Archive for December 24th, 2014

Christmas thoughts.

Wednesday, December 24th, 2014

Before I went to sleep last night, I spent some time with an old friend: Robert Ruark.

He wrote memorably and well about Christmas. I like something he said, in one of the “Old Man and the Boy” essays, about the smell of Christmas:

The old-fashioned Christmas smell was predominantly that of crushed evergreens against the constant resiny scent of a snapping fire. One was a cool, smell, the other hot, but both joined forces in delightful companionship. This aromatic back drop was overlaid by the heady odors that drifted from the kitchen, the sage which went into the turkey stuffing predominating.
The whole was tinctured with spices and by alcohol, because brandies and wines were lavishly used in the preparation of sauces and in building the fruit cakes. There was, as well, an infusion of tropical scent, as the infrequent Christmas citrus fruits the opulent golden oranges added an oily sharpness to the mixture. This was counterbalanced by the clean, cidery bite of the hard, white-fleshed, scarlet apples. Bright Christmas candies the clover-shaped and heart-shaped sugary ones you never saw at any other time of the year and the striped hard ones with the soft centers helped the greasy Brazil nuts along, as did the winy aroma of the great clusters of raisins, sugary-sticky to the touch. The spices that went into the eggnog or the hot Tom and Jerrys stood off the warm friendship of the rum that gave character to the cream.

It’s almost like being there. Ruark had been dead for several years when I was a boy, but I remember similar Christmas smells; maybe not as many, or as strong, but I do remember them from my childhood. I never really got the taste for raisins, but we always had the Christmas Hershey’s Kisses; somehow, I remember them tasting better than they do now.

These days, people buy chemicals in a bottle and call that the smell of Christmas.

Maybe it isn’t all bad: today, the Old Man probably would have lived another ten or twenty years. I wonder if the Old Man would have thought it was worth the trade, though.

(The quote above is from a not-terribly-well OCRed version of The Old Man’s Boy Grows Older at archive.org. Here’s another one for you, if you’ll hold still for it, though it doesn’t have much to do with Christmas:

Perhaps I am not very clear here, but what I am getting at is that my teen-age group possessed, legally, all the death-dealing, injury-wielding weapons that are now owned clandestinely by the “bad” kids. There was a certain pride in being trusted. My cousins and friends and I used to go off on a Saturday picnic into the local wilds with enough armament to conquer the county rifles, shotguns, knives, scout axes and were not regarded as a serious menace to the community. Or to each other.

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TMQ Watch: December 23, 2014.

Wednesday, December 24th, 2014

Before we jump into this week’s post-bye TMQ, a tweet from Easterbrook:

Dear Greggles:

The “whole nation” saw Jacksonville – Tennessee because it was a Thursday night game and the only game on. It may be true that California didn’t get to see Dallas – Indianapolis, but that was a curb stomping; the San Diego – San Francisco and Oakland – Buffalo games were close thrillers.

After the jump, this week’s TMQ. Warning: spoilers ahead for “Ascension”.

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Obit watch: December 24, 2014.

Wednesday, December 24th, 2014

Lawrence forwarded this really nice appreciation of Margot Adler, who passed away in July. Awful lot of dust in the room today.

(No, really. I’ve been sneezing my ass off the past couple of days.)

A/V Club obit for Joseph Sargent, who I mentioned yesterday. Also: NYT.

I missed this over the weekend: former Houston mayor Bob Lanier.

Finally, one I missed until late yesterday: Billie Whitelaw. You may know her as the nanny in the original “The Omen”, but she was very famous in England. She may have been best known as Samuel Beckett’s muse and collaborator:

She accepted his artistic vision without always understanding its explicitly rendered ambiguities. They read his plays together, discussing not their meaning but the most minuscule elements of the text — the pauses and sighs and guttural sounds as well as the words, the inflections demanded by the language, and his need, as she said in interviews, to remove the acting from the performance. “Flat, no emotion, no color,” he would often caution her, she said.