Archive for the ‘1970s’ Category

Obit watch: April 27, 2020.

Monday, April 27th, 2020

Harold Reid, leader of the Statler Brothers.

The Statlers imbued contemporary country and folk material with traditional gospel harmonies, helping to usher Southern gospel music into the cultural mainstream while paving the way for the arrival of crossover-minded blockbuster country vocal groups like the Oak Ridge Boys and Alabama.
“We took gospel harmonies and put them over in country music,” Mr. Reid was quoted as saying in the Encyclopedia of Gospel Music.

Mr. Reid was the funny man of the group and the creative force behind Lester “Roadhog” Moran and the Cadillac Cowboys, the quartet’s comedic alter ego, which lampooned the sacred cows of country music. Mr. Reid played the role of the drolly outrageous Roadhog Moran both on recordings and onstage.

One of my favorite Statler Brothers songs:

And another, even though the (original) lyrics are a little dated:

All right, one more:

Steve Dalkowski, minor league pitcher. This is actually one of those sad stories: he was famous for spending nine seasons in the minor leagues, mostly with the Baltimore Orioles’ teams. He apparently had an amazing fastball, but was also erratic as a pitcher. (“He walked batters almost as often as he struck them out..”) Supposedly, he inspired “Nuke LaLoosh”, the pitcher in “Bull Durham”.

He also had problems with alcohol. At the time of his death, he’d been in a nursing home with “alcohol-induced dementia” for 26 years.

Gene Dynarski. He was “Izzy Mandelbaum Jr.” on “Seinfeld”, appeared on two episodes of a minor SF series, and had guest shots on a lot of other TV, including multiple stints on “Banacek”…

…and, yes, “Mannix”. (“Fly, Little One”, season 3, episode 21. He’s credited as “Killer”.)

Bruce Allpress, New Zealand actor who was in “The Two Towers” and a few other things.

(Hat tip on the last two to Lawrence.)

Obit watch: April 23, 2020.

Thursday, April 23rd, 2020

Shirley Knight, actress.

She did a lot of theater work (and won a Tony), did some movie work, and a whole bunch of TV (winning three Emmy awards). No “Mannix”, but she did appear on a lot of Quinn Martin productions.

Obit watch: April 22, 2020.

Wednesday, April 22nd, 2020

Tom Lester. He didn’t have an extensive list of credits, but is perhaps best known as “Eb Dawson”, the farmhand on “Green Acres”. He was apparently the last surviving member of the original cast.

Andrew J. Fenady, TV producer and writer.

Obit watch: April 7, 2020.

Tuesday, April 7th, 2020

Wow. Yesterday was a day.

In no particular order of importance (and I may be a day or three behind on some of these):

Julie Bennett. She was primarily known as a voice actress: she did a lot of animated stuff, including voicing “Cindy Bear” in the “Yogi Bear Show”. (And “Aunt May” in “Spider-Man: The Animated Series”.) She also did guest shots on a few of my favorite shows: “Adam-12”, “Dragnet 1967”, “The Bold Ones: The New Doctors”, and “Get Smart”.

James Drury. He was famous as the lead in “The Virginian”, but he had a solid body of work outside of that. (Lawrence pointed out that one of his early roles was “Crewman Strong” in “Forbidden Planet”.)

Bobby Mitchell. He played with the Cleveland Browns and the Washington Redskins, and was a Hall of Fame player:

Fast, elusive and versatile, he scored 91 touchdowns, amassed more than 14,000 net yards, was named to the Pro Bowl four times and was voted to the N.F.L.’s all-decade team for the 1960s.

“Bobby Mitchell was one of the greatest all-around ballplayers,” Lenny Moore of the Baltimore Colts, a contemporary and fellow Hall of Famer, was quoted as saying on the Redskins’ website. “Anybody who can transition himself and be one of the best in the business at both positions, that’s saying something.”

Forrest Compton. Another knock-around guy: he was most famous for playing “Mike Karr” on “The Edge of Night” soap, but he also was a semi-regular on “Gomer Pyle: USMC”, appeared multiple times in “Hogan’s’ Heros” and “The F.B.I”…

…and, yes, he did do a “Mannix”. (“One for the Lady”, season 4, episode 2. He was “Elgin Bonning”.)

