There’s a high bar that has to be cleared for me to link to something on ESPN.
Bonus: the Canadian Football Act (which isn’t really an act, as it has never been signed into law).
There’s a high bar that has to be cleared for me to link to something on ESPN.
Bonus: the Canadian Football Act (which isn’t really an act, as it has never been signed into law).
Credits beyond “One Life to Live” and a minor SF TV show from the 1960s include “Night Gallery”, “Bearcats!”, “Law and Order” (and “SVU”), “The Bold Ones: The New Doctors”…
…and “Mannix”. (“The End of the Rainbow“, season 2, episode 5.)
Bobby Rydell, one of the big teen idols.
Mr. Rydell and two other affable performers who became stars in those years, Frankie Avalon and Fabian, grew up within about two blocks of one another in South Philadelphia. Long after their days on the pop chart were past them, they enjoyed great success on the oldies circuit. The three had toured extensively together since 1985, billed as the Golden Boys, and were still performing together this year.
Mr. Rydell did not just have staying power; he also made a comeback after years of alcohol abuse, which he chronicled in his autobiography, “Bobby Rydell: Teen Idol on the Rocks” (2016), written with the guitarist and producer Allan Slutsky. Near death, he had a kidney and liver transplant in July 2012. By that October he was back, singing on a cruise ship with Mr. Avalon. But five months later, he underwent cardiac bypass surgery. Some of his later appearances were charity promotions for organ donation.
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Mr. Rydell’s recording prime encompassed the era roughly between 1959, when Elvis Presley was in the Army and Buddy Holly died in a plane crash, and 1964, when Beatlemania hit America. It didn’t hurt that Dick Clark’s “American Bandstand” was broadcast in those years from Philadelphia, the home of Mr. Rydell’s label, Cameo Records.
Mr. Rydell’s repertoire included plaintive love ballads; slow, danceable tunes; occasional frenetic rockers like “Wild One” and “Swingin’ School”; and ageless songs like Domenico Modugno’s 1958 hit “Volare,” which became Mr. Rydell’s signature song in his later touring years.
Mr. Rydell was a pop phenomenon but hardly a cutting-edge rock star. Still, he sold a lot more records than some of those who were. Over the course of his recording career he placed 19 singles in the Billboard Top 40 and 34 in the Hot 100. His name alone could conjure up an entire era: The 1970s rock musical “Grease,” in both its Broadway and movie versions, was set in 1959 at the fictional Rydell High School.
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Alan J. Hruska, lawyer, novelist, and one of the founders of Soho Press.
Nehemiah Persoff. THR. He was 102.
206 credits in IMDB. If he wasn’t in everything, he was in lots of it. “Some Like It Hot”. “On the Waterfront”. “Law and Order”. “Barney Miller”. The good “Hawaii 5-0” multiple times. “Battlestar Galactica”. “Supertrain”. “Richie Brockelman, Private Eye”. “Quincy, M.E.” “Sword of Justice” (I was just thinking about that show the other day.) “Columbo”. “McCloud”. “McMillan and Wife”. (Trivia question I don’t have an answer for: how many actors appeared on all three of the initial shows in the “NBC Mystery Movie” wheel?) “Mission: Impossible”.
And, yes, “Mannix”. (“A Puzzle for One“, season 6, episode 11.)
Marvin J. Chomsky, TV director. Credits include “Roots” and “Holocaust”. Also three episodes of a minor 1960s SF TV series, the good “Hawaii 5-0”, “Mission: Impossible”, “Lancer”, “Bearcats!”, “Evel Knievel”…
…and “Mannix”. (“Little Girl Lost“, season 7, episode 4.)
Paul Herman. Credits other than “The Sopranos” and “Goodfellas” include “We Own The Night”, “Once Upon A Time In America”, and “The Last Temptation of Christ”.
Lawrence tipped me off to the deaths of two actors which (per the policy of this blog) I have to note here.
