Archive for the ‘Art’ Category

Obit watch: June 11, 2021.

Friday, June 11th, 2021

Gottfried Böhm, Pritzker Prize-winning Brutalist architect. He was 101.

Arguably the defining work of Mr. Böhm’s career was the Roman Catholic Pilgrimage Church at Neviges, known in German as the Wallfahrtsdom or the Mariendom, close to the city of Wuppertal in northwest Germany.
Completed in 1968, it is a monumental Brutalist Gesamtkunstwerk or total of work of art, whose jagged concrete roof has been likened to a tent, a crystal and an iceberg. Set at the top of a hill, the church rises imposingly above the picturesque houses of medieval Neviges.
Mr. Böhm lavished as much attention on the church’s forum-like interior as he did on its folding roof and sculptural facade, with their rough concrete textures and sharp angles. He designed the stained-glass windows, lamps and door handles and even the chairs. With room for 8,000 worshipers, it is the second largest church north of the Alps.

Art, damn it, art! watch (#59 in a series)

Thursday, June 10th, 2021

I don’t want to draw too much on the NY Post. But Mike the Musicologist sent this to me with a challenge:

An Italian artist sold an invisible sculpture for over $18,000 and had to give the buyer a certificate of authenticity to prove it’s real, the Daily Mail reported.

“The vacuum is nothing more than a space full of energy, and even if we empty it and there is nothing left, according to the Heisenberg uncertainty principle, that ‘nothing’ has a weight,” the Sardinian-born artist explained, according to Hypebeast. “Therefore, it has energy that is condensed and transformed into particles, that is, into us.”

This isn’t the first piece of Garau’s that is unrecognizable to the human eye. In February, the artist exhibited “Buddha In Contemplation,” another invisible sculpture at the Piazza della Scala in Milan. And just this week, Garau installed his most recent statue, “Afrodite Piange,” facing the New York Stock Exchange.

Edited to add: I was unaware of this previously, but it popped up on Hacker News after I posted. I know, he only has 501 views as I write, but it seems like a good commentary. Or at least I found it mildly amusing.

Warning! Mime! Achtung! Mime! Avvertimento! Mimo! Avertissement! Mime!

Warning! Mime! Achtung! Mime! Avvertimento! Mimo! Avertissement! Mime!

“What you gonna do when you get out of jail?…” part 385

Tuesday, April 20th, 2021

Today’s my birthday, so I’m queuing this up in advance. I thought I’d try to do something a little different today, maybe go back to some things I haven’t done in a while.

Like trains.

“Last of the Giants”. This appears to be a Union Pacific documentary about their “Big Boy” steam locomotives, which they operated in “revenue service” until 1959. UP still operates one “Big Boy” and one “800 Series” locomotive for promotional purposes.

Interestingly, the “Big Boy” has actually been converted to run on oil:

Bonus: Do you like people speaking with Russian accents? Do you like Zippos? I like Zippos. Most of the time, I can take or leave Russian accents.

By way of “CrazyRussianHacker“, “7 Zippo Gadgets You Did NOT Know Exist”.

It doesn’t (generally) get that cold in Texas, but I kind of want one of those Zippo hand warmers anyway. I remember my dad used to have something similar kicking around, but he didn’t use it much in my memory, because it doesn’t (generally) get that cold in Texas. There have been some New Year’s Eve’s when we’ve been setting off fireworks, though…

Bonus #2: Here’s a bit of a time capsule for you. It could also fall under “Travel Thursday”, but I’m not putting it there for two reasons. One, this is different.

The “Museum of Automata” in York. Apparently, this was filmed sometime in the 1990s.

Reason number two is that, sadly, from what I’ve found on the Internet, the museum closed quite a while ago.