Ed Biles, former coach of the Houston Oilers. He started out as a defensive coordinator:

When [Bum] Phillips was fired after a loss at Oakland in the first round of the playoffs in 1980, Biles was promoted to replace him. His first team finished 7-9. The Oilers were 1-9 during the strike-abbreviated 1982 season. When they started 0-6 in 1983, he was forced out and replaced by defensive coordinator Chuck Studley.

Among the players Biles coached were defensive end Elvin Bethea, nose tackle Curley Culp and outside linebacker Robert Brazile, each of whom is a member of the Pro Football Hall of Fame.

Shirley Douglas, who seems to be consistently described as a “Canadian actor and activist”. Among other roles, she was in the original “Lolita”, the pilot of “The Hat Squad” TV series, the “Flash Gordon” TV series, and “Dead Ringers”.

She was also married to Donald Sutherland: Kiefer Sutherland is her son by Donald. (She also had a daughter, Rachel, with Donald, and another child with her second husband Timothy Emil Sicks.)

Al Kaline, All-Star outfielder for the Detroit Tigers.

He became the youngest batting champion in major league history in 1955 when he hit .340 at age 20. He had 3,007 career hits, the 12th player to reach the No. 3,000 milestone, and he hit 399 home runs, a Tiger record.
Renowned for his powerful arm, Kaline won 10 Gold Glove awards for his play in right field and sometimes in center. He set an American League record for outfielders by playing in 242 consecutive games without an error. He played in 2,834 games from 1953 to 1974, the most of any Tiger, and only Ty Cobb equaled his 22 years with the team.

Billy Martin, his manager late in his career, referred to Kaline as Mr. Perfection, but his achievements came in the face of twin obstacles. He encountered the pressure of comparisons with Cobb, one of baseball’s greatest players, and he had been hampered since childhood by the bone disease osteomyelitis.

Kaline had a .297 career batting average, with 1,583 runs batted in and 1,622 runs scored.

“What you gonna do when you get out of jail?…” part 7

Monday, April 6th, 2020

Time for something a little lighter.

Mike the Musicologist pointed out to me the other day the most 70s thing ever, at least according to MeTV:

(That reminds me: Hi, Saturday Dining Conspiracy regular who shall remain anonymous but likes “Xanadu”! Hope you guys are doing okay!)

Now, I will concede that this is probably the high-water mark of the 1970s: as Hunter S. Thompson said about the 1960s, “that place where the wave finally broke and rolled back.” But here’s another vintage slice of peak 70s for you.

If you’re unemployed, it might even help you find a job…selling cars to women.

On a historical note, this may explain why Chrysler needed that bail out…

Today’s bonus video, which actually might be suitable for those of you who are homeschooling your children: how does an oil refinery work?

Obit watch: March 25, 2020.

Wednesday, March 25th, 2020

Terrence McNally, noted playwright.

Mr. McNally’s Tony Awards attest to his versatility. Two were for books for musicals, “Kiss of the Spider Woman” (1993) and “Ragtime” (1998), and two were for plays, and vastly different ones: “Love! Valour! Compassion!” (1995), about gay men who share a vacation house, and “Master Class” (1996), in which the opera diva Maria Callas reflects on her career.
And those prize winners were only a small part of his oeuvre. With some three dozen plays to his credit, as well as the books for 10 musicals, the librettos for four operas and a handful of screenplays for film and television, Mr. McNally was a remarkably prolific and consistent dramatist.

Hattip on this to Lawrence, who also pointed out that Mr. McNally did a guest shot on “The Greatest American Hero”. He actually did guest shots on a small hand full of TV shows, including “Salvage I” (that sounds like a “blink and you’d miss it” appearance), “CHiPs”, and “The Young and the Restless”.

Speaking of hattips, great and good FOTB Borepatch sent over an obit for Albert Uderzo, co-creator (with the late René Goscinny) of Asterix and Obelix.

Edited to add: NYT obit.

A followup from “The Drive” that I’ve been meaning to post for a couple of days: Kenny Rogers, dirt racer.

