Archive for the ‘TV’ Category

Notes on film.

Sunday, September 12th, 2021

Peter O’Toole may have been one of the unluckiest men in movies.

This came up last night, and I’m not sure why. For some reason, Lawrence and I got into a discussion of O’Toole. (Last night’s movie was “United 93”, which, while fitting, does not have Mr. O’Toole in it.)

I would have sworn he’d won an Oscar for “My Favorite Year”, but Lawrence correctly pointed out he didn’t. His only Oscar was a honorary one in 2002 (and, according to Wikipedia, his family had a king-size job persuading him to accept it, as he felt like he wasn’t done acting yet).

But why unlucky? He was nominated eight times, which is a record for nominations without a win. But worse yet, a lot of his nominations were for fantastic roles…that just happened to go up against someone else who had a career defining role that year.

  • 1962: He was nominated for “Lawrence of Arabia”. Fantastic performance, Oscar worthy, should have won, right? Except he was up against Gregory Peck for “To Kill a Mockingbird”. This is one of those times where I honestly think it should have been called a tie.
  • 1964: Nominated for “Becket”. Haven’t seen that (but would like to, as it is in my wheelhouse). But he was up against Rex Harrison in “My Fair Lady”. The other nominees were Richard Burton, also for “Becket”, Anthony Quinn for “Zorba the Greek”, and Peter Sellers for “Doctor Strangelove”. I see “Strangelove” as being another one of those defining roles that in another year, O’Toole would have lost honorably to. I figure Burton and O’Toole split the “Becket” vote, and folks were probably suckers for an old-style movie musical. (Short shameful confession: while it has been a while since I’ve seen it, I like “My Fair Lady”.)
  • 1968: “The Lion in Winter”. Lost to Cliff Robertson in “Charly”.
  • 1969: “Goodbye Mr. Chips”. Lost to John Freakin’ Wayne in “True Grit”. Lawrence thinks that’s a career award: I’d have to see “True Grit” again.
  • 1972: “The Ruling Class”. Haven’t seen that in ages, but I have fond memories of it. (Last time I saw it, I think UT still had a film program.) But comedy gets no respect from the Academy. Plus…that was the year of Marlon Brando and “The Godfather”. As you may remember, Brando sent Sacheen Littlefeather to refuse the award for him, so this was a complete waste of a good Oscar.
  • 1980: “The Stunt Man”. Lost to Robert De Niro in “Raging Bull”. John Hurt was also nominated for “The Elephant Man”.
  • 1982: “My Favorite Year”. Lost to Ben Kingsley for “Gandhi”, which I have not seen in many years but have fond (personal) memories of.
  • 2006: “Venus“, a movie I’d never heard of until I started looking at his nominations. Frankly, this sounds like a well intentioned makeup nomination, but he lost to Forest Whitaker for “The Last King of Scotland”.

See what I mean, Vern?

Side note for Dave: the TV series in which Cloris Leachman played a Pilgrim was “Thanks“. It lasted for six episodes in 1999.

Leachman, by far the best known member of the cast, has to get off the chamber pot to deliver her first bit of dialogue, which could’ve been written for any sitcom granny in the last 10 years.

Obit watch: September 10, 2021.

Friday, September 10th, 2021

Art Metrano.

He was apparently most famous for “Police Academy 2” and “Police Academy 3”, but he had a pretty lengthy career before those. He was prolific on TV, appearing on “Movin’ On” and a lot of ’70s cop shows…

…including “Mannix”. (“Deathrun”, season 2, episode 13. This is one of the ones with an old Army buddy of Mannix: however, Mr. Metrano was not the Army buddy.)

Obit watch: September 9, 2021.

Thursday, September 9th, 2021

Michael Constantine, noted actor.

He gets a lot of press for “My Big Fat Greek Wedding” but he did a lot of other work before (and after) that. No “Mannix”, but “Kojack”, “Homicide: Life on the Street”, “Law and Order: Original Recipe”, “Hunter”, multiple appearances on “Quincy, M.E.”, “Electra Woman and Dyna Girl”, late period “Perry Mason”, and the list goes on. He was even in “The Hustler”, which we watched just a few weeks ago.

