Archive for the ‘Movies’ Category

Obit watch: January 21, 2013.

Monday, January 21st, 2013

Lawrence sent me a heads-up that Michael Winner had died, but I wasn’t able to find independent confirmation until now. Here’s the A/V Club obit.

His filmography is interesting: he directed Death Wish, Death Wish 2, Death Wish 3, and the original version of The Mechanic. (I kind of liked both Death Wish and The Mechanic, though I haven’t seen either one in ages.)

He also directed Won Ton Ton: The Dog Who Saved Hollywood, a version of The Big Sleep with Robert Mitchum as Marlowe and set in England instead of L.A., and (the reason Lawrence brought him up), The Sentinal.

More awards.

Thursday, January 17th, 2013

In addition to the 2013 “stupid statement” and “best article” of the year awards, I think I’m also going to have to set up the Prometheus Memorial Stupid Behavior For A Professional Award this year.

That isn’t original to me; it comes from an article on the A/V Club site. But having seen Prometheus, I like the idea so much I want to take it and run with it.

Before I link to the A/V Club article (credit where credit is due), I want to note that it is from their “Spoiler Space” section and does give spoilers for a movie being released this week. (I’d name the movie, but I think the combination of that and the award name is, in and of itself, a spoiler.) If you don’t give a flying fark, here’s the link.

Obit watch: January 16, 2013.

Wednesday, January 16th, 2013

Nagisa Oshima, noted Japanese film director. NYT. A/V Club.

Oddly enough, I’ve never seen an Oshima film. I have the Criterion In The Realm Of The Senses, but haven’t watched it yet. (It isn’t exactly what I consider movie night fodder.) A high school classmate of mine strongly recommended Merry Christmas Mr. Lawrence to me when it was in theaters, but…well…haven’t gotten around to it. Not sure if that’d be movie night fodder, either.

Random notes: January 10, 2013.

Thursday, January 10th, 2013

The Supreme Court heard arguments yesterday in the case of Missouri v. NcNeely.

Tyler McNeely was stopped on suspicion of drunk driving, and had blood drawn from him against his will and without a warrant. The Missouri Supreme Court suppressed the blood evidence. The state is appealing to the Supreme Court, arguing that they shouldn’t need a warrant.

Stop laughing. I’m not kidding. The state of Missouri believes that sticking a needle in someone’s arm and drawing blood is something that doesn’t need a warrant;”exigent circumstances” and all that happy horseshit.

Much of the argument concerned how long obtaining a warrant actually takes these days and whether the Supreme Court should encourage streamlined procedures. In some places, the justices were told, warrants can be obtained by phone in as little as 15 or 20 minutes; in others, the process can take two hours or longer.

Obit watch: Sol Yurick, novelist. His best known work was based on Xenophon’s “Anabasis”, and was turned into a Walter Hill directed movie.

James M. Buchanan, Nobel-prize winning economist.

Dr. Buchanan, a professor emeritus at George Mason, in Fairfax, Va., was a leading proponent of public choice theory, which assumes that politicians and government officials, like everyone else, are motivated by self-interest — getting re-elected or gaining more power — and do not necessarily act in the public interest.

I feel like I should make some comment about the Oscar nominations. Well, here it is: I’m glad “Argo” got nominated, as I think that improves the chances it will come back to the Alamo Drafthouse so I can watch it. Lawrence and I plan to see “Django Unchained”, but haven’t been able to coordinate that yet. I’m also interested in seeing “Zero Dark Thirty”. And “Silver Linings Playbook” got a best picture nomination? I’ll admit I haven’t seen anything but the trailer and commercials for it, but those were enough to turn me off: it seems like yet another “magical pixie girl/gee, isn’t mental illness fun?” movie. No thanks. I’ll pass. For now.

I’m also disappointed that “The Master” didn’t pick up a best picture nod, but it does seem to be well represented in the acting categories. Maybe that will make a comeback as well?

