Monday night’s announcement that the new musical “The Last Ship” will close on Jan. 24 after a meager four-month run, despite unusual efforts by Sting, its composer, to increase ticket sales, raises that question more than most other foundering musicals in recent years.
Hmmmm. Hmmmm. Hmmmm. Why, indeed, did “The Last Ship” fail (and cost the show’s producers their entire $15 million investment), even though Sting himself joined the cast?
Mr. Seller said that he had no theories for why more female theatergoers (who make up about 70 percent of Broadway audiences) and Sting fans did not embrace “The Last Ship,” about the troubled lives of shipbuilders and young people in a struggling British town.
Could this be…a clue?