as often as I’d like.

On the frigid and crustacean-filled waters of Penobscot Bay, Mrs. Oliver was known as the Lobster Lady. She was a folk hero to Mainers — an enduring, if fading, emblem of the state’s hardy, matter-of-fact work ethic.
“She represented that no-nonsense Mainer who just got up every day and did what they had to do,” Barbara A. Walsh, the author of a children’s book about Mrs. Oliver, said in an interview. “It’s grit and determination.”
During lobster season — from June to December — Mrs. Oliver would wake up at 2:45 a.m., put on overalls and drive her four-wheel-drive pickup truck to the dock. After loading her boat, the Virginia, with bait and gas, she would head to sea before sunrise, hauling lobster pots until lunchtime.

Mrs. Oliver fished for more than 60 years with her husband, Maxwell Oliver Sr., known as Bill. After he died in 2006, Max Jr. took his spot. “I’m the boss,” she would occasionally remind both of them.
As a general rule, her authority was not to be questioned on land or at sea.
“She was a hard worker, a lovely lady, but you definitely didn’t mess around with her,” Dave Cousens, a lobsterman who knew Mrs. Oliver for several decades, said in an interview. “She had a mouth like a sailor. A lot of things she said you couldn’t print in a newspaper.”

A few years back, she needed stitches after a particularly obstreperous lobster sliced her finger.
“What are you out there lobstering for?” the doctor asked.
“Because I want to,” she replied.

She was 103 when a fall forced her to give up lobstering. She was 105 when she passed away.

Mickey Lolich, of the Detroit Tigers.

Pitching in the major leagues for 16 seasons, mostly with the Tigers, Lolich won 217 games and struck out 2,832 batters, posting more than 200 strikeouts in a single season seven times.

The Tigers finished 12 games ahead of the Baltimore Orioles as they won the 1968 American League pennant, led by the right-hander Denny McLain, who won 31 games and lost only 6 that season in becoming the first pitcher to reach the 30-game milestone in 34 years, a feat that hasn’t been matched since. Lolich, meanwhile, compiled a laudable 17-9 record.
McClain was bested by the future Hall of Famer Bob Gibson in the World Series opener, at Busch Stadium in St. Louis. Despite battling a groin infection that had developed overnight, Lolich pitched the Tigers to an 8-1 victory in Game 2 and hit the only home run of his career, a drive down the left-field line off the Cardinal starter, Nelson Briles.
The Tigers lost the next two games at home and were facing elimination when Lolich took the mound again, once more against Briles, but this time at Tiger Stadium. Lolich yielded three runs in the first inning, but the Tigers managed to rally for a 5-3 victory.
They won again in Game 6, in St. Louis, behind solid pitching by McLain and a 10-run third inning.
The durable Lolich was called on again for Game 7, when he faced Gibson.
With the game scoreless in the seventh inning, the Tiger outfielder Jim Northrup connected on a liner over the head of Curt Flood, the Cardinals’ center fielder, for a two-run, two-out triple. Detroit went on to a 4-1 victory, giving the Tigers their first World Series championship since they defeated the Chicago Cubs in seven games in 1945.

With that final out — a foul pop-up by Tim McCarver of the Cardinals that spurred Tiger catcher Bill Freehan to leap into Lolich’s arms — Lolich became the only left-handed pitcher in American League history to win three complete games in a World Series.

ESPN. Baseball Reference.

Obit watch: January 30, 2026.

Friday, January 30th, 2026

I’m going to do a round-up from the past couple of days. I’m also going to draw heavily on the NYT since we’re reaching the end of the month, and I have a bunch of share links to burn off before February.

Sly Dunbar, of Sly and Robbie.

For nearly 50 years, Mr. Dunbar and his partner, the bassist Robbie Shakespeare, who died in 2021, single-handedly shaped the various music styles — ska, reggae, rocksteady, dancehall — coming out of Jamaica’s heady cultural ferment of the 1960s.