In Austin nightclub news, the liquor licenses for all nine of the bars operated by Yassine Enterprises have been yanked. Apparently, licenses are tied to the building, and there’s a one license per building limit; this meant that nobody else could get a license until the Yassine licenses were revoked. Now that that is out of the way, various enterprises are planning to open new bars in the old Yassine locations. I have to be honest: most of these sound like horrible places. Especially Chicago House, which will be run by the people who run Bikini’s Sports Bar and Grill (a place you go to when Hooter’s is too classy for you), and Bourbon Girl, “a ‘country cool, cowboy chic’ bar that will be operated by Carmack Concepts, owner of Chuggin’ Monkey, Dizzy Rooster, the Dogwood and Molotov”.

(Previous entries about Yassine Enterprises and their legal problems here.)

Obit watch: January 9, 2013.

Wednesday, January 9th, 2013

Film director David R. Ellis. (NYT. A/V Club for all your “Snakes on a Plane” needs.)

Reporter and Pulitzer winner Richard Ben Cramer. Cramer may have been most famous for one of the greatest Esquire stories, “What Do You Think of Ted Williams Now?

Random notes: December 26, 2012.

Wednesday, December 26th, 2012

The NYT was running a little behind yesterday, and didn’t post their Charles Durning obit until later in the day. (Also, thanks to Lawrence and Guffaw for their comments yesterday.)

Likewise, the A/V Club is operating on holiday time: they did publish a nice obit for Jack Klugman, but have not gotten around to Charles Durning yet. (Edited to add: the A/V Club’s obit for Durning is up now.)

On the night after Christmas 40 years ago, two buses carved a thin line across the vast blackness of the New Mexico plains. They carried 58 young people and seven chaperones from Woodlawn Baptist Church in South Austin, the passengers still reveling in the merry holiday glow, en route to a religious retreat and skiing in the eastern New Mexico mountains.

19 people were killed when one of the buses crashed. 16 of them were teenagers. This is one of those bits of Austin history that I was previously unaware of; I commend the Statesman story (and the sidebar about how horrible the highway bridge was) to your attention.

Obit watch: special Merry freakin’ Christmas edition.

Tuesday, December 25th, 2012

Charles Durning, war hero and noted character actor.

He was among the first wave of U.S. soldiers to land at Normandy during the D-Day invasion and the only member of his Army unit to survive. He killed several Germans and was wounded in the leg. Later he was bayoneted by a young German soldier whom he killed with a rock. He was captured in the Battle of the Bulge and survived a massacre of prisoners.

They don’t make them like that anymore.

Jack Klugman. NYT. LAT.

I’m just a little too young to remember “The Odd Couple” well (except for the theme), but “Quincy, M.E.” was right in my wheelhouse for the first several seasons. At some point, I’d like to do a longer post about the “NBC Sunday Mystery Movie” and all the great stuff that came out of it, but for now, let me say that I was an avid Quincy fan when I was a kid; at least, until the series turned into Jack Klugman’s cause of the week.

I did sort of keep up with Klugman after the series went off the air, and was sad when he came down with throat cancer. That’s the sort of thing I wouldn’t wish on my worst enemy, and I can’t imagine what it was like for an actor. Happily, he was able to do some acting after that. (It brings a smile to my face to see that he did a guest stint on “Crossing Jordan”, the “Quincy” of the 2000 era except that it sucked.)

(And I have, but have not watched, the Criterion “12 Angry Men“. Maybe after folks get back from the holiday.)

You know, they don’t write TV themes like those any more, too.

Some people.

Wednesday, December 19th, 2012

Some people are obsessive.
Some people are so obsessive, they start blogs.
Some people are so obsessive, they start blogs devoted to a single subject.
Some people are so obsessive, they start blogs devoted to a single movie.
Some people are so obsessive, they start blogs devoted to a single movie that isn’t f—ing “Star Wars”.
Some people are so obsessive, they start blogs devoted to a single movie that is currently in legal limbo.

Okay. You’re tired of the joke by now, so let me introduce Sorcerer1977, a blog devoted entirely to the 1977 William Friedkin movie “Sorcerer”.

Friedkin did this right after “The Exorcist”; it wasn’t well received at the time, but it seems that over the years, something of a cult has grown around it. Lawrence and I watched it quite a while back (I think it was so long ago we watched it on VHS). I’m a fan of “The Wages of Fear“, which “Sorcerer” is something of a homage to, and I actually think I prefer Friedkin’s version to Clouzot’s.