Rogers paired up with Sprint Car Hall of Famer C.K. Spurlock and campaigned his own team for several years before the two formed Gambler Chassis Company. Taking its name from Rogers’ famous song The Gambler, this project was anything but a gimmick. The company would go on to win races with stars like Steve Kinser, Sammy Swindell, and Doug Wolfgang behind the wheel. Simply put, Gambler cars were consistently some of the fastest in the United States, taking victories at primetime events like the Knoxville Nationals.

Obit watch: March 24, 2020.

Tuesday, March 24th, 2020

Lawrence sent over an obit for prolific British actor David Collings, but I haven’t been able to find confirmation from another site.

Eric Weissberg, multi-instrumentalist musician, but perhaps most famous as a banjo guy. Specifically, “Dueling Banjos”.

As a session player he appeared on Judy Collins’s “Fifth Album,” contributing guitar to her 1965 version of “Pack Up Your Sorrows.” He played banjo on John Denver’s 1971 Top 10 pop hit, “Take Me Home, Country Roads.” His fretwork was heard on albums like Bob Dylan’s “Blood on the Tracks” (1974), Billy Joel’s “Piano Man” (1973) and the Talking Heads’ “Little Creatures” (1985). He collaborated with jazz musicians like Bob James and Herbie Mann as well.
“Dueling Banjos” did not, as the song’s title suggests, involve two banjoists pitting their skills against each other. Instead it showcased Mr. Weissberg’s three-finger Earl Scruggs-style banjo in a sprightly call-and-response — more of a dance than a fight — with the flat-picked acoustic guitar of his collaborator, Steve Mandell.

When it appeared on the soundtrack for “Deliverance,” a movie based on the James Dickey novel of the same name, it was mistakenly copyrighted to Mr. Weissberg.
A lawsuit was settled in Mr. Smith’s favor. Mr. Weissberg always maintained that Warner Bros. had credited him as the song’s composer without his knowledge or consent.

Eli Miller. No, you probably never heard of him. He was one of the last of New York City’s door to door seltzer delivery men, who worked “from 1960 until he retired in 2017.”

When Mr. Miller started his business, hundreds of seltzer men plied the streets; when he retired, there were only a handful. Through all of the intervening decades, he appeared at his customers’ homes bearing a wooden box of pewter-topped bottles filled with authentic seltzer.
“It’s not the stuff you buy in the plastic bottles in the store, which has about five pounds of pressure,” Mr. Miller said in a video that accompanied an article about him in The New York Times in 2013.
What Mr. Miller brought customers, he said, was triple-filtered New York City water, without salt, sugar or other additives, pressurized to about 60 to 80 pounds per square inch — perfect for enjoying plain or spritzing into an egg cream.

Mr. Miller was inducted into the Brooklyn Jewish Hall of Fame in 2017. His fellow inductees that year included the television personality Judge Judy Sheindlin and Ira Glasser, a former executive director of the American Civil Liberties Union.

Obit watch: March 18, 2020.

Wednesday, March 18th, 2020

Stuart Whitman, another one of those knock-around TV and movie actors. THR.

He was “Marshal Jim Crown” on “Cimarron Strip”, played a child molester in a British movie called “The Mark”, was “Sergeant Walters” on “Highway Patrol”, and did guest shots on a whole lot of 70’s TV. (No “Mannix”, though.)

Lyle Waggoner. Things I didn’t know: he tried out for “Batman”. He was the first “Playgirl” centerfold. He did guest shots on “Lost in Space” (the original) and “Supertrain”. And he was in “Catalina Caper“.

Obit watch: March 3, 2020.

Tuesday, March 3rd, 2020

James Lipton. THR. I wish I had more to say about him, but my anti-cable TV policy means that I never saw an episode of “Inside the Actor’s Studio”, and I’m way too young to remember “The Lone Ranger” on the radio.

One thing I don’t think I was consciously aware of until I read his obit: he also wrote An Exaltation of Larks.

Claudette Nevins. She was one of those knock-around actresses: she was in the original production of “Plaza Suite” and toured nationally with “The Great White Hope”. She also did a lot of TV, especially in the 70s: “Barnaby Jones”, “M*A*S*H” (she was the woman Charles Emerson Winchester “married” while drunk in Tokyo), “Mrs. Colombo”, “Switch”, “Lou Grant”, “The Rockford Files”, “Electra Woman and Dyna Girl”, “The F.B.I.”…and the list goes on. (She even did an episode of “Police Squad“. (“In Color”!)) Never did a “Mannix”, though, at least per IMDB.