Lawrence Dane. Yeah, yeah, “Bride of Chucky”. Other credits include “Lancer”, “Mission: Impossible”, “The F.B.I.”…
…and “Mannix”. (“Fly, Little One”, season 3, episode 21. “Overkill”, season 4, episode 24.)
Howard “Pepper” Martin. Sorry for the sourcing, but I haven’t seen this elsewhere.
Other credits include “Quincy, M.E.”, the 1990 revival of “Dragnet”, “T.J. Hooker”, “240-Robert”, seven appearances on “The Rockford Files”, six appearances on “Police Woman”, “Mission: Impossible”, four appearances on “Police Story”, the good “Hawaii 5-0”, “Bearcats!”…
…and he was a “Mannix” three timer. (“A Catalogue of Sins”, season 1, episode 11. “Last Rites for Miss Emma”, season 2, episode 22. “The Color of Murder”, season 4, episode 22.)
Peter Bowles, British actor.
Other than “To the Manor Born”, he was “Guthrie Featherstone” on “Rumpole of the Bailey”, and did guest shots on “Randall & Hopkirk (Deceased)”, “Tales of the Unexpected”, “I, Claudius”, “Space: 1999”, “The Prisoner”, and appeared four times on “The Avengers”, among other credits.
When I published yesterday’s obit watch, Tyler James was the only person confirmed dead in the Andrews County car crash. Since then, the names of the others have been published:
Mauricio Sanchez
Travis Garcia
Jackson Zinn
Karisa Raines
Laci Stone
Tiago Sousa
Henrich Siemans (driver of the pickup truck)
Conrad Janis, jazz musician and actor.
“Conrad Janis Is Glad to Live Three Lives,” the headline on a 1962 Newsday article read. At the time he was starring in the romantic comedy “Sunday in New York” on Broadway and, after the Friday and Saturday night performances, playing trombone with his group, the Tailgate 5, at Central Plaza in Manhattan. (On Sundays he’d trek to Brooklyn to play at the club Caton Corner.) When not onstage or on the bandstand, he could often be found at his father’s art gallery.
Sixteen years later he found himself on one of the most popular shows on television when he was cast on “Mork & Mindy,” which premiered in September 1978, as the father of Mindy (Pam Dawber), a Colorado woman who befriends an eccentric alien (Robin Williams). On Sundays during this period, he played in the Beverly Hills Unlisted Jazz Band at the Ginger Man, a club in Beverly Hills, Calif., whose owners included Carroll O’Connor of “All in the Family.”
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In the movies, he played alongside some famous names: Ronald Reagan and Shirley Temple in the notoriously bad “That Hagen Girl” (1947), Charlton Heston and other prominent stars in “Airport 1975” (1974), Lynn Redgrave in “The Happy Hooker” (1975), George Burns in “Oh God! Book II” (1980).
He was on television from the medium’s earliest days, playing numerous roles in the late 1940s and ’50s, many of them on shows like “Suspense,” “Actor’s Studio” and “The Philco Television Playhouse” that were broadcast live. Some of those roles took advantage of his familiarity with musical instruments.
Among other credits, he did a few cop shows: “Baretta”, “Banacek”, “Cannon”. And he was a regular (“Palindrome”) on “Quark”.
Laurel Goodwin, actress.
She had a somewhat short career, possibly due to bad luck. Her first movie was “Girls! Girls! Girls!” with Elvis. She was in the first (rejected) pilot for a minor 1960s SF TV series, but was cut from the second one. In the meantime, she said she had turned down offers for two successful comedies.
Other credits include “Get Smart”, “The Beverly Hillbillies”, a 1978 TV mini-series based on Dashiell Hammett’s “The Dain Curse”…
…and “Mannix”. (“A Question of Midnight”, season 3, episode 5.)
I was running flat out yesterday from 7 AM to 8:30 PM, so I got a little behind in obits. My apologies.
Mitchell Ryan. THR. Other credits (besides those in the headline) include guest shots on a lot of cop shows (“O’Hara, U.S. Treasury”, “Cannon”, “Barnaby Jones”), “High Plains Drifter”, “Magnum Force”, “The Friends of Eddie Coyle”, and apparently he starred in a series called “Chase” that I’ve never heard of.