I’d love to see it again, but the movie is currently tied up in legal limbo which prevents a proper re-release. Both Paramount and Universal say they don’t own the rights to the movie, and have no idea who does, so Friedkin is suing both studios trying to get the ownership issue cleared up.

Anyway, the guy behind this is seriously obsessive and seems to be trying to cover every aspect of the movie – digging out old interviews with Friedkin and other people involved in the production, discussing the Tangerine Dream soundtrack, etc. etc. etc.

My goal for this is to create a makeshift archive — news, interviews, photos, whatever. Kinda like bonus material waiting for a DVD. Or maybe it’s just a digital valentine for a movie I love dearly.

As far as I’m concerned, that’s an awesome goal.

(Hattip: directly, Coudal Partners. Indirectly, Gruber.)

Random notes: December 19, 2012.

Wednesday, December 19th, 2012

And I said, “What about ‘Breakfast at Tiffany’s’?”
She said, “I think that’s just been added to the National Film Registry.
“And as I recall, we both kind of liked it.”
And I said, “Well, that’s the one thing we’ve got.”

(For those of you who have forgotten your one-hit wonders, reference explained here.)

(“The Matrix”? Whoa. But I’m pretty happy about “Dirty Harry” and “A Christmas Story”. I have the Criterion editions of both “Two-Lane Blacktop” and “Anatomy of a Murder“, but haven’t watched either one yet.)

The NYT finally got around to publishing an obit for Reinhold Weege, the creator of “Night Court” whose death we noted previously.

Alex Sanchez was the executive director of Homies Unidos, an anti-gang organization, when he was indicted in 2009 on Federal charges of “racketeering and conspiracy to commit murder”. The government alleged he had ties to the MS-13 gang.

Yesterday, the government asked that the charges be dismissed “without prejudice”, which gives them the right to refile those charges in the future.

The action follows a recent court filing by defense attorney Amy Jacks, who demanded that the case be dismissed because prosecutors “presented false evidence to the grand jury, lied to the grand jury and withheld exculpatory evidence,” she said. Her motion was not made public because it deals with sealed testimony before a federal grand jury, she said.

Morris, Weingarten, and MacDonald.

Friday, December 7th, 2012

I have written before about my complicated relationship with Gene Weingarten and his writing.

I have a tremendous admiration for Errol Morris as a filmmaker.

I own, but have not yet read, A Wilderness of Error: The Trials of Jeffrey MacDonald.

The intersection of these three things: Weingarten in the WP profiling Brian Murtagh, the federal prosecutor in the MacDonald case. And, in the process, taking on Morris and his book. Weingarten believes MacDonald is guilty:

I’ve concluded this both because I have researched the case extensively, and because, as a writer, I see exactly how Errol Morris prejudiced his account while shrewdly appearing not to do so. I admire his skill but not his book. I think the media have been careless and gullible in reviewing it, perhaps partially because the story of a grievous, enduring miscarriage of justice presents a more compelling narrative than the alternative.

So Weingarten should maybe be taken with at least a small grain of salt. But he does bring up several places where Morris himself admits problems. For example, a woman named Helena Stoeckley allegedly confessed to a federal marshal, Jimmy Britt, that she was present when the killings took place. Britt filed a sworn affidavit stating that Stoeckley confessed while he was transporting her to the trial. Both Britt and Stoeckley are now dead.

None of what was about to come out was in Errol Morris’s book, though it was available to him in public records.
Jimmy Britt, evidence suggested, had not transported Helena Stoeckley from South Carolina at all; he’d never had hours to talk to her. The transport had been done by a tag-team succession of other marshals. Some of the paperwork still survived. Two of the transporters testified.

More:

There are many significant, incriminating facts glossed over in, or completely omitted from, “A Wilderness of Error.” Conversely, much is made of nonsense. An entire chapter is devoted to the supposedly startling fact that Helena Stoeckley reported seeing a broken rocking horse in Kristy’s room. Yes, the horse had been clearly visible in newspaper photos, but no one, Morris argues, had ever publicly disclosed it was broken.