Obit watch: September 8, 2021.

Wednesday, September 8th, 2021

I don’t do NetFlix. I’ve never watched an episode of “Tiger King”, and I’m not sure if any of my readers have.

But just in case: Erik Cowie.

Obit watch: September 7, 2021.

Tuesday, September 7th, 2021

Damn.

Michael K. Williams, “Omar” on “The Wire”, “Leonard” in “Hap and Leonard”, “Chalky White” on “Boardwalk Empire”, and lots of other stuff. THR.

Keith McCants. He was picked fourth overall by Tampa Bay in the 1990 draft, but turned into a bust. Tampa Bay let him go after three years, he bounced around a bit (playing with Houston and Arizona) before leaving football, and fell into addiction. He was 53, and apparently died of an overdose.

Jean-Paul Belmondo, legendary French New Wave star. (“Breathless”, among other credits.)

Tony Selby, British actor. (“Doctor Who”, “Eastenders”).

Quick miscellany.

Monday, September 6th, 2021

I’m on vacation, but I’ve got a little bit of time, so a couple of quick notes:

Remember the Murdaugh murders I wrote about a few months ago?

On Saturday, someone shot Alex Murdaugh. Mr. Murdaugh is the father of Paul and husband of Maggie. Reports are that he was shot in the head, but the wound is “superficial” and he’s expected to recover.

Obit watch: Willard Scott.

Mr. Scott, who had earlier played both Bozo the Clown and the original Ronald McDonald on television, was among the first of a generation of television weathermen who stressed showmanship over science. Throughout the late 20th century, he was also a ubiquitous television pitchman.

Though he was meant to represent the new, late-model television weatherman, Mr. Scott brought to the job a brand of shtick that harked back to earlier times. He seemed simultaneously to embody the jovial, backslapping Rotarian of the mid-20th century, the midway barker of the 19th and, in the opinion of at least some critics, the court jester of the Middle Ages.
There was the time, for instance, that he delivered the forecast dressed as Boy George. There was the time he did so dressed as Carmen Miranda, the “Brazilian bombshell” of an earlier era, dancing before the weather map in high heels, ruffled pink gown, copious jewelry and vast fruited hat. There was the time, reporting from an outdoor event, that he kissed a pig on camera.
The pig did not take kindly to being kissed and squealed mightily.

From 1952 to 1962, Mr. Scott also played the title character on “Bozo the Clown,” the WRC-TV version of a syndicated children’s show. In the early ’60s, on the strength of his Bozo, McDonald’s asked him to develop a clown character to be used in its advertising.
As Ronald McDonald, Mr. Scott did several local TV commercials for the franchise but was passed over — in consequence of his corpulence, he later said — as its national representative.

David Janssen!

Thursday, September 2nd, 2021

As someone who enjoys mystery fiction and well-written true crime, I find CrimeReads to be about 50% interesting…and about 50% woke bushwa.

On the interesting side: “Remembering Harry O, The Seventies’ Second Best, Mostly Forgotten Private Eye Series” by J. Kingston Pierce (editor of “The Rap Sheet“).

I was a school kid during Harry O’s prime-time run, and its weekly installments commenced past my bedtime. So I didn’t catch up with the series until decades later. That it was waiting around for me to enjoy—that it existed at all!—owed a great deal to the audacity of its creator, the appeal of its headliner, and not a little good luck.

I’m pretty much in the same boat: “Harry O” was right at the edge of my consciousness, but I don’t remember ever seeing an episode. (As the author notes, the series has been released on DVD, but Amazon shows them as “temporarily out of stock”, and it isn’t on Prime.)

I was thinking about this yesterday, and I kind of put David Janssen and Darren McGavin into the same mental bucket: they both seem to me to be two guys who has some success as actors, but were still the kind of people you could have a shot and a beer and a conversation with.

In case you were wondering about that “second best”, I kind of think my readers can draw their own conclusion about which series was the best. But if you’re still wondering, at the tone leave your name and message, I’ll get back to you.