Obit watch: February 26, 2020.

Wednesday, February 26th, 2020

My brother sent out an obit watch for Clive “Raise the Titanic!” Cussler. I have not been able to find an obit to link to yet, but his passing seems to be confirmed by a post from his wife on his Facebook page. When I find actual obits, I’ll either update here or post another obit watch tomorrow.

Edited to add: Of course. Literally five minutes after I hit “Publish”, the paper of record posts their obit.

He began writing fiction at home in the late 60s, but his first two books, “Pacific Vortex” and “The Mediterranean Caper,” were repeatedly rejected. Unable even to get an agent, he staged a hoax. Using the letterhead of a fictitious writers’ agency, he wrote to the agent Peter Lampack, posing as an old colleague about to retire and overloaded with work. He enclosed copies of his manuscripts, citing their potential.
It worked. “Where can I sign Clive Cussler?” Mr. Lampack wrote back. In 1973, “The Mediterranean Caper” was published, followed by “Iceberg” (1975) and “Raise the Titanic!” (1976).
Despite an improbable plot and negative reviews, “Raise the Titanic!” sold 150,000 copies, was a Times best seller for six months and became a 1980 film starring Richard Jordan and Jason Robards Jr.

I actually kind of enjoyed the book “Raise the Titanic!”, but I was young at the time. I also paid actual money to see the movie in a theater, and that was a piece of s–t.

His books sales have been staggering — more than 100 million copies, with vast numbers sold in paperback at airports. Translated into 40 or so languages, his books reached The New York Times’s best-seller lists more than 20 times, as he amassed a fortune estimated at $80 million.

Ahem. Ahem.

While searching for his obit, though, I stumbled across the THR one for Ben Cooper. He was in a fair number of Westerns: “Johnny Guitar”, “Support Your Local Gunfighter”, “The Fastest Guitar Alive”. He also did a lot of TV guest spots: “Gunsmoke”, “Bonanza”, “The Rifleman”, “Death Valley Days”, and had regular spots on “The Misadventures of Sheriff Lobo” and “The Fall Guy”…

…and yes, he was on “Mannix” twice. (“The Playground”, season 3, episode 4, the same one Robert Conrad was in. That’s the next one we’re watching, Lawrence. Also “To Cage a Seagull”, season 4, episode 10.)

Obit watch: February 21, 2020.

Friday, February 21st, 2020

I can’t put this one any better than the paper of record did:

Sy Sperling, Founder of Hair Club for Men (and Also a Client), Dies at 78

Several people sent me obits for Lawrence Tesler:

Mr. Tesler worked at a number of Silicon Valley’s most important companies, including Apple under Steve Jobs. But it was as a young researcher for Xerox at its Palo Alto Research Center in the 1970s that he did his most significant work: helping to develop today’s style of computer interaction based on a graphical desktop metaphor and a mouse.
Early in his Xerox career (he began there in 1973), Mr. Tesler and another researcher, Tim Mott, developed a program known as Gypsy, which did away with the restrictive modes that had made text editing complicated. For example, until Gypsy, most text-editing software had one mode for entering text and another for editing it.

The Gypsy program offered such innovations as the “cut and paste” analogy for moving blocks of text and the ability to select text by dragging the cursor through it while holding down a mouse button. It also shared with an earlier Xerox editor, Bravo, what became known as “what you see is what you get” printing (or WYSIWYG), a phrase Mr. Tesler used to describe a computer display that mirrored printed output.

It was Mr. Tesler who gave Mr. Jobs the celebrated demonstration of the Xerox Alto computer and the Smalltalk software system that would come to influence the design of Apple’s Lisa personal computer and then its Macintosh.

The NYT ran a nice obit for Kellye Nakahara Wallett. There’s also a very good tribute to her on Ken Levine’s blog.

Esther Scott, actress. (“Boys N the Hood”)

Ja’Net DuBois, “Willona Woods” on “Good Times” and co-writer and performer of the theme for “The Jeffersons”.