Punchline: it wasn’t broken. And:

Just before this story went to press, Errol Morris and I spoke for nearly an hour; he concedes there are some things he wishes he’d written differently — for example, disclosing that there were some credible challenges to Jimmy Britt’s story. Morris allows that he may have used some facts selectively to make a case for what he believes — selectivity, he says, is part of all journalism — but adds that his belief remains solid that MacDonald did not get a fair trial. He also thinks MacDonald is innocent, but of that is less certain.

The entire article is pretty long, but I commend it to your attention if you have any interest in the MacDonald case.

(Hattip: Ted Frank by way of Popehat on the Twitter.)

Obit watch and a bit of personal indulgence: December 1, 2012.

Saturday, December 1st, 2012

This has not been a good week for various reasons. Add another one to the list.

Jeff Millar, columnist and former movie critic for the Houston Chronicle, and also writer of the “Tank McNamara” comic strip, has passed away.

Millar’s time as a HouChron columnist and film critic overlapped my childhood and teenage years. I’ve written before that he was one of three people (Siskel and Ebert being the other two) who made me love movies. (My teenage years were a time when teen slasher flicks were approximately every third movie in the theaters. It was so bad, Millar came up with the “teen scream checklist” format for his reviews of those movies; I laughed every time I saw he’d done one of those.)

(And I’m glad somebody mentioned “Murray the Wonder Publicist”. I had almost forgotten about him.)

“Tank McNamara” was a hoot in those years, too. It still is, but sports have become so ridiculous that they’re hard to satirize any more. And I was a big fan of “Second Chances”, too: it was often funny, but also deeply moving (and I wonder how much of it was autobiographical). (Somebody should do a complete collection of that comic, damn it.)

I even saved up my pennies and purchased a copy of his novel Private Sector. (I had to wait for the paperback, because I was a broke kid. Sorry, Mr. Millar.) I still think that’s a pretty spiffy thriller; even though it was published in 1978, the core concept doesn’t seem that far-fetched to me today.

And the columns. Most of them were side-splittingly funny. But the one that I remember best right now was one he wrote about his first wife (the legendary “Spot” of his columns) after her death. I’d love to find a link to that, but the HouChron doesn’t go back that far.

I had it in my head that, at some point, I was going to write Mr. Millar and thank him for his influence in my life. I met him once, when I was a teenager, at a book signing. But I was too shy and intimidated to talk with him much. We had a brief email correspondence shortly before he retired as a reviewer, and that was the extent of my contact with him. I tried several times to see if he had a presence online, and couldn’t find any contact information, so I gave up on it.

Too late now. I guess this has to be my thank-you note.

Domo arigato, Millar-sensei.

Saturday night at the movies.

Sunday, November 11th, 2012

Last night, after the SDC, we got together for movies at the home of (friends who shall remain nameless unless they want to out themselves in comments). Thanks for hosting, (friends who shall remain nameless unless they want to out themselves in comments).

We’re still sort of in the Halloween creepy/scary zone, or at least we felt that way, so we kicked things off with something short: the 1941 version of Poe’s “The Tell-Tale Heart“. I thought this dragged just a little bit (which is odd for a 20- minute movie) but there was a lot of effective creepy stuff going on here. In particular, I liked the way they played with sound to heighten the atmosphere of paranoia and dread. I think Richard Corliss has a good point when he suggests this may have been the first movie influenced by “Citizen Kane”.

(“Tell-Tale Heart” is also significant as the first film directed by Jules Dassin, who went on to direct “Rififi”, “Topkapi”, and “Never on Sunday”, among other films.)

So we figured, after that, we’d watch another early “horror” film: “London After Midnight”. How could we miss? A legendary “lost” film, directed by the great Tod Browning, with Lon Chaney?

Yeah. Well. About that. We figured someone had dug up a print somewhere. Ha ha, no. It turns out that Turner Classic Movies got Rick Schmidlin (who has also worked on restoring “Greed” and “Touch of Evil”) to do a “reconstruction” of the “film”, which basically involves panning over publicity stills from the movie with inserted dialog cards. Apparently, someone liked this, as Schmidlin won a “Rondo Award” for his work (according to Wikipedia). As far as we were concerned, after about five minutes of watching this, punctuated with such comments as “What the f–k?”, “What is this s–t?”, and (my favorite) “Why would anyone do this?”, we shut it off and decided to watch something else.