Obit watch: August 29, 2021.

Sunday, August 29th, 2021

Ed Asner. THR. Variety.

Stipulated: he was a cranky old liberal whose politics drove me up a tree.

But: Lou Grant.

He made a point of largely avoiding comedy — out of fear, he said in a 2002 appearance at Vanderbilt University, and because “in those days you got discovered by doing the drama shows as a guest star.” But he agreed to audition for “The Mary Tyler Moore Show” because, as he said in an Archive of American Television interview, Lou Grant “was the best character I’d ever been asked to do” in either television or film.
Lou was a hard-drinking, straight-shooting, short-tempered journalist who had tender emotions but did not plan to show them; a strong aura of professional and personal integrity; a fear that he had outlived his era; and “a great common core of honor,” as Mr. Asner told Robert S. Alley and Irby B. Brown, the authors of “Love Is All Around: The Making of ‘The Mary Tyler Moore Show.’”

416 credits in IMDB as an actor. That’s impressive. And he did do more than a few cop shows, including both the good and bad “Hawaii 5-0”, but never a “Mannix”.

(Here’s an IMDB list of people with over 300 acting credits. Mr. Asner is listed at #92, but the list hasn’t been updated and his count is off. Also, many of the people ahead of him are either porn actors or voice actors: Mel Blanc comes in at #9 with 1,220 credits. Eric Roberts and James Hong are the first two non-porn, not primarily a voice actor, people I recognize: Roberts with 638 credits and Hong with 444 to date.)

(What about “Up”? No comment. I’ve never seen it.)

There are times when I just want to quote the entire NYT lead: not because I’m lazy (though I am) but because they encapsulate the obit so perfectly, anything I could say would be superfluous.

Inge Ginsberg, who fled the Holocaust, helped American spies in Switzerland during World War II, wrote songs in Hollywood and, in a final assertion of her presence on earth, made a foray into heavy metal music as a nonagenarian, died on July 20 in a care home in Zurich. She was 99.

Seriously, just go read this one.

For the historical record, obits from the paper of record for:

William G. Clotworthy.

Lloyd Dobyns.

Obit watch: August 26, 2021.

Thursday, August 26th, 2021

David Roberts, noted climber and climbing writer.

Michael Nader, actor. He was “Dex Dexter” in “Dynasty”, and “Dimitri Marick” on “All My Children”, among other credits.

Once again, pushing the boundaries of an obit, but: if you would prefer to read about Dorothy Parker’s tombstone in the NYT instead of the NYPost, well, here you go.

Obit watch: August 25, 2021.

Wednesday, August 25th, 2021

Charlie Watts. THR. THR 2. BBC.

I am slightly tempted to make “never call me your drummer again” a “leadership secret of a non-fictional character” – indeed, someone on Hacker News cited this as an example of managing a high-performing team – but I can’t condone punching a cow-orker. Even if they do suffer from “lead singer’s disease”.

Buckie Leach, coach of the US women’s foil team. Lee Kiefer, one of his team members, became the first US woman to win an individual gold at the most recent games.

Mr. Leach was killed in a motorcycle accident.

Leach was riding alone on a trip from Colorado Springs to New York City when his motorcycle struck a deer on a rural road in Pike Township, about 50 miles northwest of Philadelphia, according to the Pennsylvania State Police. The police did not describe the nature of his injuries but said he was wearing a helmet at the time, about 6:35 p.m.

Lloyd Dobyns Jr., noted NBC news correspondent. He’s another one of those NBC news guys I remember from when I was young.

I intended to note this a few days ago, but it got past me: Igor Oleksandrovych Vovkovinskiy passed away at 38. Mr. Vovkovinskiy was the tallest man in the United States: 7 feet, 8 inches.

Obit watch: August 24, 2021.

Tuesday, August 24th, 2021

Bill Clotworthy. You almost certainly never heard of him, but you’ve seen his work.

Or, perhaps more accurately, you haven’t seen his work.

Mr. Clotworthy was a long time “standards and practices executive” – in other words, a network censor – for NBC. His nickname was “Doctor No”.