Bonus #3: I will freely admit, I am posting this one to tweak someone who says “‘Godzilla vs. Kong’ f–king ruled!” (My own personal opinion: the monster fight scenes were pretty good. Unfortunately, there was an excess of humans and human interaction in the movie, and I really didn’t like any of the humans. The kaiju film that would “f–king rule” for me would be the monster equivalent of “The Raid: Redemption”: maybe two minutes of introductory setup, two minutes of epilogue, and 116 minutes of giant monsters fighting.)

Anyway, C.W. Lemoine ruins the first fight scene from “Godzilla vs. Kong”.

To be honest, I thought the movie looked a lot better on the screen at the Alamo than it does in this video. Also, to be fair, it is just a TV show movie: I should really just relax.

Edited to add 4/20: Hand to God, I had no idea Lawrence was even working on this, much less planning to post it today.

Bonus #4: I see a lot of folks talking about minimizing their lifestyle, and stripping away almost everything to the point where they can live almost completely out of a van. (I see very few of these folks who have toilets in their vans: apparently, when they need a bathroom, they find one at a gym, gas station, store, or other place of public accommodation. But I digress.)

Have you ever listened to these folks talk, or read any of their praises for van life, and asked yourself, “Self, what do these people do when it is -20 degrees? -20 Communist Centigrade degrees, too, not -4 American Fahrenheit degrees.” (See, by converting from Centigrade to Fahrenheit, you’ve already made yourself feel warmer. If you go a step beyond and convert to 455 degrees Rankine, you’ll probably give yourself heat stroke.)

Well, here you go.

Bonus #5: Okay, I know I’m posting a lot of stuff today. Consider this a present on my birthday to you, my loyal readers.

Have you ever asked yourself, while stoned on your couch, “Self, what ever happened to all those paintings Bob Ross painted?”

I’m going to guess: probably not, because I don’t think most of you are stoners. But just in case, the NYT (who probably are a bunch of stoners, judging from some of the crazy (stuff) they publish these days) investigated. Here’s what they found.

I haven’t laughed so hard since the hogs et my kid brother.

Wednesday, March 17th, 2021

Ja Rule is getting into the NFT space. The rapper plans to sell a piece of art that once hung at Fyre Media’s headquarters in New York City.

Ah, the Fyre Festival. Brings back memories.

“What you gonna do when you get out of jail?…” part 301

Tuesday, January 26th, 2021

I would call this “True Crime Tuesday” but there’s some other jerkface out there who does that already.

I did think it might be fun to do some stuff at the intersection of crime and art.

“The Mystery Conman – The Murky Business of Counterfeit Antiques”.

Bonus: “Stealing the Mona Lisa”.

Art, damn it, art! watch (#58 in a series)

Friday, December 25th, 2020

No snark this time: I think this is kind of neat (both the art and the tweet):

Art, damn it, art! watch (#57 in a series)

Thursday, December 17th, 2020

I was going to try to make a Yakov Smirnoff reference here, but I decided to leave it as an exercise for the reader.

Guy in Peoria is hired to paint a “Soviet-style mural of Cookie Monster” on a building and gets paid (well, he claims) in cash. Guy paints mural.

Guy finds out after the fact that the person who hired him was not the property owner, but someone posing as the property owner. Hilarity ensues.

In a brief interview, Mr. Comte [the real one, the guy who owns the building – DB] expressed fury over the attention that the apparent prank had gotten from national and international news outlets.
“This isn’t news,” Mr. Comte said, then added an expletive. “I’ll give you a headline: Man paints his own building wall.”
“I don’t hate art,” he earlier told The Journal Star of Peoria. “But I don’t know what the hell that was.”

Art, damn it, art! watch (#56 in a series)

Thursday, December 10th, 2020

(Been a while since I’ve done one of these, hasn’t it?)

The Austin City Council has decided (based on a recommendation from the city’s Arts Commission) to “deaccession” several pieces of public art.

The big news is: one of those pieces is “Moments”. If you live in Austin, you know “Moments” better as “those blue panels bolted to the overpass wall on North Lamar Boulevard”.