Mr. Dunbar was known for his precise, propellant and somehow also relaxed drumming. After mastering the one-drop rhythm, a reggae standard that leaves out the kick drum on the first beat of a 4/4 measure, he pioneered the rockers rhythm, which deploys the drum on the first and third beats, and the snare on the second and fourth, making it even more danceable and energetic.
The rockers rhythm challenged the reggae orthodoxy of the 1970s. It fostered new genres like dancehall and made it easier for adjacent styles, like R&B, funk and rock, to incorporate reggae influences.

John L. Allen Jr., prominent Catholic journalist and author. I haven’t read any of his books, but I should probably at least buy the Opus Dei one. (Lawrence likes to give me a hard time about my Opus Dei membership.)

Johnny Legend, a polymath of the perverse who became something of a cult hero as — among other outré personas — a punk-rock wrestling impresario, an accomplice to the comedian Andy Kaufman, a B-movie archivist and erotic film auteur, and, with his flowing beard, a recording curiosity known as the Rockabilly Rasputin, died on Jan. 2 in South Beach, Ore. He was 77.

He’s not someone I’d ever heard of, but the obit is mildly interesting, so I’m just going to quote the first paragraph and send you over to the paper of record if it grabs you.

Finally, Dr. Peter H. Duesberg. That name may ring a bell for some people.

He did important early work on cancer.

In the late 1960s, when scientists had little understanding of what caused cancer, Dr. Duesberg studied a virus called Rous sarcoma, which had been associated with malignant tumors in chickens. He published the results of his experiments in 1970, showing that the virus carried a gene, known as Src, that triggered cancer in the birds.
It turned out to be the first known cancer-causing gene, or oncogene.
Dr. Duesberg’s work, at the University of California, Berkeley, set the stage for other researchers who were able to show that normal cells in many animals, including humans, carry a version of this gene, known as a proto-oncogene. Modern cancer treatments are based in part on the understanding that those proto-oncogenes can turn into cancer-spawning oncogenes when damaged over time by carcinogens, radiation or random mutations.

But he didn’t pursue his research on oncogenes. Instead, in his work at Berkeley and at the University of Heidelberg in Germany, where he held an appointment starting in 1997, he focused on the more established theory that cancer is caused by damage to the chromosomes, the structures that carry our genetic material.
And in a startling about-face, he inexplicably contradicted his own research, insisting that oncogenes didn’t, in fact, cause cancer; he even went so far as to heckle colleagues at scientific meetings if they supported that idea.

He became more famous as an H.I.V. denialist.

In the 1980s, Dr. Duesberg adopted another contrarian view, publicly rejecting the theory that the newly discovered disease known as AIDS was caused by human immunodeficiency virus, or H.I.V., a link that is widely accepted today. The theory he promoted was that AIDS was caused by poverty, malnutrition, the use of recreational drugs and azidothymidine, or AZT, an early antiviral drug used to treat the disease.

Throughout his life, Dr. Duesberg maintained his position that H.I.V. does not cause AIDS, a contention that raised questions about the perils of undermining public trust in established scientists during an epidemic.

By 1987, when Dr. Duesberg published his theory about AIDS in the journal Cancer Research, a consensus had formed around H.I.V. as the cause of the disease. Eventually, scientists figured out how H.I.V. caused AIDS — through the slow destruction of a white blood cell known as CD4, which is essential for the maintenance of the immune system. None of the factors Dr. Duesberg had proposed as the cause of AIDS led to this immune collapse.

Obit watch: January 23, 2026.

Friday, January 23rd, 2026

James Bernard, “founding editor and star writer” of the hip-hop magazine “The Source”.

His sister, Emily Bernard, who confirmed the death, said he died by suicide. His body was discovered on Dec. 29 in a wooded area in Pemberton Township, N.J., near his home.
Mr. Bernard is believed to have died around the time he was reported missing, in March 2024. He would have turned 60 last August.

His career at The Source unraveled in 1994, when he and other staff members organized a walkout after Mr. Mays published a laudatory article about the little-known group Almighty RSO, with which he was close, without consulting other editors. When calls for Mr. Mays’s resignation went nowhere, Mr. Bernard and others left the magazine.
In 1997, he and Mr. Dennis started a rival magazine, XXL. The founders conceived the quarterly as both a hip-hop tastemaker and a broader lifestyle magazine, like Playboy in its 1960s and ’70s heyday.