Censors are “hard working, dedicated professionals trying to make television acceptable to a large and culturally diverse audience and, not incidentally, to keep the FCC and the U.S. Congress off the backs of their employers,” he wrote.

In a 2002 interview, Clotworthy described one SNL sketch that never made it to air:
It revolved around “a bunch of guys in a fraternity house trying to light farts,” he recalled. “You didn’t see anything, but you heard the voiceover and then there was this big explosion, and Joe Piscopo was dressed as Smokey the Bear, and he came out and said that should be a lesson to everyone — don’t fart with fire.”
He said he was OK with it but was overruled by his boss.

After his retirement, Clotworthy became a prolific author and lecturer who traveled the U.S. to conduct research for his books on George Washington and first ladies and for his guidebooks to presidential homes, libraries and notable sites. He was an enthusiastic genealogist for more than 50 years.

Those sound really cool. Amazon doesn’t list them, but there is a Kindle edition of Saturday Night Live: Equal Opportunity Offender: The Uncensored Censor.

Stretching the definition of an obit here, but: there was an unveiling ceremony for Dorothy Parker’s tombstone on Monday.

The story of Dorothy Parker’s ashes is almost as weird as the story of Evita’s body. After her death, her ashes sat in a crematory for six years, then in a filing cabinet in the former office of her (retired) lawyer. In 1988, her ashes were turned over to the NAACP (“In her will, she bequeathed her estate to Martin Luther King Jr., and upon King’s death, to the NAACP.“)

The NACCP set up a memorial outside their headquarters in Baltimore. But when they moved in 2020, the organization returned the ashes to her family, who reburied them in Woodlawn Cemetery.

The New York Distilling Company in Williamsburg issued a commemorative gin to pay for the headstone.
Along with the gin, mourners left red roses near Parker’s grave, which lies next to those of her parents and grandparents.
The family plot is in a section of the 400-acre cemetery that includes the graves of writers such as Herman Melville and E.L. Doctorow — as well as a man dubbed “The Father of Mixology,’’ 19th century New York City bartender Jerry Thomas.

Brian Travers, founding member of UB40. Brain tumor got him at 62.

Marilyn Eastman, “Helen Cooper” in “Night of the Living Dead”.

Obit watch: August 22, 2021.

Sunday, August 22nd, 2021

Tom T. Hall. THR.

Known to his fans and fellow musicians as “the Storyteller,” Mr. Hall was among a small circle of Nashville songwriters, including Kris Kristofferson, Roger Miller and others, who imbued country lyrics with newfound depth and insight in the 1960s and ’70s. As his nickname suggests, he was a skilled narrator, although he told his stories less through the unfurling of linear plots than through the presentation of one-sided conversations or interior monologues that invited listeners into the lives of his often conflicted protagonists.

Backed by lean, uncluttered arrangements typically played by first-call Nashville session musicians, Mr. Hall’s songs were both straightforward and closely observed, forcing listeners to look at the world, and their preconceived notions about it, in a new light. Concerned with everyday lives and struggles, Mr. Hall’s concise, understated tales had the impact of well-wrought short stories. (He also wrote two volumes of short fiction and two novels.)

In Mr. Hall’s career as a recording artist, which spanned more than two decades, he placed a total of 54 singles on the country charts. He also released more than three dozen albums, including two bluegrass projects: “The Magnificent Music Machine,” a 1976 collaboration with Bill Monroe, and “The Storyteller and the Banjoman” (1982), with Earl Scruggs.

In 2015, music legend Bob Dylan singled out Hall for some harsh criticism in a rambling speech at a MusiCares event. He called Hall’s song, “I Love,” “a little overcooked,” and said that the arrival of Kristofferson in Nashville “blew ol’ Tom T. Hall’s world apart.”
The criticism apparently confused Hall, as he considered Kristofferson a friend and a peer, and when asked about Dylan’s comments in an 2016 article for American Songwriter magazine, he responded, “What the hell was all that about?”

Don Everly.

