For the record: NYT obits for Valerie Perrine and Brian Doherty.
Burning in Hell watch: Kermit Gosnell. I have my own opinions about abortion, which I’m not going to impose on anyone here. But the Gosnell case, as I recall, made even people who were pro-abortion sit up and say, “Hey, wait a minute, this is going too far.”
Valerie Perrine, actress. Other credits include “Homicide: Life on the Street”, “Walker, Texas Ranger”, and “W.C. Fields and Me”.
For the historical record: Robert S. Mueller III. WP.
Chuck Norris. THR. “The World Bows: Remembering Chuck Norris 1940-2026” from Black Belt.
Other credits include the bad “Hawaii Five-0”, “Sons of Thunder”, and “Firewalker“.
Ed Bernard, actor. Other credits include “Hardcastle and McCormick”, “Shaft” (the movie), “Cool Million”…
…and “Mannix”. (“A Question of Murder”, season 7, episode 22. He was “Bull Evans”.)
Jane Lapotaire, British actress.
For the historical record: NYT obit for Alvin Greene. (Previously on WCD.)
Len Deighton, one of the great British spy writers. NYT (share link). He was 97.
He wrote “The IPCRESS File” to amuse himself during a vacation. The story of a secret agent confronted with duplicity and bureaucracy from his own side while investigating a Soviet kidnap ring, it was published in 1962 and went on to sell millions of copies.
The novel was adapted into a 1965 film, with Caine in a star-making performance as Deighton’s protagonist, a sardonic working-class sophisticate with a love of gourmet food. The character is unnamed in the book, though Caine’s character was given the name Harry Palmer.
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Judy Pace, actress. Other credits include “Cotton Comes to Harlem”, “O’Hara, U.S. Treasury”, “Shaft” (the TV series), and “The Thomas Crown Affair” (the original).
Matt Clark, actor. Other credits include “Hardcastle and McCormick”, “The Adventures of Buckaroo Banzai Across the 8th Dimension”, “The Laughing Policeman”, and “T.H.E. Cat”.
John Bengtson. No, you probably haven’t heard of him, unless you have a lot in common with the Saturday Night Movie Group.
For more than 30 years, he captured images of them from silent films and then matched them with archival photos, aerial maps and postcards to pinpoint where Buster Keaton, Charlie Chaplin and Harold Lloyd performed their slapstick shenanigans.
In identifying hundreds of locations in Hollywood, San Francisco and New York that those geniuses of silent comedy used in movies like “The Kid” (1921), “Cops” (1922) and “Safety Last!” (1923), Mr. Bengtson inadvertently uncovered a visual record of vanished cityscapes.
“When you watch a silent movie,” he said, “you’re not only being entertained by the story, but you’re experiencing time travel.”
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His most remarkable revelation centered on a T-shaped alley in Hollywood, between Cahuenga Boulevard and Cosmo Street. Triangulating frame-by-frame stills with his go-to research materials, Mr. Bengtson discovered that the alley had been used in more than a dozen films in the early 1920s, including Keaton’s “Cops,” Chaplin’s “The Kid” and Lloyd’s “Safety Last!”
The location’s ubiquity made sense to Mr. Bengtson. At the time, Hollywood was mostly a neighborhood of open fields and vacant lots. Because the alley was close to the filmmakers’ studios, they could go there for quick urban shots instead of lugging their equipment to downtown Los Angeles.
“I can absolutely guarantee you that there is no place anywhere that has three of the biggest stars and three of their most important movies in one spot,” Mr. Bengtson told Atlas Obscura, a travel website, in 2021, the year a commemorative plaque he advocated for was placed at the alley. “This is absolutely two or three strata above anything else I’ve ever found.”
He did three books: Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, Silent Visions: Discovering Early Hollywood and New York Through the Films of Harold Lloyd, and Silent Traces: Discovering Early Hollywood Through the Films of Charlie Chaplin.