The Wikipedia entry on ‘The Source” goes into more detail about this and other issues.

Obit watch: January 21, 2026.

Wednesday, January 21st, 2026

This isn’t quite an obit, but Mike the Musicologist sent it to me a few days ago, and I’ve been waiting for a chance to use it: a tribute to Phil Schreier. (Previously.)

His character was unlike anyone I’ve ever known. Smart, funny and stubborn. Whatever standard an organization or the world imposed, his own was higher. He was a public face of NRA, not because he sought fame and fortune; the latter is extremely unlikely as an NRA employee of 36 years. He took that role on as not only his vocation but as a responsibility. Most of NRA’s millions of members will never meet an NRA staffer, one of the dedicated people that goes to work for them every day, so you better leave a good impression. Phil had the Cal Ripken attitude: No matter what’s going on in your life, you stay and sign the last baseball. At the thousands of gun shows he attended, and the dozens of NRA Annual Meetings, he would always make time to answer a question or shake a hand, much to his own peril when seeking to reach the bathroom on time. He once told me that if you’re on TV enough, you’ll never make it to the men’s room alone again. There was simply no quit in him.

Rob Hirst, drummer for Midnight Oil.

As I’ve observed before, if our Earth isn’t turning, our ability to dance will be the smallest of our possible problems. And if our beds are burning and we want to sleep…maybe get a hotel room? Or a fire extinguisher?

Obit watch: January 11, 2026.

Sunday, January 11th, 2026

Bob Weir, of the Grateful Dead.

(the sound of eight confused men getting paid)

Stewart Cheifet. My older readers may remember him from back in the day as the host of “Computer Chronicles” on PBS.

Hessy Levinsons Taft. I confess she wasn’t that notable, but this is a fun story in historical retrospect.

When she was six months old, in 1934, her family hired a photographer to take a portrait of her. The photographer, feeling whimsical, submitted the photo as an entry for a contest “to find a baby representing the epitome of the Aryan race”.

Joseph Goebbels, the Nazi minister of public enlightenment and propaganda, chose the winner.

She won the contest. Which made things rather complicated, as she and her family were Jewish.

T.K. Carter, actor. Other credits include “The Corner” (For those of you who have read the book or watched the mini-series, he was Gary McCullough. For those of you who haven’t read the book, I commend it to your attention.), “A Rage In Harlem” (1991), “Runaway Train”, and “Quincy, M.E.”.

Erich von Däniken, crank.

Mr. von Däniken was 32 and managing a hotel in Davos, Switzerland, when he published his first and by far most popular book, “Chariots of the Gods,” in 1968. In breathless prose, saturated with exclamation points and folksy interjections such as “Hey, presto!” Mr. von Däniken posited that virtually the sum of human knowledge and ability had been bestowed by extraterrestrials.
With little evidence and a lot of innuendo, he proclaimed that the Egyptian pyramids could have been built only with alien expertise. (“Is it really a coincidence that the height of the pyramid of Cheops multiplied by a thousand million — 98,000,000 miles — corresponds approximately to the distance between the earth and sun?” he wrote.)
The birdman cult of Easter Island, Mr. von Däniken declared, developed as a way to honor the supreme beings who had flitted down from the outer atmosphere to land on that remote spot in the Pacific, off the coast of South America.
Because an iron rod in a temple in Delhi, India, appeared impervious to rust, it must have been made from a celestial alloy, he insisted. Similarly, he said, when viewed from the air, the geoglyphs of Nazca, Peru, are obvious landing strips for spaceships. And artwork on a Mayan sarcophagus depicts not a king descending into the underworld, he concluded, but an astronaut-god piloting a spaceship.

It sounds ridiculous, but people bought into this [stuff]. Including me. In my defense, I was left unsupervised. Also, I was very young at the time. (See also.)