“Moments” caused a stir from the beginning. It was the city’s first art-in-public-places project to be installed along a road, and its installation caused traffic backups. The piece was meant to evoke impressions of the moments contained in an experience or environment, Jean Graham, a city of Austin art in public places coordinator, told the American-Statesman at the time.
“The designer was thinking, well, you could think of the moments going by as you are waiting under the bridge in traffic,” Graham told the paper in 2003.
In [Carl] Trominski’s [the artist – DB] submission for the piece’s creation, he wrote that the site “is visualized as a Threshold between the Urban Austin and the Natural Austin. The underpass marks a journey through the city’s self-image. … This proposal intends to strengthen the expression and experience of this moment.” The signs were to “make abstract reference to musical notes, the motion of a row on Town Lake, and acts (as) a shadow indicator of the day’s progression.”

“I thought it would be fun to do something that people could ignore and not even notice,” Trominski told the late Statesman columnist John Kelso in 2006. Trominski, who beat out about 30 other entrants for the art project, continued, “I had no idea people would get angrier at that than they would at the traffic.”

For the record, the other artworks being taken off the list are…

… “Karst Circle” at Austin Fire Station 43/EMS Station 31 on Escarpment Boulevard; “Bicentennial Fountain” at the entrance to Vic Mathias Shores between South First Street and West Riverside Drive; “LAB” along the Lance Armstrong Bikeway from MoPac Boulevard (Loop 1) to Airport Boulevard; and the Republic Square Fountain, which no longer exists and formerly was located at Republic Square Park.

Here’s a presentation with some photos of the art, if (like me) you were unfamiliar with these pieces.

Fountain is no longer exists. During recent renovation of Republic Square Park, it was thought to be a design element, and was removed. AIPP was not informed.

I may have spoke too soon.

Thursday, November 19th, 2020

This might be the headline of the day:

Rapper with flamethrower in custody over NYC bus stunt

More context:

Authorities said Dupree G.O.D was arrested on charges of reckless endangerment and criminal possession of a weapon. There was no information on when he would be arraigned. He was in police custody Wednesday night.
The musical artist was filmed earlier this month in an unauthorized stunt that he said was part of a tribute video for the hip-hop group Wu-Tang Clan. The clip gained attention on social media after a police union tweeted it as an example of the city becoming less safe.

And of course:

I’m really not sure I see the “reckless endangerment” part of that charge. It seems to me that he was pointing it away from and above people. As for the “criminal possession of a weapon” charge, well, maybe, given that this is NYC.

“What you gonna do when you get out of jail?…” part 156

Wednesday, September 2nd, 2020

Some people may be surprised by this, but: I like poetry.

I know, maybe I should turn in my man card. But I’m weird about the poetry I like. I find much of T. S. Eliot incomprehensible, but his imagery! Rod Dreher wrote a while back about the Australian poet Les Murray, and I want to read more of his work. Someone gave me a coffee mug with a quote from James Merrill’s “The Black Swan” on it and now I want to read more Merrill.

And Penny Arcade introduced me to “i sing of Olaf glad and big” which I find comforting from time to time.

“there is some shit I will not eat”

I believe there are two poets you don’t have to turn in your man card to like.

One is Kipling.

Charles Dance reads “The Road to Mandalay” during a 70th anniversary of VJ Day commemoration in London.

“The Power of the Dog”.

The other poet you don’t have to turn in your man card for? Robinson Jeffers. I think even TJIC would concede this point: you have to like a poet who apprenticed himself out so that he could learn stonemasonry, then used that skill to keep adding on to Tor House for the rest of his life.