I burned a share link on this because I’d like for folks to look at the header of the NYT obit, which partially reproduces an extra on the Criterion Collection disc, showing how they did the clock stunt in Harold Lloyd’s “Safety Last!”. Mr. Bengtson sounds like a really cool guy who it would have been a pleasure to know. ALS got him at 68.
Country Joe McDonald, of Country Joe McDonald and the Fish.
The YouTube link doesn’t seem to work in the archived version, so here it is, for the hysterical record:
It has been a bad time for screenwriters.
Alan Trustman. Other credits include “They Call Me Mister Tibbs!”, “Hit!”, and “Lady Ice”. The NYT obit makes it sound like his career pretty much came to a screeching halt after he and Steve McQueen got into it while writing “Le Mans”.
Jeremy Larner. I wasn’t originally going to note this, but his arc is mildly interesting.
He has a total of four credits in IMDB. Two of those are as “Self”. The other one is for “Drive, He Said”, which he wrote (and which was based on his novel) and which you can find in the “America Lost and Found: The BBS Story” box set from Criterion.
I intended to note this the other day, but it got past me: Bruce Froemming, major leage umpire.
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Umpires are known for their accuracy — or lack thereof — in calling balls, strikes and outs, as well as for their on-field disputes and occasional ejections. Froemming gave the heave-ho to players, managers and coaches 125 times from 1971 to 2007, far fewer than Klem’s record of close to 300 ejections. Three managers were each thrown out by Froemming three times: Davey Johnson of the Mets, Bobby Cox of the Atlanta Braves and Joe Torre, once with the St. Louis Cardinals and twice when he skippered the Mets.
Froemming booted out his last man, Tampa Bay Rays manager Joe Maddon, in the waning days of his last season, in 2007, for arguing a check swing call.
He also booted Billy Martin (though, as far as I can tell, there was no fistfight involved).
In 1976, Froemming ejected the fiery Yankees manager Billy Martin in the ninth inning of Game 4 of the World Series for tossing a ball at Bill Deegan, the home plate umpire, from the dugout. Martin, claiming that Deegan had tossed three balls out of play in his direction, rushed onto the field to argue his ejection.
“It’s a touchy situation,” Froemming said afterward, “and to have Martin start something at this point is something we can’t tolerate.”
Jennifer Runyon, actress. Other credits include “Carnosaur”, “The Falcon and the Snowman”, and “The Master”.
Lawrence sent over a NotTheBee obit for Alvin Greene, “the most bizarre Senate candidate in United States history”.
Lauren Chapin, actress. Other credits include “School Bus Diaries”, “The Amorous Adventures of Don Quixote and Sancho Panza”, and “Scout’s Honor”.
Sondra Lee, actress. Noted:
Robert Carradine. Other credits include “Jackson County Jail” (Lawrence, I have this, if you want me to bring it over Saturday), “Django Unchained”, and “Timecop: The Berlin Decision”.
The short film “They’re Made Out Of Meat” is available on the ‘Tube. According to the notes, this was the maker’s final project at the New York Film Academy.
(Previously on “They’re Made Out Of Meat”, the Terry Bisson story.)
Also available on the ‘Tube: “Tomorrow”, starring Robert Duvall.
I feel like I have written about this movie before. I watched it for my literature and film class at St. Ed’s, and I very much like it. I saw “Slingblade” first, but Duvall’s performance in this reminds me a lot of that movie. I commend it to your attention, especially with it being available online. (When I saw it, I had to trek down to Waterloo Video and rent a DVD.)
Tom Noonan, who I think was an underappreciated actor.
Other credits include the short film “They’re Made Out of Meat” (wait, what?), “12 Monkeys” (the series), “Roadside Picnic” (the series, wait, what?), “Heaven’s Gate”, and “F/X”.