Bonnie MacLean, another one of the 1960s San Francisco psychedelic poster artists.

Obit watch: February 18, 2020.

Tuesday, February 18th, 2020

Charles Portis, author (True Grit, Norwood, The Dog of the South).

A lot of people I know (especially in the SF community) praise Portis. He’s on my list, but so far I’ve only read parts of True Grit. I need to go back and read the whole thing: the use of voice in this novel is fascinating.

The narrative voice of “True Grit” is that of a self-assured old woman, Mattie Ross, as she recalls an adventure she had in Arkansas’s Indian Territory when she was 14, on a quest to track down her father’s killer with Cogburn’s help.
Mr. Portis wanted her to sound determined to “get the story right,” he said in an interview for this obituary in 2012. The book has virtually no contractions, and the language is insistently old-fashioned.

I think more to the point that this is a book written from the point of view of a determined older woman, recounting a formative experience of her youth, and Portis manages to capture both the teen and the adult.

Mr. Portis shrank from the attention his more celebrated novels attracted. He steadfastly refused to be interviewed, although he made himself available to talk about his life for this obituary. When drawn into public gatherings, he dodged photographers. But he didn’t like to be called a recluse or compared to the likes of J.D. Salinger. He pointed out that his name was in the Little Rock phone book.

Mr. Portis’s reluctance to talk to the news media may have been traceable to his days as a reporter, when intruding on people’s lives was part of the job description. Mattie, his narrator in “True Grit,” may be voicing Mr. Portis’s own feelings when she speaks of the reporters who had sought her out to tell them her story of Rooster Cogburn.
“I do not fool around with newspapers,” Mattie says. “The paper editors are great ones for reaping where they have not sown. Another game they have is to send reporters out to talk to you and get your stories free. I know the young reporters are not paid well and I would not mind helping those boys out with their ‘scoops’ if they could ever get anything right.”

(Interestingly, this is another NYT obit where the subject outlived the obit writer.)

It may be kind of a cliche, but this section is quoted in the NYT obit. I’m also a sucker for John Wayne, and this is one of my favorite Wayne moments.

(“Fill your hand, you son-of-a-bitch!” Such a useful phrase.)

Kellye Nakahara Wallett. As Kellye Nakahara, she was perhaps best known as “Lt. Kellye Yamato” on M*A*S*H, a character who was mostly a bit player (though the character was featured in one episode near the end of the run). M*A*S*H Wiki entry.

Obit watch: February 13, 2020.

Thursday, February 13th, 2020

Paula Kelly.

Ms. Kelly burst into the movies in 1969 in “Sweet Charity,” an adaptation of the stage musical about an ever-hopeful taxi dancer — a dance partner for hire — in a run-down Times Square dance hall. Ms. Kelly played the dancer Helene, one of two best friends of the title character, Charity Hope Valentine, played by Shirley MacLaine. Chita Rivera played the other.
Although lesser known than the movie’s big stars — Sammy Davis Jr. also had top billing — Ms. Kelly more than held her own, especially in the seductive number “Big Spender” and the energetic “There’s Got to Be Something Better Than This,” in which the three dance-hall girls express their determination to get respectable jobs.
Onstage, Ms. Kelly played Helene in the London production of “Sweet Charity” (with music by Cy Coleman, lyrics by Dorothy Fields and a book by Neil Simon). The director, Bob Fosse, who also directed and choreographed the show on Broadway, asked Ms. Kelly to reprise the role for the movie, which was to be his feature-film directorial debut.
He called her “the best dancer I’ve ever seen.”

She went on to other movie roles, including “The Andromeda Strain” (the original), “Soylent Green”, and “The Spook Who Sat By the Door”. She also did guest spots on a lot of 70s TV that wasn’t “Mannix”: “Cannon”, “Police Woman”, “The Streets of San Francisco”. She also played a public defender on “Night Court”.

Despite her many acting roles, Ms. Kelly’s first love was dance.
“The only time I feel complete expression is when I’m dancing,” she told the black weekly The New Pittsburgh Courier in 1968. “Then I feel I have no problems, no worries, no hangups. I feel I could do anything in the world.”

