Noted film producer Dino De Laurentiis has passed away.
In his honor, let’s look back at one of the high points of his career:
Noted film producer Dino De Laurentiis has passed away.
In his honor, let’s look back at one of the high points of his career:
..that “Linotype: The Film” isn’t scheduled for release until next year.
When it does come out on DVD, I want to do a double bill with it and “Helvetica“.
You know, I really, really need to rent (or buy) This Film Is Not Yet Rated.
The Austin Aztek are leaving for Orlando, Florida.
Speaking strictly for myself, I have to say, “Who?”
Edited to add 2: Breaking! The Oklahoma City Yard Dawgz (stet) will not be playing in the AFL next year.
Speaking strictly for myself, I have to say, “The AFL? I thought they folded last year.”
Edited to add 3: The above led to a discussion with Lawrence about the various developmental leagues; for example, did the players actually have to pay to play in the developmental leagues? The Information Supercollider is unclear, but it did lead me to this.
The New United States Football League? Seriously, guys; the best you could come up with is to associate yourself with a legendary failure?
Bonus: The San Antonio Gunslingers.
And that’s not even the most bizarre Gunslingers story, but I’m leaving the footlocker one out, out of deference to the more sensitive members of my audience.
Edited to add 4: I was going to post a whine, “When are the 30 For 30 movies coming out on DVD?” but I checked the Google. It looks like the first 15 are coming out December 7th. And that’s wonderful, because the first 15 include “Small Potatoes: Who Killed the USFL?“, Barry Levinson’s “The Band That Wouldn’t Die“, “The Legend of Jimmy the Greek“, and “Without Bias“. I don’t have cable, and iTunes seems to be pretty spotty about making the 30 For 30 films available, so this is relevant to my interests.
Amazon preorder link here.
I’m not a big fan of Pixar’s work. I admire their emphasis on story, but I just can’t stand to look at the animation. Everything seems to have the same texture – it looks like cheap Chinese plastic.
That said, Tam has a link to a nifty Disney film of the type you don’t see these days. It kind of makes me wonder what contemporary Army training films would look like if Pixar was doing them.
…in this, the year of Our Lord 2010, it seems somehow fitting to embed this:
The idea of linking to “Powers of Ten” on October 10th isn’t original to me; as I recall, I got the idea from the great Laurence Simon (praise be unto him).
As noted previously, I finally resolved the phone issue. (And AT&T can still die in a fire.)
The number one question I’ve been getting (replacing “Where did you get that shirt?” at the top of the charts) is: “How do you like your new phone?”
Answer: I like it just fine, but…below are some preliminary thoughts on Android (at least, as implemented on the EVO 4G; I do realize that some of these may be issues with the built-in apps, rather than the Android OS itself):
Again, I generally like the phone; most of these are just minor quibbles that I can probably solve one way or another.
Tropical Storm Igor forms in the Atlantic.
(Subject line hattip. Really, I had to do it.)
I like Jackie Chan. I like Jackie Chan’s movies: well, most of the ones I’ve seen anyway.
But when I think of Jackie Chan as a tastemaker, I’m reminded of an interview I read with him a few years ago, in which he argued that a particular move was “good”, not for any objective aesthetic reason, but because it made a huge amount of money. (I want to say that was an NYT interview, but I can’t find it now.)
That was the first thing I thought of when I read this article about Mr. Chan and his history of failed endorsements: air conditioners that exploded, shampoo laced with carcinogens, a VCD company that collapsed due to fraud, educational computers that flopped, a failed cola…
Still, calling the man the “Asian Terry Bradshaw” seems a bit harsh. After all, he does have most of his own hair.
All the cool kids are doing it, so I thought I’d throw my chapeau into the washing machine. Hence, a list of my guilty pleasures:
“Cops”, on the other hand…well, I can’t explain the strange attraction of that show to me. I’d like to think it isn’t a “there but for the grace of God go I” sort of thing; no matter how low my social circumstances go, I don’t think you’ll ever catch me wearing a wife-beater and drinking a Bud Light after thumping some on my woman. It may be that there’s just a dark part of my soul that enjoys seeing stupid people in trouble.