He later built a large four-story stone tower on the site called Hawk Tower. While he had not visited Ireland at this point in his life, it is possible that Hawk Tower is based on Francis Joseph Bigger’s ‘Castle Séan’ at Ardglass, County Down, which had also in turn influenced William Butler Yeats’ choice of a poets tower, Thoor Ballylee. Construction on Tor House continued into the late 1950s and early 1960s, and was completed by his eldest son. The completed residence was used as a family home until his descendants decided to turn it over to the Tor House Foundation, formed by Ansel Adams, for historic preservation. The romantic Gothic tower was named after a hawk that appeared while Jeffers was working on the structure, and which disappeared the day it was completed. The tower was a gift for his wife Una, who had a fascination for Irish literature and stone towers. In Una’s special room on the second floor were kept many of her favorite items, photographs of Jeffers taken by the artist Weston, plants and dried flowers from Shelley’s grave, and a rosewood melodeon which she loved to play. The tower also included a secret interior staircase – a source of great fun for his young sons.

Judith Anderson reads Robinson Jeffers, part 2.

I’m leading off with this one because it contains two of my favorite Jeffers poems: “Hurt Hawks” and “The House Dog’s Grave”.

Part 1:

A shortish documentary from 1967:

Sadly, I can’t find any readings of my other two favorite Jeffers poems: “Be Angry at the Sun” and “The Stars Go over the Lonely Ocean“.

“…Long live freedom and damn the ideologies”

Obit watch: August 28, 2020.

Friday, August 28th, 2020

Gerald D. Hines, prominent developer.

At his death, Mr. Hines’s company had built 907 projects around the world, including more than 100 skyscrapers, many of them designed by architects like I.M. Pei, Harry Cobb, Philip Johnson and John Burgee, Cesar Pelli, Kevin Roche, Jean Nouvel, Frank Gehry, Robert A.M. Stern and the firm Kohn Pedersen Fox.
Hines built the Lipstick Building (officially 885 Third Avenue) in Manhattan and Pennzoil Place, Williams Tower and Bank of America Plaza in Houston, all designed by Mr. Johnson and Mr. Burgee. It was behind the Salesforce Tower, designed by Mr. Pelli, which is the tallest building in San Francisco; the DZ Bank in Berlin, designed by Mr. Gehry; the sprawling Porta Nuova complex in Milan; the Diagonal Mar project in Barcelona; and the Aspen Highlands ski area in Colorado, a favorite project of Mr. Hines’s. (He had a home in Aspen and continued to ski into his 90s.)
Architecture was his passion, although it would probably be more accurate to say that what he cared about most was fusing a point of intersection between serious design and profit-making real estate development. He took issue with colleagues who saw creative architects as dangerous to the bottom line. Spending a little more to create a better building would pay off in the end, he believed, because tenants would spend more to be in a better building that had a distinctive identity, and that would benefit both his tenants’ businesses and his own.

Ada Louise Huxtable, then the senior architecture critic of The New York Times, hailed Pennzoil in 1976 as a “rarity among large commercial structures: a dramatic and beautiful and important building.”
“It successfully marries art and architecture and the business of investment construction,” she added.Pennzoil was internationally acclaimed, and it led other developers to attempt the Hines formula of hiring celebrated architects and commissioning them to design one-of-a-kind towers that could be marketed as defining points of downtown skylines. (Not all of his peers were as good as Hines, however, in simultaneously encouraging creativity and controlling construction costs.)
The success of Pennzoil Place marked the beginning of a close and long relationship between Mr. Hines and the partners Mr. Johnson and Mr. Burgee. It would transform Mr. Johnson’s practice from a boutique firm designing mainly expensive civic and institutional projects into a major player in commercial architecture — one that would reshape skylines around the country. Hines also commissioned the Johnson firm to design Comerica Tower in Detroit, the Wells Fargo Center in Denver, 550 Boylston Street in Boston and 101 California Street and 580 California Street in San Francisco, among many others.
Mr. Johnson and Mr. Hines made an unlikely pair: the intellectual architect who rarely stopped talking and loved gossip and controversy, and the buttoned-up developer so averse to grandstanding that he would keep a slide rule in his pocket and take it out and pretend to use it during a meeting to avoid having to speak. But before his death in 2005, Mr. Johnson told the writer Hilary Lewis that he considered Mr. Hines his “first and greatest client.”

