Whipped Cream Difficulties

Edd “Kookie” Byrnes, noted for “77 Sunset Strip”. NYT.

Broadcast on ABC from 1958 to 1964, “77 Sunset Strip” starred Efrem Zimbalist Jr. and Roger Smith as a pair of suave Los Angeles private eyes and Mr. Byrnes as the parking-lot attendant at the restaurant next door to their office.
As he ministered tenderly to the Thunderbird convertible driven by Mr. Zimbalist in the show, Kookie (né Gerald Lloyd Kookson III) ran his omnipresent pocket comb through his lush ducktailed pompadour, cracked his devil-may-care grin and spouted aphorisms that even at midcentury had all the gnomic obscurity of Zen koans:
“A dark seven” (a depressing week); “piling up the Z’s” (getting some sleep); “headache grapplers” (aspirin); “buzzed by germsville” (to become ill); and, most emblematically, “Baby, you’re the ginchiest!” — a phrase of the highest Kookian approbation.

His character evolved from parking attendant to junior partner in the detective agency, but he was pretty much typecast after that. Deadline suggests that he partially inspired the Rick Dalton character in “Once Upon a Time In Hollywood”. He did go on to play the dance host in “Grease” and did a fair number of guest shots on TV shows…

…yes, including “Mannix”. (“A Penny for the Peep Show”, season 3, episode 6.)

Bob “Daddy-O” Wade, Texas sculptor of giant objects.

Iggy wound up at the Lone Star, a Texas-themed honky-tonk, in the 1970s after Mr. Wade had shown it at an exhibition in western New York, near Niagara Falls. Impetuously picking up the phone one day at 2 a.m., he called Mort Cooperman, the club’s owner, and asked him if he would like to install the sculpture on the roof of the Lone Star building, at Fifth Avenue and 13th Street. Mr. Cooperman said yes, agreeing to pay Mr. Wade $1,000 a year for Iggy — the deal was originally for five years — and $1,000 a year for his bar tab.

…

The iguana was Mr. Wade’s opening act. There would be many more gigantic, kitschy installations: A sextet of 10-foot-tall dancing frogs and an alligator made of Altoid tins. A New Orleans Saints helmet made largely out of an old Volkswagen. A hog-shaped motorcycle made from salvaged Harley-Davidson parts. A colossal pair of simulated ostrich-skin boots. (They’d fit a cowboy with size 500 feet, he estimated.)

…

A few years after the boots were disassembled and moved to a mall in San Antonio on three flatbed trucks in 1980, Mr. Wade got a phone call from the mall’s manager. A homeless man had found his way into one of the boots and cooked his lunch there. The boot was on fire.
“It was the size of a small apartment, kind of a nice spot, and he was cooking lunch with cans of Sterno, and smoke was emerging from the top of the boots,” Mr. Wade said in “Too High, Too Wide and Too Long.”

This entry was posted on Friday, January 10th, 2020 at 6:52 am and is filed under 1970s, Art, Mannix, Obits, TV. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.