David Hays, theater designer. He also co-founded the National Theater of the Deaf. I wanted to call this one out because there’s a pretty good “Mannix” episode (“The Silent Cry“, season 2, episode 1) that features actors from the NTD, and (as I recall) was filmed with their cooperation and support.
I’ve been holding this one for a few days, looking for a place for it: Bob Croft, pioneering free diver.
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Once he passed 200 feet, he continued to 212.7 feet — the deepest point of his descent — where he activated the sled’s hand brake and fastened an alligator clip to the rope. He then climbed the rope, hand-over-hand, to the surface.
In all, he had spent 2 minutes 6 seconds underwater.
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Mr. Croft, a brawny 5-foot-8, raised his record to 217.5 feet in late 1967 and then to a remarkable 240 feet in August 1968, breaking a record of 231 feet that had been set by Mr. Mayol that January.
Mr. Croft retired from free diving after the 240-foot dive, still believing he could have gone deeper. He left his goal of 250 feet to others. It has long since been exceeded: In 2023, Alexey Molchanov of Russia set the current record of nearly 512 feet.
By way of CrimeReads, “The Three Lives of William Conrad: More Than Just the ‘Heavy’” by Keith Roysdon.
I think most people, if they think of William Conrad at all, think of “Cannon” or “Jake and the Fatman”. More sophisticated folks might be aware that he had a substantial radio career, including Matt Dillon in the radio version of “Gunsmoke”.
I didn’t know that he also had a short but apparently successful career as a film director. (Lawrence, I ordered “Two on a Guillotine” for Halloween viewing.)
Another one of those “it got busy up in here all of the sudden” days.
Other credits include “T.H.E. Cat”, “The F.B.I.”, and he was the original Frank Burns in “M*A*S*H.”.
Mike the Musicologist tipped me off to this tweet. I can’t find the “embed” function on X, but here’s the long version of the video.
Frederick Wiseman, documentary filmmaker.
This may just be a personal reaction, but “Titicut Follies” is the most frightening film I have ever seen in my life. (I actually saw it in a screening at the old Dobie Theater.)
Mr. Wiseman’s approach to his films — shot in what he wryly referred to as “wobblyscope,” thanks to his hand-held camera — was perhaps never better expressed than during a face-off with his fellow documentarian Werner Herzog, onstage at the 2005 Sundance Film Festival.
Mr. Herzog, who had been espousing a theory of “ecstatic truth” and a willingness to manipulate his nonfiction films to achieve something sublime, confided to the audience that a shot apparently made through a dewdrop in his film “The White Diamond” had actually been made through a leaf to which glycerin had been applied. Asked whether he had ever done anything similar, or would, Mr. Wiseman said he had not, but admitted that he might change a lightbulb if a room seemed too dark.
Robert Duvall obits tomorrow, in keeping with the official policy of this blog. This will give some time for the errors and omissions to shake out.
Bud Cort, actor. THR. Other credits include “Midnight Caller”, “The Chocolate War”, and “Sledge Hammer!”.
Lory Patrick, actress. She doesn’t have that long a list of credits, but this is interesting:
She later married Dean Jones, and they stayed married for 42 years (until Mr. Jones died).
Andrew Ranken, drummer for The Pogues.
Among other contributions, the Pogues credited him with coming up with the title “Rum, Sodomy and the Lash,” based on a quotation attributed to Winston Churchill: “Don’t talk to me about naval tradition. It’s nothing but rum, sodomy and the lash.”
“It seemed to sum up life in our band,” Mr. Ranken once said.
Fred Smith, musician. Interesting story: he started out with Blondie, and then defected to Television. After he left, Blondie blew up into a huge success, while Television broke up after two albums.
James Van Der Beek. NYT (archived). Other credits include “CSI: Cyber”, “Law and Order: SVU”, “Law and Order: Criminal Intent”, and “Walker” (not “Walker, Texas Ranger”, but the reboot).
Catherine O’Hara. NYT (share link).