The most successful rock ’n’ roll act to emerge from Nashville in the 1950s, Mr. Everly and his brother, Phil, who died in 2014, once rivaled Elvis Presley and Pat Boone for airplay, placing an average of one single in the pop Top 10 every four months from 1957 to 1961.
On the strength of ardent two-minute teenage dramas like “Wake Up Little Susie” and “Cathy’s Clown,” the duo all but single-handedly redefined what, stylistically and thematically, qualified as commercially viable music for the Nashville of their day. In the process they influenced generations of hitmakers, from British Invasion bands like the Beatles and the Hollies to the folk-rock duo Simon and Garfunkel and the Southern California country-rock band the Eagles.
In 1975 Linda Ronstadt had a Top 10 pop single with a declamatory version of the Everlys’ 1960 hit “When Will I Be Loved.” Alternative-country forebears like Gram Parsons and Emmylou Harris were likewise among the scores of popular musicians inspired by the duo’s enthralling mix of country and rhythm and blues.
Paul Simon, in an email interview with The Times the morning after Phil Everly’s death, wrote: “Phil and Don were the most beautiful sounding duo I ever heard. Both voices pristine and soulful. The Everlys were there at the crossroads of country and R&B. They witnessed and were part of the birth of rock ‘n’ roll.”

Tony Mendez, David Letterman’s “Cue Card Boy” and star of “The Tony Mendez Show”.

Obit watch: August 11, 2021.

Wednesday, August 11th, 2021

Alex Cord. He may have been best known as “Archangel” in “Airwolf”, but he had a significant body of work going back to the 1960s. No “Mannix”, but a lot of other cop shows, and multiple appearances on “Fantasy Island”, among other credits.

Patricia Hitchcock. Yes, Alfred’s daughter.

Born on July 7, 1928 in the UK to famed film director Alfred Hitchcock and his infamously loyal wife, Alma Reville, the legendary duo’s offspring would go on to appear in a string of her pop’s projects including “Stage Fright” (1950), “Strangers on a Train” (1951) and the aforementioned “Psycho” (1960). She also guest-starred in 10 episodes of the classic TV anthology series “Alfred Hitchcock Presents,” from 1955 to 1960.

She had a few other credits, but retired in the 1970s.

Tony Esposito, Hall of Fame goalie for the Chicago Blackhawks.

Walter Yetnikoff, legendary head of CBS Records.

In one of his first acts as president, Mr. Yetnikoff somewhat reluctantly let Ron Alexenburg, the head of CBS’s Epic label, sign the Jacksons. Epic had wrested the group from Motown Records (which retained the rights to the group’s original name, the Jackson 5), and though Mr. Yetnikoff wasn’t overly impressed with the Jacksons’ initial albums for Epic, he cultivated a relationship with the group’s key member, Michael, supporting the young singer’s interest in expanding into solo work.
In 1982, that encouragement resulted in “Thriller,” still one of the top-selling albums in history.

Other megahits released during Mr. Yetnikoff’s tenure included Meat Loaf’s “Bat Out of Hell” in 1977, the ambitious Pink Floyd double album “The Wall” in 1979, Mr. Springsteen’s “Born in the U.S.A.” in 1984, Mr. Jackson’s “Bad” in 1987 and a series of hit albums by Mr. Joel, including “The Stranger” (1977) and “Glass Houses” (1980).

Unfortunately, he was one of those people who didn’t just have issues: he had a lifetime subscription and a complete run of bound volumes.

…his ascension was accompanied by numerous affairs, which he detailed, along with his substance abuse, in his autobiography. Other record executives from the period wrote their stories, too, but Mr. Yetnikoff’s was in a class by itself. It was, Forbes said, “a portrait of such out-of-control megalomania that any music executive today, no matter how egotistical or ruthless, has to look better by comparison.”

In 1990, Mr. Yetnikoff, having offended too many people with his outrageous behavior, was dismissed by Sony, the company that at his urging had bought CBS Records only three years earlier. He had gone into rehab in 1989 and kicked the booze and drugs that had been his more or less daily diet throughout his reign, but getting clean didn’t make him any more tolerable.