Obit watch: February 9, 2020.

Sunday, February 9th, 2020

Let’s get down to it.

Paul Farnes. He was 101, and the last surviving RAF ace from the Battle of Britain.

…for three months, through the end of October, the R.A.F. battled the Luftwaffe for supremacy in the skies over Britain. Flying a Hurricane fighter for the 501 Squadron, Mr. Farnes, a sergeant pilot, proved supremely adept at attacking German aircraft.
In August alone he shot down three Junkers Ju Stuka bombers, a Dornier 17 light bomber and a Messerschmitt 109E fighter.At the end of September, as Mr. Farnes maneuvered his malfunctioning Hurricane back to the R.A.F.’s Kenley base, he spotted a German bomber flying directly at him at about 1,500 feet.
“I thought, ‘Good God,’ so I whipped out and had to reposition myself and managed to get ’round behind him,” he said in an interview with the website History of War in 2017. “I gave him a couple of bursts, and he crashed at Gatwick just on the point between the airport and the racecourse.”

Aerial warfare against the Germans meant breaking away from the squadron, finding something to shoot at, firing away, then breaking away to safety. But by Mr. Farnes’s account it was also enjoyable, because he was able to combine his love of flying with the mission to protect Britain.
“The C.O. would quite often pick the next members of the squadron that had to be at ‘readiness,’ and the two or three who weren’t picked would be pretty fed up,” he told History of War. “If you weren’t picked, you’d think, ‘Why can’t I go?’ I’m sure one or two must have felt, ‘Well, thank God I’m not going!’ But a lot of us were quite happy to go.”

Robert Conrad. THR. Variety.

I was a little young for “Wild Wild West” in first run; if it was syndicated in Houston when I was a kid, I don’t remember it. It could have been on the station we were never able to pick up (the same one OG “Star Trek” was on). And “Hawaiian Eye” was before my time. But if you’re my age or a little on either side of it, this was like candy for us:

He also appeared multiple times on “Mission: Impossible” and other series, either as the lead of some less than successful ones (“High Mountain Rangers”) or doing guest shots. He did do a “Mannix”. (“The Playground”, season 3, episode 4.) And I didn’t know this, but he played G. Gordon Liddy in the TV movie version of “Will”.

Orson Bean. Variety. THR. Interesting guy: I remember him from “Being John Malkovich” and I’m pretty sure I’ve seen him on some of those old game shows on Buzzr. In the 1960s, he founded a progressive school in New York City.

Believing that America’s generals were planning an imminent coup d’état, Mr. Bean abandoned his thriving career and moved his family to Australia in 1970. He became a disciple of the Austrian psychoanalyst Wilhelm Reich and wrote a book about his psychosexual theories, “Me and the Orgone.” (Orgone is a concept, originally proposed by Reich, of a universal life force.)
When the book appeared in 1971, Mr. Bean returned to America with his wife and four children. For years he led a nomadic life as an aging hippie and self-described househusband, casting off material possessions in a quest for self-realization.

In the 1980s, he settled down again and resumed acting. He was 91 years old when he died: he was hit by a car while walking, fell, and was run over by a second car (according to Variety).

After the jump, more obits.

(more…)

Obit watch: February 6, 2020.

Thursday, February 6th, 2020

I wish I had something wise or profound or witty to say about Kirk Douglas beyond, “Man, what a career. Heck, what a life.”

The one thing I can say is: we’ve been lucky enough to watch a few Kirk Douglas movies recently during Saturday movie night, and I look forward to watching more. “Ace In the Hole” is a very under-rated but excellent movie about the power of the mass media to create circuses: in some way, I think it’s actually almost a prequel to “Network” (one of my top ten films). As for “Spartacus“, yes, it is a long movie, but I can’t think of anything I’d cut out of it. “Paths of Glory” is shorter, and is another Douglas movie that I think is under-rated. (I also think it may be Kubrick’s most overlooked film).

We haven’t watched “Lonely Are the Brave” yet, but it is on the list, and I may move the priority on that one up…

NYT. LAT. Variety. THR.

Man, what a career. What a life.

Also among the dead: Gene Reynolds, co-creator of “M*A*S*H” and creator of “Lou Grant.”