Other credits include “A Mighty Wind”, voice work in “Where the Wild Things Are”, and “The Greatest Event in Television History”.
Demond Wilson. Other credits include “Today’s F.B.I.”, “Dealing: Or The Berkeley-to-Boston Forty-Brick Lost-Bag Blues”, and the original “Mission: Impossible”.
Bob Weir, of the Grateful Dead.
(the sound of eight confused men getting paid)
Stewart Cheifet. My older readers may remember him from back in the day as the host of “Computer Chronicles” on PBS.
Hessy Levinsons Taft. I confess she wasn’t that notable, but this is a fun story in historical retrospect.
When she was six months old, in 1934, her family hired a photographer to take a portrait of her. The photographer, feeling whimsical, submitted the photo as an entry for a contest “to find a baby representing the epitome of the Aryan race”.
Joseph Goebbels, the Nazi minister of public enlightenment and propaganda, chose the winner.
She won the contest. Which made things rather complicated, as she and her family were Jewish.
T.K. Carter, actor. Other credits include “The Corner” (For those of you who have read the book or watched the mini-series, he was Gary McCullough. For those of you who haven’t read the book, I commend it to your attention.), “A Rage In Harlem” (1991), “Runaway Train”, and “Quincy, M.E.”.
Erich von Däniken, crank.
Mr. von Däniken was 32 and managing a hotel in Davos, Switzerland, when he published his first and by far most popular book, “Chariots of the Gods,” in 1968. In breathless prose, saturated with exclamation points and folksy interjections such as “Hey, presto!” Mr. von Däniken posited that virtually the sum of human knowledge and ability had been bestowed by extraterrestrials.
With little evidence and a lot of innuendo, he proclaimed that the Egyptian pyramids could have been built only with alien expertise. (“Is it really a coincidence that the height of the pyramid of Cheops multiplied by a thousand million — 98,000,000 miles — corresponds approximately to the distance between the earth and sun?” he wrote.)
The birdman cult of Easter Island, Mr. von Däniken declared, developed as a way to honor the supreme beings who had flitted down from the outer atmosphere to land on that remote spot in the Pacific, off the coast of South America.
Because an iron rod in a temple in Delhi, India, appeared impervious to rust, it must have been made from a celestial alloy, he insisted. Similarly, he said, when viewed from the air, the geoglyphs of Nazca, Peru, are obvious landing strips for spaceships. And artwork on a Mayan sarcophagus depicts not a king descending into the underworld, he concluded, but an astronaut-god piloting a spaceship.
It sounds ridiculous, but people bought into this [stuff]. Including me. In my defense, I was left unsupervised. Also, I was very young at the time. (See also.)
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Mr. von Däniken wrote his second book from prison. In 1970, a Swiss court convicted him of fraud, forgery and embezzlement, determining that, as a hotel manager, he had falsified financial records to subsidize what the court called a “playboy” lifestyle. He served about a third of a three-and-a-half-year sentence.
Critics pointed to Mr. von Däniken’s criminal history as proof of a penchant for deception. But Mr. von Däniken seemed unfazed, even comparing himself to Jesus. “People don’t ask if Christ was convicted of a crime,” he told Playboy in 1974. “What has that to do with the message Christ brought?”
After making nearly 50 features, she dedicated her life to defending animal rights. Through her Fondation Brigitte Bardot, created in 1986, she took on such issues as seal hunting, poaching, the fur trade, bullfighting, the captivity of wild animals in zoos and circuses, conditions in slaughterhouses and the farming of horse meat.
“I gave my beauty and my youth to men,” she said. “I am going to give my wisdom and experience, the best of me, to animals.”
Bardot supported National Front candidates including Catherine Megret and Marine Le Pen and spoke out against the “Islamisation” of France. A 1996 interview in Le Figaro had her condemned for inciting racial hatred, while a paragraph in her book comparing homosexuals and pedophiles was widely criticized.