Tommy Mottola, once a friend and later, as Mr. Yetnikoff’s successor at CBS Records, viewed as an enemy, put it this way in his own autobiography, “Hitmaker: The Man and His Music” (2013): “The treatment center had removed the alcohol and drugs from Walter’s life — but not the underlying problems that Walter had been using them to anesthetize.”

Brian Mulheren. He was the man in the NYPD in the 1970s and 1980s. Specifically, and to quote the NYT, he was a “veteran detective who as an audacious, deft and indefatigable one-man emergency management liaison between City Hall and the New York Police and Fire Departments became known as ‘Mr. Disaster’ and the ‘Night Mayor’…”

Mr. Mulheren played an outsize role for a first-grade detective. He was armed with a gold shield, but his uniform, such as it was — it typically consisted of a rumpled beige trench coat and a crumpled Irish tweed hat — was devoid of the stars and bars that define status on the police force.
Yet by sheer force of personality and the connections he had cultivated, he was deferred to by city commissioners and by police supervisors who outranked him when he arrived, often first, at the scene of a crisis in his black Lincoln Town Car, which was crowned with a forest of antennas that linked him to every emergency radio frequency in the city.
In the 1970s and ’80s, he served as City Hall’s wake-up call when an officer was shot or a firefighter was felled. Before the city established a full-fledged emergency management department, he seamlessly and almost single-handedly coordinated interagency strategies.
“He was one of those rare people who kept the N.Y.P.D. and the Fire Department together,” John Miller, the Police Department’s deputy commissioner for intelligence and counterterrorism, said in an interview. “He basically created the organized response to chaos that we replicated and have used ever since.”

Mr. Mulheren was credited by Officer Steven McDonald’s family with saving his life when he was shot in Central Park by a teenage bicycle thief in 1986 and rushed in a patrol car to Metropolitan Hospital, where doctors said he was unlikely to survive.
In 2016, Mr. McDonald told Columbia, the Knights of Columbus magazine, that he vividly remembered Mr. Mulheren’s dauntless intervention.
“You might think he’s not going to make it, but we’re going to Bellevue,” Mr. Mulheren announced on his own initiative, according to “New York’s Finest,” a forthcoming book by Michael Daly.
“He had no rank or high station but stepped forward and said, ‘No, he’s not going to die; he just needs a second chance,’” Mr. McDonald recalled. “I believe that was the Holy Spirit speaking through Brian to everyone there. Just like that like they loaded me up on a special ambulance and flew down to Bellevue Hospital, where they saved my life by the grace of God.”

In another emergency, when a firefighter was overcome and no ambulance was immediately available, Mr. Mulheren was said to have commandeered a city bus, told the passengers to debark and ordered the driver to take the injured man to the hospital.
Serving mostly under Mayors John V. Lindsay, Edward I. Koch and David N. Dinkins, Mr. Mulheren, a police buff since childhood, insinuated himself into the department’s decisions to buy smaller patrol cars to economize on gas; change their color from green, black and white in the early 1970s to “grabber blue” with white accents to make them more visible and less intimidating; modernize lights and sirens; air-condition the cars; and improve radio communications. He also encouraged the Fire Department to requisition a hyperbaric oxygen therapy chamber to treat burn victims.

He was 73 years old, and passed away due to COPD. His family attributes his condition to inhalation of debris at the WTC site after the 2001 attacks.

Obit watch: August 9, 2021.

Monday, August 9th, 2021

It was a busy weekend, and I’ve got a backlog. I hope I don’t miss anybody.

Markie Post. THR. Variety.

Damn. Said it before, I’ll say it again: “Night Court” was a swell show, and she was part of what made it swell.

Trevor Moore, comedian (“The Whitest Kids U Know”).

Jane Withers, actress.

In her first major movie role, in 20th Century Fox’s “Bright Eyes” (1934), the 8-year-old Jane played a spoiled rich kid who wanted a machine gun for Christmas and took a ghoulish delight in sending her dolls to the hospital. She was the antidote to the movie’s star, Shirley Temple, the always cheerful, always obedient, always smiling orphan.

She did other movie and TV work, including “Giant”, and played “Josephine the Plumber” in the Comet commercials.