Tim Considine. THR. Other credits include “Soldier Who Gets Slapped” in “Patton”, “The Shaggy Dog”, and a guest shot on “Ironside”.
…he made a career as a sports and automobile photographer, writer and author. His books included “The Language of Sport” (1982) and “American Grand Prix Racing” (1997).
Mr. Considine even substituted a couple of times for William Safire, writing the “On Language” column for The New York Times Magazine. He explained how “the first Olympic Games, in 776 B.C., in which a line scratched in the dirt served as the starting point” for some events, led to the expression “start from scratch.”
“Great But Forgotten” did a nice tribute to “The Adventures of Spin and Marty” a while back. The idea of a children’s show where the main characters actually grow and change kind of interests me.
(Shallow rabbit hole about “The Shaggy Dog”, because it came up over the weekend. Lawrence was wondering, and according to Wikipedia (the source of all slightly accurate information), “The Shaggy D.A.” was actually a sequel. There was also a two-part TV movie in 1987, “The Return of the Shaggy Dog”, set at some point between the two movies and starring Gary Kroeger.)
Johnny Brown. Other credits include “The Lost Saucer”, “The Wiz”, “Get Christie Love!”, and he played a character called “Huggy Bear” in an episode of “The Rookies”. (I can’t tell if “Streets of San Francisco” [Edited: D’oh! “Starsky and Hutch”! I blame the fact that my parents wouldn’t let me watch any of these shows.] intended for this to be the same character, but they did use Antonio Fargas instead of Johnny Brown.)
Gary North, economist. I’d heard of him, but I never actually read any of his work.
Joe Wanenmacher, founder and owner of the Tulsa Arms Show, one of (if not the) largest gun shows in the world.
Mike the Musicologist and I have been lucky enough to attend a few of the Tulsa shows. The obit says that Mr. Wanenmacher had mostly handed off operational responsibilities to his other family members, but he still built the show into what it is today. Our hat is off to him.
(Hattip on this to our great and good friend David Carroll.)
Sandy Nelson, drummer and subject of one of the most interesting obits I’ve read in the NYT recently.
He had a big hit in 1959 with “Teen Beat”, which was based on a drum riff he heard in a strip club:
“While they were looking at these pretty girls in G-strings, guess what I was doing?” he told The Las Vegas Weekly in 2015. “I was looking at the drummer in the orchestra pit.”
“He was doing kind of a ‘Caravan’ beat,” he added, referring to a jazz standard. “‘Bum ta da da dum’ — small toms, big toms. That’s what gave me the idea for ‘Teen Beat.’”
He had a second big hit with “Let There Be Drums” in 1961. In 1963, he had a motorcycle accident and lost part of his right leg: he retrained himself to play the bass with his left leg.
He did a bunch of instrumental albums in the 1960s and 1970s, many of which featured covers:
But he also continued to do experimental work:
His friend and fellow musician Jack Evan Johnson said that Mr. Nelson was especially proud of “The Veebles,” a whimsical five-track concept album released on cassette in 2016 that had an extraterrestrial sound and theme.
“It’s about a race of people from another planet,” he told The Las Vegas Sun in 1996, when the long-gestating project was just beginning to take shape. “They’re gonna take over the Earth and make us do nothing but dance, sing and tell dumb jokes.”
(I checked: there was a CD version of this, but it is out of print. Amazon and Apple Music do not show a digital version, though some of Mr. Nelson’s other work is available from both.)
Mr. Nelson acknowledged that he had not handled his early success well.
“I spent most of the money on women and whiskey, and the rest I just wasted,” he told The Review-Journal.
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Yes. He dug a cave in his backyard.
The project took him 12 years.
“I got a ‘cave tour’ once,” Mr. Johnson said by email, “and it was quite something, precarious even — dug down at a very steep angle into the hard desert soil, with no kind of support structure whatsoever and just enough room to scoot down into it for a ways until the room opened up at the bottom.”