We settled on “Take Shelter“, a movie I’d heard about in theatrical release but never got around to watching. In general, I like it (though I think it could have been made 10 to 15 minutes tighter, and that would have made it more effective). I could look at Jessica Chastain all day; Michael Shannon’s performance doesn’t have a lot of nuances, but he’s not really playing a nuanced guy. I think he pulled off the lead role very well.

After the jump, I’m going to talk about some things that may be spoilers.

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Star Wars, nothing but Star Wars…

Tuesday, October 30th, 2012

…there are plans in place for not one but three new “Star Wars” movies, the first of which will arrive in theaters in 2015. Lucas, however, will only serve as a “creative consultant” and will not write or direct.

I don’t think Disney is going to have the courage to do what I’d like to see in the last three movies: follow the Rebel Alliance as it takes power and tries to govern, watch the compromises they make to hold the Alliance together and maintain power…

…and, at the very end of the last movie, force the audience to come to the realization that the Rebel Alliance is now completely indistinguishable from the Empire they were rebelling against. Ideally, by having Princess Leia execute Han Solo as a traitor to the revolution. For extra bonus points, have Luke Skywalker gunned down while trying to lead a revolution on another planet in the system, and young people in the new Empire wearing his image on shirts.

What? Me? Cynical? Never!

(Subject line hattip.)

The Burgess Meredith Catastrophe.

Sunday, October 28th, 2012

Last night, after the SDC, some of us decided to watch movies over at Lawrence’s.

The main feature of the night was “Kiss Me Deadly” (the Criterion edition, with both endings). I’m not sure if Lawrence is going to review that or not, so I’ll hold off on commenting for now. (I may have some things to say later.)

But before we started that, we felt like watching something short. I’d brought over the first season of “Night Gallery“, and Lawrence was curious about their adaptation of “The Little Black Bag“, so we watched that.

Frankly, it wasn’t very good. The parts where they stuck closest to the original story are also the most talky parts, and the changes they made don’t enhance the story; actually, I think they make it weaker. Somebody who is doing an anthology series for television ought to go back and revisit this story. I think you could make a fine adaptation of it today, with a minimal budget, using CGI and a script that sticks closer to the story.

But I digress. The major point here is that “The Little Black Bag” features our old friend Burgess Meredith again. I knew he was a prolific actor, but it seems like he’s showing up everywhere these days in the stuff we watch.

So the idea came to me: how about a Burgess Meredith Video Night some night? After all, the late Mr. Meredith was not only prolific, but he was a fine Cleveland boy, so why not a night devoted to his work?

What would you put in it?

  • I’m kind of embarrassed to admit this, but it turns out Lawrence and I have never actually seen “Time Enough At Last“. In my case, it just never seemed to come around when I could watch re-runs of the original “Twilight Zone”. I believe those episodes are available on Netflix Instant, though…
  • Lawrence suggested “Rocky“. I’ve never seen it, and I have to say that I’m less wild about it than he is. I don’t know why.
  • In that vein, I’m going to say: probably not “Grumpy Old Men” and “Grumpier Old Men”.
  • I am somewhat interested in seeing “Magic“. though. Besides Burgess Meredith, it also has a William Goldman script, which pushes another button of mine.
  • The Manitou“, just because that’s supposedly completely ridiculous at a MST3K level.
  • I’ve never seen “The Day of the Locust“, either, and I’d like to. Plus: it has Donald Sutherland! And William Atherton! And the Voluptuous Horror of Karen Black!
  • Speaking of batshit crazy, “Skiddo“?
  • I’ve never read any of Allen Drury’s work, and I may want to read the book first, but I’d also be interested in seeing “Advise and Consent“. Look at that lineup of actors: they don’t make that kind of movie any more.

That’s probably more than enough for one night. We could always pad things out a bit, too, with episodes of some of the many, many television series he did guest bits on; at least, the ones that are actually on DVD or Netflix.

Any other Burgess Meredith roles I’m missing? Feel free to leave them in comments.

TMQ watch: October 23, 2012.

Tuesday, October 23rd, 2012

Before we start in on this week’s TMQ, we want to note a story from today’s New York Times that bothers us. We think it is appropriate to talk about here, as it deals with things TMQ has been hammering on as well. After the jump, we’ll get started…

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