Bobby Bowden, football coach.

“When I was at Alabama the bumper stickers read ‘Beat Auburn,’ he recalled in “The Bowden Way” (2001), his book on leadership written with his son Steve. “When I was at West Virginia they read ‘Beat Pitt.’ When I came to F.S.U., the bumper stickers read ‘Beat Anybody.’”
Bowden’s Seminoles beat most everybody. He coached Florida State to national championships in 1993 and 1999 and his teams finished in the top five of the Associated Press rankings every season from 1987 to 2000. The Seminoles were unbeaten in bowl games from 1982 to 1995.

He was, for a period of time, the coach with the most wins in college football. I phrase it that way, though, because this was after the NCAA vacated 111 of Joe Paterno’s victories over the Penn State scandal:

But in January 2015, as part of a settlement in a lawsuit brought by Pennsylvania officials, the N.C.A.A. agreed to restore Paterno’s victories, returning him to the No. 1 spot.

Coach Bowden now ranks second, with 377 career wins.

Paul Cotton, of Poco.

Mr. Cotton joined Poco, replacing the founding member Jim Messina in 1970, just in time to appear on the group’s third studio album, “From the Inside” (1971). Produced by Steve Cropper, the guitarist with the Memphis R&B combo Booker T. & the MGs, the project signaled a new artistic direction for the band, maybe nowhere so much as on the three songs written by Mr. Cotton.
Rooted more in rock and soul than in the country and bluegrass that had hitherto been the group’s primary influences, Mr. Cotton’s sinewy, blues-inflected guitar work and brooding baritone vocals on songs like the ballad “Bad Weather” greatly expanded Poco’s emotional and stylistic palette.

Herbert Schlosser, TV executive. Among other accomplishments: “Saturday Night Live” and “Laugh-In”.

Jon Lindbergh. Yes, he was Charles Lindbergh’s son, but he led an interesting life of his own.

He didn’t go into aviation like his father: instead, he became a pioneer of undersea research.

After college, he did postgraduate work at the University of California San Diego and spent three years as a Navy frogman, working with the Underwater Demolition Team. He appeared as an extra in the television series “Sea Hunt” and had bit parts in a few movies, including “Underwater Warrior” (1958).
He also worked as a commercial deep-sea diver and participated in several diving experiments. They included a 1964 project in the Bahamas called “Man-in-Sea” in which a submersible decompression chamber devised by Edwin Link allowed divers to stay deeper under water for longer periods.
As part of that project, Mr. Lindbergh and Robert Sténuit, a Belgian engineer, set a record by staying in a submersible dwelling for 49 hours at a depth of 432 feet, breathing a mixture of helium and oxygen that allowed them to swim outside the dwelling without harm despite the enormous pressure of the water above. Mr. Sténuit wrote an account of the experiment in the April 1965 issue of National Geographic.
Mr. Lindbergh was also involved in the development and testing of the Navy’s Alvin deep-ocean submersible, which he used during the recovery of the hydrogen bomb in the Mediterranean. An American bomber had hit a refueling tanker in midair and dropped four hydrogen bombs, two of which released plutonium into the atmosphere, though no warheads detonated.
He later helped install Seattle’s water treatment system in icy waters as deep as 600 feet. Finding that he liked the area, he bought a secluded Georgian-style home on Bainbridge Island in the mid-1960s and raised his family there. He later farmed salmon in Puget Sound and in Chile as part of an emerging aquaculture industry and sold the fish to airlines and restaurants.

Charles Lindbergh lived long enough to see Jon flourish in his career and was relieved that his son had not followed him into aviation. “He removed any burden of his own career from his son’s shoulders,” Mr. Berg wrote in his biography, by telling Jon that much of what had first attracted him to aviation in the 1920s no longer existed.
“Thirty years ago, piloting an airplane was an art,” Charles Lindbergh told his son, but it no longer seemed like an adventure.
Rather than become a flyer, Charles Lindbergh added, “I think I would follow your footprints to the oceans, with confidence that chance and imagination would combine to justify the course I set.”

