(I’d kind of like to see the Hurt/Egoyan “Krapp’s Last Tape”, but it looks like you can only get that in the “Beckett On Film” set, which is pricy but contains some other stuff I’d like to see as well.)
Barbara Hale, who knocked around movies and TV a bit before she settled into her most famous role. LAT. NYT.
That role, by the way, was “Della Street”, Perry Mason’s secretary during the Raymond Burr run from the beginning of the TV series in 1957 all the way through the last TV movie in 1993. (I make the distinction because: while I personally don’t remember this and it didn’t last very long, there was an attempt to revive Mason in the 1970s, with Monte Markham in the titular role. Ms. Hale was not involved with that. She was, however, involved with “The Perry Mason Mysteries” which were made after Burr’s death and didn’t involve Perry Mason at all.)
Noted: she was also the wife of Dean Martin’s character in “Airport”.
He was also a television spokesman for White Owl cigars, and narrated episodes of “Underdog”.
But he was perhaps best known as the voice of Heat Miser in “The Year Without a Santa Claus”. He was also in “A Miser Brothers’ Christmas” (which I’d never even heard of, but I was apparently in my 40s when that premiered).
Questions: which one should I put on? I’m kind of partial to “My child is a honor student…”, but feel free to argue your case in the comments.
And which one should I take off to make room? Right now, I’m thinking: as much as I liked CHeston, and as much of an NRA supporter as I am, the “My President Is Charlton Heston” one is faded almost to the point of being unreadable. It might be time to let go. (And I’ve got window stickers out the wazoo.)
Consider this an endorsement. Let’s make The Jerry Orbach Memorial Art Car a reality. You’ve probably blown $6 this week on a bad lunch: why not brown bag it one day and throw a few bucks to the memory of Jerry Orbach?
(Shame he lives in LA, though. There’s a pretty active art car scene in Houston, and he could get an old DPS car from the state surplus store.)
Edited to add: Mike the Musicologist made a good point to me: Orbach seems to mostly be remembered for his LawnOrder work, but he did a lot of stuff before that (as the true cognoscenti know).
On the one hand, I understand why Brandon Bird focuses on Lennie Briscoe (and I find his story about how Briscoe changed his life oddly touching). On the other hand, I agree with Mike too, and wanted to find something non-Lennie to throw in here: I just couldn’t find anything I liked.
Fortunately, Mike saved me the trouble.
(And I’d really like to see that production of “Chicago” with Orbach as Billy Flynn.)
Edward Albee, noted playwright (“Who’s Afraid of Virginia Woolf?”).
I remember when I was growing up in Houston, Albee came to town – I think they were doing the world premiere of one of his works at tha Alley Theatre, though I can’t for the life of me recall what it was – and it was a huge deal at the time. As a teenager, I didn’t understand why; in retrospect, it may have been that Albbe’s coming to town put sort of stamp of cultural legitimacy on the city, at a time when many people outside Houston thought of it as a grotty oil boom town.
(I’ve never read any of Kinsella’s work, though I’d consider it: some of the things I’ve read about his work indicate he’s more interesting and complex than those other lyrical magical baseball happy horseshit writers. I did see the movie and didn’t care much for it, but, yoy know, that’s just my opinion, I could be wrong.)
(Amazon also lists something called “Rice Field of Dreams”. Turns out this is a documentary about the Cambodian baseball team; whle that sounds interesting, I was thinking it was some sort of Hong Kong movie. Perhaps one of those one-eyed priest/apprentice monk things Lawrence likes, where the good guys have to use martial arts and magic to battle evil spirits. Add some sort of sports element – not necessarily baseball, maybe soccer – and I’m sure it would make money.)
Or, why did “American Psycho”, “Bright Star”, “Disaster!”, and “Tuck Everlasting” all fail? Interestingly, it doesn’t seem like the answer is “they were bad”, or that the “Hamilton” juggernaut crushed everything in its path.
“Bright Star” actually sounds like it could be interesting: Steve Martin and Edie Brickell wrote the score, and I kind of like the “quiet” and “small” description applied to it. I’d go see a touring production.
“Disaster!” on the other hand sounds like…well…you know. But it does give me an idea: “Airplane!: The Musical” The opening number would, of course, be “The White Zone (Is For Loading and Unloading Only)”. Then you’d have the big duet between Ted Striker and Elaine Dickinson, “I’ll Never Get Over Macho Grande”…well, you get the idea. Broadway producers, call me. Either we have a sure-fire hit, or we can sell 10,000% of the show and retire to a life of leisure in some country that doesn’t have an extradition treaty with the United States.
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