Over the next half century, he published over 40 more books, which were translated into some 30 languages, and though none of them offered much variation from his original themes or ideas — subsequent titles included “Gods From Outer Space,” “The Gods Were Astronauts” and “Arrival of the Gods” — they collectively sold more than 70 million copies.

Mr. von Däniken wrote his second book from prison. In 1970, a Swiss court convicted him of fraud, forgery and embezzlement, determining that, as a hotel manager, he had falsified financial records to subsidize what the court called a “playboy” lifestyle. He served about a third of a three-and-a-half-year sentence.
Critics pointed to Mr. von Däniken’s criminal history as proof of a penchant for deception. But Mr. von Däniken seemed unfazed, even comparing himself to Jesus. “People don’t ask if Christ was convicted of a crime,” he told Playboy in 1974. “What has that to do with the message Christ brought?”

I Ran (So Far Away)

Friday, January 9th, 2026

(Did you know that “A Flock of Seagulls” (the first album) was a concept album about alien abduction? At least, that’s what Genius says.)

I am not an expert in geopolitics. I am especially not an expert in Iranian politics. Lawrence can probably point you in the right direction on that front.

But, back when I was attending St. Ed’s and studying “Modern Revolutions” with Dr. Sanchez, she had us read Iran Awakening: One Woman’s Journey to Reclaim Her Life and Country by Shirin Ebadi.

(Actually, Dr. Sanchez just asked us to read the first half of the book. I read the whole thing, because I’m an overachiever. Also, I liked Dr. Sanchez – not in that way, she was already married – and wanted to impress her.)

Anyway, one thing vividly stood out to me from that book.

Dr. Ebadi was a judge form 1969 forward, during the reign of Shah Reza Pahlavi. She describes the elation she, and her friends, felt at the Revolution, and how happy they were to see the Shah deposed and the new regime come in.

A week later, the new bosses called her into the office.

They told her, “Women can’t be judges in Islam. You can either be a janitor or a librarian.”

Point being: be careful what you wish for. You may just get it.

Obit watch: December 23, 2025.

Tuesday, December 23rd, 2025

This is a couple of days old, but it got past me because the weekend was busy: May Britt.

She had a career as an actress, including the original “Mission: Impossible” and the 1959 “The Blue Angel”. She married Sammy Davis Jr. in 1960.

The couple planned their wedding for that October but ended up pushing it back to November. It took place in Hollywood; Frank Sinatra served as best man, and several other members of the Rat Pack were in attendance — including Peter Lawford, who was married to Kennedy’s sister Patricia. (Mr. Davis was a core member of the group, known for performing in Las Vegas together.)

There was a lot of backlash at the time, and the marriage pretty much cost Ms. Britt her career.

Chris Rea, musician. I wouldn’t say I was a big fan of his work, but back in the day when I listened to the radio, KGSR would play “Texas”. I thought that was a pretty swell song.

And it is Christmas, right?

Obit watch: December 16, 2025.

Tuesday, December 16th, 2025

Joe Ely, one of the great Texas musicians. Variety. NYT (wow!).

I’m generally a little cynical about Texas musicians, but even I have to acknowledge that he was one of the greats. And I could just post YouTube videos all day.

This isn’t an Ely original, but I prefer this to Robert Earl Keen. That is a controversial opinion, I know.

Lawrence describes this as the greatest song ever written about a fighting rooster. Can’t argue with that.

Interestingly, he was an early adopter: he had a BBS system, back in the day when BBS systems were a thing.

After the show, Mr. Strummer and Mr. Jones took the Ely band on a tour of London’s late-night demimonde, an eye-opening experience even for someone as well-traveled as Mr. Ely. He returned the favor when the Clash came through Texas on their first U.S. tour, in 1979. He took them around Lubbock, to sites including Buddy Holly’s grave, where they all got stoned on laughing gas and beer.

“I had teachers tell me I wouldn’t make it to 21 when I was going to high school, so I beat the odds, you know?” he told Lone Star Music magazine in 2011. “I’ve traveled millions of miles, zigging and zagging in every kind of vehicle known to man, trying to get from one place to another to create some more music.”

He was 78.