Walter Lure. Interesting story: Mr. Lure was the rhythm guitarist for the Hearbreakers (also known as Johnny Thunders and the Hearbreakers, as opposed to Tom Petty’s Hearbreakers) one of those legendary NYC punk bands.

The Heartbreakers were together for a brief three years and recorded only one studio album, “L.A.M.F.,” released in 1977 on the British label Track Records. But among the bands that clustered around downtown clubs like Max’s Kansas City and CBGB during the early punk years, the Heartbreakers had an outsize reputation.
“They were probably the best band besides the Ramones and the Dictators,” Legs McNeil, a co-founder of Punk magazine and the co-author of “Please Kill Me: The Uncensored Oral History of Punk” (1996), said in a phone interview. “But they’re kind of like mythical, you know, because no one ever saw them. And when they did, Johnny was usually too drugged out to perform.”

Mr. Lure had played mostly in cover bands before he joined the Heartbreakers in 1975, but he quickly bonded with the other members musically and otherwise. In his memoir, “To Hell and Back,” published in March, Mr. Lure wrote of his initiation into the band in Mr. Hell’s East Village apartment. His bandmates cut off his long hair, and Mr. Nolan cooked him up a shot of heroin.

He had strong opinions about how a rock band should sound. In his book he disparaged artier contemporaries like the Talking Heads and Television, writing: “It was as if everybody was so concerned about somehow sounding ‘unique’ that they forgot that, sometimes, the kids just wanna rock. That was the niche that the Heartbreakers slipped into, and that was why they’d excited me so.”

After the Hearbreakers, he went into product testing for the FDA (he had an English major and a chemistry minor from Fordham) and from there went into Wall Street.

It led to a position at a brokerage firm overseeing a team of 125 and a long career in finance that lasted until he retired, in 2015.

Mr. Lure remained a drug addict until sobering up in 1988. He continued to moonlight as a rock musician, playing reunions with the Heartbreakers throughout the 1980s and then touring and recording with the Waldos.

He was also the last surviving member of the Heartbrakers (with the exception of Richard Hell, who was briefly the Heartbreakers bass player. Hell left/was fired from the band and formed Richard Hell and the Voidoids. Heartbreakers entry from Wikipedia.)

After he heard the news of Mr. Lure’s death, Glen Matlock, the bassist of the Sex Pistols, who toured with the Heartbreakers in the 1970s, noted the end of an era, tweeting, “And then there were none.”

“What you gonna do when you get out of jail?…” part 145

Saturday, August 22nd, 2020

This is another one of those days when I don’t have a real theme, so I hope you enjoy some things that amused me.

First up: Salvador Dali appears on “What’s My Line?” You’ve got to like the way he signs in.

Bonus: Orson Welles talks about Ernest Hemingway. That story about Welles and Hemingway attempting to trade punches and ultimately opening a bottle and toasting each other is also recounted in a neat little book, To Have and Have Another, about Hemingway and Hemingway’s cocktails. (Affiliate link.)

Last one, because this is a little longer.

“A Conversation with Igor Stravinsky” from 1957.

Airing on NBC from 1957 to 1965, the Wisdom series featured interviews with luminaries in science, the arts, and politics. These interviews were often conducted by a journalist or colleague well-known to the guest and usually took place in familiar surroundings such as the subject’s home or workplace. While each program forms a picturesque snapshot of the cultural conventions of the day, it frequently transcends its mid-20th-century broadcast style as it presents challenging and in-depth perspectives from a great mind. Guests include Igor Stravinsky, Robert Frost, Somerset Maugham, Eamon de Valera, Alfred P. Sloan, Robert Moses, Edward Steichen, Margaret Mead, Frank Lloyd Wright, Pearl Buck, Eleanor Roosevelt, Marcel Duchamp, Arnold Toynbee, and Carl Sandburg. 14-part series, 29 minutes each.