“He had an electric keyboard down there,” he added.
Kenny Burrough, wide receiver for the Houston Oilers during the 1970s.
Other than the original “Hot Lips”, credits include a guest spot on an early episode of a minor 1960s SF TV series, “Back to School”, “T.H.E. Cat”, “Coronet Blue”, the legendary “Delgo“, and a whole bunch of other stuff…
…including “Mannix”. (“The Solid Gold Web“, season 2, episode 23. She plays a former love interest of Mannix.)
NYT obit for Howard Hesseman, which was not up when I posted yesterday.
Mike the Musicologist sent this over, with the observation that it had been posted yesterday:
Cheslie Kryst. She was Miss USA 2019, and worked as a lawyer and a correspondent on “Extra”.
The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a good page of additional resources.
Hargus Robbins, noted session pianist in Nashville.
A longtime member of Nashville’s so-called A-Team of first-call studio musicians, Mr. Robbins appeared on thousands of popular recordings made here between the late 1950s and mid-2010s.
Many became No. 1 country singles, including Hank Snow’s “I’ve Been Everywhere” (1962), Loretta Lynn’s “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind)” (1966) and Dolly Parton’s “I Will Always Love You” (1974). Several also crossed over to become major pop hits, Patsy Cline’s “I Fall to Pieces” (1961) and Kenny Rogers’s “The Gambler” (1978) among them.
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Mr. Robbins’s influence was maybe most pronounced as the Nashville Sound evolved into the more soul-steeped “countrypolitan” style heard on records like George Jones’s 1980 blockbuster single, “He Stopped Loving Her Today.”
Mr. Robbins’s rippling, jazz-inflected intros to Charlie Rich’s “Behind Closed Doors” (1973) and Crystal Gayle’s “Don’t It Make My Brown Eyes Blue” (1977) became enduring expressions of the Southern musical vernacular of their era. Both records were No. 1 country and crossover pop singles.
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Booger.
I didn’t watch “Head of the Class”, and, while I may have watched the original “One Day at a Time”, I’m pretty sure I had checked out by season 9. (We were actually discussing that show last night at dinner: I believe we all watched it, but with the mitigating excuse that there were only three channels at the time.)
I can’t find my favorite Dr. Johnny Fever moment online. (Johnny takes a sobriety test, and the drunker he gets, the better his reaction time gets. This is the kind of humor you could get away with in the late 1970s/early 1980s, before joyless fun suckers sucked all the fun out of everything.) And I don’t want to use the turkey drop stuff, because overused and it isn’t Thanksgiving.
So here’s a nice golden moment for you.
Edited to add 2/7: Lawrence pointed out something over the weekend that was quite a surprise to me (I should have checked his credits more closely): Howard Hessman did a “Mannix”. (“A Ransom for Yesterday“, season 8, episode 17. We watched it Saturday night: given that it was so close to the end of the series, it is actually a pretty good episode, and Hessman’s role is substantial. It also isn’t an old Army buddy episode, thank Ghu.)
He was “Enrico Rossi” in 113 episodes of “The Untouchables”. Other credits include two episodes of “Get Smart”, the good “Hawaii 5-0”, “Mission: Impossible”, “The Rockford Files”, four episodes of “Quincy M.E.”, the Andy Sidaris film “Picasso Trigger”…
…and “Mannix”. (“Deadfall”, season 1, episodes 17 and 18. We have not seen this yet, as we are saving season 1 until after we’ve watched seasons 2 through 8. But this is kind of a legendary episode: Joe Mannix gets into a bloody fight with his boss at Intertect.)
Robbie Roper. He was a high school quarterback in Georgia and one of the top recruits in this year’s class.
He was only 18 years old, and passed away after a routine surgery.
Even though (as I have said in the past) I find CrimeReads 50% worthwhile and 50% pretentious annoying crap. This falls on the worthwhile side:
“Mannix Was Vintage TV’s Perfect Savvy PI“.
I particularly approve of the author calling out Gail Fisher’s contribution, and his mention of the recurring “old Army buddy” trope.