Anthony Geary, actor. Other credits include “UHF”, “Project U.F.O.”, “Shaft” (the TV series)…

…and “Mannix”. (“A Way to Dusty Death”, season 7, episode 2. He was “Eddie Decken”.)

Obit watch: December 11, 2025.

Thursday, December 11th, 2025

Three obits today for people who aren’t as notable as usual, but who I find interesting for one reason or another.

Stephen Downing. He was a police officer with the LAPD. One day he picked up the phone at the precinct.

Jack Webb was on the other end of the line. He was looking for a technical advisor for “Adam-12”.

Mr. Downing — who had studied creative writing in the 1960s at what is now California State University, Los Angeles — got the job and quickly surmised that he could offer more than guidance on police policy and tactics. He wanted to write a script.
“Webb said, ‘It’s harder than it looks,’” Michael Downing said in an interview, recalling what his father told him. “My father went home, wrote the script over the weekend and sold it.”

He continued to write scripts (under pen names) while still working for the LAPD.

As Michael Donovan, he wrote 21 episodes of “Adam-12,” 11 of a “Dragnet” reboot in the late 1960s that starred Mr. Webb and Harry Morgan, and 13 of “Emergency!,” a show Mr. Webb produced in the 1970s about Los Angeles paramedics. Under the name Sean Baine, Mr. Downing’s writing credits included “Police Woman,” “The Streets of San Francisco,” “Kojak” and “Police Story.”

After retiring from the L.A.P.D. in 1980, he produced and wrote, under his own name, action series like “T.J. Hooker,” a police procedural set in Los Angeles that ran on ABC and then CBS from 1982 to 1986 and starred William Shatner, and for ABC’s “MacGyver,” with Richard Dean Anderson as an agent whose only weapon is a Swiss Army knife.

IMDB.

Donald McIntyre, opera singer.

The booming voice of Mr. McIntyre, a giant of a man who once seemed destined for a rugby career in his native New Zealand, rang out for more than five decades in the world’s major opera houses, including the Metropolitan Opera, where he had 16 major roles from 1975 to 1996.
But “the highlight of my career,” as he put it in his 2019 autobiography, was his performance at Bayreuth as Wotan, the king of the gods, in “Das Rheingold,” “Die Walküre” and “Siegfried” in a groundbreaking 1976 production of Wagner’s four-opera “Der Ring des Nibelungen,” directed by Patrice Chéreau.

I don’t get to use my “Wagner” tag enough. But anyway:

By presenting the operas, based on Germanic mythology, as a neo-Marxist allegory of capitalist exploitation in the 19th century, Mr. Chéreau’s production — the so-called centenary “Ring,” marking the 100th anniversary of the tetralogy’s premiere at Bayreuth — shattered norms and set the stage for decades of updatings of canonical operas.
Audiences around the world were used to seeing Wagner gods and heroes holding spears and wearing pseudo-Norse winged helmets. While some postwar Bayreuth productions had emptied out the stage for radically spare visions of the classic works, putting Mr. McIntyre’s Wotan in an Edwardian frock coat and dressing the Rhinemaidens as cancan girls caused a near riot at the tradition-encrusted summer festival.
As Mr. McIntyre recalled in his memoir, an enraged older lady beat another spectator over the head with an umbrella; “howls of fury” greeted his entrance onstage in the frock coat; and the composer’s daughter-in-law, Winifred Wagner, a onetime confidant of Hitler’s, told Mr. McIntyre that if she came across Mr. Chéreau, she would “shoot him” for politicizing the “Ring.”
Over four years, however, with the production revived, revised and refined each summer, many holdouts eventually warmed to it, and at the final performances, in 1980, there was a 45-minute standing ovation. When Winifred Wagner and Mr. Chéreau finally met, she admitted that “many times I wanted to kill you,” but added, “After all, isn’t it better to be furious than bored?”

There’s something to be said for that.

George Altman, baseball player. He was one of only three people who played in the Negro Leagues, MLB, and in Japan. (Don Newcombe and Larry Doby are the other two.)

