This week’s TMQ, after the jump…
Archive for the ‘TV’ Category
…I give you a very silly quiz from the WP:
I have never seen an episode of “Girls” (since I refuse to have cable). However, I still got a perfect score on the quiz. Which says something: either about my knowledge of Gatsby or about how silly this quiz actually is, I do not know.
Oh, what the heck, I’ll throw this one in, too:
I sent this to Lawrence with the suggestion that it might be worse than Bello De Soto’s website: Lawrence doesn’t think so, and I’m still trying to make up my mind.
There are so many things that push it towards legendary badness for me: the chicken walking around on the live Twitter feed (why?), the auto-play Chinese karaoke (ditto?), the spinning chat avatars, gratuitous abuse of the blink tag…
On the other hand, it hasn’t actually crashed any browser I’ve tried it on so far. On the gripping hand, it is an actually up and (apparently) functional website, as opposed to an archive of one…
I’ve mentioned previously that I watched COPS on a regular basis, at least until it left Fox for the wilderness of basic cable. I’ll still watch it if I catch it on somewhere.
I remember seeing some fairly shocking and disturbing things during that time; fatal highway accidents, one carload of police officers (with a camera crew on board) being broadsided during a high-speed chase by another cop car. But I never thought anything like this would happen.
A crew member with the “Cops” television show was fatally struck by police gunfire as Omaha officers confronted a robber — who also was fatally wounded — at a midtown restaurant, law enforcement sources said Wednesday.
The World-Herald claims that the police were the only ones shooting, and that “at least 30 shots” were fired during the incident.
I’m not sure what else I can say about this, other than it is sad and awful, and I’ll pass along any significant updates.
And so is TMQ. And so is TMQ Watch. The first column of the NFL season is always kind of strange; there’s a lot of short items, basketball coverage, and other things that throw us for a loop. We’re probably not going to hit every one of TMQ’s throwaway quips. And yes, we’re aware that TMQ did a couple of draft columns; we looked at those and frankly didn’t find anything noteworthy in them. One was his usual silly mock draft, the other was his draft analysis, and both contained the recommended US daily allowance of TMQ tropes.
Anyway, back to this week’s TMQ, after the jump…
Edited to add: The Bloggess.
Somehow this seems appropriate:
Edited to add 2: Cracked. Damn.
So when I hear some naive soul say, “Wow, how could a wacky guy like [insert famous dead comedian here] just [insert method of early self-destruction here]? He was always joking around and having a great time!” my only response is a blank stare.
That’s honestly the equivalent of, “How can that cow be dead? She had to be healthy, because these hamburgers we made from her are delicious!”
James Shigeta passed away yesterday. I wasn’t sure if I was going to note this, but the A/V Club ran an excellent obit for him that I believe deserves attention.
He was the lead in the film version of “Flower Drum Song”. If you look at his IMDB page, he had bit parts in basically everything during the 1970′s: the original “Mission: Impossible”, “Rockford”, “SWAT”, “Kung Fu”, “Emergency”, “Ironside”, the original “Hawaii 5-0″, etc.
He was perhaps best known (at least to my brother) as Joseph Takagi in the first “Die Hard”.
Also, the NYT is reporting the passing of Theodore VanKirk, the last surviving crew member of the Enola Gay.
Light blogging ahead. And just when it seems things are picking up, too.
The good news is, I’m going to get my yearly Smith and Wesson fix. I’ll report in as time permits.
In the meantime, the most recent “100 Episodes” column on the A/V Club site is devoted to “Mannix”, a series that is just at the fringes of my memory, and that I’d love to see again. (I’ve been watching for the DVDs to show up used, but haven’t had any luck yet.)
Mannix was too smooth, too ’70s to qualify as neo-noir, but more than anything else on television it did echo the flavor of its era’s most unsentimental crime novelists, authors like Ross Macdonald, John D. MacDonald, Richard Stark.
Beyond the shout out to three of my favorite crime novelists, this is a swell survey of what made “Mannix” interesting; I commend it to your attention.
I remember Guy Lombardo from when I was a wee lad. Every New Year’s Eve up until roughly 1976, there was Guy and his Royal Canadian Orchestra hosting their New Year’s Eve special. Sometimes I was able to stay up and watch at least part of it.
I associated Guy and the RCO with Lawrence Welk and Liberace and, for want of a better word, the kind of music my maternal grandmother and grandfather liked. But at the time, there were only three real television channels, I never really got into Dick Clark, and “Guy Lombardo and His Royal Canadian Orchestra” flowed trippingly off the tongue.
I hadn’t thought of Guy in years, until a few paragraphs in The Power Broker got me wondering about him. How did he end up hosting those specials? What else did he do, and where did he come from?
Wikipedia turned up one of those odd historical byways that I’m so fond of. In addition to being the leader of the Royal Canadians, Guy raced boats. Seriously raced boats. As in, he won the Gold Cup (which is the biggest prize in boat racing) in 1946.
Before his retirement, he was planning to make a run at the world speed record on water. His retirement may have been prompted by the fact that the boat he was planning to use disintegrated during a test run.
(As a side note, that record isn’t for the timid. Wikipedia claims “an approximate fatality rate of 85% since 1940“, though it should also be noted that this statement is tagged “Citation needed.” No matter what the actual percentage is, looking over the history of attempts makes it very clear that this is an expensive way to kill yourself very fast if anything goes wrong.)
And what’s the relationship between Guy and Robert Moses that brought this up in the first place? Guy and his RCO were basically Robert Moses’ house band. Moses set them up at Jones Beach and gave them an incredibly sweet deal: Moses didn’t just pay Guy and RCO to play at the park, but also absorbed all the costs of running the venue, and allowed Guy and the RCO to keep most of the ticket money and advertising revenue. In return, not only did Guy and the RCO play at Jones Beach, but they also entertained at various other offical functions for Moses, and Moses used them to impress people he needed to impress. For example, if you had a small child and Moses needed your help with something…well, Guy entered the Jones Beach theater every night on one of his speedboats. Wouldn’t your kid love to ride along with Guy as he made his grand entrance in Tempo? Of course they would.
(There are a couple of good biographies that need to be written. I can’t find any evidence that there was ever one written of Guy and his brothers, and it sure seems there’s more to their story. I think you could also get a good book out of the story of Rosebud Yellow Robe.)