As for “Convoy”, let’s just say that I used to have a 45-RPM record of that song that I literally wore the grooves smooth on. Yes, it is on my iPod.
“Magnum Force” I’ll also defend as an answer to the critics who claimed Harry was a vigilante, and the people who said “So what? Maybe we need vigilantes these days.” I see “Magnum Force” as a movie that’s explicitly about the rule of law, and the need for same.
“Sudden Impact”…well, I really can’t defend that as anything but fun. “Smith…and Wesson…and me.” “Go ahead, make my day.” The dogshit speech. (Another shameful confession: I also have Clint Eastwood and T.G. Sheppard’s duet, “Make My Day”, on the iPod.)
I won’t defend “The Enforcer”, and I’ve heard so many bad things about “The Dead Pool” that I haven’t watched it yet.
I promised some folks a link to this over dinner last night.
There’s no question in my mind that Lucille Ball was a smart and incredibly talented woman. But I have trouble visualizing her in a noir film. (It helps some that she’s apparently the secretary for the private eye character, rather than the femme fatale.)
(Here’s a link to the trailer on YouTube. Embedding is disabled.)
(I’d order it, but Amazon wants a little much for it, and I want In the Heat of the Night a little bit more at the moment. I’ve always liked the way Sidney Poitier delivers that line, “They call me Mister Tibbs!”)
The LAT has a feature story on Burkittsville, Maryland. Ten years ago, Burkittsville was (partially) the setting for The Blair Witch Project, and the town has been dealing with fallout from that ever since.
…their town was in a movie — actually just the graveyard and a two-second shot of one of the gray and blue welcome signs posted at the four entrances.
The moral of this story, according to the LAT writer:
Never let Hollywood make a horror movie in your town.
The very next paragraph after that statement begins:
The independent filmmakers never asked Burkittsville’s permission.
Obit watch: John Finn, the last of the 15 Navy men who were at Pearl Harbor and received the Medal of Honor for their actions on that day, and the oldest living Medal of Honor recipient.
When Chief Finn arrived at the hangars, many of the planes had already been hit. He recalled that he grabbed a .30-caliber machine gun on a makeshift tripod, carried it to an exposed area near a runway and began firing. For the next two and a half hours, he blazed away, although peppered by shrapnel as the Japanese planes strafed the runways with cannon fire.
While I hate to say anything negative about a Medal of Honor recipient, his taste in movies left something to be desired:
In 1999, Mr. Finn was among Pearl Harbor veterans invited to Hawaii for the premiere of the Hollywood movie “Pearl Harbor.” “It was a damned good movie,” he told The Boston Herald in 2001. “It’s helped educate people who didn’t know about Pearl Harbor and what happened there.”
“I liked it especially,” he said, “because I got to kiss all those pretty little movie actresses.”
At the same time, the NYT also has an article asking why so few Medals of Honor have been awarded for service in Iraq or Afghanistan. The article is tied to the case of Sgt. Rafael Peralta, who may (or may not) have thrown himself on a grenade after taking a bullet in the head.
Sgt. Peralta was recommended for the MoH, but that was downgraded to a Navy Cross; however, his family has refused to accept the award and is campaigning to have him awarded the MoH. It seems to me that they have a strong case; yet, it also seems to me (as an outside observer) that refusing the Navy Cross looks bad.
No, not Kyle.
Hattie McDaniel’s Oscar, which appears to be gone with the wind. (Sorry.)
Continuing our regular “Crimewatch” community service feature, here’s what to look out for:
Little metal guy, on a stand, about yeah high. If you see something that resembles this, please contact The Academy of Motion Picture Arts and Sciences.
Edited to add: Lawrence has pointed out that Ms. McDaniel’s Oscar is actually a plaque, not a statue, as the supporting actor and actress didn’t get statues in 1943. In my hurry to make a cheap joke, I overlooked that minor detail. My apologies; unfortunately, I am unable to find a photo of the plaque anywhere online.
For the record: the lawsuit against Variety by the producers of “Iron Cross”, previously noted in this space, has been dismissed.
(Hattip: Jimbo.)