At Tennessee A&I State University (now Tennessee State University), he played basketball and baseball. After graduating in 1955 with a degree in physical education, he landed a tryout with the Kansas City Monarchs, a Negro Leagues team managed by Buck O’Neil.
Altman took batting practice with the Monarchs before one of their games.
“Evidently I must have impressed them a little bit because as I was getting comfortable on the bench, sitting back to just enjoy the game, Buck came up to me and said, ‘Boy, you’re in there,’” Altman wrote. “It almost scared me to death.”

After three months with the Monarchs, he signed with the Cubs and was assigned to the Burlington Bees, in Iowa, in the minor leagues. He was drafted into the Army in 1956, and then rejoined the Cubs organization in 1958. He was promoted to the major leagues the next year.
“The thing I like about Altman is the fact that he knows where the strike zone is,” [Ernie] Banks told The Sporting News in 1959. “That’s one thing most young ballplayers don’t know about. They swing at anything they can reach with the bat. Altman waits for his pitch.”
In need of pitching, the Cubs traded Altman to the Cardinals in 1962. St. Louis traded him to the Mets the next year, and the Mets traded him back to the Cubs before the 1965 season. By then, he was struggling with injuries, once joking that he played for Blue Cross.
After Altman hit just .111 in 15 games in 1967, his career in the majors was over. Unwilling to quit playing, he joined the Tokyo Orions in Japan. During seven seasons with the team, he hit 193 home runs, becoming a popular player for his slugging and willingness to learn Japanese phrases.

Baseball Reference.

Obit watch: December 4, 2025.

Thursday, December 4th, 2025

Several people sent me obits for Steve Cropper, of Booker T. and the MG’s, and the Blues Brothers.

As a member of Booker T. & the MG’s, the house rhythm section at Stax, Mr. Cropper played the snarling Fender Telecaster lick on “Green Onions,” the funky hit instrumental by the MG’s from 1962. He also contributed the ringing guitar figure that opened Sam & Dave’s gospel-steeped “Soul Man,” the 1966 single on which the singer Sam Moore shouted, “Play it, Steve!” to cue Mr. Cropper’s stinging single-string solo on the chorus. Both records were Top 10 pop hits and reached No. 1 on the R&B chart.

Mr. Cropper achieved further acclaim in the late 1970s for his work with the Blues Brothers, the musical side project of the “Saturday Night Live” co-stars John Belushi and Dan Aykroyd. By then, Stax had closed, having fallen into insolvency in 1975, and Mr. Cropper had begun immersing himself in freelance session and production work with artists like Art Garfunkel and Ringo Starr.
“Briefcase Full of Blues,” the Blues Brothers’ first album, included a remake of “Soul Man,” complete with a reprise of the shout “Play it, Steve!” from Mr. Belushi on the chorus. The single reached No. 14 on the pop chart in 1979, anticipating the release of the 1980 movie “The Blues Brothers,” starring Mr. Belushi and Mr. Aykroyd and featuring Mr. Cropper as Steve “the Colonel” Cropper, who plays in a band called Murph and the Magic Tones. (Born of Mr. Cropper’s tendency to take charge of situations, the Colonel was a childhood nickname that stuck with him even after he established himself as a musician.)

Here’s a blast from the past for you: Eugene Hasenfus.

“Eugene who?”

Yeah, that’s what Ronald Reagan said.

Mr. Hasenfus emerged out of obscurity on Oct. 5, 1986, when a missile fired by troops fighting for Nicaragua’s leftist government downed his plane while it was on a run to drop arms to right-wing rebel forces, known as contras, who were seeking to overthrow the country’s leaders.
The pilot, co-pilot and radio operator of the plane — a twin-engine turboprop of 1950s vintage — died in its fiery crash in a patch of jungle in southern Nicaragua. Mr. Hasenfus, who had been responsible for packing and dropping the arms, was the lone survivor.
An experienced skydiver and the only crewman with a parachute, he had leaped from the cargo compartment, which had been blasted open by the missile, as the aircraft began plummeting to earth.

He was captured and put on trial.