Nach Waxman. He founded Kitchen Arts and Letters, a Manhattan bookstore specializing in food related books.

In one instance, Mr. Waxman counseled Citibank on its banquet menu for the Venezuelan finance minister; in another, he found Indigenous recipes from New Guinea for the American Museum of Natural History’s dining room during an exhibition on rain forests.
“He could make helpful recommendations, obtain the very cookbook you needed, search for out-of-print editions and discuss the authors,” said Florence Fabricant, a food and wine writer for The New York Times.
Mr. Waxman once said that about two-thirds of his customers were culinary careerists purchasing professional tools. “Knives are one tool,” he told The Times in 1998. “Books are another.”

“It’s really the professional business that’s the gratifying business,” Mr. Waxman told The Times in 1995. “People who are expanding their skills and the scope of their work. I will tell you, when the lease was up a few years ago, I gave serious thought to moving the store to a second floor somewhere just to make it a place for motivated people, not casual drop-ins. The people who come here have a language in common.
“Just sitting and selling books is boring,” he said. “It’s making change and putting books in bags. What’s fun is helping people solve their problems.”

Obit watch: August 5, 2021.

Thursday, August 5th, 2021

Col. Dave Severance (USMC – ret.) has passed away. He was 102.

The flag-raising atop Mount Suribachi on Feb. 23, 1945, captured by an Associated Press photographer, Joe Rosenthal, was taken when the battle for Iwo Jima was far from over. In the days that followed, Colonel Severance earned the Silver Star, the Marines’ third-highest decoration for valor after the Medal of Honor and the Navy Cross. The citation stated that in a firefight for a heavily defended ridge, he “skillfully directed the assault on this strong enemy position despite stubborn resistance.”
Colonel Severance, a captain at the time, commanded Easy Company of the 28th Marine Regiment, Fifth Marine Division — part of the 70,000-man Marine force that sought to seize Iwo Jima, 7.5 square miles of black volcanic sand about 660 miles south of Tokyo. The island, defended by 21,000 Japanese troops, held airstrips that were needed as bases for American fighter planes and as havens for crippled bombers returning to the Mariana Islands from missions over Japan.
Amid heavy casualties, the Marines by the fifth day of combat on Iwo Jima had silenced most opposition from Japanese soldiers dug into caves on Mount Suribachi, an extinct volcano 546 feet high at Iwo Jima’s southern tip.
In midmorning, a group of Marines from Easy Company raised a flag at the summit, a ceremony photographed by Sgt. Louis Lowery of the Marine magazine Leatherneck. When James Forrestal, the secretary of the Navy, who was on the beach below, saw the flag, he requested that it be kept as a memento. After it was returned to the beach, Colonel Severance sent another group of his Marines to bring a larger flag to the mountaintop.
It was the raising of the second flag that was portrayed in Mr. Rosenthal’s dramatic photograph.

He was commissioned as a lieutenant and first saw combat as a platoon commander in the 1943 battle for the Pacific island of Bougainville. His platoon was ambushed and cut off by Japanese troops about a mile behind enemy lines, but fought its way out of an encirclement and wiped out the enemy with the loss of only one Marine, according to the National WWII Museum in New Orleans.

After World War II, Colonel Severance completed flight training and flew fighter aircraft during the Korean War. He completed 69 missions and earned the Distinguished Flying Cross. He was promoted to colonel in 1962. At his retirement, in May 1968, he was assistant director of personnel at Marine headquarters.

Colonel Severance was portrayed by Neil McDonough as a Marine captain and by Harve Presnell as an older man in “Flags of Our Fathers” (2006), Clint Eastwood’s film about the six men who raised the flag at Iwo Jima. Colonel Severance was a consultant for the movie.

Asked how he would like to be remembered, he said, “I never thought about it,” then added, “Just that I was a Marine for 30 years and I never ended up in jail.”

Alvin Ing, actor. He was in the original Broadway production of Sondheim’s “Pacific Overtures” and the revival in 2004. He also appeared in the 2002 revival of “Flower Drum Song”.

He also did some movie and TV work, including “The Final Countdown” and the bad “Hawaii Five-0”.