Whipped Cream Difficulties

Apparently, the Detroit PD doesn’t want Shepard Fairey extradited from California to face vandalism charges there. (Previously.)

This comes by way of a LAT think piece:

Fairey’s arrest, and his release, provides a window into the evolution of street art, its growing acceptance in American culture and the extent to which an old question, “Is it art or is it vandalism?” now gets answered through new eyes. The social media and press attention that the Detroit incident received speaks to the artist’s fame, which is itself a marker of how street art has become part of the zeitgeist, public art expert Ed Fuentes said.

Perhaps I am naive. Perhaps I shouldn’t try to be an art critic. But it seems to me that there’s a very simple answer to the “art or vandalism” question: if you have permission from the property owner, it is art. If you don’t, it is vandalism.

Speaking of art being above the law, Joe Gibbons was sentenced yesterday.

Mr. Gibbons, a former lecturer in art at the Massachusetts Institute of Technology, was sentenced on Monday to one year in prison after he pleaded guilty in State Supreme Court in Manhattan to third-degree felony robbery for entering a Capital One Bank in Chinatown this past New Year’s Eve, stealing $1,002 and filming it all on a pocket-size pink and silver video camera. He claimed it was an act of performance art coupled with dire financial straits.

…

While acknowledging that Mr. Gibbons had dubious legal standing, Ann Pellegrini, a professor of performance studies at New York University, called the case a classic example of “performance becoming performative,” an act that questions “the relationship between actor, audience and enactment.”