While awaiting his trial, Mr. Hasenfus told the CBS News correspondent Mike Wallace for a segment of “60 Minutes” that when he joined the mission, he believed that he was working for the C.I.A. Asked what an average American would think about the shoot-down, he replied, “He’s going to make that the government is backing this 100 percent, and that’s what I believe, too.”
President Ronald Reagan’s administration initially denied any American involvement in the flight. Those denials began unraveling when it was reported that the cargo plane belonged to Southern Air Transport, a charter carrier based in Miami that was formerly owned by the C.I.A.
Mr. Hasenfus’s capture led to investigations by Congress and by an independent counsel, Lawrence E. Walsh, and ultimately to revelations that the administration, defying Congress, had illegally sold arms to Iran and used some of the proceeds to secretly support the contras. The scandal shadowed the Reagan administration and later the presidency of George H.W. Bush, who was Mr. Reagan’s vice president before succeeding him in 1989.

He was convicted and sentenced to 30 years in prison but was freed in December 1986 in what Daniel Ortega, the Sandinista leader who is now the country’s autocratic president, called an act of good will toward the United States.

Obit watch: November 24, 2025.

Monday, November 24th, 2025

Udo Kier, actor. THR.

275 credits in IMDB, including “Iron Sky: The Coming Race”, “Don’t Worry, He Won’t Get Far on Foot”, and “Scooby-Doo! Mystery Incorporated”.

Jimmy Cliff. THR.

Mr. Cliff won two Grammy Awards over his decades-long career: best reggae recording in 1986 for “Cliff Hanger” and best reggae album in 2013 for “Rebirth.” But his breakthrough in the United States came when he starred as an actor in “The Harder They Come,” a 1972 movie about a struggling Jamaican musician who turns to crime.

That film became a cult favorite in the United States, running for years in midnight slots at theaters. It won Mr. Cliff a wide base of fans, many of whom bought the movie’s soundtrack, which included “You Can Get It If You Really Want” and “The Harder They Come” as well as Mr. Cliff’s “Many Rivers to Cross” and “Sitting in Limbo.”

Lee Tamahori, New Zealand director who went on to a Hollywood career. IMDB.

I never saw any of his Hollywood films. But I did see “Once Were Warriors” in a theater, and it blew me away. I highly recommend that, but be warned: it isn’t a light and happy movie.

Jamil Abdullah Al-Amin, who was also known as H. Rap Brown.

Before converting to Islam and changing his name in the 1970s, Mr. Al-Amin was one of the most incendiary orators among the Black Power activists who emerged in the late 1960s to challenge the leadership and nonviolent strategy of the civil rights movement.
An admirer of the Cuban revolution, he preached armed resistance and separatism, declaring: “Violence is necessary. Violence is a part of America’s culture. It is as American as cherry pie.”
With his trademark black beret and sunglasses, dexterous mind and imposing 6-foot-5 inch frame — 7 feet, with his Afro — he was a persuasive and charismatic figure to many, adept at rallying Black audiences to his cause while alarming many white listeners.
Elected chairman of the Student Nonviolent Coordinating Committee in May 1967, he made an immediate mark by getting the word “nonviolent” removed from its name, persuading the organization’s leaders to change it to the Student National Coordinating Committee.

He had a long history of “involvement”, so to speak, with law enforcement.

Enmeshed in court proceedings resulting from federal and state charges he faced in five cities, Mr. Al-Amin went into hiding in 1970 and spent 18 months on the F.B.I.’s Most Wanted list. He resurfaced in Manhattan on Oct. 16, 1971, in dramatic fashion — wounded in a shootout with the New York City police. The police said he and several accomplices had tried to hold up an uptown Manhattan tavern and exchanged gunfire with officers who were pursuing them.
Mr. Brown, who denied the charges, was convicted on charges of robbery and assault with a deadly weapon. He served five years of a five-to-15-year sentence at the Attica state prison in upstate New York.
By the time he was released on parole in 1976, he had converted to the Muslim Sunni sect known as Dar-ul Islam. By his account, he had become a new man with a new name. He moved to Atlanta, where his wife, Karina, had established a law practice, and publicly renounced the revolutionary ambitions of his youth.

He was convicted of shooting two sheriff’s deputies – killing one – in 2000, and died in a federal medical center.

Obit watch: October 17, 2025.

Friday, October 17th, 2025

The archiving service I use has been having issues all day, so I’m going to put this up without some links. If they fix the problems in the next day or two, I’ll go back and add them.

Kanchha Sherpa has passed away at the age of 92. (Paywalled link. Sorry.) He was the last surviving member of the Hillary-Norgay team that climbed Mount Everest.

Mr. Kanchha carried 60 pounds of gear, fixed ropes and scouted the trail for the team. Despite injury, cold, illness and hardship, “I got good work,” he told Climate Wire in 2011. “I got good clothing. It was good for me.”

More recently, he expressed concern about the large numbers of people climbing Everest and the environmental damage they caused.Still, as a mountain guide, he told Climate Wire: “If we stop the tourists to save the mountains, we don’t have anything to do. Just grow potatoes and eat and sit.”

Ace Frehley, of KISS. NYT (share link, should be free).

I don’t have much to say about Mr. Frehley, and I feel a little bad. But I was never a fan of Knights In Satan’s Service.

Susan Stamberg, NPR host famous for her “cranberry relish” recipe. Recipe here. NYT (non-archived, paywalled link. Sorry.)

American Handgunner, the print edition. The brand is going to continue in the form of online “newsletters”, and I think Guns is still going to be around.

But to me, this is awful news. AH is one of the few gun magazines I subscribed to, and I’m not sure if signing up for all the newsletters will get me the content I want. Sure, Dr. Dabbs will still be around, but what about the “Ayoob Files” and Ayoob’s monthly column? Will the “Guncrank Diaries” still exist? If not, who’s going to tell me stories, like the one about Elon Musk’s dad killing three cannibals with two bullets? And what if I want to go back and refer to something? The website is a little skirty about pulling up older articles, even if you are a paid subscriber.

I think I understand the reasons, and I still support the AH staff. But the older I get, the more change stinks.

Oh my God, it’s (NOT!) a mirage…

Thursday, October 16th, 2025

This is a story that’s mostly local, but it pushes enough of my buttons to document here.

The Brooklyn Mirage, a 32,000-square-foot open-air concert hall in East Williamsburg, Brooklyn, is slated to be razed following ongoing financial distress and a failed return this summer, according to demolition permits.

“Razed”.

The seasonal music venue is part of the 80,000-square-foot Avant Gardner complex, which also hosts The Great Hall and Kings Hall – both indoor venues which have shows scheduled through Dec. 6.

I can’t tell if the two halls are connected to the Mirage, or if they are stand-alone entities.

The Department of Buildings revoked the venue’s temporary occupancy certificate just days before its anticipated opening, which was set to feature headliners like Sara Landry, Alesso and Peggy Gou.

Who?

The agency had numerous objections “both safety-related and technical in nature,” the DOB wrote at the time, according to Brooklyn Paper. Some of those issues included inadequate accessibility requirements, toilets and automatic fire sprinklers.

This is the part that got me.

“From [the venue’s] questionable footing to the large truss at its zenith, from its cantilevered mezzanines to its exterior walls, it was potentially unsteady, combustible, illegal, and no place to put 6,000 people,” Buildings Commissioner Jimmy Oddo said in a statement.

“unsteady, combustible, illegal, and no place to put 6,000 people”. Sounds like somebody messed up badly. Or else they didn’t bribe the right people.

The parent company filed for Chapter 11 bankruptcy in August, calling the Mirage closure “catastrophic” for company finances in court documents.

Yes, I would imagine that not being able to open would be “catastrophic”.

Bankruptcy records show that the venue owes various vendors more than $10 million, including a cool $1.8 million to the DJ Black Coffee Entertainment from South Africa.

The parent company is now selling off its assets to an “affiliate” of the company’s lender, according to The Real Deal (the company has up to $500 million in liabilities and only at most $100 million in assets).

All of these problems make me think there’s one thing going on…